Difference between revisions of "Slovenia"
Line 48: | Line 48: | ||
* [[Barbara Borčić]], "Video Art from Conceptualism to Postmodernism" published in the Impossible Histoires (Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991) edited by Dubravka Đurić and Miško Šuvaković (MIT Press: 2003), pp 490-524. [http://gama-gateway.eu/uploads/media/Video_Art_in_Yugoslavia_B_Borcic.pdf] [http://www.videogram4-senzatelevisione.com/gradivo/videoMITpress.pdf] [http://www.e-arhiv.org/diva/index.php?opt=source&id=845] | * [[Barbara Borčić]], "Video Art from Conceptualism to Postmodernism" published in the Impossible Histoires (Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991) edited by Dubravka Đurić and Miško Šuvaković (MIT Press: 2003), pp 490-524. [http://gama-gateway.eu/uploads/media/Video_Art_in_Yugoslavia_B_Borcic.pdf] [http://www.videogram4-senzatelevisione.com/gradivo/videoMITpress.pdf] [http://www.e-arhiv.org/diva/index.php?opt=source&id=845] | ||
* Barbara Borčić, "From Alternative Scene to Art Video: Video Production in Slovenia 1992-1994", Ljubljana, March 1994. [http://www.e-arhiv.org/diva/index.php?opt=source&id=867] | * Barbara Borčić, "From Alternative Scene to Art Video: Video Production in Slovenia 1992-1994", Ljubljana, March 1994. [http://www.e-arhiv.org/diva/index.php?opt=source&id=867] | ||
+ | * Barbara Borčić, "Reception of Video Production in Slovenia", [http://www.e-arhiv.org/diva/index.php?opt=source&id=869] | ||
* Marijan Susovski, "Video u Jugoslaviji", ''Spot'', no. 10, Zagreb 1977. | * Marijan Susovski, "Video u Jugoslaviji", ''Spot'', no. 10, Zagreb 1977. | ||
* Raša Todosijević, Video, Videosfera: video/društvo/umetnost ("The Video: Videosphere: video/society/art"), Studentski izdavački centar, ed. Mihailo Ristić, Belgrade 1986. | * Raša Todosijević, Video, Videosfera: video/društvo/umetnost ("The Video: Videosphere: video/society/art"), Studentski izdavački centar, ed. Mihailo Ristić, Belgrade 1986. |
Revision as of 12:25, 29 August 2011
Contents
Cities
Predecessors
- 1920, first wave of Slovenian avant-garde artists (The poet Anton Podbevšek develops his program along anarchist proletcult lines for the journal Rdeči pilot).
- 1921-28 Avant-garde activities in Slovenia are linked to the reviews Svetokre (1921), Rdeči pilot (Red Pilot) (1922); Ljubljanski zvon (Ljubljana Bell), Novi oder (New Stage) (1924), and Tank (1927-28), published by Ferdo Delak in Ljubljana and edited by Avgust Černigoj and Ferdo Delak - two issues were published, third banned
- 1921, Černigoj and Delak introduce Constructivist art to Ljubljana.
- 1924, Ljubljana, constructivist art experiments of Avgust Černigoj.
- 1928, Berlin, first exhibition outside Yugoslavia of the Slovenian Constructivist avant-garde.
