Difference between revisions of "Women in concrete poetry"
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[[Image:Czech Natalie 2011 A hidden poem by Jack Kerouac 2.jpg|thumb|link=http://www.natalieczech.de/arbeiten/index.php?arbeit=7|250px|Natalie Czech, ''A hidden poem by Jack Kerouac #2'', 2011. C-Print. In her series, ''[http://www.natalieczech.de/arbeiten/index.php?arbeit=7 Hidden Poems]'' (2010-2013), Czech mines texts from a variety of sources, purposefully seeking or subconsciously finding in them words and fragments, which through a process of selection, repetition, and erasure, coalesce into poems by Frank O'Hara, Aram Saroyan, E.E. Cummings, Velimir Khlebnikov, a.o.]] | [[Image:Czech Natalie 2011 A hidden poem by Jack Kerouac 2.jpg|thumb|link=http://www.natalieczech.de/arbeiten/index.php?arbeit=7|250px|Natalie Czech, ''A hidden poem by Jack Kerouac #2'', 2011. C-Print. In her series, ''[http://www.natalieczech.de/arbeiten/index.php?arbeit=7 Hidden Poems]'' (2010-2013), Czech mines texts from a variety of sources, purposefully seeking or subconsciously finding in them words and fragments, which through a process of selection, repetition, and erasure, coalesce into poems by Frank O'Hara, Aram Saroyan, E.E. Cummings, Velimir Khlebnikov, a.o.]] | ||
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+ | [[Image:Hayes_Sharon_2019_Tongue.jpg|thumb|250px|Sharon Hayes, ''Tongue'', from ''Fingernails on a blackboard: Bella'', video, 2014. [https://tanyaleighton.com/artists/sharon-hayes/hayes-2014-0092 (Source)].]] | ||
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Revision as of 12:34, 24 September 2019
Women in concrete, visual, and sound poetry
Works
See also Women in Concrete Poetry channel on Are.na.
Sound works
Writings, statements
- Biljana Tomić, "Objašnjenje typoezije", Novine Galerija SC 9, Belgrade, 1969, p 19. (Serbo-Croatian)
- Lily Greenham, "Lingual Music", in Kontextsound, ed. Michael Gibbs, Amsterdam: Kontexts Publications, 1977, p 22.
- Paula Claire, "The Notation of My Sound Poetry", Open Letter 5:7, Spring 1984. [7]
- Mary Ellen Solt, "Concrete Steps to an Anthology", in Experimental, Visual, Concrete: Avant-garde PoetrySince the 1960s, eds. K. David Jackson, Eric Vos, and Johanna Drucker, Amsterdam: Rodopi, 1996, pp 347-352.
- Maria Demon, Rachel Blau DuPlessis, "Desiring Visual Texts: A Collage and Embroidery Dialogue", Jacket2, 25 Mar 2013.
Poets, artists
- May Swenson (1913-1989)
- Mary Beach (1919-2006)
- Mary Ellen Solt (1920-2007)
- Betty Danon (1920-2002)
- Jennifer Pike Cobbing (1920-2016)
- Bohumila Grögerová (1921-2014)
- Mirella Bentivoglio (1922-2017)
- Salette Tavares (1922-1994)
- Lily Greenham (1924-2001)
- Ilse Garnier (1927)
- Greta Monach (1928-2018)
- Hannah Weiner (1928-1997)
- Ana Hatherly (1929-2015)
- Françoise Janicot (1929-2017)
- Bogdanka Poznanović (1930-2013)
- Ruth Wolf-Rehfeldt (1932)
- Nye Ffarrabas (formerly Bici Forbes and Bici Hendricks, 1932)
- Lucia Marcucci (1933)
- Giulia Niccolai (1934)
- Irma Blank (1934)
- Barbara Caruso (1937-2009)
- Susan Howe (1937)
- Ketty La Rocca (1938-1976)
- Cozette de Charmoy (1939)
- Liliane Lijn (1939)
- Paula Claire (1939)
- Judith Copithorne (1939)
- Mirtha Dermisache (1940-2012)
- Elena Asins (1940-2015)
- Biljana Tomić (1940)
- Neide Sá (1940)
- Maxine Gadd (1940)
- Judita Šalgo (1941-1996)
- Rachel Blau DuPlessis (1941)
- Katalin Ladik (1942)
- Ry Nikonova (1942-2014)
- Ann Noël (1944)
- Ewa Partum (1945)
- Joanna Margaret Paul (1945-2003)
- Betty Radin
- Rhoda Rosenfeld
- Michèle Métail (1950)
- Ana María Uribe (1951-2004)
- Maggie O'Sullivan (1951)
- Johanna Drucker (1952)
- Beth Learn
- Maria Damon (1955)
- Elizabeth Was (Lyx Ish, 1956-2004)
- Patricia Farrell (1956)
- Caterina Davinio (1957)
- Peggy Lefler (1959)
- Erica Baum (1961)
- Jen Bervin (1972)
- Sylvia Ptak
- Natalie Czech (1976)
- Safiye Can (1977)
- Francesca Capone (1987)
- Mo Tingey (formerly Maurene Sandoe)
Exhibition catalogues
Group exhibitions
