Difference between revisions of "Live coding"
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==Literature== | ==Literature== | ||
+ | * Alex McLean, ''[https://monoskop.org/log/?p=5959 Artist-Programmers and Programming Languages for the Arts]'', London: Goldsmiths, 2011, 172 pp. PhD dissertation. | ||
* Alan Blackwell, Alex McLean, James Noble, Julian Rohrhuber (eds.), ''[http://drops.dagstuhl.de/opus/frontdoor.php?source_opus=4420 Collaboration and learning through live coding (Dagstuhl Seminar 13382)]'', 2014, 39 pp. | * Alan Blackwell, Alex McLean, James Noble, Julian Rohrhuber (eds.), ''[http://drops.dagstuhl.de/opus/frontdoor.php?source_opus=4420 Collaboration and learning through live coding (Dagstuhl Seminar 13382)]'', 2014, 39 pp. | ||
+ | * [https://slab.org/publications/ more] | ||
==Resources== | ==Resources== |
Revision as of 16:01, 9 April 2017
Pages
Releases
- TOPLAP001 - A prehistory of live coding, c2007. [1] [2]
- http://chordpunch.com/
Literature
- Alex McLean, Artist-Programmers and Programming Languages for the Arts, London: Goldsmiths, 2011, 172 pp. PhD dissertation.
- Alan Blackwell, Alex McLean, James Noble, Julian Rohrhuber (eds.), Collaboration and learning through live coding (Dagstuhl Seminar 13382), 2014, 39 pp.
- more
Resources