Difference between revisions of "Live video"

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category            = Live video
 
category            = Live video
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; Publications
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==Communities==
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* Ana Carvalho, Cornelia Lund (eds.), ''[http://www.ephemeral-expanded.net/audiovisualbreakthrough/theaudiovisualbreakthrough_print2_download.pdf The Audiovisual Breakthrough]'', Berlin: fluctuating images, 2015, 153 pp.
 
  
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; See also
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* [https://scanlines.xyz/ scanlines.xyz], a community centered on DIY audiovisual/electronic art and experimentation.
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[[Video]]
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==Publications==
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* ''[https://monoskop.org/log/?p=43 Eigenwelt der Apparate-Welt. Pioniere der Elektronischen Kunst / Pioneers of Electronic Art]'', ed. [[David Dunn]], Santa Fe: The Vasulkas, 1992, 240 pp, [[Media:Dunn_David_ed_Pioneers_of_Electronic_Art.pdf|PDF]], [http://web.archive.org/web/20041225211352/http://www.aec.at/de/archives/festival_archive/festival_catalogs/festival_catalog.asp?iProjectID=8893 HTML]. Published on the occasion of an exhibition curated by [[Steina and Woody Vasulka]], held 22 Jun-5 Jul 1992, Oberösterreichisches Landmuseum, Linz, as part of the ''Ars Electronica'' festival.
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* [[Sher Doruff]], with [[Nancy Mauro-Flude]] (eds.), ''[https://monoskop.org/log/?p=3661 Connected! LiveArt]'', Amsterdam: Waag Society, 2005, 160 pp. "The Connected! Programme spanned a two year period from January 2003 to January 2005. It officially concluded with a celebratory Birthday party for Art in the Theatrum Anatomicum of [[Waag Society]], the local ‘home’-base of many Connected! projects. Although most of the people present at that event agreed with Federico Bonelli’s assessment “that art could have committed suicide in 1984” – the research and the show goes on."
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* [[Sher Doruff]], ''[https://monoskop.org/log/?p=3665 The Translocal Event and the Polyrhythmic Diagram]'', London: Central Saint Martins College of Art & Design, 2006, 288 pp. PhD thesis.
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* Michael Faulkner/D-Fuse (ed.), ''VJ: Audio-Visual Art + VJ Culture'', London: Laurence King, 2006, [https://archive.org/details/vjaudiovisualart0000unse/ IA].
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* Steve Dixon, ''[https://library.memoryoftheworld.org/#/book/1aa24052-97b5-463b-b211-6a4ea601feff Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation]'', MIT Press (Leonardo), 2007. [https://mitpress.mit.edu/9780262527521/digital-performance/ Publisher].
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* John Coulter, [https://sci-hub.st/10.1017/S1355771809990239 "Electroacoustic Music with Moving Images: The Art of Media Pairing"], ''Organised Sound'' 15(1): "Sonic Imagery", Apr 2010, 26-34. [https://doi.org/10.1017/S1355771809990239 DOI]. See also [https://espace.library.uq.edu.au/view/UQ:206172 PhD thesis] (2009).
 +
 +
* [[Paul Prudence]], [https://www.creativeapplications.net/theory/patch-schematics-the-aesthetics-of-constraint-best-practices-theory/ "Patch Schematics – The Aesthetics of Constraint / Best Practices (Theory)"], ''CreativeApplications.Net'', 2011.
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* Rosemary Klich, Edward Scheer, ''Multimedia Performance'', Palgrave Macmillan, 2012, 228 pp. Review: [https://www.performanceparadigm.net/index.php/journal/article/view/137 Yuji Sone] (Perf Paradigm).
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* Holly Rogers, ''Sounding the Gallery: Video and the Rise of Art-Music'', Oxford University Press, 2013, 256 pp. [https://global.oup.com/academic/product/sounding-the-gallery-9780199861422 Publisher].
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* Kathy High, Sherry Miller Hocking, Mona Jimenez (eds.), ''[http://libgen.is/book/index.php?md5=D0BAA55B5457F463142BE2F5AB73CF9F The Emergence of Video Processing Tools]'', 2 vols., Intellect, 2014, 638+21+16 pp, [http://library.memoryoftheworld.org/#/book/094da87b-4069-40ca-bd60-169926288fcb EPUB]. [https://www.intellectbooks.com/the-emergence-of-video-processing-tools Publisher]. Review: [https://sci-hub.st/10.1162/LEON_r_01171 Ellen Pearlman] (Leonardo), [https://cdm.link/how-video-signal-processing-emerged-as-real-time-art/ Peter Kirn] (cdm).
 +
 
