Difference between revisions of "Constructivism"

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==Literature==
 
==Literature==
 
; Journals
 
; Journals
 +
* [http://monoskop.org/log/?p=8640 ''Zenit''] magazine 1-43, 1921-26. (Serbo-Croatian, French, German, Russian..)
 
* [http://monoskop.org/log/?p=3951 ''LEF''] journal 1-7, 1923-25. (Russian)
 
* [http://monoskop.org/log/?p=3951 ''LEF''] journal 1-7, 1923-25. (Russian)
 
* [http://monoskop.org/log/?p=3951 ''Novyi LEF''] journal 1-24, 1927-29. (Russian)
 
* [http://monoskop.org/log/?p=3951 ''Novyi LEF''] journal 1-24, 1927-29. (Russian)

Revision as of 13:32, 14 July 2013

Pages

Literature

Journals
  • Zenit magazine 1-43, 1921-26. (Serbo-Croatian, French, German, Russian..)
  • LEF journal 1-7, 1923-25. (Russian)
  • Novyi LEF journal 1-24, 1927-29. (Russian)
  • Detlef Mertins, Michael William Jennings (eds.), G: An Avant-Garde Journal of Art, Architecture, Design, and Film, 1923-1926, Getty Publications, 2010. [1]
Books
  • László Moholy-Nagy, Painting Photography Film, 1925. Trans. Janet Seligman. Cambridge, Mass.: MIT Press, 1973.
  • László Moholy-Nagy, Vision in Motion, 1947.
  • Camilla Gray, The Russian Experiment in Art, 1863-1922, 1962.
  • Stephen Bann, Traditions of Constructivism, Viking Press, 1974.
  • John E. Bowlt (ed.), Russian Art of the Avant-Garde: Theory and Criticism, 1902-1934, Viking Press, 1976.
  • Halina Stephan, “Lef” and the Left Front of the Arts, Munich: Otto Sagner, 1981.
  • Kristina Passuth, Les avant-gardes de l’Europe Centrale 1907–1927, Flammarion, 1988, 327 pp. (French) [2]
  • Patricia Railing, From Science to Systems of Art: on Russian Abstract Art and Language 1910/1920 and Other Essays, Artists Bookworks, 1989. [3]
  • Art Journal Vol. 49, No. 1, From Leningrad to Ljubljana: The Suppressed Avant-Gardes of East-Central and Eastern Europe during the Early Twentieth Century (Spring, 1990). [4]
  • Ryszard Stanislawski and Christoph Brockhaus (eds.), Europa, Europa. Das Jahrhundert der Avantgarde in Mittel- und Osteuropa, exhibition catalogue, Bonn, 1994. Contributions from ca 150 authors. Four volumes: Vol I (five introductory essays followed by 73 short texts on the work of specific artists) 479 pp. incl. 247 col. pls. and 116 b&w ills.; Vol II (36 essays on aspects of architecture, literature, theatre, film and music) 239 pp. incl. 251 b&w ills.; Vol III, compiled by Hubertus Gassner (354 short texts of the period 1894-1994 by artists, critics etc., in German translation), 367 pp.; Vol IV (biographies; selected bibliography; list of exhibited works; index) 99 pp. ISBN 978-3-89322-623-8. [5] [6]
  • George Rickey, Constructivism: Origins and Evolution, 1995, [7]
  • Susanne Anna (ed.), Das Bauhaus im Osten: Slowakische und tschechische Avantgarde 1928-1939, Hatje Cantz Verlag, 1997. [8] contents, [9], review
  • Victor Margolin, The Struggle for Utopia: Rodchenko, Lissitzky, Moholy-Nagy, 1917-1946, University of Chicago Press, 1998. [10]
  • John E. Bowlt, Olga Matich, Laboratory of Dreams: The Russian Avant-Garde & Cultural Experiment, Stanford University Press, 1999. [11]
  • Timothy O. Benson, Éva Forgács (eds.), Between Worlds: A Sourcebook of Central European Avant-Gardes, 1910-1930, Los Angeles County Museum of Art, 2002. [12]
  • Barrett Watten, The Constructivist Moment: From Material Text to Cultural Poetics, Wesleyan University Press, 2003. [13]
  • Dubravka Đurić, Miško Šuvaković (eds.), Impossible Histories: Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991, MIT Press, 2003. [14]
  • Kristina Passuth, Treffpunkte der Avantgarden: Ostmitteleuropa 1907–1930, Dresden: Verlag der Kunst, 2003. (German) [15]
  • Maria Gough, The Artist As Producer: Russian Constructivism In Revolution, University of California Press, 2005. [16]
  • Publications on constructivism on Monoskop Log
Articles

See also


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