Difference between revisions of "Conceptual writing"

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Also conceptual poetry, literary appropriation, ready-made poetry, uncreative writing.
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Also ''conceptualism, conceptual poetry, literary appropriation, ready-made poetry, uncreative writing''.
  
 
==Pages==
 
==Pages==
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==Anthologies==
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==Works==
* ''[[Media:Dworkin_Craig_Goldsmith_Kenneth_eds_Against_Expression_An_Anthology_of_Conceptual_Writing.pdf|Against Expression: An Anthology of Conceptual Writing]]'', eds. Craig Dworkin and Kenneth Goldsmith, Evanston, Ill: Northwestern University Press, 2011, [http://aaaaarg.fail/static/reader.htm?0=4446e2dd544df93b74732a377f580435-0 ARG].
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===Anthologies===
* ''I'll Drown My Book: Conceptual Writing by Women'', eds. Caroline Bergvall, Laynie Browne, Teresa Carmody and Vanessa Place, Los Angeles: Les Figues Press, 2012, [http://aaaaarg.fail/static/reader.htm?0=9bf410da08d62e5d27db37de962c5121-0 ARG].
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[[Image:Dworkin_Craig_Goldsmith_Kenneth_eds_Against_Expression_An_Anthology_of_Conceptual_Writing.jpg|thumb|200px|''Against Expression: An Anthology of Conceptual Writing'', 2011, [https://monoskop.org/log/?p=6958 Log].]]
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* [https://www.poetryfoundation.org/poetrymagazine/articles/detail/69328 ''Poetry'': "Flarf is Dionysus. Conceptual Writing is Apollo. An introduction to the 21st Century's most controversial poetry movements"], intro. & ed. Kenneth Goldsmith, Jul/Aug 2009. Special section of the magazine.
  
==Literature==
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* [http://www.drunkenboat.com/db10/06fic/ ''Drunken Boat'' 10: "Conceptual Fiction"], eds. & intro. Sina Queyras and Vanessa Place, Fall 2009.
* ''OEI'' journal, Stockholm, since 1999. [Issues such as ''OEI #1 - Oidentifierade verbala objekt'', ''OEI #7-8 - EFTER LANGUAGE [samtida innovativ amerikansk poesi]'' or ''OEI #15-17 - Appropriering''.] {{sw}}
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* Marjorie Perloff, ''Conceptualisms, Old and New'', ''Parkett'', 2007. [http://marjorieperloff.com/essays/conceptualisms-old-and-new/]
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* ''[https://monoskop.org/log/?p=6958 Against Expression: An Anthology of Conceptual Writing]'', eds. Craig Dworkin and Kenneth Goldsmith, Evanston, IL: Northwestern University Press, 2011, 593 pp, [[Media:Dworkin_Craig_Goldsmith_Kenneth_eds_Against_Expression_An_Anthology_of_Conceptual_Writing.pdf|PDF]], [http://aaaaarg.fail/static/reader.htm?0=4446e2dd544df93b74732a377f580435-0 ARG]. Reviews: [http://muse.jhu.edu/article/447506 Reed] (Am Book Rev), [http://www.lrb.co.uk/v34/n09/stephen-burt/must-poets-write Burt] (LRB), [http://lareviewofbooks.org/article.php?id=1000 Grietzer] (LARB), [http://maydaymagazine.com/issue8reviewkostelanetz.php Kostelanetz] (Mayday), [http://sci-hub.cc/10.1111/eie.12014 McCallum] (English in Education), [http://www.dereactor.org/home/detail/een_enorme_expressieve_rijkdom/ Vriezen] (deReactor, NL).
* Kenneth Goldsmith, [https://www.poetryfoundation.org/harriet/2008/06/conceptual-poetics-christian-bok/ Conceptual Poetics: Christian Bök], ''Harriet'', June 2008.
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* Robert Fitterman and Vanessa Place, ''Notes on Conceptualisms'', New York: Ugly Duckling Presse, 2009, 80 pp.