 +
* [[Ana Carvalho]], Cornelia Lund (eds.), ''[[Media:Carvalho Ana Lund Cornelia eds The Audiovisual Breakthrough 2015.pdf|The Audiovisual Breakthrough]]'', Berlin: fluctuating images, 2015, 153 pp.
 +
 
 +
* [[Derek Holzer]], ''[https://aaltodoc.aalto.fi/items/05a7467b-ac5e-4ab7-bb1e-da0298ee9eef Vector Synthesis: a Media Archaeological Investigation into Sound-Modulated Light]'', Helsinki: Aalto University, 2020, 121 pp. MA thesis. [https://github.com/macumbista/vectorsynthesis Project website]. [https://macumbista.net/?page_id=5711 Author].
 +
 
 +
* Constantin Basica, [https://mutor-2.github.io/HistoryAndPracticeOfMultimedia/units/05/ "Audiovisual Performance"], in ''History and Practice of Multimedia - Online Lecture Series'', 2021.
 +
 
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* Steve Gibson, Stefan Arisona, Donna Leishman, Atau Tanaka (eds.), ''[https://libgen.is/book/index.php?md5=51147F35E64FA0E4F89C05E7D802809D Live Visuals: History, Theory, Practice]'', Routledge, 2022, 472 pp. [https://www.routledge.com/Live-Visuals-History-Theory-Practice/Gibson-Arisona-Leishman-Tanaka/p/book/9781032252681 Publisher].
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* ''Leonardo'' 57(6): "Histories, Legacies, and Futures of Image-Processing", Dec 2024. [https://direct.mit.edu/leon/issue/57/6] [https://leonardo.info/journal-issue/Leonardo/57/6]
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==See also==
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 +
[[Live coding]], [[Video art]]
  
  
 
{{Software}}
 
{{Software}}
 
{{Moving Image}}
 
{{Moving Image}}

Latest revision as of 18:35, 21 April 2025

Communities[edit]

  • scanlines.xyz, a community centered on DIY audiovisual/electronic art and experimentation.

Publications[edit]

  • Sher Doruff, with Nancy Mauro-Flude (eds.), Connected! LiveArt, Amsterdam: Waag Society, 2005, 160 pp. "The Connected! Programme spanned a two year period from January 2003 to January 2005. It officially concluded with a celebratory Birthday party for Art in the Theatrum Anatomicum of Waag Society, the local ‘home’-base of many Connected! projects. Although most of the people present at that event agreed with Federico Bonelli’s assessment “that art could have committed suicide in 1984” – the research and the show goes on."
  • Michael Faulkner/D-Fuse (ed.), VJ: Audio-Visual Art + VJ Culture, London: Laurence King, 2006, IA.
  • Rosemary Klich, Edward Scheer, Multimedia Performance, Palgrave Macmillan, 2012, 228 pp. Review: Yuji Sone (Perf Paradigm).
  • Holly Rogers, Sounding the Gallery: Video and the Rise of Art-Music, Oxford University Press, 2013, 256 pp. Publisher.
  • Leonardo 57(6): "Histories, Legacies, and Futures of Image-Processing", Dec 2024. [1] [2]

See also[edit]

Live coding, Video art


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