Difference between revisions of "Post-digital aesthetics"
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* [https://www.coventry.ac.uk/research/areas-of-research/postdigital-cultures/ Centre for Postdigital Cultures], Coventry University, est. 2018. Dir. [[Gary Hall]]. | * [https://www.coventry.ac.uk/research/areas-of-research/postdigital-cultures/ Centre for Postdigital Cultures], Coventry University, est. 2018. Dir. [[Gary Hall]]. | ||
− | [[Image:Ludovico_Alessandro_Post-Digital_Print.jpg|thumb| | + | [[Image:Ludovico_Alessandro_Post-Digital_Print.jpg|thumb|300px|Alessandro Ludovico, ''Post-Digital Print'', 2012, [http://monoskop.org/log/?p=4165 Log], [[Media:Ludovico%2C_Alessandro_-_Post-Digital_Print._The_Mutation_of_Publishing_Since_1894.pdf|PDF]].]] |
− | [[Image:A_Peer-Reviewed_Journal_About_Post-Digital_Research.jpg|thumb| | + | [[Image:A_Peer-Reviewed_Journal_About_Post-Digital_Research.jpg|thumb|300px|''A Peer-Reviewed Journal About Post-Digital Research'', 2014, [http://monoskop.org/log/?p=10885 Log].]] |
− | [[Image:Conrads_Morlok_eds_War_postdigital_besser.gif|thumb| | + | [[Image:Conrads_Morlok_eds_War_postdigital_besser.gif|thumb|300px|Martin Conrads, Franziska Morlok (eds.), ''War postdigital besser?'', 2014, [http://monoskop.org/log/?p=16044 Log], [[Media:Conrads_Morlok_eds_War_postdigital_besser.pdf|PDF]].]] |
==Publications== | ==Publications== | ||
===Books=== | ===Books=== | ||
− | * Robert Pepperell, Michael Punt, ''[http:// | + | |
+ | * Robert Pepperell, Michael Punt, ''[http://libgen.is/book/index.php?md5=75CD80BA1713DA1BBBCE42E2DE165471 The Postdigital Membrane: Imagination, Technology and Desire]'', Bristol and Portland, OR: Intellect Books, 2000, 181 pp. [http://web.archive.org/web/20040601211638/http://www.stem-arts.com/postdigital.htm] | ||
+ | |||
* Maurizio Bolognini, ''Postdigitale. Conversazioni sull'arte e le nuove tecnologie'', Rome: Carocci, 2008, 120 pp. [http://www.bolognini.org/bolognini_PDIG.htm Excerpts]. {{it}},{{en}} | * Maurizio Bolognini, ''Postdigitale. Conversazioni sull'arte e le nuove tecnologie'', Rome: Carocci, 2008, 120 pp. [http://www.bolognini.org/bolognini_PDIG.htm Excerpts]. {{it}},{{en}} | ||
+ | |||
* Mel Alexenberg, ''[http://library.memoryoftheworld.org/#/book/177eae85-85a6-4854-99c3-2a3691d96ed0 The Future of Art in a Postdigital Age: From Hellenistic to Hebraic Consciousness]'', 2nd ed., Bristol: Intellect, 2011, 270 pp. | * Mel Alexenberg, ''[http://library.memoryoftheworld.org/#/book/177eae85-85a6-4854-99c3-2a3691d96ed0 The Future of Art in a Postdigital Age: From Hellenistic to Hebraic Consciousness]'', 2nd ed., Bristol: Intellect, 2011, 270 pp. | ||
− | * Alessandro Ludovico, ''[http://monoskop.org/log/?p=4165 Post-Digital Print: The Mutation of Publishing Since 1894]'', Rotterdam: Creating 010, Hogeschool Rotterdam, and Eindhoven: Onomatopee, 2012, 192 pp. | + | |
− | + | * Alessandro Ludovico, ''[http://monoskop.org/log/?p=4165 Post-Digital Print: The Mutation of Publishing Since 1894]'', Rotterdam: Creating 010, Hogeschool Rotterdam, and Eindhoven: Onomatopee, 2012, 192 pp; 2nd ed., 2013; 3rd ed., 2018. | |
− | ** | + | ** [[Alessandro Ludovico#Ludovico2012|translations]] |
+ | |||
* Khaldoun Zreik, Robin Gareus (eds.), ''[[Media:PostDigital_Art_Proceedings_of_the_3rd_Computer_Art_Congress_2012.pdf|PostDigital Art: Proceedings of the 3rd Computer Art Congress]]'', Paris: Europia, 2012, 168 pp. [http://www.computer-art-congress.org/files/CAC3_Proceedings_2012.pdf] [http://europia.org/edition/livres/art/CAC3Book.htm] | * Khaldoun Zreik, Robin Gareus (eds.), ''[[Media:PostDigital_Art_Proceedings_of_the_3rd_Computer_Art_Congress_2012.pdf|PostDigital Art: Proceedings of the 3rd Computer Art Congress]]'', Paris: Europia, 2012, 168 pp. [http://www.computer-art-congress.org/files/CAC3_Proceedings_2012.pdf] [http://europia.org/edition/livres/art/CAC3Book.htm] | ||
+ | |||
