Difference between revisions of "China"
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; Catalogues | ; Catalogues | ||
* ''[http://monoskop.org/log/?p=16331 China’s New Art, Post-1989, with a Retrospective from 1979-1989]'', Hong Kong: Hanart T Z Gallery, 1993, cvii+232 pp. {{en}} | * ''[http://monoskop.org/log/?p=16331 China’s New Art, Post-1989, with a Retrospective from 1979-1989]'', Hong Kong: Hanart T Z Gallery, 1993, cvii+232 pp. {{en}} | ||
| − | * | + | * ''[http://www.guggenheim.org/component/flippingbook/book/59?tmpl=component A Century in Crisis: Modernity and Tradition in the Art of Twentieth-Century China]'', eds. Julia F. Andrews and Kuiyi Shen, New York: Guggenheim Museum, 1998, 17+329 pp. [http://archive.org/details/centuryincrisism00andr] [http://www.guggenheim.org/new-york/exhibitions/publications/from-the-archives/items/view/170] |
* ''[http://www.guggenheim.org/component/flippingbook/book/60?tmpl=component China: 5,000 Years, Innovation and Transformation in the Arts]'', ed. Sherman Lee, New York: Solomon R. Guggenheim Museum, 1998, 504 pp. Catalogue. [http://www.guggenheim.org/new-york/exhibitions/publications/from-the-archives/items/view/171] [http://archive.org/details/china5000yearsin00lees] | * ''[http://www.guggenheim.org/component/flippingbook/book/60?tmpl=component China: 5,000 Years, Innovation and Transformation in the Arts]'', ed. Sherman Lee, New York: Solomon R. Guggenheim Museum, 1998, 504 pp. Catalogue. [http://www.guggenheim.org/new-york/exhibitions/publications/from-the-archives/items/view/171] [http://archive.org/details/china5000yearsin00lees] | ||
* Wu Hung, ''[http://monoskop.org/log/?p=16336 Transience: Chinese Experimental Art at the End of the Twentieth Century]'', Chicago: David and Alfred Smart Museum of Art, 1999, 214 pp. {{en}} | * Wu Hung, ''[http://monoskop.org/log/?p=16336 Transience: Chinese Experimental Art at the End of the Twentieth Century]'', Chicago: David and Alfred Smart Museum of Art, 1999, 214 pp. {{en}} | ||
Revision as of 14:21, 17 February 2016
Contents
Theatre
- Liang Luo, The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics, University of Michigan Press, 2014, 386 pp. Introduction.
Visual art, Contemporary art
- Artists
- Exhibitions
- Copyleft: Appropriation Art in China, Power Station of Art, Shanghai, Aug-Nov 2015.
- Resources
- Catalogues
- China’s New Art, Post-1989, with a Retrospective from 1979-1989, Hong Kong: Hanart T Z Gallery, 1993, cvii+232 pp. (English)
- A Century in Crisis: Modernity and Tradition in the Art of Twentieth-Century China, eds. Julia F. Andrews and Kuiyi Shen, New York: Guggenheim Museum, 1998, 17+329 pp. [1] [2]
- China: 5,000 Years, Innovation and Transformation in the Arts, ed. Sherman Lee, New York: Solomon R. Guggenheim Museum, 1998, 504 pp. Catalogue. [3] [4]
- Wu Hung, Transience: Chinese Experimental Art at the End of the Twentieth Century, Chicago: David and Alfred Smart Museum of Art, 1999, 214 pp. (English)
- Monographs
- Wu Hung, Rong Rong's East Village, 1993-1998, New York, 2004, 230 pp. (English)
- Xiaobing Tang, Origins of the Chinese Avant-Garde: The Modern Woodcut Movement, University of California Press, 2007, 318 pp. [5]
- Xiaoping Lin, Children of Marx and Coca-Cola: Chinese Avant-Garde Art and Independent Cinema, University of Hawaii Press, 2009. (English)
- Minglu Gao, Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art, MIT Press, 2011. (English)
- Paul Gladston, ‘Avant-garde’ Art Groups in China, 1979–1989, Intellect, 2013, 194 pp. [6] (English)
- Dissertations
- Karin Grace Oen, Admonition and the Academy: Installation, Video, and Performance Art in Reform Era China, MIT, 2012. PhD Thesis. (English)
Sound art
- Timeline, 1993-2013.
Media art
- Cities
- Events
- eArts Festival, Shanghai, 2006-2010.
- Synthetic Times, Beijing, 2008.
- Invisible City Transmediale, Beijing, 2010.
- Creators Project, UCCA 798, annually from 2010 to 2013.
- Encode and Decode, Beijing, 2011.
- Translife New Media Art Triennial, Beijing, 2011.
- Motion is action, Beijing, 2013.
- "ThingWorld", New Media Art Triennial, Beijing, 2014
- Institutes
- Chronus Art Center, Shanghai
- Transmedia Department, China Academy of Arts
- School of creative media, City University Hongkong
- School of Design, Tsinghua University
- TASML
- Digital Art department, Central Academy of Media Arts
- New Media Art department, Renmin University
Media theory
- International Network for a Critical Philosophy of Media and Technics in China, initiated by Yuk Hui in 2014. Also runs 'Media Philosophy' series supported by the Shanghai Academy of Social Science Press.
Resources
| Countries avant-garde, modernism, experimental art, media culture, social practice |
||
|---|---|---|
|
Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States | ||
