Difference between revisions of "Serbia"
Line 26: | Line 26: | ||
* [[Marina Abramović]], her performance works were documented on video (some initially on film, then transferred to video) in 1960s-70s while she lived in Belgrade | * [[Marina Abramović]], her performance works were documented on video (some initially on film, then transferred to video) in 1960s-70s while she lived in Belgrade | ||
* [[Raša Todosijević]] | * [[Raša Todosijević]] | ||
+ | |||
+ | ==Art theory and art history== | ||
+ | [[László Kerekes]] | ||
==Artists== | ==Artists== |
Revision as of 14:43, 20 August 2011
Contents
Cities
Belgrade, Niš, Novi Sad, Pančevo.
Predecessors
- Zenit avant-garde magazine (published in Zagreb, 1921-1923, later in Belgrade, 1923-1926. Initiated by Ljubomir Micić, introduced constructivism, futurism and Dadaism to Croatia and Serbia.
Electroacoustic music
- Composers
Vladan Radovanović, Aleksandar Obradović, Paul Pignon, Andžej Dobrovoljski, Zoran Erić, Ivo Malec, Josip Kalčič, Srđan Hofman, Dušan Radić, Erne Kiraly
- Studios
- Releases
- Radovanović, Pignon, Devčić, Kalčič – Elektronski Studio Radio Beograda. PGP RTB, 1977. [1]
- Various – Elektronski Studio Radio Beograda. PGP RTB, 3130037, 1985. [2]
- Various – 30 Godina Elektronskog Studija Radio Beograda - Elektroakustička Muzika I - Izbor Dela Ostvarenih Od 1972. Do 2000. Godine. PGP RTS, CD 431333, 2002. [3]
Experimental film
- Exhibitions
- This Is All Film! Experimental Film in Yugoslavia 1951-1991, 2010-2011, Museum of Modern Art Ljubljana
Computer and computer-aided art
Petar Milojević (emigrated to Canada in 1960)
Video art
- Video installations in 1980s
- Marina Abramović, her performance works were documented on video (some initially on film, then transferred to video) in 1960s-70s while she lived in Belgrade
- Raša Todosijević
Art theory and art history
Artists
Publications
- Dubravka Djuric and Misko Suvakovic (eds.), Impossible Histories: Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991, MIT Press, 2003. [4]
- Dejan Sretenovic (ed.): Video Art in Serbia. Belgrade: Centre for Contemporary Arts, 1999
Countries avant-garde, modernism, experimental art, media culture, social practice |
||
---|---|---|
Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States |