Difference between revisions of "Argentina"
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* [[CAYC]], the Art and Communication Centre founed in Buenos Aires, 1968, by [[Víctor Grippo]], [[Jacques Bedel]], [[Luis Fernando Benedit]], [[Alfredo Portillos]], [[Clorindo Testa]], [[Jorge Glusberg]] and [[Jorge González]]. | * [[CAYC]], the Art and Communication Centre founed in Buenos Aires, 1968, by [[Víctor Grippo]], [[Jacques Bedel]], [[Luis Fernando Benedit]], [[Alfredo Portillos]], [[Clorindo Testa]], [[Jorge Glusberg]] and [[Jorge González]]. | ||
* [[Jorge Glusberg]], the director of CAYC, 1968-2012. | * [[Jorge Glusberg]], the director of CAYC, 1968-2012. | ||
| − | * [[Arte de | + | * ''[[Arte de sistemas]]'' [Systems Art], exhibition, Museo de Arte Moderno, Buenos Aires, July 1971. |
* [[Marta Minujín]] | * [[Marta Minujín]] | ||
| − | |||
==Video art== | ==Video art== | ||
Revision as of 17:32, 2 May 2022
Contents
Visual poetry
Asociación Arte Concreto — Invención (Concrete Art and Invention Association)
Arte y Comunicación
- CAYC, the Art and Communication Centre founed in Buenos Aires, 1968, by Víctor Grippo, Jacques Bedel, Luis Fernando Benedit, Alfredo Portillos, Clorindo Testa, Jorge Glusberg and Jorge González.
- Jorge Glusberg, the director of CAYC, 1968-2012.
- Arte de sistemas [Systems Art], exhibition, Museo de Arte Moderno, Buenos Aires, July 1971.
- Marta Minujín
Video art
- Charly Nijensohn, [1]
- Historia crítica del video Argentino, ed. Jorge La Ferla, Buenos Aires: Museo de Arte Latinoamericano de Buenos Aires (MALBA), and Espacio Fundación Telefónica (EFT), 2008. (Spanish)
Literature
- Documents of 20th-Century Art in Argentina
- Ángel Rama, "Las dos vanguardias latinoamericanas", Maldoror 9 (Nov 1973). (Spanish)
- http://scribd.com/doc/182487189/Argentina-en-la-decada-del-60-experimentalismo-y-politizacion
- http://scribd.com/doc/182449070/Di-Tella-pdf
- Vicky Unruh, Latin American Vanguards: The Art of Contentious Encounters, University of California Press, 1994.
- Jacqueline Barnitz, Twentieth-Century Art of Latin America, 2001, xxii+400 pp; 2nd ed., rev. & exp., with Patrick Frank, Austin: University of Texas Press, 2015, xviii+415 pp.
- Andres Burbano, Hernando Barragán (eds.), Hipercubo/ok/: arte, ciencia y tecnología en contextos próximos, Bogotá: Universidad de los Andes, 2002, 223 pp. (Spanish). Monograph on science, art and technology in Latin America. [2] [3]
- Rodrigo Alonso, "Elogio de la Low Tech".
- Rodrigo Alonso, "Fuera de las formas del cine. Experiencias de Cine Expandido en Argentina", 2001. (Spanish)
- Inés Katzenstein, Listen, Here, Now! Argentine Art of the 1960s: Writings of the Avant-garde, New York: Museum of Modern Art, 2004, 376 pp. Selected texts, Excerpt, [4].
- Patrick Frank (ed.), Readings in Latin American Modern Art, Yale University Press, 2004, 288 pp. [5] (English)
- Rodrigo Alonso, "Modelo para armar. Media Art Contemporáneo de Argentina", 2005. (Spanish)
- Rodrigo Alonso, "Art and Technology in Argentina: The Early Years", Leonardo Electronic Almanac, 13:4, April 2005. Spanish version.
- Rodrigo Alonso, "On Technological Tactics", 2005.
- Andrea Giunta, Avant-Garde, Internationalism, and Politics: Argentine Art in the Sixties, Duke University Press, 2007, ARG. [6] (English)
- Monica Amor, Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969, University of California Press, 2016, 344 pp. Introduction. [7]
- Sophie Halart, Mara Polgovsky Ezcurra (eds.), Sabotage Art: Politics and Iconoclasm in Contemporary Latin America, London: I.B. Tauris, 2016, xvii+238 pp. (English)
- Alexander Alberro, Abstraction in Reverse: The Reconfigured Spectator in Mid-Twentieth-Century Latin American Art, University of Chicago Press, 2017. (English)
- Bill Kelley Jr., Grant H. Kester (eds.), Collective Situations: Readings in Contemporary Latin American Art, 1995-2010, Durham: Duke University Press, 2017, 456 pp. Reviews: Montgomery (CAA), Zilberg (Leonardo).
- Patrick Frank (ed.), Manifestos and Polemics in Latin American Modern Art, trans. Patrick Frank, University of New Mexico Press, 2017, 320 pp. Review: Boone (CJLACS). (English)
- Redes de vanguardia: Amauta y América Latina, 1926-1930, eds. Beverly Adams and Natalia Majluf, Madrid: Museo Nacional Centro de Arte Reina Sofía, Austin: Blanton Museum of Art, and Lima: MALI, 2019, 352 pp. Exh. catalogue. [8] (Spanish)
- The Avant-garde Networks of Amauta: Argentina, Mexico, and Peru in the 1920s, Madrid: Museo Nacional Centro de Arte Reina Sofía, Austin: Blanton Museum of Art, and Lima: MALI, 2019, 352 pp. [9] (English)
| Countries avant-garde, modernism, experimental art, media culture, social practice |
||
|---|---|---|
|
Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States | ||