* Angela Geary, Paul Catanese, ''Post-Digital Printmaking: CNC, Traditional and Hybrid Techniques'', New York: Bloomsbury, 2012, 160 pp. [http://www.bloomsbury.com/us/post-digital-printmaking-9781408124949] | * Angela Geary, Paul Catanese, ''Post-Digital Printmaking: CNC, Traditional and Hybrid Techniques'', New York: Bloomsbury, 2012, 160 pp. [http://www.bloomsbury.com/us/post-digital-printmaking-9781408124949] | ||
* Martin Conrads, Franziska Morlok (eds.), ''[http://monoskop.org/log/?p=16044 War postdigital besser?]'', Berlin: Revolver Books, 2014, 144 pp. {{de}}/{{en}} | * Martin Conrads, Franziska Morlok (eds.), ''[http://monoskop.org/log/?p=16044 War postdigital besser?]'', Berlin: Revolver Books, 2014, 144 pp. {{de}}/{{en}} | ||
* Jonathan Openshaw, ''Postdigital Artisans: Craftsmanship with a New Aesthetic in Fashion, Art, Design and Architecture'', Amsterdam: Frame Publishers, 2015, 296 pp. [http://www.frameweb.com/books/postdigital-artisans] | * Jonathan Openshaw, ''Postdigital Artisans: Craftsmanship with a New Aesthetic in Fashion, Art, Design and Architecture'', Amsterdam: Frame Publishers, 2015, 296 pp. [http://www.frameweb.com/books/postdigital-artisans] | ||
− | * David M. Berry, Michael Dieter (eds.) ''[https:// | + | * David M. Berry, Michael Dieter (eds.) ''[https://library.memoryoftheworld.org/#/book/32f2d1c7-c7fc-4f1b-b630-3de4eb2f58e9 Postdigital Aesthetics: Art, Computation and Design]'', Palgrave Macmillan, 2015, 320 pp. [http://web.archive.org/web/20190813085400/raley.english.ucsb.edu/wp-content/Engl800/postdigital-aesthetics.pdf Introduction]. [http://www.palgrave.com/page/detail/postdigital-aesthetics-/?K=9781137437198 Publisher]. [https://link.springer.com/book/10.1057/9781137437204] |
* Danny Aldred, Emmanuelle Waeckerlé (eds.), ''Code—X – Paper, Ink, Pixel and Screen'', forew. Alessandro Ludovico, endnotes John Warwicker, Farnham: bookRoom press, 2015, 276 pp. [http://www.thebookroom.net/code-x-paper-ink-pixel-and-screen/] [http://silviolorusso.com/code-x/] | * Danny Aldred, Emmanuelle Waeckerlé (eds.), ''Code—X – Paper, Ink, Pixel and Screen'', forew. Alessandro Ludovico, endnotes John Warwicker, Farnham: bookRoom press, 2015, 276 pp. [http://www.thebookroom.net/code-x-paper-ink-pixel-and-screen/] [http://silviolorusso.com/code-x/] | ||
* Scott Contreras-Koterbay, Łukasz Mirocha, ''[http://networkcultures.org/blog/publication/the-new-aesthetic-and-art-constellations-of-the-postdigital/ The New Aesthetic and Art: Constellations of the Postdigital]'', Amsterdam: Institute of Network Cultures, 2016, 280 pp. | * Scott Contreras-Koterbay, Łukasz Mirocha, ''[http://networkcultures.org/blog/publication/the-new-aesthetic-and-art-constellations-of-the-postdigital/ The New Aesthetic and Art: Constellations of the Postdigital]'', Amsterdam: Institute of Network Cultures, 2016, 280 pp. | ||
* Michael Betancourt, ''[https://aaaaarg.fail/thing/5d564bba9ff37c02c8622bc7 Glitch Art in Theory and Practice: Critical Failures and Post-Digital Aesthetics]'', Routledge, 2016. | * Michael Betancourt, ''[https://aaaaarg.fail/thing/5d564bba9ff37c02c8622bc7 Glitch Art in Theory and Practice: Critical Failures and Post-Digital Aesthetics]'', Routledge, 2016. | ||
− | * Ryan Bishop, Kristoffer Gansing, Jussi Parikka, Elvia Wilk (eds.), ''across & beyond: A transmediale Reader on Post-digital Practices, Concepts, and Institutions'', Berlin: Sternberg | + | |
+ | * Ryan Bishop, Kristoffer Gansing, Jussi Parikka, Elvia Wilk (eds.), ''[[Media:across and beyond A transmediale Reader on Post-digital Practices Concepts and Institutions 2017.pdf|across & beyond: A transmediale Reader on Post-digital Practices, Concepts, and Institutions]]'', Berlin: Sternberg Press, and transmediale e.V., 2017, 348 pp. [https://transmediale.de/node/31206/ Introduction]. [https://archive.transmediale.de/content/across-beyond Publisher]. [https://www.sternberg-press.com/product/across-beyond-a-transmediale-reader-on-post-digital-practices-concepts-and-institutions/ Publisher]. Reviews: [http://sci-hub.st/10.1162/LEON_r_01588 Galati] (Leonardo), [https://www.furtherfield.org/across-and-beyond-a-transmediale-reader-on-post-digital-practices-concepts-and-institutions/ Keating] (Furtherfield), [https://www.theoryculturesociety.org/review-across-beyond-transmediale-reader-post-digital-practices-concepts-institutions/ Fan] (TCS). | ||