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* ''I'll Drown My Book: Conceptual Writing by Women'', eds. Caroline Bergvall, Laynie Browne, Teresa Carmody and Vanessa Place, intro. Laynie Browne and Caroline Bergvall, afterw. Vanessa Place, Los Angeles: Les Figues, 2012, 455 pp, [http://aaaaarg.fail/thing/56c514309ff37c06ad9e1ea2 ARG]. [http://lesfigues.com/wp-content/uploads/2013/04/IDMB_excerpt.pdf TOC & Introduction], [http://writing.upenn.edu/~taransky/IDMB_foreword_intro.pdf Introduction], [http://writing.upenn.edu/~taransky/IDMB_afterword.pdf Afterword]. [http://lesfigues.com/book/ill-drown-my-book/]. Reviews: [http://jacket2.org/reviews/drowning Corrigan] (Jacket2), [http://bostonreview.net/archives/BR37.6/lindsay_turner_conceptual_writing_women_poetry.php Turner] (Boston Rev), [http://htmlgiant.com/feature/ill-drown-my-book-part-1-the-ghosts-of-ill-drown-my-book/ Lee] (HTMLGiant), [http://htmlgiant.com/reviews/ill-drown-my-book-part-2/ Brodak] (HTMLGiant), [http://htmlgiant.com/reviews/ill-drown-my-book-part-3/ Grider] (HTMLGiant), [http://htmlgiant.com/reviews/ill-drown-my-book-part-4/ Smith] (HTMLGiant), [http://sinkreview.org/reviews/ill-drown-my-book.html Austin] (Sink), [http://thediagram.com/12_1/rev_illdrown.html Diagram], [https://www.newpages.com/item/3254-ill-drown-my-book Cramond] (NewPages), [http://web.archive.org/web/20140108023951/http://www.zolandpoetry.com/reviews/2013/v1/Drown-My-Book.html You] (Zoland Poetry), [http://robmclennan.blogspot.nl/2012/12/ill-drown-my-book-conceptual-writing-by.html McLennan], [http://www.drunkenboat.com/db17/ill-drown-my-book-conceptual-writing-women.html Magi] (Drunken Boat).
* Kenneth Goldsmith, [https://www.poetryfoundation.org/poetrymagazine/articles/detail/69328 Flarf is Dionysus. Conceptual Writing is Apollo], in ''Poetry magazine'', July/August 2009.
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* derek beaulieu, ''How to Write'', Vancouver: talonbooks, 2010, 72 pp.
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===Journals===
* Vanessa Place, ''Notes on Why Conceptualism is better than Flarf'', Calgary: No Press, 2010.
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* ''[http://cruxdesperationis.weebly.com/issues.html Crux Desperationis: International Journal of Conceptual Writing]'', ed. Riccardo Boglione, Montevideo, since 2011.  
* Nicolas Tardy, ''Les ready-mades textuels'', HEAD (Haute Ecole d'Art et de Design de Genève), 2010, 72 pp. {{fr}}
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* ''Crux Desperationis'' journal, ed. Riccardo Boglione, since 2011. [http://cruxdesperationis.weebly.com/]
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===Archives, Resources===
* Kenneth Goldsmith, ''Uncreative Writing: Managing Language in the Digital Age'', New York: Columbia University Press, 2011, [http://monoskop.org/log/?p=10009 Log], [[Media:Goldsmith_Kenneth_Uncreative_Writing.epub|EPUB]], [http://monoskop.org/media/text/goldsmith_2011_uncreative_writing/ HTML].
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* [http://ubuweb.com/ubu/unpub.html /ubu Editions: Publishing the Unpublishable], ed. Kenneth Goldsmith, since 2007
* Sam Rowe, [http://www.full-stop.net/2011/08/16/features/essays/sam/uncreative-writing-creative-reading/ Uncreative Writing, Creative Reading], ''Full Stop'', Aaugust 2011.
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* [http://eclipsearchive.org/ Eclipse Archive], ed. Craig Dworkin
* Marjorie Perloff, ''unoriginal genius: poetry by other means in the new century'', University of Chicago Press, 2012, 232 pp.
