Difference between revisions of "Live video"
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category = Live video | category = Live video | ||
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| − | + | ==Communities== | |
* [https://scanlines.xyz/ scanlines.xyz], a community centered on DIY audiovisual/electronic art and experimentation. | * [https://scanlines.xyz/ scanlines.xyz], a community centered on DIY audiovisual/electronic art and experimentation. | ||
| − | + | ==Publications== | |
| + | |||
| + | * [[Sher Doruff]], with [[Nancy Mauro-Flude]] (eds.), ''[https://monoskop.org/log/?p=3661 Connected! LiveArt]'', Amsterdam: Waag Society, 2005, 160 pp. "The Connected! Programme spanned a two year period from January 2003 to January 2005. It officially concluded with a celebratory Birthday party for Art in the Theatrum Anatomicum of [[Waag Society]], the local ‘home’-base of many Connected! projects. Although most of the people present at that event agreed with Federico Bonelli’s assessment “that art could have committed suicide in 1984” – the research and the show goes on." | ||
| + | |||
| + | * [[Sher Doruff]], ''[https://monoskop.org/log/?p=3665 The Translocal Event and the Polyrhythmic Diagram]'', London: Central Saint Martins College of Art & Design, 2006, 288 pp. PhD thesis. | ||
* Michael Faulkner/D-Fuse (ed.), ''VJ: Audio-Visual Art + VJ Culture'', London: Laurence King, 2006, [https://archive.org/details/vjaudiovisualart0000unse/ IA]. | * Michael Faulkner/D-Fuse (ed.), ''VJ: Audio-Visual Art + VJ Culture'', London: Laurence King, 2006, [https://archive.org/details/vjaudiovisualart0000unse/ IA]. | ||
| − | * | + | * Steve Dixon, ''[https://library.memoryoftheworld.org/#/book/1aa24052-97b5-463b-b211-6a4ea601feff Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation]'', MIT Press (Leonardo), 2007. [https://mitpress.mit.edu/9780262527521/digital-performance/ Publisher]. |
| + | |||
| + | * John Coulter, [https://sci-hub.st/10.1017/S1355771809990239 "Electroacoustic Music with Moving Images: The Art of Media Pairing"], ''Organised Sound'' 15(1): "Sonic Imagery", Apr 2010, 26-34. [https://doi.org/10.1017/S1355771809990239 DOI]. See also [https://espace.library.uq.edu.au/view/UQ:206172 PhD thesis] (2009). | ||
| + | |||
| + | * [[Paul Prudence]], [https://www.creativeapplications.net/theory/patch-schematics-the-aesthetics-of-constraint-best-practices-theory/ "Patch Schematics – The Aesthetics of Constraint / Best Practices (Theory)"], ''CreativeApplications.Net'', 2011. | ||
| + | |||
| + | * Rosemary Klich, Edward Scheer, ''Multimedia Performance'', Palgrave Macmillan, 2012, 228 pp. Review: [https://www.performanceparadigm.net/index.php/journal/article/view/137 Yuji Sone] (Perf Paradigm). | ||
| + | |||
| + | * Holly Rogers, ''Sounding the Gallery: Video and the Rise of Art-Music'', Oxford University Press, 2013, 256 pp. [https://global.oup.com/academic/product/sounding-the-gallery-9780199861422 Publisher]. | ||
| + | |||
| + | * Kathy High, Sherry Miller Hocking, Mona Jimenez (eds.), ''[http://libgen.is/book/index.php?md5=D0BAA55B5457F463142BE2F5AB73CF9F The Emergence of Video Processing Tools]'', 2 vols., Intellect, 2014, 442 pp, [http://library.memoryoftheworld.org/#/book/094da87b-4069-40ca-bd60-169926288fcb EPUB]. [https://www.intellectbooks.com/the-emergence-of-video-processing-tools Publisher]. Review: [https://sci-hub.st/10.1162/LEON_r_01171 Ellen Pearlman] (Leonardo), [https://cdm.link/how-video-signal-processing-emerged-as-real-time-art/ Peter Kirn] (cdm). | ||
| + | |||
