Difference between revisions of "Japan"

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* [[Ogata Kamenosuke]] (尾形亀之助) [http://ja.wikipedia.org/wiki/尾形亀之助]
 
* [[Ogata Kamenosuke]] (尾形亀之助) [http://ja.wikipedia.org/wiki/尾形亀之助]
 
* [[Yanase Masamu]] (柳瀬正夢) [http://de.wikipedia.org/wiki/Yanase_Masamu]
 
* [[Yanase Masamu]] (柳瀬正夢) [http://de.wikipedia.org/wiki/Yanase_Masamu]
 +
* [[Shūzō Ōura]] (大浦周造)
 +
* [[Michinao Takamizawa]]
 
* [[Yamada Shinkichi]] (山田伸吉)
 
* [[Yamada Shinkichi]] (山田伸吉)
 +
* [[NNK]] group: Tatsuo Okada, Michinao Takamizawa and Tatsuo Toda.
  
; Publications
+
===Publications===
* ''Mavo'', July 1924-August 1925, 7 issues. Published by Chōryūsha and edited by Tatsuo Okada and Tomoyoshi Murayama. Magazine inspired by Dada and by the irrationality in Zen. Changed name in October 1928 to ''Keisei gahō'' [Formative Pictorial] and became the private publication of Tatsuo Okada. Contributors included Toda Tatsuo and Yanase Masamu. [http://books.google.com/books?id=6ZjqDb-zwVQC&pg=PA208]
+
; Mavo
 +
* "Mavo Manifesto", in the pamphlet for the first Mavo exhibition at Denpōin Temple in Asakusa, 1923; repr. in ''Nihon no Dada 1920-1970'', ed. Yoshio Shirakawa, Tokyo: Hakuba Shobō and Kazenobara, 1988, pp 35-36.
 +
* Tomoyoshi Murayama, ''Ichimei ishikiteki kōsei shugi e no dōtei'' [現在の藝術と未來の藝術 一名、意識的構成主義への道程], 1924.
 +
* ''Mavo'', July 1924-August 1925, 7 issues. Published by Chōryūsha and edited by Tatsuo Okada and Tomoyoshi Murayama. Magazine inspired by Dada and by the irrationality in Zen. Changed name in October 1928 to ''Keisei gahō'' [Formative Pictorial] and became the private publication of Tatsuo Okada. Contributors included [[Toda Tatsuo]] and [[Yanase Masamu]]. [http://books.google.com/books?id=6ZjqDb-zwVQC&pg=PA208]
 +
 
 +
; On art and the machine
 +
* Tomoyoshi Murayama, "Kikaiteki yōso no geijutsu he no dō'nyū" [The Introduction of Mechanical Elements into Art], ''Mizue'' 227 (January 1924).
 +
* ''Shin keitai bi danmen'' [Profile of the New Form of Beauty], Special Issue of ''Atorie'' 6:5 (May 1929).
 +
** Sadanosuke Nakada, [A Theory of the New Form of Beauty].
 +
** Tomoyoshi Murayama, "Saikin no geijutsu ni okeru kikaibi" [The Beauty of the Machine in Contemporary Art].
 +
* Takao Itagaki, ''Kikai to geijutsu to no kōryū'' [Interactions Between Art and the Machine], Tokyo: Iwanami Shoten, 1929.
 +
* ''Kikai geijutsuron'' [機械藝術論; Theory of the Machine and Art], Tokyo: Tenninsha [天人社], 1930; repr. by Tokyo: Yumani Shobō, 1991. Articles by ten authors from different fields of art, each writing on the relationship between the machine and their particular genre.
 +
* Toshimi Kimura (ed.), ''Kikai to geijutsu kakumei'' [The Machine and Artistic Revolution], Tokyo: Hakuyōsha, 1930; repr. in ''Kikai to geijutsu (Korekushon Modan Toshi Bunka 45)'' [Machine and Art (Modern Urban Culture Collection 45)], ed. Nobuhiko Baba, Tokyo: Yumani Shobō, 2009. Translations of articles by R.M. Fox, Edward J. O'Brien, and others, and two articles by Kimura. The book focuses on reviewing how the machine played crucial roles at the times when various new artistic styles emerged as well as on the relationship between the machine and capitalism or the proletariat.
 +
* Harue Koga, "Kikai to bijutsu" [The Machine and Art], ''Wakakusa'' (June 1931).
  