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* [https://www.poets.org/poetsorg/text/brief-guide-conceptual-poetry A Brief Guide to Conceptual Poetry], Academy of American Poets, 2014.
* Kenneth Goldsmith et alii, [https://www.poetryfoundation.org/harriet/2012/04/conceptual-writing-a-worldview/ Conceptual Writing: A Worldview], ''Harriet'', April 2012.
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* [http://workinprogressconpo.blogspot.com/ A Bibliography of Conceptual Writing] (in progress)
* [https://jacket2.org/commentary/notes-conceptualisms-dialogue-between-vanessa-place-and-tania-%C3%B8rum 'Notes on Conceptualisms': A dialogue between Vanessa Place and Tania Ørum], ''Jacket2'', June 2012.
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* Jacob Edmond, [https://commonstrangeness.wordpress.com/2012/07/16/conceptual-writing-and-the-russians/ Conceptual Writing and the Russians], ''A Common Strangeness'', July 2012.
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==Criticism, History, Theory==
* Vanessa Place, [https://jacket2.org/commentary/conceptualist-ostranenie-dialogue-between-derek-beaulieu-canada-and-natalia-fedorova-russ Conceptualist ostranenie: A dialogue between Derek Beaulieu (Canada) and Natalia Fedorova (Russia)], ''Jacket2'', August 2012.
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===Monographs, pamphlets, journal issues===
* Vanessa Place, [https://jacket2.org/commentary/fotnot-nota-al-pie-conceptualisms-epistolary-dialogue-between-anna-hallberg-sweden-and-ca Fotnot: Nota al Pie on Conceptualisms: An epistolary dialogue between Anna Hallberg (Sweden) and Carlos Soto-Román (Chile)], ''Jacket2'', September 2012.
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* Robert Fitterman, Vanessa Place, ''[https://monoskop.org/log/?p=12875 Notes on Conceptualisms]'', Brooklyn, NY: Ugly Duckling Presse, 2009, 78 pp. [http://ubu.com/film/fitterman_conceptualisms.html Film] by Coco, 2009. [http://vanessaplace.artcodeinc.com/pages/notes-on-conceptualisms/]
* Peli Grietzer, [https://lareviewofbooks.org/article/the-aesthetics-of-sufficiency-on-conceptual-writing/ The Aesthetics of Sufficiency: On Conceptual Writing], ''Los Angeles Review of Books'', October 2012.
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** ''Notater om Konceptualismer'', intro. Marjorie Perloff and Craig Dworkins, trans. Lene Asp and Henrik Majlund Toft, Aarhus: After Hand, 2012, 68 pp. [http://afterhand.blogspot.nl/2012/02/vanessa-place-robert-fitterman-notater.html] {{da}}
* Steven Zultanski, [http://jacket2.org/reviews/short-statement-five-parts-statement-facts Short statement in five parts on 'Statement of Facts'], ''Jacket2'', October 2012.
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** [https://seminarioeuraca.files.wordpress.com/2013/07/notes_es.pdf "Notes on Conceptualisms. Selección de fragmentos"], trans. E. Maqueda, 2013. Trans. of excerpts. {{es}}
* Vanessa Place, [https://jacket2.org/commentary/not-patriarchal-voice-poet-alone-dialogue-between-paal-bjelke-andersen-norway-marco-anton Not the patriarchal voice of the poet alone: A dialogue between Paal Bjelke Andersen (Norway), Marco Antonio Huerta (Mexico), and Robert Fitterman (United States)], ''Jacket2'', November 2012.