- Literature
- Irina Subotić, "Concerning Art and Politics in Yugoslavia during the 1930s", Art Journal Vol. 52, No. 1, Political Journals and Art, 1910-40 (Spring, 1993), pp. 69-71. [1]
- Irina Subotić, "Avant-Garde Tendencies in Yugoslavia", Art Journal Vol. 49, No. 1, From Leningrad to Ljubljana: The Suppressed Avant-Gardes of East-Central and Eastern Europe during the Early Twentieth Century (Spring, 1990), pp. 21-27. [2]
Artist groups
Arts and engineering groups and collectives in CEE#Slovenia
Computer and computer-aided art
Experimental film
- Festivals and exhibitions
- Amateur Film Festival of Slovenia
- This Is All Film! Experimental Film in Yugoslavia 1951-1991, 2010-2011, Museum of Modern Art Ljubljana
- As soon as I open my eyes I see a film – Experiment in the Art of Yugoslavia in the 60’s and 70’s, Museum of Modern Art, Warsaw, 24.4.2008 - 22.6.2008. review
- Literature
- Ana Janevski (ed.): As Soon as I Open My Eyes I See a Film. Experiment in the Art of Yugoslavia in the 1960s and 1970s, Museum of Modern Art, Warsaw, 2010. With essays by Ana Janevski (on experimental art and film in Yugoslavia), Stevan Vuković (on political upheaval in 1968 in Belgrade), and Łukasz Ronduda (on contacts between Yugoslav and Polish artists in the 1970s). [3] Interview with Ana Janevski, June 2011
- Kino-Integral: Prispevki k zgodovini slovenskega eksperimentalnega filma. [4]
- Andrew J Horton, "Avant-garde Film and Video in Slovenia" Central European Review (September 1999) [5] (English)
Video art
- Artists
- 1970s (Ljubljana): Nuša and Srečo Dragan, Miha Vipotnik
- 1980s: Ljubljana subculture scene
- Works
- Miha Vipotnik, Videogram 4. Sen-za-tv: Dream for Television without television (Senza televisione), 1979. [6]
- Chronology
http://www.videodokument.org/cronology.htm
- Collections
- Artservis Collection, [7]
- Literature
- Videodokument. Video art in Slovenia 1969-1998, SCCA Ljubljana. Catalogue, book of essays, CD-ROM, 2001. [8]
- Marina Grzinic, "Video Art in Slovenia and in the Territory of Ex-Yugoslavia (Toward an Electronic Art Media Theory in Eastern Europe)", Mute Jan 1997. [9]
- "Video from Slovenia", [10]
- Barbara Borčić, "Video Art from Conceptualism to Postmodernism" published in the Impossible Histoires (Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991) edited by Dubravka Đurić and Miško Šuvaković (MIT Press: 2003), pp 490-524. [11] [12] [13]
- Barbara Borčić, "From Alternative Scene to Art Video: Video Production in Slovenia 1992-1994", Ljubljana, March 1994. [14]
- Barbara Borčić, "Reception of Video Production in Slovenia", [15]
- Marijan Susovski, "Video u Jugoslaviji", Spot, no. 10, Zagreb 1977.
- Raša Todosijević, Video, Videosfera: video/društvo/umetnost ("The Video: Videosphere: video/society/art"), Studentski izdavački centar, ed. Mihailo Ristić, Belgrade 1986.
- Zemira Alajbegović and Igor Španjol, "In the tehnological grip of a television station: an interview with Miha Vipotnik", in: Videodokument: Video Art in Slovenia 1969-1998, ed. Barbara Borčić, SCC – Ljubljana, Ljubljana, 1999.
- Igor Španjol, "An artistic evening: television presentation and production of art video", in: Videodokument: Video Art in Slovenia 1969-1998, ed. Barbara Borčić, SCCA-Ljubljana, Ljubljana, 1999.
- Dušan Mandić, "ŠKUC-Forumova video produkcija", Ekran, no. 1-2, Ljubljana, 1984
- Ana Fratnik, "Locality in the global medium: Video art in Slovenia". Diploma thesis, 2010. (Slovenian) [16]
- http://www.videospotting.org/eng/texts
- Tomaž Brejc on Miha Vipotnik and Nuša and Srečo Dragan, in Delo magazine. [17]
- Resources
- Videodokument, database of video art in Slovenia 1969-1998, [18]
- Diva archive of SCCA-Ljubljana, [19] [20]
- Internet Portfolio, by SCCA-Ljubljana, *1996 [21]
Art history and art theory
Tomaž Brejc, Barbara Borčić, Marina Gržinić
Literature
- Dubravka Djuric and Misko Suvakovic (eds.), Impossible Histories: Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991, MIT Press, 2003. [22]
- Irina Subotić, "Avant-Garde Tendencies in Yugoslavia", Art Journal, Vol. 49, No. 1, From Leningrad to Ljubljana: The Suppressed Avant-Gardes of East-Central and Eastern Europe during the Early Twentieth Century (Spring, 1990), pp. 21-27. Published by: College Art Association. [23]
Resources
- Marko Brumen: Intermedia arts in Slovenia - Timeline; Support infrastructure and funding; artists; producers; festivals; training and research; sources and bibliography, [24]
- Network of multimedia centres of Slovenia: [25]
- http://www.culture.si/en/Category:New_media_art
- http://www.culture.si/en/New_media_art_timeline
Countries avant-garde, modernism, experimental art, media culture, social practice |
||
---|---|---|
Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States |