 
; Artist's books
 
; Artist's books
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* Hideo Saito, ''Aozameta douteikyo'' [The Pale-Faced Virgin's Mad Thoughts], Tokyo: Chōryūsha, 1926, 120 pp. Illustrated by Tatsuo Okada. Anthology of visual poetry. [http://rarebook.com/index.php/component/content/article/41/729] [http://www.spencerart.ku.edu/collection/recent/tatsuo.shtml]
 
* Hideo Saito, ''Aozameta douteikyo'' [The Pale-Faced Virgin's Mad Thoughts], Tokyo: Chōryūsha, 1926, 120 pp. Illustrated by Tatsuo Okada. Anthology of visual poetry. [http://rarebook.com/index.php/component/content/article/41/729] [http://www.spencerart.ku.edu/collection/recent/tatsuo.shtml]
  
; Resources
+
===Resources===
 
* [http://japanesesurrealism.wordpress.com/ Japanese Surrealism], blog.
 
* [http://japanesesurrealism.wordpress.com/ Japanese Surrealism], blog.
 
* [http://ericselland.wordpress.com/ The New Modernism: Japanese Modernist & Avant-Garde Poetry, Translations, Explorations], blog
 
* [http://ericselland.wordpress.com/ The New Modernism: Japanese Modernist & Avant-Garde Poetry, Translations, Explorations], blog
 
* http://www.douban.com/note/187789598/
 
* http://www.douban.com/note/187789598/
  
; Literature
+
===Literature===
 
* Gennifer Weisenfeld, [http://fds.duke.edu/db/attachment/1784 "Mavo’s Conscious Constructivism: Art, Individualism, and Daily Life in Interwar Japan", ''Art Journal'' 55:3 (Autumn 1996), pp 64-73.
 
* Gennifer Weisenfeld, [http://fds.duke.edu/db/attachment/1784 "Mavo’s Conscious Constructivism: Art, Individualism, and Daily Life in Interwar Japan", ''Art Journal'' 55:3 (Autumn 1996), pp 64-73.
 
* James Fraser, Steven Heller, Seymour Chwast, ''Japanese Modern: Graphic Design Between the Wars'', Chronicle Books, 1996, 144 pp. [http://www.adsw.org/perspective/1998/JapaneseModern/ Review].
 
* James Fraser, Steven Heller, Seymour Chwast, ''Japanese Modern: Graphic Design Between the Wars'', Chronicle Books, 1996, 144 pp. [http://www.adsw.org/perspective/1998/JapaneseModern/ Review].
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* William J. Tyler (ed.), ''Modanizumu: Modernist Fiction from Japan, 1913-1938'', University of Hawaii Press, 2008, 605 pp. [http://books.google.com/books?id=wwJnQZSosw0C&printsec=frontcover]
 
* William J. Tyler (ed.), ''Modanizumu: Modernist Fiction from Japan, 1913-1938'', University of Hawaii Press, 2008, 605 pp. [http://books.google.com/books?id=wwJnQZSosw0C&printsec=frontcover]
 
* Gennifer Weisenfeld, [http://fds.duke.edu/db/attachment/1778 "Japanese Typographic Design and the Art of Letterforms"], in ''Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong, Vol. 1'', New Jersey: P.Y. and Kinmay W. Tang Center for East Asian Art, 2011, 827-848.
 
* Gennifer Weisenfeld, [http://fds.duke.edu/db/attachment/1778 "Japanese Typographic Design and the Art of Letterforms"], in ''Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong, Vol. 1'', New Jersey: P.Y. and Kinmay W. Tang Center for East Asian Art, 2011, 827-848.
* Chingshin Wu, [http://www.academia.edu/1887843/ "Transcending the Boundaries of the 'isms': Pursuing Modernity through the Machine in Japanese Avant-Garde Art"], in ''Rethinking Japanese Modernism'', ed. Roy Starrs, Leiden and Boston: Global Oriental, 2012, pp 339-361.
+
* Roy Starrs (ed.), ''[http://scribd.com/doc/118623714/ Rethinking Japanese Modernism]'', Leiden and Boston: Global Oriental, 2012.
 +
** Chingshin Wu, [http://www.academia.edu/1887843/ "Transcending the Boundaries of the 'isms': Pursuing Modernity through the Machine in Japanese Avant-Garde Art"], pp 339-361.
 