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* ''Corrected Slogans: Reading and Writing Conceptualism'', Triple Canopy, 2013, 268 pp. [https://www.canopycanopycanopy.com/contents/corrected_slogans_reading_and_writing_conceptualism]
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* Marjorie Perloff, ''Unoriginal Genius: Poetry by Other Means in the New Century'', University of Chicago Press, 2010, ix+201 pp. [http://writing.upenn.edu/~taransky/unoriginalgenius.pdf Excerpt]. [http://marjorieperloff.com/books/unoriginal-genius/]. Reviews: [http://muse.jhu.edu/article/447508 Di Leo] (Am Book Rev), [http://www.full-stop.net/2011/08/16/features/essays/sam/uncreative-writing-creative-reading/ Rowe] (Full Stop), [http://www.bookforum.com/review/7250 Scroggins] (Bookforum), [https://muse.jhu.edu/article/531154 Golding] (CompLit Studies), [http://sci-hub.cc/10.1111/eie.12014 McCallum] (English in Education), [http://sci-hub.cc/10.1215/0961754X-1305508 Mao] (Common Knowledge), [http://sci-hub.cc/10.1086/670317 Wilkinson] (Modern Philology), [http://epc.buffalo.edu/authors/bernstein/books/attack/Paris_Vaclav_Perloff-Bernstein_JML_2012.pdf Paris] (J Modern Lit), [http://news.nationalpost.com/afterword/michael-lista-on-poetry-the-arriere-garde-is-just-as-vital-as-the-avant-garde Lista] (National Post), [http://www.pnreview.co.uk/cgi-bin/scribe?item_id=8547 Dow] (PN Rev), [http://www.lanaturnerjournal.com/archives/perloffreview Lana Turner], [http://www.dereactor.org/home/detail/een_enorme_expressieve_rijkdom/ Vriezen] (deReactor, NL). [https://www.poetryfoundation.org/harriet/2008/05/marjorie-perloffs-unoriginal-genius/]
* Darren Wershler, [http://www.alienated.net/academic-writing/conceptual-writing-fanfic/ Conceptual Writing As Fanfic], in ''Fic: Why Fanfiction is Taking Over the World'', ed. Anne Jamison, Dallas: Smart Pop, 2013.
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* Vanessa Place, [https://jacket2.org/commentary/conceptualist-autopoiesis-dialogue-between-divya-victor-united-statesindiasingapore-swant Conceptualist Autopoiesis: A dialogue between Divya Victor (United States/India/Singapore), Swantje Lichtenstein (Germany), and Riccardo Boglione (Italy/Uruguay)], ''Jacket2'', April 2013.
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* Kenneth Goldsmith, ''[http://monoskop.org/log/?p=10009 Uncreative Writing: Managing Language in the Digital Age]'', New York: Columbia University Press, 2011, 272 pp, [http://monoskop.org/media/text/goldsmith_2011_uncreative_writing/ HTML], [[Media:Goldsmith_Kenneth_Uncreative_Writing.epub|EPUB]]. Reviews: [http://muse.jhu.edu/article/447507 Quaid] (Am Book Rev), [http://www.full-stop.net/2011/08/16/features/essays/sam/uncreative-writing-creative-reading/ Rowe] (Full Stop), [https://www.lrb.co.uk/v34/n09/stephen-burt/must-poets-write Burt] (LRB), [http://quod.lib.umich.edu/j/jep/3336451.0015.105?view=text;rgn=main Chesley] (JEP), [http://htmlgiant.com/reviews/25-points-uncreative-writing/ Jauchen] (HTMLGiant), [https://muse.jhu.edu/article/535912 Jenkins] (James Joyce Quarterly), [http://sci-hub.cc/10.1111/eie.12014 McCallum] (English in Education).
* Calvin Bedient, [http://bostonreview.net/poetry/against-conceptualism Against Conceptualism], ''Boston Review'', July 2013.
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* Amy King, [http://therumpus.net/author/amy-king/ Beauty and the Beastly Po-Biz], ''The Rumpus'', July 2013.
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* derek beaulieu, ''Seen of the Crime: Essays on Conceptual Writing'', /ubu Editions, 2012, 65 pp, [http://www.ubu.com/contemp/beaulieu/Beaulieu-Derek_Seen-of-the-Crime.pdf PDF].
* Robert Archambeau, [https://www.poetryfoundation.org/harriet/2013/08/charming-and-interesting-what-conceptual-poetry-lacks-and-what-its-got/ Charmless and Interesting: What Conceptual Poetry Lacks and What It’s Got], ''Harriet'', August 2013.
