Difference between revisions of "Computer music"
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| − | == | + | ==Publications== |
| − | * ''Elektronische Datenverarbeitung in der Musikwissenschaft'' | + | |
| − | * ''Computer Applications in Music'' | + | * Harald Heckmann (ed.), ''Elektronische Datenverarbeitung in der Musikwissenschaft'', Regensburg: Bosse, 1967, xvii+237 pp. [https://worldcat.org/oclc/1234220 TOC]. {{de}} |
| − | * '' | + | |
| − | * ''The Computer and Music'', | + | * Gerald Lefkoff (ed.), ''Papers from the West Virginia University Conference on Computer Applications in Music'', Morgantown, WV: West Virginia University Library, 1967, 105 pp. Conference proceedings. |
| + | |||
| + | * Heinz von Foerster, James W. Beauchamp (eds.), ''[[Media:von Foerster Heinz Beauchamp James W eds_Music_by_Computer 1969.pdf|Music by Computer]]'', John Wiley & Sons, 1969, 139 pp. | ||
| + | |||
| + | * Barry S. Brook (ed.), ''Musicology and the Computer: Musicology 1966-2000: A Practical Program. Three Symposia'', New York: City University of New York Press, 1970, x+275 pp. Conference proceedings. | ||
| + | |||
| + | * Harry B. Lincoln (ed.), ''[[Media:Lincoln_Harry_B_ed_The_Computer_and_Music_1970.pdf|The Computer and Music]]'', Ithaca, NY: Cornell University Press, 1970, xvi+354 pp, [https://archive.org/details/computermusic00linc OL]. | ||
| + | |||
| + | * ''Computer Music Journal'', quarterly, MIT Press, 1977-2020. [https://direct.mit.edu/comj] | ||
| + | |||
| + | * Curtis Roads (ed.), ''[https://monoskop.org/log/?p=23048 Composers and the Computer]'', Los Altos, CA: William Kaufmann, 1985, xx+201 pp. | ||
| + | |||
| + | * Curtis Roads, John Strawn (eds.), ''[[Media:Roads Curtis Strawn John eds Foundations_of_Computer_Music_1985.djvu|Foundations of Computer Music]]'', Cambridge, MA: MIT Press, 1985, xiii+712 pp. [https://www.curtisroads.net/books] | ||
| + | |||
| + | * Peter Manning, ''Electronic and Computer Music'', New York: Oxford University Press, 1985, 291+[8] pp; 2nd ed., 1993, viii+399 pp; [https://monoskop.org/log/?p=276 rev. & exp. ed.], 2004, x+474 pp; [https://monoskop.org/log/?p=276 4th ed.], 2013, xii+543 pp. | ||
| + | |||
| + | * ''[[Media:CARL_Computer_Audio_Research_Laboratory_Startup_Kit_1985.pdf|CARL (Computer Audio Research Laboratory) Startup Kit]]'', La Jolla, CA: University of California San Diego, Jun 1985. | ||
| + | |||
| + | * Max V. Mathews, John R. Pierce (eds.), ''[[Media:Mathews_Max_V_Pierce_John_R_eds_Current_Directions_in_Computer_Music_Research_1989.pdf|Current Directions in Computer Music Research]]'', Cambridge, MA: MIT Press, 1989, vi+432 pp. With an audio CD. [https://worldcat.org/oclc/1043983891 TOC]. | ||
| + | |||
| + | * Georgina Born, ''[https://monoskop.org/log/?p=21877 Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avantgarde]'', University of California Press, 1995, xvi+390 pp. | ||
| + | |||
| + | * Curtis Roads, et al., ''[https://monoskop.org/log/?p=1914 The Computer Music Tutorial]'', Cambridge, MA: MIT Press, 1996, xx+1234 pp. | ||
| + | ** ''L'audionumérique'', trans. Jean de Reydellet, Paris: Dunod, 1999, 679 pp; 2nd ed. as ''L'audionumérique: musique et informatique'', Paris: Dunod, 2007, 658 pp; 3rd ed., Paris: Dunod, 2016, 674 pp. {{fr}} | ||
| + | ** ''Konpyūta ongaku: rekishi tekunorojī āto.'' [コンピュータ音楽 : 歴史・テクノロジー・アート], Tokyo: Tōkyō Denki Daigaku Shuppankyoku, 2001, 1054 pp. {{jp}} | ||
| + | |||
| + | * Kim Cascone, [[Media:Cascone 2000 The Aesthetics of Failure Post-Digital Tendencies in Contemporary Computer Music.pdf|"The Aesthetics of Failure: 'Post-Digital' Tendencies in Contemporary Computer Music"]], ''Computer Music Journal'' 24:4, MIT Press, Winter 2000, pp 12-18, [http://subsol.c3.hu/subsol_2/contributors3/casconetext.html HTML]. [http://www.jstor.org/stable/3681551 DOI]. | ||