+ | |||
* Mario Hibert, ''[https://monoskop.org/log/?p=20442 Digitalni odrast i postdigitalna dobra. Kritičko bibliotekarstvo, disruptivni mediji i taktičko obrazovanje]'', Zagreb: Multimedia Institute & Institut za političku ekologiju, 2018, 152 pp. {{cr}} | * Mario Hibert, ''[https://monoskop.org/log/?p=20442 Digitalni odrast i postdigitalna dobra. Kritičko bibliotekarstvo, disruptivni mediji i taktičko obrazovanje]'', Zagreb: Multimedia Institute & Institut za političku ekologiju, 2018, 152 pp. {{cr}} | ||
+ | |||
* Michael Kargl, Franz Thalmair (eds.), ''originalcopy: Post-Digital Strategies of Appropriation'', Berlin: De Gruyter, 2019, 375 pp. [http://www.ocopy.net/2019/06/13/originalcopy-post-digital-strategies-of-appropriation/] [https://www.degruyter.com/view/product/513357] [https://www.dieangewandte.at/termine/originalcopy_-_post-digital_strategies_of_appropriation_28-06-2019] | * Michael Kargl, Franz Thalmair (eds.), ''originalcopy: Post-Digital Strategies of Appropriation'', Berlin: De Gruyter, 2019, 375 pp. [http://www.ocopy.net/2019/06/13/originalcopy-post-digital-strategies-of-appropriation/] [https://www.degruyter.com/view/product/513357] [https://www.dieangewandte.at/termine/originalcopy_-_post-digital_strategies_of_appropriation_28-06-2019] | ||
+ | |||
+ | * Demian Conrad, Rob van Leijsen, David Héritier (eds.), ''[https://www.postdigitalgraphicdesign.com/ Graphic Design in the Post-Digital Age: A Survey of Practices Fuelled by Creative Coding]'', Eindhoven: Onomatopee, 2021, 608 pp. [https://www.onomatopee.net/exhibition/graphic-design-in-the-post-digital-age/ Publisher]. | ||
+ | |||
+ | * Mara-Johanna Kölmel, Ursula Ströbele (eds.), ''[https://doi.org/10.1515/9783110775143 The Sculptural in the (Post-)Digital Age]'', De Gruyter, 2023, 242 pp. | ||
===Journal issues and special sections=== | ===Journal issues and special sections=== | ||
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* ''Neural'' 44: "Post-Digital Print (postscript)", ed. Alessandro Ludovico, 2013. [http://neural.it/issues/neural-44-post-digital-print-postscript/] | * ''Neural'' 44: "Post-Digital Print (postscript)", ed. Alessandro Ludovico, 2013. [http://neural.it/issues/neural-44-post-digital-print-postscript/] | ||
** [[Media:Florian_Cramer_Interview_Neural_2013.pdf|An interview with Florian Cramer]], pp 38–42. | ** [[Media:Florian_Cramer_Interview_Neural_2013.pdf|An interview with Florian Cramer]], pp 38–42. | ||
− | * | + | * [https://monoskop.org/log/?p=10885 ''A Peer-Reviewed Journal About'' 3(1): "Post-Digital Research"], Aarhus: Digital Aesthetics Research Center, Aarhus University, with Berlin: reSource transmedial culture Berlin/transmediale, 2014. [http://post-digital.projects.cavi.dk/] |
* ''[http://post-digital-culture.org/ Post-Digital Culture]'', eds. Daniel Kulle, Cornelia Lund, Oliver Schmidt and David Ziegenhagen, 2015ff. | * ''[http://post-digital-culture.org/ Post-Digital Culture]'', eds. Daniel Kulle, Cornelia Lund, Oliver Schmidt and David Ziegenhagen, 2015ff. | ||
* ''Kunstforum'' 242: "Postdigital 1. Allgegenwart und Unsichtbarkeit eines Phänomens", Sep-Oct 2016. [https://www.gbv.de/dms/weimar/toc/869013548_toc.pdf TOC]. [https://www.kunstforum.de/band/2016-242/] {{de}} | * ''Kunstforum'' 242: "Postdigital 1. Allgegenwart und Unsichtbarkeit eines Phänomens", Sep-Oct 2016. [https://www.gbv.de/dms/weimar/toc/869013548_toc.pdf TOC]. [https://www.kunstforum.de/band/2016-242/] {{de}} | ||
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===Book chapters, papers, articles, talks, discussions, blog posts=== | ===Book chapters, papers, articles, talks, discussions, blog posts=== | ||
