Difference between revisions of "Brazil"
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==See also== | ==See also== | ||
* ''[[Media:Malasartes_1_1975.pdf|Malasartes]]'' 1, ed. Mario Aratanha, Rio de Janeiro, Sep-Nov 1975, 36 pp. First of three issues of the magazine. [http://books.google.com/books?id=OZhNRP-wfkAC&pg=PA275] {{br-pt}} | * ''[[Media:Malasartes_1_1975.pdf|Malasartes]]'' 1, ed. Mario Aratanha, Rio de Janeiro, Sep-Nov 1975, 36 pp. First of three issues of the magazine. [http://books.google.com/books?id=OZhNRP-wfkAC&pg=PA275] {{br-pt}} | ||
| + | * Jacqueline Barnitz, ''Twentieth-Century Art of Latin America'', 2001, xxii+400 pp; 2nd ed., rev. & exp., with Patrick Frank, Austin: University of Texas Press, 2015, xviii+415 pp. | ||
| + | * Patrick Frank (ed.), ''[http://library.memoryoftheworld.org/b/XGlaq7mf92wCeKKACa7VghcluLgRDFpt8nS9Kl70dh9_2fjb Readings in Latin American Modern Art]'', Yale University Press, 2004, 288 pp. [https://yalebooks.yale.edu/book/9780300102550/readings-latin-american-modern-art] {{en}} | ||
* ''[http://monoskop.org/log/?p=16478 Crítica de Arte no Brasil: temáticas contemporâneas]'', ed. Glória Ferreira, Rio de Janeiro: Funarte, 2006, 575 pp, [[Media:Ferreira_Gloria_org_Critica_de_arte_no_Brasil_Tematicas_contemporaneas.pdf|PDF]]. Anthology of 91 texts from 80 authors, 1946-2006. {{br-pt}} | * ''[http://monoskop.org/log/?p=16478 Crítica de Arte no Brasil: temáticas contemporâneas]'', ed. Glória Ferreira, Rio de Janeiro: Funarte, 2006, 575 pp, [[Media:Ferreira_Gloria_org_Critica_de_arte_no_Brasil_Tematicas_contemporaneas.pdf|PDF]]. Anthology of 91 texts from 80 authors, 1946-2006. {{br-pt}} | ||
* Claudia Calirman, ''Brazilian Art under Dictatorship: Antonio Manuel, Artur Barrio, and Cildo Meireles'', Duke University Press, 2012. [http://www.dukeupress.edu/Assets/PubMaterials/978-0-8223-5153-5_601.pdf Introduction], [http://read.dukeupress.edu/content/brazilian-art-under-dictatorship]. {{en}} | * Claudia Calirman, ''Brazilian Art under Dictatorship: Antonio Manuel, Artur Barrio, and Cildo Meireles'', Duke University Press, 2012. [http://www.dukeupress.edu/Assets/PubMaterials/978-0-8223-5153-5_601.pdf Introduction], [http://read.dukeupress.edu/content/brazilian-art-under-dictatorship]. {{en}} | ||
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* Felipe Chaimovich, [http://www.oxfordartonline.com/public/page/GAO_free_Brazil_Art_After_1980 "Brazil: Art after 1980"], ''Oxford Art Online'', n.d. | * Felipe Chaimovich, [http://www.oxfordartonline.com/public/page/GAO_free_Brazil_Art_After_1980 "Brazil: Art after 1980"], ''Oxford Art Online'', n.d. | ||
* Bill Kelley Jr., Grant H. Kester (eds.), ''[http://library.memoryoftheworld.org/b/ygE_Y_NJEleadt_jprAyrtJwvLBXGPf0nic4Rzt_xVADQaS2 Collective Situations: Readings in Contemporary Latin American Art, 1995-2010]'', Durham: Duke University Press, 2017, 456 pp. Reviews: [http://dx.doi.org/10.3202/caa.reviews.2018.187 Montgomery] (CAA), [https://www.leonardo.info/review/2018/05/review-of-collective-situations-readings-in-contemporary-latin-american-art-1995-2010 Zilberg] (Leonardo). | * Bill Kelley Jr., Grant H. Kester (eds.), ''[http://library.memoryoftheworld.org/b/ygE_Y_NJEleadt_jprAyrtJwvLBXGPf0nic4Rzt_xVADQaS2 Collective Situations: Readings in Contemporary Latin American Art, 1995-2010]'', Durham: Duke University Press, 2017, 456 pp. Reviews: [http://dx.doi.org/10.3202/caa.reviews.2018.187 Montgomery] (CAA), [https://www.leonardo.info/review/2018/05/review-of-collective-situations-readings-in-contemporary-latin-american-art-1995-2010 Zilberg] (Leonardo). | ||
| + | * Patrick Frank (ed.), ''[http://library.memoryoftheworld.org/b/XOm1yPfpt8AnIZEs1Si98iByxcPgykgWSuqtkxaQHXvjQGYY Manifestos and Polemics in Latin American Modern Art]'', trans. Patrick Frank, University of New Mexico Press, 2017, 320 pp. Review: [http://sci-hub.tw/10.1080/08263663.2017.1415708 Boone] (CJLACS). {{en}} | ||
* Kaira M. Cabañas, ''[http://library.memoryoftheworld.org/b/XHFr_ndMbvKo6nc-5wC-3wGUShVKf2oofYzNwJup2oB8IqOi Learning From Madness: Brazilian Modernism and Global Contemporary Art]'', University of Chicago Press, 2018. | * Kaira M. Cabañas, ''[http://library.memoryoftheworld.org/b/XHFr_ndMbvKo6nc-5wC-3wGUShVKf2oofYzNwJup2oB8IqOi Learning From Madness: Brazilian Modernism and Global Contemporary Art]'', University of Chicago Press, 2018. | ||
{{Countries}} | {{Countries}} | ||
Revision as of 22:15, 18 November 2018
Contents
Avant-garde
- Klaxon: mensário de arte moderna, 9 issues (1922-23).