| + | |||
| + | * Curtis Roads, ''[https://monoskop.org/log/?p=658 Microsound]'', Cambridge, MA: MIT Press, 2001, xii+409 pp. With an audio CD. | ||
| + | |||
| + | * Paul Doornbusch, ''[https://aaaaarg.fail/thing/606eaaf39ff37c2b272e81eb The Music of CSIRAC: Australia’s First Computer Music]'', Common Ground Publishing, 2005. | ||
| + | |||
| + | * ''[[Media:Musica ex Machina Machines Thinking Musically 2024.pdf|Musica ex Machina: Machines Thinking Musically]]'', Lausanne: EPFL Pavilions, 2024. Exh. guide. [https://epfl-pavilions.ch/en/exhibitions/musica-ex-machina Exhibition]. | ||
| + | |||
* [https://en.wikipedia.org/wiki/Computer_music#Further_reading more] | * [https://en.wikipedia.org/wiki/Computer_music#Further_reading more] | ||
| + | |||
| + | ==Documentary films== | ||
| + | * [https://www.youtube.com/watch?v=Ge6SxOmX5Xw MIT Experimental Music Studio (c. 1973)], 18 min. [https://assemblag.es/@magnus/111921136939433139 Toot]. | ||
==See also== | ==See also== | ||
Latest revision as of 08:59, 15 May 2025
Pages[edit]
Publications[edit]
- Harald Heckmann (ed.), Elektronische Datenverarbeitung in der Musikwissenschaft, Regensburg: Bosse, 1967, xvii+237 pp. TOC. (German)
- Gerald Lefkoff (ed.), Papers from the West Virginia University Conference on Computer Applications in Music, Morgantown, WV: West Virginia University Library, 1967, 105 pp. Conference proceedings.
- Heinz von Foerster, James W. Beauchamp (eds.), Music by Computer, John Wiley & Sons, 1969, 139 pp.
- Barry S. Brook (ed.), Musicology and the Computer: Musicology 1966-2000: A Practical Program. Three Symposia, New York: City University of New York Press, 1970, x+275 pp. Conference proceedings.
- Harry B. Lincoln (ed.), The Computer and Music, Ithaca, NY: Cornell University Press, 1970, xvi+354 pp, OL.
- Computer Music Journal, quarterly, MIT Press, 1977-2020. [1]
- Curtis Roads (ed.), Composers and the Computer, Los Altos, CA: William Kaufmann, 1985, xx+201 pp.
- Curtis Roads, John Strawn (eds.), Foundations of Computer Music, Cambridge, MA: MIT Press, 1985, xiii+712 pp. [2]
- Peter Manning, Electronic and Computer Music, New York: Oxford University Press, 1985, 291+[8] pp; 2nd ed., 1993, viii+399 pp; rev. & exp. ed., 2004, x+474 pp; 4th ed., 2013, xii+543 pp.
- CARL (Computer Audio Research Laboratory) Startup Kit, La Jolla, CA: University of California San Diego, Jun 1985.
- Max V. Mathews, John R. Pierce (eds.), Current Directions in Computer Music Research, Cambridge, MA: MIT Press, 1989, vi+432 pp. With an audio CD. TOC.
- Georgina Born, Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avantgarde, University of California Press, 1995, xvi+390 pp.
- Curtis Roads, et al., The Computer Music Tutorial, Cambridge, MA: MIT Press, 1996, xx+1234 pp.
- L'audionumérique, trans. Jean de Reydellet, Paris: Dunod, 1999, 679 pp; 2nd ed. as L'audionumérique: musique et informatique, Paris: Dunod, 2007, 658 pp; 3rd ed., Paris: Dunod, 2016, 674 pp. (French)
- Konpyūta ongaku: rekishi tekunorojī āto. [コンピュータ音楽 : 歴史・テクノロジー・アート], Tokyo: Tōkyō Denki Daigaku Shuppankyoku, 2001, 1054 pp. (Japanese)
- Kim Cascone, "The Aesthetics of Failure: 'Post-Digital' Tendencies in Contemporary Computer Music", Computer Music Journal 24:4, MIT Press, Winter 2000, pp 12-18, HTML. DOI.
- Curtis Roads, Microsound, Cambridge, MA: MIT Press, 2001, xii+409 pp. With an audio CD.
- Paul Doornbusch, The Music of CSIRAC: Australia’s First Computer Music, Common Ground Publishing, 2005.
- Musica ex Machina: Machines Thinking Musically, Lausanne: EPFL Pavilions, 2024. Exh. guide. Exhibition.
Documentary films[edit]
- MIT Experimental Music Studio (c. 1973), 18 min. Toot.
See also[edit]
Electroacoustic music, Sound art
| Sound and Music communities of practice |
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