Difference between revisions of "Field recording"

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* [http://panto-graph.net/favouritesounds/ Favourite Sounds of Prague], an open, collaborative, online community dedicated to fieldrecording, urbanism, phonography and psychogeography of Prague.  
 
* [http://panto-graph.net/favouritesounds/ Favourite Sounds of Prague], an open, collaborative, online community dedicated to fieldrecording, urbanism, phonography and psychogeography of Prague.  
 
* [http://www.geluidvannederland.nl/ The Sound of the Netherlands], a sound archive available from the Netherlands Institute for Sound and Vision; contains over 10.000 sound recordings from the 1950s to the 1990s.
 
* [http://www.geluidvannederland.nl/ The Sound of the Netherlands], a sound archive available from the Netherlands Institute for Sound and Vision; contains over 10.000 sound recordings from the 1950s to the 1990s.
* [http://nula.cc/ nula.cc], a ser­ies of file­casts, each con­sist­ing of an as­semb­lage of sounds, im­ages, or words.
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* [http://nula.cc/ nula.cc], a ser­ies of file­casts, each con­sist­ing of an as­semb­lage of sounds, im­ages, or words, by Lloyd Dunn.
 
* [http://www.soundsofeurope.eu/ Sounds of Europe], a platform for field recording.
 
* [http://www.soundsofeurope.eu/ Sounds of Europe], a platform for field recording.
 
* [http://www.stuffinablank.com/soundscapes.html Listen to the World: Online Soundscapes], exhibition of online sound projects.
 
* [http://www.stuffinablank.com/soundscapes.html Listen to the World: Online Soundscapes], exhibition of online sound projects.
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* [https://sonicfield.org/ Sonic Field]
 
* [https://sonicfield.org/ Sonic Field]
 
* [https://semisilent.ro/ Semisilent], podcast platform for sound art, radio art and field recording, Bucharest, est. 2016.
 
* [https://semisilent.ro/ Semisilent], podcast platform for sound art, radio art and field recording, Bucharest, est. 2016.
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* [https://www.the-concrete.org/ concrete], auditory culture of indigenous people by Japanese artist and ethnographer Yasuhiro Morinaga.
  
 
==Publications==
 
==Publications==
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* Salomé Voegelin, [https://www.thewire.co.uk/in-writing/collateral-damage/collateral-damage_salome-voegelin "Collateral Damage"], ''The Wire'' 364, Jun 2014.
 
* Salomé Voegelin, [https://www.thewire.co.uk/in-writing/collateral-damage/collateral-damage_salome-voegelin "Collateral Damage"], ''The Wire'' 364, Jun 2014.
  
* Stephen Benson, Will Montgomery (eds.), ''[https://aaaaarg.fail/thing/5c8c2b049ff37c2b95622bd4 Writing the Field Recording: Sound, Word, Environment]'', Edinburgh University Press, 2018, viii+279 pp.
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* Stephen Benson, Will Montgomery (eds.), ''[http://libgen.rs/book/index.php?md5=80A1A4611D3C85B5FED34B9C983EE7FE Writing the Field Recording: Sound, Word, Environment]'', Edinburgh University Press, 2018, viii+279 pp, [https://aaaaarg.fail/thing/5c8c2b049ff37c2b95622bd4 ARG].
  
 
* Joeri Bruyninckx, ''[https://1lib.cz/book/3583639/9e8912 Listening in the Field: Recording and the Science of Birdsong]'', MIT Press, 2018, 256 pp. [https://mitpress.mit.edu/9780262037624/ Publisher].
 
* Joeri Bruyninckx, ''[https://1lib.cz/book/3583639/9e8912 Listening in the Field: Recording and the Science of Birdsong]'', MIT Press, 2018, 256 pp. [https://mitpress.mit.edu/9780262037624/ Publisher].
  
* Mark Peter Wright, ''Listening After Nature: Field Recording, Ecology, Critical Practice'', Bloomsbury, 2022, 224 pp. [https://www.bloomsbury.com/uk/listening-after-nature-9781501354519/ Publisher].
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* Mark Peter Wright, ''[http://libgen.rs/book/index.php?md5=838D49D68D5519A1174EDF3D8B8EEE05 Listening After Nature: Field Recording, Ecology, Critical Practice]'', Bloomsbury, 2022, 224 pp. [https://www.bloomsbury.com/uk/listening-after-nature-9781501354519/ Publisher].
  
 
* [[Media:Sensitive Sound Recordings 2022.pdf|''Prace Kulturoznawcze'' 26(1): "Sensitive Sound Recordings"]], eds. Renata Tańczuk and Sławomir Wieczorek, Wrocław: Wydawnictwo Uniwersytetu Wrocławskiego, 2022, 146 pp. [https://wuwr.pl/pkult/issue/view/859 Publisher]. [https://cense.earth/the-second-life-of-recorded-sounds-2020-publication]
 
* [[Media:Sensitive Sound Recordings 2022.pdf|''Prace Kulturoznawcze'' 26(1): "Sensitive Sound Recordings"]], eds. Renata Tańczuk and Sławomir Wieczorek, Wrocław: Wydawnictwo Uniwersytetu Wrocławskiego, 2022, 146 pp. [https://wuwr.pl/pkult/issue/view/859 Publisher]. [https://cense.earth/the-second-life-of-recorded-sounds-2020-publication]

Latest revision as of 11:09, 8 July 2024

Artists[edit]

Projects, resources[edit]

  • radio aporee ::: soundmap, a growing global archive of geo-bound recordings, reflecting the complexity of our sonic environments, as well as the different perception and artistic perspectives of its many contributors, in relation to sound, space and places.
  • Peter Cusack's sound database.
  • Favourite Sounds of Prague, an open, collaborative, online community dedicated to fieldrecording, urbanism, phonography and psychogeography of Prague.
  • The Sound of the Netherlands, a sound archive available from the Netherlands Institute for Sound and Vision; contains over 10.000 sound recordings from the 1950s to the 1990s.
  • nula.cc, a ser­ies of file­casts, each con­sist­ing of an as­semb­lage of sounds, im­ages, or words, by Lloyd Dunn.
  • Sounds of Europe, a platform for field recording.
  • Listen to the World: Online Soundscapes, exhibition of online sound projects.
  • Sound Localities, a project that explores the experience of sound in the city and its relationship a specific regional and cultural space through field recordings and interviews with artists, individuals and organisations in 7 cities around the world.
  • Sonic Field
  • Semisilent, podcast platform for sound art, radio art and field recording, Bucharest, est. 2016.
  • concrete, auditory culture of indigenous people by Japanese artist and ethnographer Yasuhiro Morinaga.

Publications[edit]

  • Cathy Lane, Angus Carlyle, In the Field: Art of Field Recording, Uniformbooks, 2013. Conversations with Andrea Polli, Annea Lockwood, Antye Greie, Budhaditya Chattopadhyay, Christina Kubisch, Davide Tidoni, Felicity Ford, Francisco López, Hildegard Westerkamp, Hiroki Sasajima, Ian Rawes, Jana Winderen, Jez Riley French, Lasse-Marc Riek, Manuela Barile, Peter Cusack, Steven Feld and Viv Corringham. [1] [2]
  • An Antidote to Indifference 8: Special Issue on Field Recording, ed. Cheryl Tipp, 2013. Features by Felicity Ford, Elin Øyen Vister, Daniela Cascella, La Cosa Preziosa and Amy Liptrot. [3]

See also[edit]

Sound art, Sonic ecology, Sensory ethnography