- Blaise Cendrars
- Ángel Rama, "Las dos vanguardias latinoamericanas", Maldoror 9 (Nov 1973). (Spanish)
- Vicky Unruh, Latin American Vanguards: The Art of Contentious Encounters, University of California Press, 1994.
- http://pt.wikipedia.org/wiki/Modernismo_no_Brasil
Antropofagia
- Revista de Antropofagia, 26 issues (1928-29).
- Oswald de Andrade
- Raul Bopp, Movimentos modernistas no Brasil, 1922-1928, Rio de Janeiro: São José, 1966, 155 pp; repr., intro. Gilberto Mendonça Teles, Rio de Janeiro: Jose Olympio, 2012. (Brazilian Portuguese)
- Ivo Barbieri, "The Journey of the Brazilian Avant-Garde of the 1920s", Stanford Humanities Review 7:1 (1999).
Concretism, Concrete poetry (1950s)
- Noigandres and Invention journals.
- Augusto de Campos (1931), Haroldo de Campos (1929-2003), Décio Pignatari (1927), Ronaldo Azeredo (1937), Ferreira Gullar (1930), Wlademir Dias-Pino (1927), Paulo Leminski, José Lino Grünewald (1931-2000).
- http://www.vispo.com/misc/BrazilianDigitalPoetry.htm
- http://books.google.com/books?id=GYVj5_URmK0C&pg=PA172
Poesia-práxis (1960s)
- Praxis journal, *1961.
- Mário Chamie.
Neoconcretism
- Artists
Grupo Neoconcreto (1959-61): Lygia Clark, Hélio Oiticica, Amílcar de Castro, Lygia Pape, Franz Weissmann, Ferreira Gullar.
- Writings
- Ferreira Gullar, "1ª Exposição Neoconcreta", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 14 Mar 1959, pp 4-5. [1]
- "Manifesto Neoconcreto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 21 Mar 1959, pp 4-5. Signed by Amílcar de Castro, Ferreira Gullar, Franz Weissmann, Lygia Clark, Lygia Pape, Reynaldo Jardim, and Theon Spanudis. [2] (Brazilian Portuguese)
- Ferreira Gullar, "Teoria do não-objeto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 19-20 Dec 1959, p 1; repr. in Projeto Construtivo Brasileiro na Arte: 1950-1962, ed. Aracy A. Amaral, São Paulo: Pinacoteca do Estado de São Paulo, and Rio de Janeiro: MAM-RJ, 1977, pp 85-94. Published as a key contribution to the II Exposição Neoconcreta held in Rio de Janeiro in 1960. [3] [4] [5] (Brazilian Portuguese)
- "Theory of the Non-object", in The Object, ed. Antony Hudek, London: Whitechapel, 2014, p 120ff. (English)
- Lygia Clark, Hélio Oiticica, Cartas, 1964-1974, ed. & intro. Luciano Figueiredo, Rio de Janeiro: UFRJ, 1996; 2nd ed., 1998, 264 pp. (Brazilian Portuguese)
- Ferreira Gullar, Experiência neoconcreta: momento-limite da arte, eds. Augusto Massi and Julia Bussius, São Paulo: Cosac Naify, 2007, 164 pp. (Brazilian Portuguese)
- Catalogues
- Lygia Clark, Rio de Janeiro: Funarto, 1980, 60 pp. With texts by Ferreira Gullar, Mário Pedrosa, and Lygia Clark. (Brazilian Portuguese)
- Literature
- Mónica Amor, "From Work to Frame, In-between, and Beyond: Lygia Clark’s and Hélio Oiticica’s Work 1959-1964", Grey Room 38 (Winter 2010), pp 21-37. (English)
- Sérgio B. Martins, "Phenomenological Openness, Historicist Closure: Revisiting Ferreira Gullar's Theory of the Non-Object", Third Text 26:1 (2012), pp 79-90. (English)
- Sérgio B. Martins, Constructing an Avant-Garde: Art in Brazil, 1949-1979, MIT Press, 2013. (English)
- Sabeth Buchmann, Max Jorge Hinderer Cruz, Hélio Oiticica and Neville D'Almeida, Block Experiments in Cosmococa, Program in Progress, MIT Press (Afterall Books), 2013, 116 pp. (English)
