Difference between revisions of "China"

Revision as of 14:31, 17 February 2016

Liang Luo, The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics, University of Michigan Press, 2014, 386 pp. Introduction.

Copyleft: Appropriation Art in China, Power Station of Art, Shanghai, Aug-Nov 2015.

China’s New Art, Post-1989, with a Retrospective from 1979-1989, Hong Kong: Hanart T Z Gallery, 1993, cvii+232 pp. (English)
Fragmented Memory: The Chinese Avant-Garde in Exile, eds. Minglu Gao and Julie Andrews, Columbus, OH: Wexner Center for the Arts, 1993, 37 pp. [1] (English)
A Century in Crisis: Modernity and Tradition in the Art of Twentieth-Century China, eds. Julia F. Andrews and Kuiyi Shen, New York: Guggenheim Museum, 1998, 17+329 pp. [2] [3]
China: 5,000 Years, Innovation and Transformation in the Arts, ed. Sherman Lee, New York: Solomon R. Guggenheim Museum, 1998, 504 pp. [4] [5]
Wu Hung, Transience: Chinese Experimental Art at the End of the Twentieth Century, Chicago: David and Alfred Smart Museum of Art, 1999, 214 pp. (English)
Chinese Maximalism / Zhongguo ji duo zhu yi, ed. Minglu Gao, Chongqing Publishing House, with University at Buffalo Galleries and China Millennium Monument Museum, 2003, 123 pp. [6] (English)/(Chinese)

Minglu Gao (ed.), Inside Out: New Chinese Art, University of California Press, 1998. (English)
Wu Hung, Rong Rong's East Village, 1993-1998, New York, 2004, 230 pp. (English)
Xiaobing Tang, Origins of the Chinese Avant-Garde: The Modern Woodcut Movement, University of California Press, 2007, 318 pp. [7]
Xiaoping Lin, Children of Marx and Coca-Cola: Chinese Avant-Garde Art and Independent Cinema, University of Hawaii Press, 2009. (English)
Minglu Gao, Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art, MIT Press, 2011. (English)
Paul Gladston, ‘Avant-garde’ Art Groups in China, 1979–1989, Intellect, 2013, 194 pp. [8] (English)

International Network for a Critical Philosophy of Media and Technics in China, initiated by Yuk Hui in 2014. Also runs 'Media Philosophy' series supported by the Shanghai Academy of Social Science Press.

	Countries avant-garde, modernism, experimental art, media culture, social practice
Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States

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 ; Dissertations
-* Karin Grace Oen, ''[http://monoskop.org/log/?p=10039 Admonition and the Academy: Installation, Video, and Performance Art in Reform Era China]'', MIT, 2012. PhD Thesis. {{en}}
+* Chang Tan, ''[http://core.ac.uk/download/files/222/10645847.pdf Playing Cards with Cézanne. How the Contemporary Artists of China Copy and Recreate]'', Austin: University of Texas, 2008, 213 pp. PhD dissertation. {{en}}
+* Karin Grace Oen, ''[http://monoskop.org/log/?p=10039 Admonition and the Academy: Installation, Video, and Performance Art in Reform Era China]'', MIT, 2012. PhD dissertation. {{en}}
 ==Sound art==