Difference between revisions of "Monoskop"
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[[Image:Rossi_Aldo_1976_La_citta_analoga.jpg|thumb|link=Architecture|250px|[[Architecture|Collection of source documents in the history, theory and criticism of 20th-century architecture]]]]
[[Image:Rossi_Aldo_1976_La_citta_analoga.jpg|thumb|link=Architecture|250px|[[Architecture|Collection of source documents in the history, theory and criticism of 20th-century architecture]] ]]
Revision as of 18:11, 30 July 2018
Welcome to Monoskop, a wiki for collaborative studies of the arts, media and humanities.
“Jalal Toufic is a thinker whose influence in the Beirut artistic community over the past two decades has been immense—notwithstanding that, as he put it, many, if not all of his books, most of which were published by Forthcoming Books, ‘continue to be forthcoming even after their publication.’ In relation to one of these books, he wondered: ‘Does not a book titled Forthcoming suggest, ostensibly paradoxically, a second edition?’ Here’s the revised edition of Forthcoming, a book first published nearly a decade and a half ago by Atelos press.” (Series editors Julieta Aranda, Brian Kuan Wood, Anton Vidokle)
“I once wrote, ‘I am not able to find my thoughts without passing through his [Jalal Toufic’s] words, books, and concepts.’ Now, eight years later, things seem to have gotten worse (or better). Jalal wrote in Distracted: ‘— Are you saying this to me? — Also to myself. One should speak solely when also speaking to oneself. Only then is there a dialogue.’ I can also think of the following situation: ‘— Are you saying this to me? — Yes. And not to myself. And only to you.’ Or an instance in which the following is heard: ‘— Are you saying this to me? — Also to myself. One should speak solely when also speaking to oneself. Only then is there a duologue.’” (Walid Raad)
First published by Atelos, Berkeley, CA, 2000.
Publisher Sternberg, Berlin, 2014
e-flux journal series
ISBN 9783956790553, 3956790553
“On April 27, 2019, the Solomon R. Guggenheim Museum was the site of a very special convening. It was the brainchild of Simone Leigh, and shared its title with her 2019 exhibition at the museum. Organized by Leigh, Saidiya Hartman, and myself, ‘The Loophole of Retreat’ was an exhilarating, rejuvenating, and inspirational daylong gathering dedicated to the intellectual life of black women that brought together an international constellation of writers, artists, poets, filmmakers, and activists. This special issue of e-flux journal seeks to lift up the extraordinary voices, thoughts, and conversations that emerged at the convening and share them with a wider audience. In doing so, I and my coeditors, Leigh and Hartman, seek to extend the dialogues of the ‘Loophole’ in the hope of including others and inspiring future gatherings which, like the Guggenheim convening, will honor and celebrate the intellectual and creative labor of black women.” (Tina M. Campt)
Contributions by Simone White, Sharifa Rhodes-Pitts, Rizvana Bradley, Dionne Brand, Zakiyyah Iman Jackson, Christina Sharpe, Vanessa Agard-Jones, Grada Kilomba, Françoise Vergès, Denise Ferreira da Silva, Okwui Okpokwasili, Lorraine O’Grady, Annette Lane Harrison Richter, Madeleine Hunt Ehrlich, and Asiya Wadud.
Edited by Tina Campt, Saidiya Hartman, and Simone Leigh
Publisher e-flux, New York, Dec 2019
“This is a research project that culminated in a six-hour theatrical performance building upon the First World Congress organized in Alba, Italy, in 1956 by Asger Jorn and Pinot Gallizio among others. The Aarhus performance marks a collaboration with six actors and over 30 writers in the performance of original scripts that offer assessment and analysis of the political conditions of artistic higher education, classroom power relations, and the inherent tensions between audience and performer.”
Contributors: Camel Collective (DK/US/MX), Mirene Arsanios (LB), UKK (DK), The YES! Association (SE), Benj Gerdes and Jenn Hayashida (US/SE), Colin Lang (US), Ditte Lyngkaer Pedersen (DK), Sande Cohen (US/TH), Zachary Cahill (US), Eduardo Abaroa (MX), Javier Toscano (MX), Ashley Hunt (US), Johannes Raether (DE), Temporary Institute For Witchpower (DE), Michael Ashkin (US), Andrea Creutz with Sebastien Berthier & Shirin Sabahi (SE), Anthony Davies, Nils Norman, and Howard Slater (UK), Carlos Motta (CO/US), Sean Dockray (Public School) (US), Mónica Castillo (MX), Rum46 (DK), Mary Walling Blackburn (Anhoek School) (US), Dario Azzellini and Oliver Ressler (AT/IT), C. Krydz Ikwuemesi (NG), Miklos Erhardt (HU), J. Morgan Puett, Eva Diaz (US), Sam Gould/Red76 (US), Flo Maak (DE).
Edited by Camel Collective (Anthony Graves, Carla Herrera-Prats, and Lasse Lau)
Publisher Aarhus Kunsthall, Aarhus, 2013
ISBN 9788792025272, 8792025277
“The alphabet is at once familiar and mysterious. Its letters have been the object of speculation since their invention almost four thousand years ago; the symbols represent sounds, yet they exist in their own right, often invested with quasi-magical power. Johanna Drucker, who teaches art history at Yale University, examines the imaginative and idiosyncratic ways in which the letters of the alphabet have been assigned value in political, spiritual, or religious belief systems over two millennia. The first book to explore fully this colorful, poetic, and frequently eccentric realm, The Alphabetic Labyrinth is richly complemented by images that have rarely or never before been reproduced. Drawing on a wide variety of little-known sources, both literary and artistic, the author adds a new and exciting chapter to the history of ideas which will prove fascinating to cultural historians, art historians, and anyone interested in the history of writing.”
Publisher Thames and Hudson, London, 1995
ISBN 0500016089, 9780500016084
“Expanding on Siegfried Zielinski’s inquiry into ‘deep time’ of the media, the essays in Variations on Media Thinking further the eminent media theorist’s unique method of expanded hermeneutics, which means for him interpreting technical artifacts as essential parts of our cultural lives. Covering such topics as the televisualized Holocaust, the ubiquity of media today, the Internet, the genealogy of sound art, and history’s first hacker movement, these essays further diversify Zielinski’s insight into the hidden layers of media development, which he first articulated in his pioneering work Deep Time of the Media.
Including many previously untranslated and scarce essays, these ‘written time machines’ open new lines of investigation for cultural scholars. From the automata of the Arabic-Islamic Renaissance (800–1200) to the largest and loudest techno-event ever, known as The Symphony of Sirens—which transformed Baku in 1922 into an immense music box of modern noise—Variations on Media Thinking covers Zielinski’s inquiries since 1975. Richly illustrated and full of provocation, brilliant insight, and fascinating research, this volume is perfect for students of media archaeology, philosophy, and technology, as well as any adventurous, rigorous thinkers engaged with culture and media.”
Publisher University of Minnesota Press, 2019
Posthumanities series, 52
ISBN 9781517907075, 1517907071
PDF (71 MB)