− | * Kim Cascone, [http://sci-hub. | + | * Kim Cascone, [http://sci-hub.st/https://www.jstor.org/stable/3681551 "The Aesthetics of Failure: 'Post-digital' Tendencies in Contemporary Computer Music"], ''Computer Music Journal'' 24:4, Dec 2000, pp 12-18. |
* Ian Andrews, [http://www.ian-andrews.org/texts/postdig.html "Post-digital Aesthetics and the return to Modernism"], MAP-uts lecture, 2002. [http://www.ian-andrews.org/texts/postdig.pdf] | * Ian Andrews, [http://www.ian-andrews.org/texts/postdig.html "Post-digital Aesthetics and the return to Modernism"], MAP-uts lecture, 2002. [http://www.ian-andrews.org/texts/postdig.pdf] | ||
− | * Greg Shapley, [http://sci-hub. | + | * Greg Shapley, [http://sci-hub.st/10.1386/jvap.10.1.5_1 "After the artefact: Post-digital photography in our post-media era"], ''Journal of Visual Art Practice'' 10:1, Apr 2011, pp 5-20. |
* Florian Cramer, "Net.art back to square one", in Josephine Bosma, ''Nettitudes: Let's Talk Net Art'', Rotterdam: NAi Publishers, 2011, pp 9-14. | * Florian Cramer, "Net.art back to square one", in Josephine Bosma, ''Nettitudes: Let's Talk Net Art'', Rotterdam: NAi Publishers, 2011, pp 9-14. | ||
* Florian Cramer, [http://electronicbookreview.com/essay/post-digital-writing/ "Post-Digital Writing"], ''Electronic Book Review'', 12 Dec 2012. Originally given as the keynote lecture at the Electronic Literature Organization conference, West Virginia University, Morgantown, WV, 22 Jun 2012. {{en}} | * Florian Cramer, [http://electronicbookreview.com/essay/post-digital-writing/ "Post-Digital Writing"], ''Electronic Book Review'', 12 Dec 2012. Originally given as the keynote lecture at the Electronic Literature Organization conference, West Virginia University, Morgantown, WV, 22 Jun 2012. {{en}} | ||
** [[Media:Cramer_Florian_2016_Postdigitales_Schreiben.pdf|"Postdigitales Schreiben"]], in ''Code und Koncept. Literatur und das Digitale'', ed. Hannes Bajohr, Berlin: Frohmann, 2016, pp 27-43. [https://orbanism.com/produkt/hardcover-code-und-konzept-hannes-bajohr-hg-berlin-frohmann-2016/] {{de}} | ** [[Media:Cramer_Florian_2016_Postdigitales_Schreiben.pdf|"Postdigitales Schreiben"]], in ''Code und Koncept. Literatur und das Digitale'', ed. Hannes Bajohr, Berlin: Frohmann, 2016, pp 27-43. [https://orbanism.com/produkt/hardcover-code-und-konzept-hannes-bajohr-hg-berlin-frohmann-2016/] {{de}} | ||
* Rasmus Fleischer, [http://www.e-flux.com/journal/42/60255/how-music-takes-place-excerpts-from-the-post-digital-manifesto/ "How Music Takes Place: Excerpts From “The Post-digital Manifesto”"], ''e-flux'' 42 (Feb 2013). | * Rasmus Fleischer, [http://www.e-flux.com/journal/42/60255/how-music-takes-place-excerpts-from-the-post-digital-manifesto/ "How Music Takes Place: Excerpts From “The Post-digital Manifesto”"], ''e-flux'' 42 (Feb 2013). | ||
− | * Florian Cramer, [http://lemagazine.jeudepaume.org/2013/05/florian-cramer-post-digital-aesthetics/ "Post-Digital Aesthetics"], ''Jeu de Paume'', 1 May 2013. | + | * Florian Cramer, [http://web.archive.org/web/20150305211424/http://lemagazine.jeudepaume.org/2013/05/florian-cramer-post-digital-aesthetics/ "Post-Digital Aesthetics"], ''Jeu de Paume'', 1 May 2013. |
* David M. Berry, [http://stunlaw.blogspot.com/2013/10/post-digital-humanities.html "Post-Digital Humanities"], ''stunlaw (blog)'', Oct 2013. | * David M. Berry, [http://stunlaw.blogspot.com/2013/10/post-digital-humanities.html "Post-Digital Humanities"], ''stunlaw (blog)'', Oct 2013. | ||
* Søren Pold, Christian Ulrik Andersen, Jonas Fritch, "Ink after Print – Post-Digital Reading-Writing and the Materiality of Post-Digital Books". Talk at the ''Literature, Media, Sound'' conference, Aarhus University, 28 November 2013. [http://conferences.au.dk/literaturemediasound/programme/] | * Søren Pold, Christian Ulrik Andersen, Jonas Fritch, "Ink after Print – Post-Digital Reading-Writing and the Materiality of Post-Digital Books". Talk at the ''Literature, Media, Sound'' conference, Aarhus University, 28 November 2013. [http://conferences.au.dk/literaturemediasound/programme/] | ||
