Brazil

Avant-garde

• Klaxon: mensário de arte moderna, 9 issues (1922-23).
• Blaise Cendrars
• Ángel Rama, "Las dos vanguardias latinoamericanas", Maldoror 9 (Nov 1973). (in Spanish)
• Vicky Unruh, Latin American Vanguards: The Art of Contentious Encounters, University of California Press, 1994.
• http://pt.wikipedia.org/wiki/Modernismo_no_Brasil

Antropofagia

• Revista de Antropofagia, 26 issues (1928-29).
• Oswald de Andrade
• Ivo Barbieri, "The Journey of the Brazilian Avant-Garde of the 1920s", Stanford Humanities Review 7:1 (1999).

Concretism, Concrete poetry (1950s)

• Noigandres and Invention journals.
• Augusto de Campos (1931), Haroldo de Campos (1929-2003), Décio Pignatari (1927), Ronaldo Azeredo (1937), Ferreira Gullar (1930), Wlademir Dias-Pino (1927), Paulo Leminski, José Lino Grünewald.
• http://www.vispo.com/misc/BrazilianDigitalPoetry.htm

Poesia-práxis (1960s)

• Praxis journal, *1961.
• Mário Chamie.

Neoconcretism

Artists

Grupo Neoconcreto (1959-61): Lygia Clark, Hélio Oiticica, Amílcar de Castro, Lygia Pape, Franz Weissmann, Ferreira Gullar.

Writings

• Ferreira Gullar, "1ª Exposição Neoconcreta", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 14 Mar 1959, pp 4-5. [1]
• "Manifesto Neoconcreto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 21 Mar 1959, pp 4-5. Signed by Amílcar de Castro, Ferreira Gullar, Franz Weissmann, Lygia Clark, Lygia Pape, Reynaldo Jardim, and Theon Spanudis. [2] (Brazilian Portuguese)
• Ferreira Gullar, "Teoria do não-objeto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 19-20 Dec 1959, p 1; repr. in Projeto Construtivo Brasileiro na Arte: 1950-1962, ed. Aracy A. Amaral, São Paulo: Pinacoteca do Estado de São Paulo, and Rio de Janeiro: MAM-RJ, 1977, pp 85-94. Published as a key contribution to the II Exposição Neoconcreta held in Rio de Janeiro in 1960. [3] [4] [5] (Brazilian Portuguese)
  • "Theory of the Non-object", in The Object, ed. Antony Hudek, London: Whitechapel, 2014, p 120ff. (English)
• Lygia Clark, Hélio Oiticica, Cartas, 1964-1974, ed. & intro. Luciano Figueiredo, Rio de Janeiro: UFRJ, 1996; 2nd ed., 1998, 264 pp. (Brazilian Portuguese)
• Ferreira Gullar, Experiência neoconcreta: momento-limite da arte, eds. Augusto Massi and Julia Bussius, São Paulo: Cosac Naify, 2007, 164 pp. (Brazilian Portuguese)

Catalogues

• Lygia Clark, Rio de Janeiro: Funarto, 1980, 60 pp. With texts by Ferreira Gullar, Mário Pedrosa, and Lygia Clark. (Brazilian Portuguese)

Literature

• Mónica Amor, "From Work to Frame, In-between, and Beyond: Lygia Clark’s and Hélio Oiticica’s Work 1959-1964", Grey Room 38 (Winter 2010), pp 21-37. (English)
• Sérgio B. Martins, "Phenomenological Openness, Historicist Closure: Revisiting Ferreira Gullar's Theory of the Non-Object", Third Text 26:1 (2012), pp 79-90. (English)
• Sérgio B. Martins, Constructing an Avant-Garde: Art in Brazil, 1949-1979, MIT Press, 2013. (English)
• Rachel Price, "Object, Non-object, Trans-object, Relational Object: From Concrete Poetry to A Nova Objetividade", ch 6 in Price, The Object of the Atlantic: Concrete Aesthetics in Cuba, Brazil, and Spain, 1868-1968, Northwestern University Press, 2014. [6] (English)
• Mónica Amor, Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969, University of California Press, 2016. [7] (English)

Arte cinética, Kinetic art

• Abraham Palatnik

Tropicália (Tropicalismo)

• (Walter Smetak), Caetano Veloso, Gilberto Gil, Os Mutantes, Gal Costa, Tom Zé, Torquato Neto.

Computer art

• Waldemar Cordeiro

Mail art

• Walter Zanini, Julio Plaza.
• Exhibitions: Prospectiva (1974), Poéticas | Visuais (1977).

Media theory

• Vilém Flusser, Julio Plaza.

See also

• Malasartes 1, 1975. First of three issues of the magazine. [8] (Brazilian Portuguese)
• Crítica de Arte no Brasil: temáticas contemporâneas, ed. Glória Ferreira, Rio de Janeiro: Funarte, 2006, 575 pp, PDF. Anthology of 91 texts from 80 authors, 1946-2006. (Brazilian Portuguese)
• Claudia Calirman, Brazilian Art under Dictatorship: Antonio Manuel, Artur Barrio, and Cildo Meireles, Duke University Press, 2012. Introduction, [9]. (English)
• Pedro R. Erber, Breaching the Frame: The Rise of Contemporary Art in Brazil and Japan, University of California Press, 2014, 248 pp. [10] (English)
• Felipe Chaimovich, "Brazil: Art after 1980", Oxford Art Online, n.d.

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