Difference between revisions of "China"

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* ''[http://monoskop.org/log/?p=16331 China’s New Art, Post-1989, with a Retrospective from 1979-1989]'', Hong Kong: Hanart T Z Gallery, 1993, cvii+232 pp. {{en}}
 
* ''[http://monoskop.org/log/?p=16331 China’s New Art, Post-1989, with a Retrospective from 1979-1989]'', Hong Kong: Hanart T Z Gallery, 1993, cvii+232 pp. {{en}}
 
* ''[[Media:Fragmented_Memory_The_Chinese_Avant-Garde_in_Exile_1993.pdf|Fragmented Memory: The Chinese Avant-Garde in Exile]]'', eds. Minglu Gao and Julie Andrews, Columbus, OH: Wexner Center for the Arts, 1993, 37 pp. [http://www.aaa.org.hk/Collection/Details/795] {{en}}
 
* ''[[Media:Fragmented_Memory_The_Chinese_Avant-Garde_in_Exile_1993.pdf|Fragmented Memory: The Chinese Avant-Garde in Exile]]'', eds. Minglu Gao and Julie Andrews, Columbus, OH: Wexner Center for the Arts, 1993, 37 pp. [http://www.aaa.org.hk/Collection/Details/795] {{en}}
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* ''Inside Out: New Chinese Art'', ed. Minglu Gao, University of California Press, 1998. [http://sites.asiasociety.org/arts/insideout/catalogue.html] [http://www.aaa.org.hk/Collection/Details/10] {{en}}
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* ''Inside Out: New Chinese Art'', ed. Minglu Gao, University of California Press, 1998. [http://www.chinese-art.com/volume1issue5/special.htm Gao's essay]. [http://sites.asiasociety.org/arts/insideout/catalogue.html] [http://www.aaa.org.hk/Collection/Details/10] {{en}}
 
* ''[http://www.guggenheim.org/component/flippingbook/book/59?tmpl=component A Century in Crisis: Modernity and Tradition in the Art of Twentieth-Century China]'', eds. Julia F. Andrews and Kuiyi Shen, New York: Guggenheim Museum, 1998, 17+329 pp. [http://archive.org/details/centuryincrisism00andr] [http://www.guggenheim.org/new-york/exhibitions/publications/from-the-archives/items/view/170]
 
* ''[http://www.guggenheim.org/component/flippingbook/book/59?tmpl=component A Century in Crisis: Modernity and Tradition in the Art of Twentieth-Century China]'', eds. Julia F. Andrews and Kuiyi Shen, New York: Guggenheim Museum, 1998, 17+329 pp. [http://archive.org/details/centuryincrisism00andr] [http://www.guggenheim.org/new-york/exhibitions/publications/from-the-archives/items/view/170]
 
* ''[http://www.guggenheim.org/component/flippingbook/book/60?tmpl=component China: 5,000 Years, Innovation and Transformation in the Arts]'', ed. Sherman Lee, New York: Solomon R. Guggenheim Museum, 1998, 504 pp. [http://www.guggenheim.org/new-york/exhibitions/publications/from-the-archives/items/view/171] [http://archive.org/details/china5000yearsin00lees]
 
* ''[http://www.guggenheim.org/component/flippingbook/book/60?tmpl=component China: 5,000 Years, Innovation and Transformation in the Arts]'', ed. Sherman Lee, New York: Solomon R. Guggenheim Museum, 1998, 504 pp. [http://www.guggenheim.org/new-york/exhibitions/publications/from-the-archives/items/view/171] [http://archive.org/details/china5000yearsin00lees]

Revision as of 14:43, 17 February 2016

Theatre

  • Liang Luo, The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics, University of Michigan Press, 2014, 386 pp. Introduction.

Visual art, Contemporary art

Artists

Wen-Ying Tsai

Exhibitions (with dedicated websites)
Resources
Catalogues
Monographs
  • Arnold Chang, Painting in the People's Republic of China: The Politics of Style, Boulder: Westview Press, 1980. (English)
  • Hua Junwu (ed.), Contemporary Chinese Painting, Beijing: New York Press, 1984.
  • Joan Lebold Cohen, The New Chinese Painting, 1949-1986, New York: Abrams, 1987. (English)
  • Mayching Kao, Twentieth-Century Chinese Painting, New York: Oxford University Press, 1988. (English)
  • Ellen Johnston Laing, The Winking Owl: Art in the People's Republic of China, University of California Press, 1988. (English)
  • Ralph Croizier, Art and Revolution in Modern China: The Lingnan (Cantonese) School of Painting, 1906-1951, University of California Press, 1988. (English)
  • Minglu Gao (ed.), Zhongguo dangdai meishushi 1985–1986 [History of Contemporary Art 1985–1986], Shanghai: Shanghai renmin chubanshe, 1991. (Chinese)
  • Peng Lü, Dan Yi, Zhongguo xiandai yishushi [A History of Modern Art in China], Changsha: Hunan meishu chubanshe, 1992. (Chinese)
  • Zha Jianying, China Pop, New York: New Press, 1995. (English)
  • Michael Sullivan, Art and Artists of Twentieth-Century China, University of California Press, 1996. (English)
  • Craig Clunas, Art in China, New York: Oxford University Press, 1997. (English)
  • Wu Hung, Rong Rong's East Village, 1993-1998, New York, 2004, 230 pp. (English)
  • Xiaobing Tang, Origins of the Chinese Avant-Garde: The Modern Woodcut Movement, University of California Press, 2007, 318 pp. [9]
  • Xiaoping Lin, Children of Marx and Coca-Cola: Chinese Avant-Garde Art and Independent Cinema, University of Hawaii Press, 2009. (English)
  • Minglu Gao, Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art, MIT Press, 2011. (English)
  • Paul Gladston, ‘Avant-garde’ Art Groups in China, 1979–1989, Intellect, 2013, 194 pp. [10] (English)
Dissertations

Sound art

Media art

Cities
Events
  • eArts Festival, Shanghai, 2006-2010.
  • Synthetic Times, Beijing, 2008.
  • Invisible City Transmediale, Beijing, 2010.
  • Creators Project, UCCA 798, annually from 2010 to 2013.
  • Encode and Decode, Beijing, 2011.
  • Translife New Media Art Triennial, Beijing, 2011.
  • Motion is action, Beijing, 2013.
  • "ThingWorld", New Media Art Triennial, Beijing, 2014
Institutes
  • Chronus Art Center, Shanghai
  • Transmedia Department, China Academy of Arts
  • School of creative media, City University Hongkong
  • School of Design, Tsinghua University
  • TASML
  • Digital Art department, Central Academy of Media Arts
  • New Media Art department, Renmin University

Media theory

Resources


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