− | * Florian Cramer, [ | + | * Florian Cramer, [https://doi.org/10.7146/aprja.v3i1.116068 "What Is 'Post-Digital'?"], ''A Peer-Reviewed Journal About'' 3(1): "Post-Digital Research", Aarhus: Digital Aesthetics Research Center, with Berlin: transmediale, 2014; repr. in ''Postdigital Aesthetics: Art, Computation And Design'', eds. David M. Berry and Michael Dieter, Palgrave Macmillan, 2015, pp 12-26. [https://link.springer.com/chapter/10.1057/9781137437204_2] |
* Christian Ulrik Andersen, Søren Pold, [http://mediacommons.org/tne/pieces/manifesto-post-digital-interface-criticism "Manifesto for a Post-Digital Interface Criticism"], ''The New Everyday'', 10 Jan 2014. | * Christian Ulrik Andersen, Søren Pold, [http://mediacommons.org/tne/pieces/manifesto-post-digital-interface-criticism "Manifesto for a Post-Digital Interface Criticism"], ''The New Everyday'', 10 Jan 2014. | ||
* Rasmus Fleischer, [http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-118412 "Towards a Postdigital Sensibility: How to get Moved by too Much Music"]. ''Culture Unbound. Journal of Current Cultural Research'' 7, 2015, pp 255-269. | * Rasmus Fleischer, [http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-118412 "Towards a Postdigital Sensibility: How to get Moved by too Much Music"]. ''Culture Unbound. Journal of Current Cultural Research'' 7, 2015, pp 255-269. | ||
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* Florian Cramer, [https://doi.org/10.14195/2182-8830 "Post-Digital Literary Studies"], ''Materialities of Literature'' 4:1, 2016. | * Florian Cramer, [https://doi.org/10.14195/2182-8830 "Post-Digital Literary Studies"], ''Materialities of Literature'' 4:1, 2016. | ||
* Florian Cramer, [https://www.kunstforum.de/artikel/nach-dem-koitus-oder-nach-dem-tod/ "Nach dem Koitus oder nach dem Tod? Zur Begriffsverwirrung von „postdigital“, „Post-Internet“ und „Post-Media“"], ''Kunstforum'' 242, 2016. {{de}} | * Florian Cramer, [https://www.kunstforum.de/artikel/nach-dem-koitus-oder-nach-dem-tod/ "Nach dem Koitus oder nach dem Tod? Zur Begriffsverwirrung von „postdigital“, „Post-Internet“ und „Post-Media“"], ''Kunstforum'' 242, 2016. {{de}} | ||
+ | * Enrique Tomas, [https://tamlab.ufg.at/publications/politics-of-musical-interfaces/ "Politics of Musical Interfaces: Ideologies and Digital Disenchantment"], ''Proceedings of the First International Conference on Politics of the Interface'', Barcelona, Spain., 2016. | ||
* Sissel Marie Tonn, et al., [https://instrumentinventors.org/research/relay-conversation-the-reading-room-27-28-post-digital-publishing/ "Relay Conversation The Reading Room #27 & #28 – Post-Digital Publishing"], ''InstrumentInventors.org'', 2018. | * Sissel Marie Tonn, et al., [https://instrumentinventors.org/research/relay-conversation-the-reading-room-27-28-post-digital-publishing/ "Relay Conversation The Reading Room #27 & #28 – Post-Digital Publishing"], ''InstrumentInventors.org'', 2018. | ||
* Nancy Mauro-Flude, "Performing The Internet: Post Digital Folklore", in ''Digital Humanities and Scholarly Research Trends in the Asia-Pacific'', eds. Shun-han Rebekah Wong, Haipeng Li and Min Chou, Hongkong: IGI-global, 2019, pp 200-227. [https://www.igi-global.com/viewtitlesample.aspx?id=220630&ptid=204633&t=Performing%20the%20Internet:%20Post-Internet%20Folklore Excerpt]. [https://www.igi-global.com/book/digital-humanities-scholarly-research-trends/204633] | * Nancy Mauro-Flude, "Performing The Internet: Post Digital Folklore", in ''Digital Humanities and Scholarly Research Trends in the Asia-Pacific'', eds. Shun-han Rebekah Wong, Haipeng Li and Min Chou, Hongkong: IGI-global, 2019, pp 200-227. [https://www.igi-global.com/viewtitlesample.aspx?id=220630&ptid=204633&t=Performing%20the%20Internet:%20Post-Internet%20Folklore Excerpt]. [https://www.igi-global.com/book/digital-humanities-scholarly-research-trends/204633] | ||
* Kim West, [https://kunstkritikk.com/the-problem-of-organisation/ "The Problem of Organisation"], ''Kunstkritikk', 15 May 2019. Review of the 58th Venice Biennale. | * Kim West, [https://kunstkritikk.com/the-problem-of-organisation/ "The Problem of Organisation"], ''Kunstkritikk', 15 May 2019. Review of the 58th Venice Biennale. | ||
