Difference between revisions of "Japan"

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==Avant-garde==
 
==Avant-garde==
 
* [[MAVO]]
 
* [[MAVO]]
* [[Tomoyoshi Murayama]]
+
* [[Tomoyoshi Murayama]] (村山知義)
* [[Yamada Shinkichi]]
+
* [[Tatsuo Okada]] (岡田竜夫)
* http://www.mfa.org/collections/object/shikei-senkoku-death-sentence-438587
+
* [[Ogata Kamenosuke]] (尾形亀之助) [http://ja.wikipedia.org/wiki/尾形亀之助]
 +
* [[Yanase Masamu]] (柳瀬正夢) [http://de.wikipedia.org/wiki/Yanase_Masamu]
 +
* [[Yamada Shinkichi]] (山田伸吉)
  
; Works
+
; Publications
* Kyojiro Hagiwara, ''Shikei senkoku'' [Death Sentence], 1925. [http://www.mfa.org/collections/object/shikei-senkoku-death-sentence-438587]
+
* ''Mavo'', July 1924-August 1925, 7 issues. Published by Chōryūsha and edited by Tatsuo Okada and Tomoyoshi Murayama. Magazine inspired by Dada and by the irrationality in Zen. Changed name in October 1928 to ''Keisei gahō'' [Formative Pictorial] and became the private publication of Tatsuo Okada. Contributors included Toda Tatsuo and Yanase Masamu. [http://books.google.com/books?id=6ZjqDb-zwVQC&pg=PA208]
 +
 
 +
; Artist's books
 +
* Kyōjirō Hagiwara, ''[http://monoskop.org/log/?p=10690 Shikei senkoku]'' [Death Sentence], Tokyo: Chōryūsha, 1925, 161+6 pp. Illustrated by Mavo. Anthology of visual poetry. [http://www.mfa.org/collections/object/shikei-senkoku-death-sentence-438587]
 +
* Ernst Toller, ''Tsubame no sho'' [The Swallow Book], trans. Tomoyoshi Murayama, Tokyo: Chōryūsha, 1925, 106 pp. Illustrated by Tatsuo Okada. [http://rarebook.com/index.php/component/content/article/41/516]
 +
* Hideo Saito, ''Aozameta douteikyo'' [The Pale-Faced Virgin's Mad Thoughts], Tokyo: Chōryūsha, 1926, 120 pp. Illustrated by Tatsuo Okada. Anthology of visual poetry. [http://rarebook.com/index.php/component/content/article/41/729] [http://www.spencerart.ku.edu/collection/recent/tatsuo.shtml]
  
 
; Resources
 
; Resources
* http://japanesesurrealism.wordpress.com/
+
* [http://japanesesurrealism.wordpress.com/ Japanese Surrealism], blog.
 +
* [http://ericselland.wordpress.com/ The New Modernism: Japanese Modernist & Avant-Garde Poetry, Translations, Explorations], blog
 +
* http://www.douban.com/note/187789598/
  
; Bibliography
+
; Literature
* http://ericselland.wordpress.com/2013/09/04/a-japanese-modernist-reading-list-update/
+
* Gennifer Weisenfeld, [http://fds.duke.edu/db/attachment/1784 "Mavo’s Conscious Constructivism: Art, Individualism, and Daily Life in Interwar Japan", ''Art Journal'' 55:3 (Autumn 1996), pp 64-73.
 +
* James Fraser, Steven Heller, Seymour Chwast, ''Japanese Modern: Graphic Design Between the Wars'', Chronicle Books, 1996, 144 pp. [http://www.adsw.org/perspective/1998/JapaneseModern/ Review].
 +
* Toshiharu Omuka, [http://books.google.com/books?id=LcshAAAAQBAJ&pg=PA244 "Futurism in Japan, 1909-1920"], in ''International Futurism in Arts and Literature'', ed. Günter Berghaus, Walter de Gruyter, 2000, pp 244-270.
 +
* William O. Gardner, ''Avant-garde literature and the New City: Tokyo, 1923—1931 (Japan, Kyojiro Hagiwara, Hayashi Fumiko)'', Stanford University, 1999, 243 pp. Ph.D. Thesis. [http://raforum.info/spip.php?article1172]
 +
* Miryam Sas, ''Fault Lines: Cultural Memory and Japanese Surrealism'', Stanford University Press, 2001.
 +
* Gennifer Weisenfeld, ''[http://monoskop.org/log/?p=10684 Mavo: Japanese Artists and the Avant-Garde, 1905-1931]'', University of California Press, 2002, 368 pp.
 +
* William O. Gardner, ''Advertising Tower: Japanese Modernism and Modernity in the 1920s'', Harvard University Asia Center, 2006.
 +
* Gennifer Weisenfeld, [http://fds.duke.edu/db/attachment/1779 "Publicity and Propaganda in 1930s Japan: Modernism as Method"], ''Design Issues'' 25:4 (Autumn 2009), pp 13-28.
 +
* William J. Tyler (ed.), ''Modanizumu: Modernist Fiction from Japan, 1913-1938'', University of Hawaii Press, 2008, 605 pp. [http://books.google.com/books?id=wwJnQZSosw0C&printsec=frontcover]
 +
* Gennifer Weisenfeld, [http://fds.duke.edu/db/attachment/1778 "Japanese Typographic Design and the Art of Letterforms"], in ''Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong, Vol. 1'', New Jersey: P.Y. and Kinmay W. Tang Center for East Asian Art, 2011, 827-848.
 +
* Chingshin Wu, [http://www.academia.edu/1887843/ "Transcending the Boundaries of the 'isms': Pursuing Modernity through the Machine in Japanese Avant-Garde Art"], in ''Rethinking Japanese Modernism'', ed. Roy Starrs, Leiden and Boston: Global Oriental, 2012, pp 339-361.
 +
* Majella Munro, ''Communicating Vessels: The Surrealist Movement in Japan, 1925-70'', The Enzo Press, 2012. [http://enzoarts.com/wp-content/uploads/2012/12/Communicating-Vessels-extract-and-information.pdf Introduction].
 +
* [http://ericselland.wordpress.com/2013/09/04/a-japanese-modernist-reading-list-update/ Further bibliography]
  
