Brazil
Revision as of 20:25, 25 June 2016 by Dusan (talk | contribs) (→Concretism, Concrete poetry (1950s))
Contents
Avant-garde
- Klaxon: mensário de arte moderna, 9 issues (1922-23).
- Blaise Cendrars
- Ángel Rama, "Las dos vanguardias latinoamericanas", Maldoror 9 (Nov 1973). (in Spanish)
- Vicky Unruh, Latin American Vanguards: The Art of Contentious Encounters, University of California Press, 1994.
- http://pt.wikipedia.org/wiki/Modernismo_no_Brasil
Antropofagia
- Revista de Antropofagia, 26 issues (1928-29).
- Oswald de Andrade
- Ivo Barbieri, "The Journey of the Brazilian Avant-Garde of the 1920s", Stanford Humanities Review 7:1 (1999).
Concretism, Concrete poetry (1950s)
- Noigandres and Invention journals.
- Augusto de Campos (1931), Haroldo de Campos (1929-2003), Décio Pignatari (1927), Ronaldo Azeredo (1937), Ferreira Gullar (1930), Wlademir Dias-Pino (1927), Paulo Leminski, José Lino Grünewald (1931-2000).
- http://www.vispo.com/misc/BrazilianDigitalPoetry.htm
- http://books.google.com/books?id=GYVj5_URmK0C&pg=PA172
Poesia-práxis (1960s)
- Praxis journal, *1961.
- Mário Chamie.
Neoconcretism
- Artists
Grupo Neoconcreto (1959-61): Lygia Clark, Hélio Oiticica, Amílcar de Castro, Lygia Pape, Franz Weissmann, Ferreira Gullar.
- Writings
- Ferreira Gullar, "1ª Exposição Neoconcreta", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 14 Mar 1959, pp 4-5. [1]
- "Manifesto Neoconcreto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 21 Mar 1959, pp 4-5. Signed by Amílcar de Castro, Ferreira Gullar, Franz Weissmann, Lygia Clark, Lygia Pape, Reynaldo Jardim, and Theon Spanudis. [2] (Brazilian Portuguese)
- Ferreira Gullar, "Teoria do não-objeto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 19-20 Dec 1959, p 1; repr. in Projeto Construtivo Brasileiro na Arte: 1950-1962, ed. Aracy A. Amaral, São Paulo: Pinacoteca do Estado de São Paulo, and Rio de Janeiro: MAM-RJ, 1977, pp 85-94. Published as a key contribution to the II Exposição Neoconcreta held in Rio de Janeiro in 1960. [3] [4] [5] (Brazilian Portuguese)
- "Theory of the Non-object", in The Object, ed. Antony Hudek, London: Whitechapel, 2014, p 120ff. (English)
- Lygia Clark, Hélio Oiticica, Cartas, 1964-1974, ed. & intro. Luciano Figueiredo, Rio de Janeiro: UFRJ, 1996; 2nd ed., 1998, 264 pp. (Brazilian Portuguese)
- Ferreira Gullar, Experiência neoconcreta: momento-limite da arte, eds. Augusto Massi and Julia Bussius, São Paulo: Cosac Naify, 2007, 164 pp. (Brazilian Portuguese)
- Catalogues
- Lygia Clark, Rio de Janeiro: Funarto, 1980, 60 pp. With texts by Ferreira Gullar, Mário Pedrosa, and Lygia Clark. (Brazilian Portuguese)
- Literature
- Mónica Amor, "From Work to Frame, In-between, and Beyond: Lygia Clark’s and Hélio Oiticica’s Work 1959-1964", Grey Room 38 (Winter 2010), pp 21-37. (English)
- Sérgio B. Martins, "Phenomenological Openness, Historicist Closure: Revisiting Ferreira Gullar's Theory of the Non-Object", Third Text 26:1 (2012), pp 79-90. (English)
- Sérgio B. Martins, Constructing an Avant-Garde: Art in Brazil, 1949-1979, MIT Press, 2013. (English)
- Rachel Price, "Object, Non-object, Trans-object, Relational Object: From Concrete Poetry to A Nova Objetividade", ch 6 in Price, The Object of the Atlantic: Concrete Aesthetics in Cuba, Brazil, and Spain, 1868-1968, Northwestern University Press, 2014. [6] (English)
- Mónica Amor, Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969, University of California Press, 2016. [7] (English)
Arte cinética, Kinetic art
Tropicália (Tropicalismo)
Computer art
Mail art
- Walter Zanini, Julio Plaza.
- Exhibitions: Prospectiva (1974), Poéticas | Visuais (1977).
Media theory
See also
- Malasartes 1, 1975. First of three issues of the magazine. [8] (Brazilian Portuguese)
- Crítica de Arte no Brasil: temáticas contemporâneas, ed. Glória Ferreira, Rio de Janeiro: Funarte, 2006, 575 pp, PDF. Anthology of 91 texts from 80 authors, 1946-2006. (Brazilian Portuguese)
- Claudia Calirman, Brazilian Art under Dictatorship: Antonio Manuel, Artur Barrio, and Cildo Meireles, Duke University Press, 2012. Introduction, [9]. (English)
- Pedro R. Erber, Breaching the Frame: The Rise of Contemporary Art in Brazil and Japan, University of California Press, 2014, 248 pp. [10] (English)
- Felipe Chaimovich, "Brazil: Art after 1980", Oxford Art Online, n.d.
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