Welcome to Monoskop, a wiki for the arts, media and humanities.
This page shows a selection of the latest additions to the website. For more detailed listings see the Log, Recent, Contents and Index sections. Selected updates are posted on RSS, Twitter, Facebook and Instagram.
“Festac ’77, also known as the Second World Black and African Festival of Arts and Culture (the first was in Dakar, 1966), was a major international festival held in Lagos, Nigeria, from 15 January 1977 to 12 February 1977. The month-long event celebrated African culture and showcased to the world African music, fine art, literature, drama, dance and religion. About 16,000 participants, representing 56 African nations and countries of the African Diaspora, performed at the event.
Artists who performed at the festival included Stevie Wonder from United States, Gilberto Gil from Brazil, Bembeya Jazz National from Guinea, Mighty Sparrow from Trinidad and Tobago, Les Ballets Africains, South African Miriam Makeba, and Franco Luambo Makiadi. At the time it was held, it was the largest pan-African gathering to ever take place.” (Wikipedia)
Publisher Africa Journal Limited, London, and International Festival Committee, Lagos, 1977
via Abdul Alkalimat
Film documentary (UNESCO, 1977, 26 MB)
Commentary: Arthur Monroe (Black Scholar, 1977), Iris Kay (African Arts, 1977), J. Southern (Black Perspective in Music, 1977), Moyibi Amoda (book-length evaluation, 1978, 80 MB).
PDF (134 MB)
“Emergency INDEX is an annual print publication documenting performances that occurred in one calendar year. Begun in 2011, INDEX was conceived as a “state of the field” publication that could present a year-to-year view of the issues, techniques, and challenges that performance makers dealt with in the work they actualized. Every year since then, INDEX has published hundreds of documents of performances made in various genres and media, for different audiences and purposes, and in a wide variety of venues, cities, and countries. Each annual volume includes three back-of-the-book indexes: an index of terms, an index of places, and an index of contributors. Taking as its starting point actual performances described by the artists who made them, INDEX proposes building your performance theory from the ground up.”
Edited by Yelena Gluzman, Matvei Yankelevich, a.o.
Publisher Ugly Duckling Presse, Brooklyn, NY, 2012-2018
ISBN 9781933254562 (vol. 1), 9781937027124 (vol. 2), 9781937027506 (vol. 3), 978-1-937027-55-1 (vol. 4), 9781937027759 (vol. 5), 9781937027988 (vol. 6), 9781937027988 (vol. 7)
Publisher (vol. 7)
This report “examines new research on the risks and harms of AI, including its use by companies to aggressively manage and control workers, its climate impact, and the growing use of facial and affect recognition. We also look at the growing movements that are demanding a halt to risky and dangerous AI, and offer recommendations on what policymakers, advocates, and researchers can do to address these harms.”
By Kate Crawford, Roel Dobbe, Theodora Dryer, Genevieve Fried, Ben Green, Elizabeth Kaziunas, Amba Kak, Varoon Mathur, Erin McElroy, Andrea Nill Sánchez, Deborah Raji, Joy Lisi Rankin, Rashida Richardson, Jason Schultz, Sarah Myers West, and Meredith Whittaker
Publisher AI Now Institute, New York, 12 Dec 2019
Creative Commons BY-ND 4.0 International License
“Jalal Toufic is a thinker whose influence in the Beirut artistic community over the past two decades has been immense—notwithstanding that, as he put it, many, if not all of his books, most of which were published by Forthcoming Books, ‘continue to be forthcoming even after their publication.’ In relation to one of these books, he wondered: ‘Does not a book titled Forthcoming suggest, ostensibly paradoxically, a second edition?’ Here’s the revised edition of Forthcoming, a book first published nearly a decade and a half ago by Atelos press.” (Series editors Julieta Aranda, Brian Kuan Wood, Anton Vidokle)
“I once wrote, ‘I am not able to find my thoughts without passing through his [Jalal Toufic’s] words, books, and concepts.’ Now, eight years later, things seem to have gotten worse (or better). Jalal wrote in Distracted: ‘— Are you saying this to me? — Also to myself. One should speak solely when also speaking to oneself. Only then is there a dialogue.’ I can also think of the following situation: ‘— Are you saying this to me? — Yes. And not to myself. And only to you.’ Or an instance in which the following is heard: ‘— Are you saying this to me? — Also to myself. One should speak solely when also speaking to oneself. Only then is there a duologue.’” (Walid Raad)
First published by Atelos, Berkeley, CA, 2000.
Publisher Sternberg, Berlin, 2014
e-flux journal series
ISBN 9783956790553, 3956790553
“On April 27, 2019, the Solomon R. Guggenheim Museum was the site of a very special convening. It was the brainchild of Simone Leigh, and shared its title with her 2019 exhibition at the museum. Organized by Leigh, Saidiya Hartman, and myself, ‘The Loophole of Retreat’ was an exhilarating, rejuvenating, and inspirational daylong gathering dedicated to the intellectual life of black women that brought together an international constellation of writers, artists, poets, filmmakers, and activists. This special issue of e-flux journal seeks to lift up the extraordinary voices, thoughts, and conversations that emerged at the convening and share them with a wider audience. In doing so, I and my coeditors, Leigh and Hartman, seek to extend the dialogues of the ‘Loophole’ in the hope of including others and inspiring future gatherings which, like the Guggenheim convening, will honor and celebrate the intellectual and creative labor of black women.” (Tina M. Campt)
Contributions by Simone White, Sharifa Rhodes-Pitts, Rizvana Bradley, Dionne Brand, Zakiyyah Iman Jackson, Christina Sharpe, Vanessa Agard-Jones, Grada Kilomba, Françoise Vergès, Denise Ferreira da Silva, Okwui Okpokwasili, Lorraine O’Grady, Annette Lane Harrison Richter, Madeleine Hunt Ehrlich, and Asiya Wadud.
Edited by Tina Campt, Saidiya Hartman, and Simone Leigh
Publisher e-flux, New York, Dec 2019