- Arti visive. Poesia visiva. / Visual Poetry by Women, an International Exhibition in Venice, ed. Mirella Bentivoglio, intro. Franca Zoccoli, Rome: Studio d'Arte Contemporanea, 1976, [27] cards+[3] leaves, 22 x 16 cm. Introduction, Artist list. A gathering of artists’ cards documenting visual and concrete poetry all created by women from Italy, England, Germany, United States, Czechoslovakia, Portugal, Canada, and Japan. Organized by Bentivoglio, this multiyear exhibit traveled form city to city throughout Italy (Milan, Savona, Rome, Turin) starting in 1972. Participating artists: Annalisa Alloatti, Mirella Bentivoglio, Irma Blank, Paul Claire, Lia Drei, Ulrike Eberle, Anna Esposito, Amelia Etlinger, Gisela Frankenberg, Ilse Garnier, Bohumila Grögerová, Ana Hatherly, Annalies Klophaus, Liliana Landi, Giulia Niccolai, Anna Oberto, Anezia Pacheco e Chaves, Marguerite Pinney, Betty Radin, Giovanna Sandri, Mira Schendel, Mary Ellen Solt, Chima Sunada, Salette Tavares, Biljana Tomić, Patrizia Vicinelli. [8] (Italian),(English)
- Materializzazione del linguaggio, ed. Mirella Bentivoglio, Biennale di Venezia 1978-Arti visive e architettura, 1978, 55 pp. Catalogue for exh. held 20 Sep-15 Oct 1978 featuring works by 86 women artists. Text by Mirella Bentivoglio, biographies of the exhibiting artists including Sonia Delaunay, Natalia Goncharova, Irma Blank, Mirella Bentivoglio, Lia Dreai, Chiara Diamantini, Elisabetta Gut, Ketty La Rocca, Lucia Marcucci, Simona Weller, Carla Vasio, Giulia Niccolai, Paola Levi Montalcini, Maria Lai, Tomaso Binga. [9] {{it}
Solo exhibitions
- Mirella Bentivoglio: Pages: Selected Works, 1966-2012, ed. & intro. Frances K. Pohl, Claremont, CA: Pomona College Museum of Art, 2015, 152 pp, Excerpt (pp 57-90). This book is the first museum publication in English on Italian artist Mirella Bentivoglio (born 1922). It includes critical essays by art historians Frances K. Pohl, Leslie Cozzi and Franca Zoccoli, interviews with Bentivoglio and John David O'Brien, and a biographical note by Rosaria Abate, plus a bibliography. The book highlights work from the recent exhibition at the Pomona College Museum of Art, which surveyed nearly 50 years of the artist's work as an internationally renowned member of the Concrete and visual poetry movements. Including works in paper, stone, metal, wood, cloth, plastic and Plexiglass and with numerous previously unpublished images, it reveals the ways in which Bentivoglio engaged with many of the most significant formal and theoretical issues of postwar art--for example, the relationship between image and text, the impact of mass media and consumer culture, feminist critiques of patriarchy and artistic interventions in public spaces. Exhibition: Pomona College Museum of Art, Claremont, USA (20.01-17.05.2015). [10] (English)
- Cozette de Charmoy: Podróże wyobraźni, eds. Urszula Czartoryska and Jaromir Jedlinski, Lodz: Muzeum sztuki, 1987, [16] pp. (Polish)
Archives, resources
- Paula Claire Archive; fromWORDtoART - International PoetArtists, an international archive of sound and visual poetry, est. 1983. The archive containing over 5,000 books, poem objects, exhibition catalogues, cassettes and CDs, was gathered by exchanging Claire's Little Press publications with fellow international poets, and is the basis of illustrated talks and displays.
Reception, art historical studies, theory
- Maria Antonietta Trasforini, "Decostruzioniste ante litteram: artiste in Italia negli anni Sessanta e Settanta", in Arte delle donne nell'Italia del Novecento, eds. Laura Iamurri and Sabrina Spinazzè, Rome: Meltemi, 2001, pp 181-199. Profiles Italian women whose artworks from those the 1960 and 1970s incorporated both word and image. [11] (Italian)
- OEI 51: "Mary Ellen Solt: Towards a theory of concrete poetry", ed. & forew. Antonio Sergio Bessa, Stockholm, 2010. [12] [13] (English)
- Leslie Cozzi, "Notes on the Index, Continued: Italian Feminism and the Art of Mirella Bentivoglio and Ketty La Rocca", Cahiers d’études italiennes 16, 2013, pp 213-234. (English)
- Elisabeth A. Frost, "Visual Poetics", in A History of Twentieth-Century American Women's Poetry, ed. Linda A. Kinnahan, Cambridge University Press, 2016, pp 339-358.
See also
Literature groups, movements, cultures |
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Avant-garde and modernist magazines, Artists' publishing, Vorticism, Dada, Zenitism, Estridentismo, Surrealism, Concrete poetry, Zine culture, Afrofuturism, Shadow libraries, Code poetry, Conceptual writing, Alternative literature, Conceptual comics. Art and culture, Contents, Index, About. |