Difference between revisions of "North Macedonia"
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; Events | ; Events | ||
* The [[Ohrid 89]] international video colony. It enabled the production of video works in co-operation with RTV Skopje. Theorists, producers and video artists participated in the event, including Nuša Dragan, Srečo Dragan, and Marina Gržinić and Aina Šmid. | * The [[Ohrid 89]] international video colony. It enabled the production of video works in co-operation with RTV Skopje. Theorists, producers and video artists participated in the event, including Nuša Dragan, Srečo Dragan, and Marina Gržinić and Aina Šmid. | ||
| − | + | ; Literature | |
| − | = | + | {{:Media_art_in_Central_and_Eastern_Europe_Bibliography|transcludesection=video-md}} |
| − | + | {{:Media_art_in_Central_and_Eastern_Europe_Bibliography|transcludesection=video-yu}} | |
{{Countries}} | {{Countries}} | ||
Revision as of 21:24, 21 September 2011
Contents
Cities
Artist groups
Arts and engineering groups and collectives in CEE#Macedonia
Artists
Video art
- Events
- The Ohrid 89 international video colony. It enabled the production of video works in co-operation with RTV Skopje. Theorists, producers and video artists participated in the event, including Nuša Dragan, Srečo Dragan, and Marina Gržinić and Aina Šmid.
- Literature
- "Videokunst in Mazedonien", (German), [1]
- Spot: Review of Photography 10: "Video", ed. Radoslav Putar, Zagreb: Grafički zavod Hrvatske, 1977. (Serbo-Croatian),(English)
- Marijan Susovski, "Video u Jugoslaviji" / "Video in Yugoslavia", Spot 10, Zagreb, 1977.
- XVI Sao Paulo Biennial: Video from Yugoslavia, ed. Davor Maticevic, Zagreb: Gallery of Contemporary Art Zagreb, 1981, 8 pp. (English)
- Mihailo Ristić (ed.), Videosfera: video/društvo/umetnost [Videosphere: Video/Society/Art], Belgrade: Studentski izdavački centar, 1986. Anthology of theoretical texts about video, including contributions from video-makers. Review: Radić. (Serbo-Croatian)
- Barbara Borčić, "Video Art from Conceptualism to Postmodernism", in Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991, eds. Dubravka Djurić and Miško Šuvaković, MIT Press, 2003, pp 490-524, PDF. (English)
- Balkan Video Federation, ed. Branislav Dimitrijević, Belgrade: Center for Contemporary Art - Belgrade, 2000, [55] pp. Catalogue. (English)
- Jon Blackwood, "On Women’s Video Art in the context of Yugoslavia, 1969–91", in EWVA: European Women's Video Art in the 70s and 80s, eds. Laura Leuzzi, Elaine Shemilt, and Stephen Partridge, John Libbey, 2019, pp 55-66. [2] (English)
| Countries avant-garde, modernism, experimental art, media culture, social practice |
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Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States | ||