 
==Anti-art, Non-art==
 
==Anti-art, Non-art==
* Jikken Kōbō, *1952
+
* [[Jikken Kōbō]], Tokyo, 1951-57.
* Gutai Art Association [Gutai Bijutsu Kyōkai], *1954
+
* [[Gutai Art Association]] [Gutai Bijutsu Kyōkai], Osaka and Ashiya, 1954-72.
* Sōgetsu Art Center, *1958
+
 
* Tokyo Fluxus, 1957-
+
* [[Sōgetsu|Sōgetsu Art Center]] (SAC), 1958-71.
* Butoh and Angura Theaters
+
* [[Neo Dada]], Tokyo, 1960-62.
* Bikyōtō
+
* [[Ongaku]] group, Tokyo, 1960-62.
 +
* [[Fluxus|Tokyo Fluxus]], 1957-1970s
 +
* [[Hi Red Center]], Tokyo, 1963-64.
 +
* 1000-Yen Note Incident Discussion Group, Tokyo, 1964-c70.
 +
 
 +
* [[Ankoku|Ankoku Butoh Group]], Tokyo, c1959-early 1970s.
 +
* [[Vivo]], Tokyo, 1959-61.
 +
* Underground theatres, Tokyo, c1966-c75.
 +
* [[Provoke]], Tokyo, 1968-70.
 +
 
 +
* Intermedia, Tokyo and Osaka, c1968-c70.
 +
* [[Psychophysiology Research Institute]], 1969-70.
 +
* [[Bikyōtō]], Tokyo, 1969-74.
 
* Japan World Exposition '70, Osaka  
 
* Japan World Exposition '70, Osaka  
 
; Literature
 
* http://artjournal.collegeart.org/?p=2349
 
* http://www.academia.edu/2037690/Expo_70_and_Japanese_Art_Dissonant_Voices_An_Introduction_and_Commentary
 
  
 
; Exhibitions
 
; Exhibitions
 
* http://www.getty.edu/art/exhibitions/postwar_japan/, [http://www.umma.umich.edu/view/exhibitions/2010-antiart.php], [http://www.newpaltz.edu/news/np_news/AN-Jan-2013dorsky.pdf]
 
* http://www.getty.edu/art/exhibitions/postwar_japan/, [http://www.umma.umich.edu/view/exhibitions/2010-antiart.php], [http://www.newpaltz.edu/news/np_news/AN-Jan-2013dorsky.pdf]
* http://www.moma.pref.kanagawa.jp/en/public/ZurokuDetail.do?no=1374124880524
 
  
 
; Resources
 
; Resources
* [http://www.getty.edu/art/exhibitions/postwar_japan/artantiart_timeline.pdf A timeline of postwar Japanese art movements]
+
* [http://www.getty.edu/art/exhibitions/postwar_japan/artantiart_timeline.pdf A timeline of postwar Japanese art movements], [http://www.getty.edu/art/exhibitions/postwar_japan/]
 +
 
