Difference between revisions of "Argentina"
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* Rodrigo Alonso, [http://www.roalonso.net/en/pdf/videoarte/tacticas_ing.pdf "On Technological Tactics"], 2005. | * Rodrigo Alonso, [http://www.roalonso.net/en/pdf/videoarte/tacticas_ing.pdf "On Technological Tactics"], 2005. | ||
* Monica Amor, ''Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969'', University of California Press, 2016, 344 pp. [https://www.academia.edu/15687859/ Introduction]. [http://www.ucpress.edu/book.php?isbn=9780520286627] | * Monica Amor, ''Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969'', University of California Press, 2016, 344 pp. [https://www.academia.edu/15687859/ Introduction]. [http://www.ucpress.edu/book.php?isbn=9780520286627] | ||
| + | * Alexander Alberro, ''[http://aaaaarg.fail/thing/59468d369ff37c0dc000069d Abstraction in Reverse: The Reconfigured Spectator in Mid-Twentieth-Century Latin American Art]'', University of Chicago Press, 2017. {{en}} | ||
{{Countries}} | {{Countries}} | ||
Revision as of 20:12, 18 June 2017
Contents
Visual poetry
Asociación Arte Concreto — Invención (Concrete Art and Invention Association)
Arte y Comunicación
- CAYC, the Art and Communication Centre founed in Buenos Aires, 1968, by Víctor Grippo, Jacques Bedel, Luis Fernando Benedit, Alfredo Portillos, Clorindo Testa, Jorge Glusberg and Jorge González.
- Jorge Glusberg, the director of CAYC, 1968-2012.
- Marta Minujín
Video art
- Charly Nijensohn, [1]
- Historia crítica del video Argentino, ed. Jorge La Ferla, Buenos Aires: Museo de Arte Latinoamericano de Buenos Aires (MALBA), and Espacio Fundación Telefónica (EFT), 2008. (Spanish)
Literature
- Documents of 20th-Century Art in Argentina
- Ángel Rama, "Las dos vanguardias latinoamericanas", Maldoror 9 (Nov 1973). (Spanish)
- http://scribd.com/doc/182487189/Argentina-en-la-decada-del-60-experimentalismo-y-politizacion
- http://scribd.com/doc/182449070/Di-Tella-pdf
- Vicky Unruh, Latin American Vanguards: The Art of Contentious Encounters, University of California Press, 1994.
- Andres Burbano, Hernando Barragán (eds.), Hipercubo/ok/: arte, ciencia y tecnología en contextos próximos, Bogotá: Universidad de los Andes, 2002, 223 pp. (Spanish). Monograph on science, art and technology in Latin America. [2] [3]
- Rodrigo Alonso, "Elogio de la Low Tech".
- Rodrigo Alonso, "Fuera de las formas del cine. Experiencias de Cine Expandido en Argentina", 2001. (Spanish)
- Inés Katzenstein, Listen, Here, Now! Argentine Art of the 1960s: Writings of the Avant-garde, New York: Museum of Modern Art, 2004, 376 pp. Selected texts, Excerpt, [4].
- Rodrigo Alonso, "Modelo para armar. Media Art Contemporáneo de Argentina", 2005. (Spanish)
- Rodrigo Alonso, "Art and Technology in Argentina: The Early Years", Leonardo Electronic Almanac, 13:4, April 2005. Spanish version.
- Rodrigo Alonso, "On Technological Tactics", 2005.
- Monica Amor, Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969, University of California Press, 2016, 344 pp. Introduction. [5]
- Alexander Alberro, Abstraction in Reverse: The Reconfigured Spectator in Mid-Twentieth-Century Latin American Art, University of Chicago Press, 2017. (English)
| Countries avant-garde, modernism, experimental art, media culture, social practice |
||
|---|---|---|
|
Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States | ||