** [https://kunstkritikk.se/organisationens-problem/ "Organisationens problem"], ''Kunstkritikk'', 15 May 2019. {{sw}} | ** [https://kunstkritikk.se/organisationens-problem/ "Organisationens problem"], ''Kunstkritikk'', 15 May 2019. {{sw}} | ||
+ | * Florian Cramer, Petar Jandrić, [https://doi.org/10.1007/s42438-021-00225-9 "Postdigital: A Term That Sucks but Is Useful"], ''Postdigital Science and Education'', Mar 2021, [[Media:Cramer_Florian Jandric_Petar 2021_Postdigital_A_Term_That_Sucks_but_Is_Useful.pdf|PDF]]. | ||
; Theses | ; Theses | ||
Line 90: | Line 104: | ||
* [http://postdigitalprint.org/ Post-Digital Print], a blog by [[Alessandro Ludovico]]. | * [http://postdigitalprint.org/ Post-Digital Print], a blog by [[Alessandro Ludovico]]. | ||
* [http://networkcultures.org/postdigital/ Post-Digital Blog] by Nadine Roestenburg, researcher at Institute of Network Cultures. | * [http://networkcultures.org/postdigital/ Post-Digital Blog] by Nadine Roestenburg, researcher at Institute of Network Cultures. | ||
+ | * [http://post-digital-culture.org/ Post-Digital Culture], U Hamburg | ||
+ | * [https://stones.computer/ Stones That Calculate], collection of resources about post-digital materiality compiled by Jonas Parnow and Paul Heinicker. | ||
==See also== | ==See also== |
Revision as of 10:56, 25 November 2024
Events
- Postdigitale Welten: Formatierung sozialer Räume seminar at HfG Karlsruhe, 2011/12. Facilitated by Marco Zampella und Ulrich Gehmann.
- Post-Digital Aesthetics, a panel at the ISEA conference, Sydney, 11 May 2013. With Florian Cramer, Alessandro Ludovico and Ian Andrews.
- post-digital-research, Kunsthal Aarhus, 7-9 Oct 2013. Organised by Christian Ulrik Andersen, Geoff Cox, Tatiana Bazzichelli and Kristoffer Gansing.
- Out of Hand: Materializing the Postdigital, exhibition, MAD: Museum of Arts and Design, New York, 16 Oct 2013-1 Jun 2014. Curated by Ron Labaco. Review: Rogers (Leonardo).
- Post Digital Cultures, symposiums held at the Musée cantonal des Beaux-Arts, Aula du Palais de Rumine, Lausanne, 6-7 Dec 2013 & 5-6 Dec 2014 & 4-5 Dec 2015. Direction: Patrick de Rham. Curators: Elise Lammer and Federica Martini.
- Afterglow conference, Transmediale, Berlin, 30 Jan-2 Feb 2014.
- Post-digital: critical responses, discussion, 11 June 2014, University of Sussex.
- The Post-Digital Scholar Conference: Publishing between Open Access, Piracy and Public Spheres, Hybrid Publishing Lab, Leuphana University, Lüneburg, 12-14 Nov 2014. [1], Videos.
- Pós-digital (media, artes, design), University of Lisbon, 20 Mar 2015.
- Post-Digital Institutions and Practices panel discussion, ICA, London, 7 Dec 2016.
- p0es1s – postdigital exhibition, Kunsttempel, Kassel, 14 Sep-15 Oct 2017. Curated by Friedrich W. Block. Selections from Post-Digital Publishing Archive. Documentation.
- Artificial imagination / Artificielle postdigital, a research seminar on contemporary art and artificial intelligence, Ecole Normale Superieure, Paris. Founded in 2017 by Béatrice Joyeux-Prunel and Grégory Chatonsky. Twitter.
- Launch of the Centre for Postdigital Cultures, Coventry University, 7 Feb 2018.
- Vvitchvvave: Post-Digital Aesthetics symposium and exhibition, RMIT university Melbourne, Australia, 8 Dec 2018. Curated by Nancy Mauro-Flude and Thomas Penney.
Centres
- Centre for Postdigital Cultures, Coventry University, est. 2018. Dir. Gary Hall.
Publications
Books
- Robert Pepperell, Michael Punt, The Postdigital Membrane: Imagination, Technology and Desire, Bristol and Portland, OR: Intellect Books, 2000, 181 pp. [2]
- Maurizio Bolognini, Postdigitale. Conversazioni sull'arte e le nuove tecnologie, Rome: Carocci, 2008, 120 pp. Excerpts. (Italian),(English)
- Mel Alexenberg, The Future of Art in a Postdigital Age: From Hellenistic to Hebraic Consciousness, 2nd ed., Bristol: Intellect, 2011, 270 pp.
