North Macedonia

Cities

Skopje

Artists

• Ilija Šoškić

Video art

Events

• The Ohrid 89 international video colony. It enabled the production of video works in co-operation with RTV Skopje. Theorists, producers and video artists participated in the event, including Nuša Dragan, Srečo Dragan, and Marina Gržinić and Aina Šmid.

Literature

• "Videokunst in Mazedonien", in Ostranenie: 1. Internationales Videofestival am Bauhaus Dessau, Dessau: Bauhaus Dessau Foundation, 1993. (German)

• Македонско арт видео: антологија 1985-2005 [Macedonian Video Art: Ап Anthology], Skopje: NGM – Mala Stanica, 2005. Review. (Macedonian)

• Spot: Review of Photography 10: "Video", ed. Radoslav Putar, Zagreb: Grafički zavod Hrvatske, 1977. (Serbo-Croatian),(English)
  • Marijan Susovski, "Video u Jugoslaviji" / "Video in Yugoslavia", Spot 10, Zagreb, 1977.

• Sanja Iveković, Dalibor Martinis, "Video Scene in Yugoslavia?", in Video '79. Video, the First Decade / Dieci anni di videotape, Rome: Kane, 1979. (English)/(Italian)

• XVI Sao Paulo Biennial: Video from Yugoslavia, ed. Davor Matičević, Zagreb: Gallery of Contemporary Art Zagreb, 1981, 8 pp. (English)

• Biljana Tomić, "Pregled jugoslavenskog videa. Istočno od raja", in Video C.D. 83, Ljubljana: Cankarjev Dom, 1983. (Slovenian)

• Ješa Denegri, "Video Art in Yugoslavia 1969-1984", in Vidéo, ed. René Payant, Montréal: Artexte, 1986. (English)
  • "Video-umetnost u Jugoslaviji 1969-1984", RTV – teorija i praksa 36, Belgrade, Autumn 1984; repr. in Videosfera: video/društvo/umetnost, ed. Mihailo Ristić, Belgrade: Studentski izdavački centar, 1986, pp 124-131; repr. in Posleratni modernizam neoavantgarde / postmodernizam. Ogledi o jugoslovenskom umetničkom prostoru 1950–1990, Belgrade: Službeni glasnik, 2016, pp 190–202. (Serbian)

• Mihailo Ristić (ed.), Videosfera: video/društvo/umetnost [Videosphere: Video/Society/Art], Belgrade: Studentski izdavački centar, 1986, 219 pp. Anthology of theoretical texts about video, including contributions from video-makers. TOC. Review: Radoslav Radić. (Serbo-Croatian)

• Biljana Tomić, "YU video", in Ars Electronica '87, Linz, 1987. [1] (German)

• Video Art International: Yugoslavia, ed. K.R. Huffman, Boston: Institute of Contemporary Art, 1988. Exh. cat. (English)

• Barbara Borčić, "Video Art from Conceptualism to Postmodernism", in Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991, eds. Dubravka Djurić and Miško Šuvaković, MIT Press, 2003, pp 490-524, PDF. (English)

• Balkan Video Federation, ed. Branislav Dimitrijević, Belgrade: Center for Contemporary Art - Belgrade, 2000, [55] pp. Exh. cat. (English)

• Videografija regiona / Videography of the Region, ed. Aleksandra Sekulić, Belgrade: Dom kulture “Studentski grad”, 2009, 245 pp. [2] (Serbian)/(English)

• Zoran Erić, "The Question of Identity as Reflected through Video Art in ex-Yugoslavia", in Transitland: Video Art from Central and Eastern Europe 1989–2009, ed. Edit András, Budapest: Ludwig Museum--Museum of Contemporary Art, 2009, pp 57-68. (English)
  • "Problem identiteta kroz prizmu video umetnosti u bivšoj Jugoslaviji", in Biti iz van. Ka redefinisanju kulturnog identiteta Srbije, eds. Katarina Tojić and Marijana Simu, Belgrade: Kulturklammer, 2010, pp 38-52. (Serbian)

• Video, televizija, anticipacija / Video Television Anticipation, eds. Branka Benčić and Aleksandra Sekulić, Belgrade: Muzej savremenu umetnosti, 2013, [8] pp. Exh. booklet. [3] [4] (Serbian),(English)

• Cinemaniac > Misliti film: Video animacija anticipacija / Cinemaniac > Think Film: Video Television Anticipation, ed. Branka Benčić, Pula: Apoteka — Space for Contemporary Art, 2017, 77 pp. (Croatian)/(English)

• Jon Blackwood, "On Women’s Video Art in the context of Yugoslavia, 1969–91", in EWVA: European Women's Video Art in the 70s and 80s, eds. Laura Leuzzi, Elaine Shemilt, and Stephen Partridge, John Libbey, 2019, pp 55-66. [5] (English)

• Anja Foerschner, "Video Art", ch. 3 in Foerschner, Female Art and Agency in Former Yugoslavia, 1971-2001, Bloomsbury, 2024. Publisher.

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