* Majella Munro, ''Communicating Vessels: The Surrealist Movement in Japan, 1925-70'', The Enzo Press, 2012. [http://enzoarts.com/wp-content/uploads/2012/12/Communicating-Vessels-extract-and-information.pdf Introduction].
 
* Majella Munro, ''Communicating Vessels: The Surrealist Movement in Japan, 1925-70'', The Enzo Press, 2012. [http://enzoarts.com/wp-content/uploads/2012/12/Communicating-Vessels-extract-and-information.pdf Introduction].
* [http://ericselland.wordpress.com/2013/09/04/a-japanese-modernist-reading-list-update/ Further bibliography]
+
* [http://sydney.edu.au/arts/art_history_film/documents/MCAA_bib_2011.pdf Further bibliography], [http://ericselland.wordpress.com/2013/09/04/a-japanese-modernist-reading-list-update/]
  
 
==Anti-art, Non-art==
 
==Anti-art, Non-art==
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* Japan World Exposition '70, Osaka  
 
* Japan World Exposition '70, Osaka  
  
; Exhibitions
+
=== Exhibitions===
 
* http://www.getty.edu/art/exhibitions/postwar_japan/, [http://www.umma.umich.edu/view/exhibitions/2010-antiart.php], [http://www.newpaltz.edu/news/np_news/AN-Jan-2013dorsky.pdf]
 
* http://www.getty.edu/art/exhibitions/postwar_japan/, [http://www.umma.umich.edu/view/exhibitions/2010-antiart.php], [http://www.newpaltz.edu/news/np_news/AN-Jan-2013dorsky.pdf]
  
; Resources
+
=== Resources===
 
* [http://www.getty.edu/art/exhibitions/postwar_japan/artantiart_timeline.pdf A timeline of postwar Japanese art movements], [http://www.getty.edu/art/exhibitions/postwar_japan/]
 
* [http://www.getty.edu/art/exhibitions/postwar_japan/artantiart_timeline.pdf A timeline of postwar Japanese art movements], [http://www.getty.edu/art/exhibitions/postwar_japan/]
  
; Literature
+
=== Literature===
 
* Miwako Tezuka, ''Jikken Kobo (experimental workshop): avant-garde experiments in Japanese art of the 1950s'', Columbia University, 2005. Ph.D. Dissertation. [http://sunzi.lib.hku.hk/ER/detail/hkul/3852054] [http://clio.columbia.edu/catalog/5777500]
 
* Miwako Tezuka, ''Jikken Kobo (experimental workshop): avant-garde experiments in Japanese art of the 1950s'', Columbia University, 2005. Ph.D. Dissertation. [http://sunzi.lib.hku.hk/ER/detail/hkul/3852054] [http://clio.columbia.edu/catalog/5777500]
 
* Charles Merewether, Rika Iezumi Hiro (eds.), ''Art, Anti-art, Non-art: Experimentations in the Public Sphere in Postwar Japan, 1950-1970'', Getty Publications, 2007, 140 pp. [http://books.google.com/books?id=Mc_6WLKf39wC&printsec=frontcover]
 
* Charles Merewether, Rika Iezumi Hiro (eds.), ''Art, Anti-art, Non-art: Experimentations in the Public Sphere in Postwar Japan, 1950-1970'', Getty Publications, 2007, 140 pp. [http://books.google.com/books?id=Mc_6WLKf39wC&printsec=frontcover]
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* Midori Yoshimoto, [http://www.academia.edu/2037690/ "Expo ’70 and Japanese Art: Dissonant Voices An Introduction and Commentary"], ''Review of Japanese Culture and Society'' (December 2011), pp 1-12.
 
* Midori Yoshimoto, [http://www.academia.edu/2037690/ "Expo ’70 and Japanese Art: Dissonant Voices An Introduction and Commentary"], ''Review of Japanese Culture and Society'' (December 2011), pp 1-12.
 