| + | * [[Ana Carvalho]], Cornelia Lund (eds.), ''[[Media:Carvalho Ana Lund Cornelia eds The Audiovisual Breakthrough 2015.pdf|The Audiovisual Breakthrough]]'', Berlin: fluctuating images, 2015, 153 pp. | ||
| + | |||
| + | * Constantin Basica, [https://mutor-2.github.io/HistoryAndPracticeOfMultimedia/units/05/ "Audiovisual Performance"], in ''History and Practice of Multimedia - Online Lecture Series'', 2021. | ||
| + | |||
| + | * Steve Gibson, Stefan Arisona, Donna Leishman, Atau Tanaka (eds.), ''[https://libgen.is/book/index.php?md5=51147F35E64FA0E4F89C05E7D802809D Live Visuals: History, Theory, Practice]'', Routledge, 2022, 472 pp. [https://www.routledge.com/Live-Visuals-History-Theory-Practice/Gibson-Arisona-Leishman-Tanaka/p/book/9781032252681 Publisher]. | ||
| + | |||
| + | * ''Leonardo'' 57(6): "Histories, Legacies, and Futures of Image-Processing", Dec 2024. [https://direct.mit.edu/leon/issue/57/6] [https://leonardo.info/journal-issue/Leonardo/57/6] | ||
| − | + | ==See also== | |
| − | + | [[Live coding]], [[Video art]] | |
{{Software}} | {{Software}} | ||
{{Moving Image}} | {{Moving Image}} | ||
Revision as of 16:34, 21 April 2025
Communities
- scanlines.xyz, a community centered on DIY audiovisual/electronic art and experimentation.
Publications
- Sher Doruff, with Nancy Mauro-Flude (eds.), Connected! LiveArt, Amsterdam: Waag Society, 2005, 160 pp. "The Connected! Programme spanned a two year period from January 2003 to January 2005. It officially concluded with a celebratory Birthday party for Art in the Theatrum Anatomicum of Waag Society, the local ‘home’-base of many Connected! projects. Although most of the people present at that event agreed with Federico Bonelli’s assessment “that art could have committed suicide in 1984” – the research and the show goes on."
- Sher Doruff, The Translocal Event and the Polyrhythmic Diagram, London: Central Saint Martins College of Art & Design, 2006, 288 pp. PhD thesis.
- Michael Faulkner/D-Fuse (ed.), VJ: Audio-Visual Art + VJ Culture, London: Laurence King, 2006, IA.
- Steve Dixon, Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation, MIT Press (Leonardo), 2007. Publisher.
- John Coulter, "Electroacoustic Music with Moving Images: The Art of Media Pairing", Organised Sound 15(1): "Sonic Imagery", Apr 2010, 26-34. DOI. See also PhD thesis (2009).
- Paul Prudence, "Patch Schematics – The Aesthetics of Constraint / Best Practices (Theory)", CreativeApplications.Net, 2011.
- Rosemary Klich, Edward Scheer, Multimedia Performance, Palgrave Macmillan, 2012, 228 pp. Review: Yuji Sone (Perf Paradigm).
- Holly Rogers, Sounding the Gallery: Video and the Rise of Art-Music, Oxford University Press, 2013, 256 pp. Publisher.
- Kathy High, Sherry Miller Hocking, Mona Jimenez (eds.), The Emergence of Video Processing Tools, 2 vols., Intellect, 2014, 442 pp, EPUB. Publisher. Review: Ellen Pearlman (Leonardo), Peter Kirn (cdm).
- Ana Carvalho, Cornelia Lund (eds.), The Audiovisual Breakthrough, Berlin: fluctuating images, 2015, 153 pp.
- Constantin Basica, "Audiovisual Performance", in History and Practice of Multimedia - Online Lecture Series, 2021.
- Steve Gibson, Stefan Arisona, Donna Leishman, Atau Tanaka (eds.), Live Visuals: History, Theory, Practice, Routledge, 2022, 472 pp. Publisher.
See also
| Moving Image communities of practice in film and video |
||
|---|---|---|
|
Early cinema, Experimental film, Expanded cinema, Video art, Live cinema, Film labs, Media archives, Community television, Demoscene, VJing, VVVV, Live coding, Writers. Art and culture, Contents, Index, About. | ||