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* Kenneth Goldsmith, [http://www.newyorker.com/books/page-turner/the-writer-as-meme-machine The Writer as Meme Machine], ''The New Yorker'', October 2013.
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* ''Corrected Slogans: Reading and Writing Conceptualism'', ed. Triple Canopy, New York: Triple Canopy & MCA Denver, 2013, 268 pp. [https://www.canopycanopycanopy.com/contents/corrected_slogans_reading_and_writing_conceptualism]
* Carlos Almonte y Alan Meller, ''Neoconceptualismo. Ensayos'', Delhi: Sarak Editions, 2014. {{es}}
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* Brian Kim Stefans, ''Conceptual Writing: The L.A. Brand'', Los Angeles: Area Sneaks, 2014, 14 pp. [http://www.arras.net/?page_id=1051]
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* Felix Bernstein, ''Notes on Post-Conceptual Poetry'', pref. Trisha Low, Los Angeles: Insert Blanc Press, 2015, 170 pp, [http://www.thevolta.org/ewc41-fbernstein-p1.html HTML]. Notes amalgamated for the ''Poetry Will Be Made By All'' event conceived by Kenneth Goldsmith and Hans-Ulrich Obrist in 2014. Reviews: [https://lareviewofbooks.org/article/portrait-of-a-coterie Seltman] (LARB), [https://ejas.revues.org/11396 Daniele] (European J of Am Studies), [https://www.thecapilanoreview.ca/felix-bernsteins-post-conceptual-integrity/ Lawrence] (Capilano Rev). [https://www.insertblancpress.net/products/notes-on-post-conceptual-poetry-by-felix-bernstein] [http://www.felixbernstein.com/notes-on-post-conceptual-poetry.html] [http://web.archive.org/web/20150223085859/http://poetrywillbemadebyall.ch/book/]
* Richard Kostelanetz, [http://www.utsanga.it/kostelanetz-what-was-conceptual-writing/ What Was "Conceptual Writing"?], ''Utsanga'', February 2014.
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* Tan Lin, [https://www.poetryfoundation.org/harriet/2014/05/troll-thread-interview/ Troll Thread Interview], ''Harriet'', May 2014.
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* Paul Stephens, ''The Poetics of Information Overload: From Gertrude Stein to Conceptual Writing'', University of Minnesota Press, 2015. Review: [http://sci-hub.cc/10.1080/13534645.2016.1175072 Thurston] (Parallax), [http://leonardo.info/reviews/oct2015/stephens-baetens.php Baetens] (Leonardo), [https://www.aallnet.org/Blogs/spectrum-blog/58503.html Abbasi] (AALL). [https://www.upress.umn.edu/book-division/books/the-poetics-of-information-overload] [http://www.jstor.org/stable/10.5749/j.ctt16ptn0r] [https://www.guernicamag.com/stars-in-my-pocket-like-bits-of-data/]
* Hannes Bajohr, [http://0x0a.li/en/schreibenlassen-gegenwartsliteratur-und-die-furcht-vorm-digitalen/ Let it write: Contemporary Literature and the Fear of the Digital], 0x0a, November 2014.
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* Felix Bernstein, ''Notes on Post-Conceptual Poetry'', Los Angeles: Insert Blanc Press, 2015, 170 pp.
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* Mirjam Horn, ''Postmodern Plagiarisms: Cultural Agenda and Aesthetic Strategies of Appropriation in US-American Literature (1970-2010)'', de Gruyter Mouton, 2015, vii+286 pp. [https://www.degruyter.com/downloadpdf/books/9783110379105/9783110379105-toc/9783110379105-toc.pdf TOC]. Based on 2012 PhD dissertation at Giessen U. [https://www.degruyter.com/view/product/433992] [https://books.google.com/books?id=up21CgAAQBAJ&printsec=frontcover]
* Mirjam Horn, ''Postmodern Plagiarisms: Cultural Agenda and Aesthetic Strategies of Appropriation in US-American Literature (1970–2010)'', Walter de Gruyter GmbH & Co KG, 2015, 292 pp.