 +
; Literature
 +
* Miwako Tezuka, ''Jikken Kobo (experimental workshop): avant-garde experiments in Japanese art of the 1950s'', Columbia University, 2005. Ph.D. Dissertation. [http://sunzi.lib.hku.hk/ER/detail/hkul/3852054] [http://clio.columbia.edu/catalog/5777500]
 +
* Charles Merewether, Rika Iezumi Hiro (eds.), ''Art, Anti-art, Non-art: Experimentations in the Public Sphere in Postwar Japan, 1950-1970'', Getty Publications, 2007, 140 pp. [http://books.google.com/books?id=Mc_6WLKf39wC&printsec=frontcover]
 +
* Reiko Tomii, [http://shinku.nichibun.ac.jp/jpub/pdf/jr/JN2103.pdf "'International Contemporaneity' in the 1960s: Discoursing on Art in Japan and Beyond"], ''Japan Review'' 21 (2009), pp 123-147.
 +
* Miwako Tezuka, [http://artjournal.collegeart.org/?p=2349 "Experimentation and Tradition: The Avant-Garde Play Pierrot Lunaire by Jikken Kōbō and Takechi Tetsuji"], ''Art Journal'' 70:3 (Fall 2011), pp 64-85.
 +
* Miryam Sas, ''Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return'', Harvard University Asia Center, 2011.
 +
* Midori Yoshimoto, [http://www.academia.edu/2037690/ "Expo ’70 and Japanese Art: Dissonant Voices An Introduction and Commentary"], ''Review of Japanese Culture and Society'' (December 2011), pp 1-12.
 +
* ''Jikken Kōbō―Experimental Workshop'', The Yomiuri Shimbun, 2012, 352 pp. [http://www.moma.pref.kanagawa.jp/en/public/ZurokuDetail.do?no=1374124880524]
  
 
==Onkyo==
 
==Onkyo==
 
* http://dusan.satori.sk/i/jp.php
 
* http://dusan.satori.sk/i/jp.php
  
==More==
+
==Philosophy of technology==
* http://www.douban.com/note/187789598/
+
* Takehiko Hashimoto, ''[http://monoskop.org/log/?p=9579 Historical Essays on Japanese Technology]'', Tokyo: The University of Tokyo Center for Philosophy, 2009.
* http://enzoarts.com/wp-content/uploads/2012/12/Communicating-Vessels-extract-and-information.pdf
+
 
* http://ericselland.wordpress.com/
 
  
; Literature
+
{{Countries}}
* Takehiko Hashimoto, ''[http://monoskop.org/log/?p=9579 Historical Essays on Japanese Technology]'', Tokyo: The University of Tokyo Center for Philosophy, 2009.
 
* http://monoskop.org/log/?p=9570
 
* http://faculty.winthrop.edu/stockk/WOmen%20in%20art/Ono%20%20%20Into%20Performance.pdf
 
* http://sunzi.lib.hku.hk/ER/detail/hkul/3852054, [http://clio.columbia.edu/catalog/5777500]
 
* http://books.google.com/books?id=Mc_6WLKf39wC&printsec=frontcover
 
* http://www.adsw.org/perspective/1998/JapaneseModern/
 
* http://fds.duke.edu/db/attachment/1778
 
* http://shinku.nichibun.ac.jp/jpub/pdf/jr/JN2103.pdf
 
* http://books.google.com/books?id=LcshAAAAQBAJ&pg=PA244
 
* http://books.google.com/books?id=wwJnQZSosw0C&printsec=frontcover
 

Revision as of 00:10, 16 February 2014

Avant-garde

Publications
  • Mavo, July 1924-August 1925, 7 issues. Published by Chōryūsha and edited by Tatsuo Okada and Tomoyoshi Murayama. Magazine inspired by Dada and by the irrationality in Zen. Changed name in October 1928 to Keisei gahō [Formative Pictorial] and became the private publication of Tatsuo Okada. Contributors included Toda Tatsuo and Yanase Masamu. [3]
Artist's books
  • Kyōjirō Hagiwara, Shikei senkoku [Death Sentence], Tokyo: Chōryūsha, 1925, 161+6 pp. Illustrated by Mavo. Anthology of visual poetry. [4]
  • Ernst Toller, Tsubame no sho [The Swallow Book], trans. Tomoyoshi Murayama, Tokyo: Chōryūsha, 1925, 106 pp. Illustrated by Tatsuo Okada. [5]
  • Hideo Saito, Aozameta douteikyo [The Pale-Faced Virgin's Mad Thoughts], Tokyo: Chōryūsha, 1926, 120 pp. Illustrated by Tatsuo Okada. Anthology of visual poetry. [6] [7]
Resources
Literature

Anti-art, Non-art

Exhibitions
Resources
Literature

Onkyo

Philosophy of technology


Countries
avant-garde, modernism and after

Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Macedonia, Malta, Mexico, Moldova, Montenegro, Netherlands, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States