* ''Jikken Kōbō―Experimental Workshop'', The Yomiuri Shimbun, 2012, 352 pp. [http://www.moma.pref.kanagawa.jp/en/public/ZurokuDetail.do?no=1374124880524]
 
* ''Jikken Kōbō―Experimental Workshop'', The Yomiuri Shimbun, 2012, 352 pp. [http://www.moma.pref.kanagawa.jp/en/public/ZurokuDetail.do?no=1374124880524]
 +
* [http://sydney.edu.au/arts/art_history_film/documents/MCAA_bib_2011.pdf Further bibliography]
  
 
==Onkyo==
 
==Onkyo==
 
* http://dusan.satori.sk/i/jp.php
 
* http://dusan.satori.sk/i/jp.php
 +
* [http://www.japanimprov.com/index.html Improvised Music from Japan]
  
 
==Philosophy of technology==
 
==Philosophy of technology==

Revision as of 01:18, 16 February 2014

Avant-garde

Publications

Mavo
  • "Mavo Manifesto", in the pamphlet for the first Mavo exhibition at Denpōin Temple in Asakusa, 1923; repr. in Nihon no Dada 1920-1970, ed. Yoshio Shirakawa, Tokyo: Hakuba Shobō and Kazenobara, 1988, pp 35-36.
  • Tomoyoshi Murayama, Ichimei ishikiteki kōsei shugi e no dōtei [現在の藝術と未來の藝術 一名、意識的構成主義への道程], 1924.
  • Mavo, July 1924-August 1925, 7 issues. Published by Chōryūsha and edited by Tatsuo Okada and Tomoyoshi Murayama. Magazine inspired by Dada and by the irrationality in Zen. Changed name in October 1928 to Keisei gahō [Formative Pictorial] and became the private publication of Tatsuo Okada. Contributors included Toda Tatsuo and Yanase Masamu. [3]
On art and the machine
  • Tomoyoshi Murayama, "Kikaiteki yōso no geijutsu he no dō'nyū" [The Introduction of Mechanical Elements into Art], Mizue 227 (January 1924).
  • Shin keitai bi danmen [Profile of the New Form of Beauty], Special Issue of Atorie 6:5 (May 1929).
    • Sadanosuke Nakada, [A Theory of the New Form of Beauty].
    • Tomoyoshi Murayama, "Saikin no geijutsu ni okeru kikaibi" [The Beauty of the Machine in Contemporary Art].
  • Takao Itagaki, Kikai to geijutsu to no kōryū [Interactions Between Art and the Machine], Tokyo: Iwanami Shoten, 1929.
  • Kikai geijutsuron [機械藝術論; Theory of the Machine and Art], Tokyo: Tenninsha [天人社], 1930; repr. by Tokyo: Yumani Shobō, 1991. Articles by ten authors from different fields of art, each writing on the relationship between the machine and their particular genre.
  • Toshimi Kimura (ed.), Kikai to geijutsu kakumei [The Machine and Artistic Revolution], Tokyo: Hakuyōsha, 1930; repr. in Kikai to geijutsu (Korekushon Modan Toshi Bunka 45) [Machine and Art (Modern Urban Culture Collection 45)], ed. Nobuhiko Baba, Tokyo: Yumani Shobō, 2009. Translations of articles by R.M. Fox, Edward J. O'Brien, and others, and two articles by Kimura. The book focuses on reviewing how the machine played crucial roles at the times when various new artistic styles emerged as well as on the relationship between the machine and capitalism or the proletariat.
  • Harue Koga, "Kikai to bijutsu" [The Machine and Art], Wakakusa (June 1931).
Artist's books
  • Kyōjirō Hagiwara, Shikei senkoku [Death Sentence], Tokyo: Chōryūsha, 1925, 161+6 pp. Illustrated by Mavo. Anthology of visual poetry. [4]
  • Ernst Toller, Tsubame no sho [The Swallow Book], trans. Tomoyoshi Murayama, Tokyo: Chōryūsha, 1925, 106 pp. Illustrated by Tatsuo Okada. [5]
  • Hideo Saito, Aozameta douteikyo [The Pale-Faced Virgin's Mad Thoughts], Tokyo: Chōryūsha, 1926, 120 pp. Illustrated by Tatsuo Okada. Anthology of visual poetry. [6] [7]

Resources

Literature

Anti-art, Non-art

Exhibitions

Resources

Literature

Onkyo

Philosophy of technology


Countries
avant-garde, modernism and after

Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Macedonia, Malta, Mexico, Moldova, Montenegro, Netherlands, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States