- Rachel Price, "Object, Non-object, Trans-object, Relational Object: From Concrete Poetry to A Nova Objetividade", ch 6 in Price, The Object of the Atlantic: Concrete Aesthetics in Cuba, Brazil, and Spain, 1868-1968, Northwestern University Press, 2014. [6] (English)
- Mónica Amor, Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969, University of California Press, 2016, 344 pp. Introduction. [7] (English)
- Irene V. Small, Hélio Oiticica: Folding the Frame, University of Chicago Press, 2015, 304 pp. Review: Anagnost (Crit Inquiry). (English)
- Alexander Alberro, Abstraction in Reverse: The Reconfigured Spectator in Mid-Twentieth-Century Latin American Art, University of Chicago Press, 2017. (English)
Arte cinética, Kinetic art
Tropicália (Tropicalismo)
Computer art
Mail art
- Walter Zanini, Julio Plaza.
- Exhibitions: Prospectiva (1974), Poéticas | Visuais (1977).
New media art, Media culture
- Julio Plaza, "Sobre videotexto (VTX)" & "Arte e videotexto", in 17a Bienal de São Paulo, Catálogo Geral, São Paulo, 1983, pp 103-104 & 105-107. [8] (Brazilian Portuguese)
- Julio Plaza, Videografia em videotexto, São Paulo: Hucitec, 1986, 206 pp. (Brazilian Portuguese)
- Christine Mello, "Arte e novas mídias: práticas e contextos no Brasil a partir dos anos 90", ARS 3:5, São Paulo, 2005. (Brazilian Portuguese)
- Daniel Hunt, "Brazil's 'Telematic Revolution': Net Art at the End of the Dictatorship", Rhizome, 5 Dec 2016. (English)
Media theory
See also
- Malasartes 1, ed. Mario Aratanha, Rio de Janeiro, Sep-Nov 1975, 36 pp. First of three issues of the magazine. [9] (Brazilian Portuguese)
- Jacqueline Barnitz, Twentieth-Century Art of Latin America, 2001, xxii+400 pp; 2nd ed., rev. & exp., with Patrick Frank, Austin: University of Texas Press, 2015, xviii+415 pp.
- Patrick Frank (ed.), Readings in Latin American Modern Art, Yale University Press, 2004, 288 pp. [10] (English)
- Crítica de Arte no Brasil: temáticas contemporâneas, ed. Glória Ferreira, Rio de Janeiro: Funarte, 2006, 575 pp, PDF. Anthology of 91 texts from 80 authors, 1946-2006. (Brazilian Portuguese)
- Claudia Calirman, Brazilian Art under Dictatorship: Antonio Manuel, Artur Barrio, and Cildo Meireles, Duke University Press, 2012. Introduction, [11]. (English)
- Pedro R. Erber, Breaching the Frame: The Rise of Contemporary Art in Brazil and Japan, University of California Press, 2014, 248 pp. [12] (English)
- Elena Shtromberg, Art Systems: Brazil and the 1970s, Texas University Press, 2016, 238 pp. [13] (English)
- Felipe Chaimovich, "Brazil: Art after 1980", Oxford Art Online, n.d.
- Bill Kelley Jr., Grant H. Kester (eds.), Collective Situations: Readings in Contemporary Latin American Art, 1995-2010, Durham: Duke University Press, 2017, 456 pp. Reviews: Montgomery (CAA), Zilberg (Leonardo).
- Patrick Frank (ed.), Manifestos and Polemics in Latin American Modern Art, trans. Patrick Frank, University of New Mexico Press, 2017, 320 pp. Review: Boone (CJLACS). (English)
- Kaira M. Cabañas, Learning From Madness: Brazilian Modernism and Global Contemporary Art, University of Chicago Press, 2018.
| Countries avant-garde, modernism, experimental art, media culture, social practice |
||
|---|---|---|
|
Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States | ||
