Argentina

Visual poetry

• Juan Carlos Romero

Asociación Arte Concreto — Invención (Concrete Art and Invention Association)

• Tomás Maldonado
• Alfredo Hlito
• Claudio Girola
• Documents

Arte y Comunicación

• CAYC, the Art and Communication Centre founed in Buenos Aires, 1968, by Víctor Grippo, Jacques Bedel, Luis Fernando Benedit, Alfredo Portillos, Clorindo Testa, Jorge Glusberg and Jorge González.
• Jorge Glusberg, the director of CAYC, 1968-2012.
• Arte de sistemas [Systems Art], exhibition, Museo de Arte Moderno, Buenos Aires, July 1971.
• Marta Minujín

Video art

• Charly Nijensohn, [1]

• Videografías invisibles: una selección de videoarte latinoamericano 2000-2005, eds. Jorge Villacorta and José Carlos Mariátegui, Museo Patio Herreriano, 2005, 140 pp. [2] (Spanish)

• Jorge La Ferla (ed.), Historia crítica del video argentino, Buenos Aires: MALBA, and Buenos Aires: Espacio Fundación Telefónica, 2008, 285 pp. Publisher. Details. [3] (Spanish)

• ARCA Video Argentino, La Plata, est 2008.

• ARCA Video: Publicaciones

Literature

• Documents of 20th-Century Art in Argentina

• Ángel Rama, "Las dos vanguardias latinoamericanas", Maldoror 9 (Nov 1973). (Spanish)

• http://scribd.com/doc/182487189/Argentina-en-la-decada-del-60-experimentalismo-y-politizacion

• http://scribd.com/doc/182449070/Di-Tella-pdf

• Vicky Unruh, Latin American Vanguards: The Art of Contentious Encounters, University of California Press, 1994.

• Jacqueline Barnitz, Twentieth-Century Art of Latin America, 2001, xxii+400 pp; 2nd ed., rev. & exp., with Patrick Frank, Austin: University of Texas Press, 2015, xviii+415 pp.

• Andrea Giunta, Vanguardia, internacionalismo y política. Arte argentino en los años sesenta, Buenos Aires: Paidós, 2001. (Spanish)
  • Avant-Garde, Internationalism, and Politics: Argentine Art in the Sixties, Duke University Press, 2007, ARG. Publisher.

• Andres Burbano, Hernando Barragán (eds.), Hipercubo/ok/: arte, ciencia y tecnología en contextos próximos, Bogotá: Universidad de los Andes, 2002, 223 pp. Monograph on science, art and technology in Latin America. [4] [5] (Spanish)
  • Rodrigo Alonso, "Elogio de la Low Tech".

• Rodrigo Alonso, "Fuera de las formas del cine. Experiencias de Cine Expandido en Argentina", 2001. (Spanish)

• Inés Katzenstein, Listen, Here, Now! Argentine Art of the 1960s: Writings of the Avant-garde, New York: Museum of Modern Art, 2004, 376 pp. Selected texts, Excerpt, [6].

• Patrick Frank (ed.), Readings in Latin American Modern Art, Yale University Press, 2004, 288 pp. [7]

• Rodrigo Alonso, "Modelo para armar. Media Art Contemporáneo de Argentina", 2005. (Spanish)

• Rodrigo Alonso, "Art and Technology in Argentina: The Early Years", Leonardo Electronic Almanac, 13:4, April 2005. Spanish version.

• Rodrigo Alonso, "On Technological Tactics", 2005.

• Real/Virtual, arte cinético argentino en los años sesenta, ed. María José Herrera, Buenos Aires: Museo Nacional de Bellas Artes, 2012. (Spanish)

• Monica Amor, Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969, University of California Press, 2016, 344 pp. Introduction. Publisher.

• Sophie Halart, Mara Polgovsky Ezcurra (eds.), Sabotage Art: Politics and Iconoclasm in Contemporary Latin America, London: I.B. Tauris, 2016, xvii+238 pp.

• Alexander Alberro, Abstraction in Reverse: The Reconfigured Spectator in Mid-Twentieth-Century Latin American Art, University of Chicago Press, 2017.

• Bill Kelley Jr., Grant H. Kester (eds.), Collective Situations: Readings in Contemporary Latin American Art, 1995-2010, Durham: Duke University Press, 2017, 456 pp. Reviews: Montgomery (CAA), Zilberg (Leonardo).

• Patrick Frank (ed.), Manifestos and Polemics in Latin American Modern Art, trans. Patrick Frank, University of New Mexico Press, 2017, 320 pp. Review: Boone (CJLACS).

• Redes de vanguardia: Amauta y América Latina, 1926-1930, eds. Beverly Adams and Natalia Majluf, Madrid: Museo Nacional Centro de Arte Reina Sofía, Austin: Blanton Museum of Art, and Lima: MALI, 2019, 352 pp. Exh. catalogue. Publisher. (Spanish)
  • The Avant-garde Networks of Amauta: Argentina, Mexico, and Peru in the 1920s, Madrid: Museo Nacional Centro de Arte Reina Sofía, Austin: Blanton Museum of Art, and Lima: MALI, 2019, 352 pp. Publisher.

• Karen Benezra, Dematerialization: Art and Design in Latin America, Oakland, CA: University of California Press (Studies on Latin American Art and Latinx Art), 2020, 256 pp. Publisher. [8]

• Elize Mazadiego, Dematerialization and the Social Materiality of Art: Experimental Forms in Argentina, 1955-1968, Leiden: Brill, Mar 2021, 173 pp. Based on PhD thesis (UC San Diego, 2015). Publisher.

	Countries avant-garde, modernism, experimental art, media culture, social practice
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