- Alessandro Ludovico, Post-Digital Print: The Mutation of Publishing Since 1894, Rotterdam: Creating 010, Hogeschool Rotterdam, and Eindhoven: Onomatopee, 2012, 192 pp; 2nd ed., 2013; 3rd ed., 2018.
- Khaldoun Zreik, Robin Gareus (eds.), PostDigital Art: Proceedings of the 3rd Computer Art Congress, Paris: Europia, 2012, 168 pp. [3] [4]
- Angela Geary, Paul Catanese, Post-Digital Printmaking: CNC, Traditional and Hybrid Techniques, New York: Bloomsbury, 2012, 160 pp. [5]
- Martin Conrads, Franziska Morlok (eds.), War postdigital besser?, Berlin: Revolver Books, 2014, 144 pp. (German)/(English)
- Jonathan Openshaw, Postdigital Artisans: Craftsmanship with a New Aesthetic in Fashion, Art, Design and Architecture, Amsterdam: Frame Publishers, 2015, 296 pp. [6]
- David M. Berry, Michael Dieter (eds.) Postdigital Aesthetics: Art, Computation and Design, Palgrave Macmillan, 2015, 320 pp. Introduction. Publisher. [7]
- Danny Aldred, Emmanuelle Waeckerlé (eds.), Code—X – Paper, Ink, Pixel and Screen, forew. Alessandro Ludovico, endnotes John Warwicker, Farnham: bookRoom press, 2015, 276 pp. [8] [9]
- Scott Contreras-Koterbay, Łukasz Mirocha, The New Aesthetic and Art: Constellations of the Postdigital, Amsterdam: Institute of Network Cultures, 2016, 280 pp.
- Michael Betancourt, Glitch Art in Theory and Practice: Critical Failures and Post-Digital Aesthetics, Routledge, 2016.
- Ryan Bishop, Kristoffer Gansing, Jussi Parikka, Elvia Wilk (eds.), across & beyond: A transmediale Reader on Post-digital Practices, Concepts, and Institutions, Berlin: Sternberg Press, and transmediale e.V., 2017, 348 pp. Introduction. Publisher. Publisher. Reviews: Galati (Leonardo), Keating (Furtherfield), Fan (TCS).
- Mario Hibert, Digitalni odrast i postdigitalna dobra. Kritičko bibliotekarstvo, disruptivni mediji i taktičko obrazovanje, Zagreb: Multimedia Institute & Institut za političku ekologiju, 2018, 152 pp. (Croatian)
- Michael Kargl, Franz Thalmair (eds.), originalcopy: Post-Digital Strategies of Appropriation, Berlin: De Gruyter, 2019, 375 pp. [10] [11] [12]
- Demian Conrad, Rob van Leijsen, David Héritier (eds.), Graphic Design in the Post-Digital Age: A Survey of Practices Fuelled by Creative Coding, Eindhoven: Onomatopee, 2021, 608 pp. Publisher.
- Mara-Johanna Kölmel, Ursula Ströbele (eds.), The Sculptural in the (Post-)Digital Age, De Gruyter, 2023, 242 pp.
Journal issues and special sections
- Enculturation 3(1): "Post-Digital Studies", eds. David Rieder and Matthew Levy, 2000.
- Neural 44: "Post-Digital Print (postscript)", ed. Alessandro Ludovico, 2013. [13]
- An interview with Florian Cramer, pp 38–42.
- A Peer-Reviewed Journal About 3(1): "Post-Digital Research", Aarhus: Digital Aesthetics Research Center, Aarhus University, with Berlin: reSource transmedial culture Berlin/transmediale, 2014. [14]
- Post-Digital Culture, eds. Daniel Kulle, Cornelia Lund, Oliver Schmidt and David Ziegenhagen, 2015ff.
- Kunstforum 242: "Postdigital 1. Allgegenwart und Unsichtbarkeit eines Phänomens", Sep-Oct 2016. TOC. [15] (German)
- Kunstforum 243: "Postdigital 2. Erscheinungsformen und Ausbreitung eines Phänomens", 2016. [16] (German)
Book chapters, papers, articles, talks, discussions, blog posts
- Kim Cascone, "The Aesthetics of Failure: 'Post-digital' Tendencies in Contemporary Computer Music", Computer Music Journal 24:4, Dec 2000, pp 12-18.
- Ian Andrews, "Post-digital Aesthetics and the return to Modernism", MAP-uts lecture, 2002. [17]
- Greg Shapley, "After the artefact: Post-digital photography in our post-media era", Journal of Visual Art Practice 10:1, Apr 2011, pp 5-20.
- Florian Cramer, "Net.art back to square one", in Josephine Bosma, Nettitudes: Let's Talk Net Art, Rotterdam: NAi Publishers, 2011, pp 9-14.
- Florian Cramer, "Post-Digital Writing", Electronic Book Review, 12 Dec 2012. Originally given as the keynote lecture at the Electronic Literature Organization conference, West Virginia University, Morgantown, WV, 22 Jun 2012. (English)
- "Postdigitales Schreiben", in Code und Koncept. Literatur und das Digitale, ed. Hannes Bajohr, Berlin: Frohmann, 2016, pp 27-43. [18] (German)
- Rasmus Fleischer, "How Music Takes Place: Excerpts From “The Post-digital Manifesto”", e-flux 42 (Feb 2013).
- Florian Cramer, "Post-Digital Aesthetics", Jeu de Paume, 1 May 2013.
- David M. Berry, "Post-Digital Humanities", stunlaw (blog), Oct 2013.
- Søren Pold, Christian Ulrik Andersen, Jonas Fritch, "Ink after Print – Post-Digital Reading-Writing and the Materiality of Post-Digital Books". Talk at the Literature, Media, Sound conference, Aarhus University, 28 November 2013. [19]
- Florian Cramer, "What Is 'Post-Digital'?", A Peer-Reviewed Journal About 3(1): "Post-Digital Research", Aarhus: Digital Aesthetics Research Center, with Berlin: transmediale, 2014; repr. in Postdigital Aesthetics: Art, Computation And Design, eds. David M. Berry and Michael Dieter, Palgrave Macmillan, 2015, pp 12-26. [20]
- Christian Ulrik Andersen, Søren Pold, "Manifesto for a Post-Digital Interface Criticism", The New Everyday, 10 Jan 2014.
- Rasmus Fleischer, "Towards a Postdigital Sensibility: How to get Moved by too Much Music". Culture Unbound. Journal of Current Cultural Research 7, 2015, pp 255-269.
- Christiane Paul, "From Immateriality to Neomateriality: Art and the Conditions of Digital Materiality". ISEA 2015: Proceedings, 2015.
- Sandra Alvaro, "Disruptive Strategies in the Post-Digital City". ISEA 2015: Proceedings, 2015.
- Florian Cramer, "Talking Past Each Other. On the word combinatorics of “post”, “media”, “digital” and “Internet”", 25 Mar 2015. Talk.
- Alessandro Ludovico, "Le reti come agenti nello scontro tra stampa post-digitale personale e industriale". Progetto grafico 28, Milan, 2015. (Italian)
- "Networks as Agents in the Clash Between Personal and Industrial Post-Digital Print". Progetto grafico 28, Milan, 2015.
- Hugo Paquete, "Pareidolia: Glitch-Evento, Metodologia e Espectro", interact: Revista Online de Arte, Cultura e Tecnologia, 2015. [21]. (Portuguese)
- Florian Cramer, "Post-Digital Literary Studies", Materialities of Literature 4:1, 2016.
- Florian Cramer, "Nach dem Koitus oder nach dem Tod? Zur Begriffsverwirrung von „postdigital“, „Post-Internet“ und „Post-Media“", Kunstforum 242, 2016. (German)
- Enrique Tomas, "Politics of Musical Interfaces: Ideologies and Digital Disenchantment", Proceedings of the First International Conference on Politics of the Interface, Barcelona, Spain., 2016.
- Sissel Marie Tonn, et al., "Relay Conversation The Reading Room #27 & #28 – Post-Digital Publishing", InstrumentInventors.org, 2018.
- Nancy Mauro-Flude, "Performing The Internet: Post Digital Folklore", in Digital Humanities and Scholarly Research Trends in the Asia-Pacific, eds. Shun-han Rebekah Wong, Haipeng Li and Min Chou, Hongkong: IGI-global, 2019, pp 200-227. Excerpt. [22]
- Kim West, "The Problem of Organisation", Kunstkritikk', 15 May 2019. Review of the 58th Venice Biennale.
- "Organisationens problem", Kunstkritikk, 15 May 2019. (Swedish)
- Florian Cramer, Petar Jandrić, "Postdigital: A Term That Sucks but Is Useful", Postdigital Science and Education, Mar 2021, PDF.
- Theses
- Gregory James Shapley, Sound of Failure: Experimental electronic music in our post-digital era, Sydney: University of Technology, 2012, 212 pp. [23]
- Sandra Alvaro, PostDigital City. Aesthetics and Politics in the Space of Embodied Virtuality, Barcelona: Universitat Autonoma de Barcelona, 2016, 268 pp.
- Vygandas Vegas Simbelis, Humanizing Technology Through Post-Digital Art, Stockholm: Royal Institute of Technology, 2018, 212 pp.
- List discussions
- "Hybrid Bookwork. Experimental eBooks, Post-Digital Publishing", -empyre-, February 2014. Moderated by Michael Dieter.
- "Post-digital", Nettime, March 2014.
Resources
- Post-Digital Publishing Archive, projects and artworks at the intersection of publishing and digital technology, by Silvio Lorusso.
- Post-Digital Print, a blog by Alessandro Ludovico.
- Post-Digital Blog by Nadine Roestenburg, researcher at Institute of Network Cultures.
- Post-Digital Culture, U Hamburg
- Stones That Calculate, collection of resources about post-digital materiality compiled by Jonas Parnow and Paul Heinicker.
See also
Film labs, Cassette culture, Zine culture, Postmedia.