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* Gaëlle Théval, ''Poésies ready-made, XXe-XXIe siècles'', L'Harmattan, 2015, 288 pp. {{fr}}
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* Gaëlle Théval, ''Poésies ready-made, XXe-XXIe siècles'', Paris: L'Harmattan, 2015, 288 pp. [https://poesieexp.hypotheses.org/196 TOC]. [http://www.editions-harmattan.fr/index.asp?navig=catalogue&obj=livre&no=48235]. Based on [https://halshs.archives-ouvertes.fr/tel-00961017/document 2011 PhD dissertation]. Reviews: [http://www.sitaudis.fr/Parutions/poesies-ready-made-xx-xxie-siecle-de-gaelle-theval.php Huglo] (Sitaudis), [http://cahiercritiquedepoesie.fr/ccp-32-1/gaelle-theval-poesies-ready-made Tardy] (Cahier Critique de Poésie). {{fr}}
* Katie L. Price, [https://jacket2.org/commentary/what-relationship-between-conceptual-art-and-conceptual-writing What is the relationship between Conceptual art and conceptual writing?], ''Jacket2'', January 2015.
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* Karel Piorecký, [http://www.full-stop.net/2015/07/23/blog/karel-piorecky/cautious-vitality-new-developments-in-contemporary-czech-poetry/ Cautious Vitality: New Developments in Contemporary Czech Poetry], ''Full Stop'', July 2015.
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* ''[https://monoskop.org/log/?p=15697 Reconfiliating: Conversations with Conceptual-Affiliated Writers]'', ed. & intro. Caleb Beckwith, afterw. Joseph Mosconi, Essay Press, 2015, vi+72 pp. Interviews with J. Gordon Faylor, Danny Snelson, and Divya Victor. [http://www.essaypress.org/ep-41/]
* Michael Leong, [https://hyperallergic.com/228238/the-languages-of-bernar-venets-conceptual-poetry/ The Languages of Bernar Venet’s Conceptual Poetry], ''Hyperallergic'', August 2015.
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* Alec Wilkinson, [http://www.newyorker.com/magazine/2015/10/05/something-borrowed-wilkinson Something Borrowed], ''The New Yorker'', October 2015.
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===Journal issues and features===
* Divya Victor, ed., [http://jacket2.org/feature/conceptual-writing-plural-and-global-and-other-cultural-productions Conceptual writing (plural and global) and other cultural productions], ''Jacket2'', February 2016.
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* ''OEI'' 15-17: "Appropriering", Stockholm, 2003. [http://olllllll.se/arkoeiv/?p=289] {{sw}}
* Matthew Whitley, [http://arcade.stanford.edu/content/these-people-live-here-conceptualism-and-new-documentary-poetics These People Live Here: Conceptualism and the New Documentary Poetics], ''Arcade'', July 2016.
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* [http://muse.jhu.edu/journals/american_book_review/toc/abr.32.4.html ''American Book Review'' 32(4): "Uncreative Writing"]'', intro. Doug Nufer, May/Jun 2011. Special section of the journal.
* Daniel Penny, [http://thenewinquiry.com/essays/the-irrelevant-and-the-contemporary/ The Irrelevant and the Contemporary], ''The New Inquiry'', August 2016.
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* ''Ha!art'' 50: "Konceptualny", Cracow: Korporacja ha!art, 2015, 80 pp. [https://issuu.com/korporacja_haart/docs/ha_50_fragmenty excerpt] in ''AE'', 2011. [http://www.ha.art.pl/sklep/index.php?p507,ha-art-50-konceptualny] {{pl}}
* Leonard Villa-Forte, [http://www.revistaserrote.com.br/2016/08/o-autor-como-apropriador-por-leonardo-villa-forte/ O autor como apropriador], ''Serrote'', August 2016. {{br-pt}}
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* [https://jacket2.org/commentary/vanessa-place ''Jacket2'': "Global conceptualisms"], ed. Vanessa Place, Feb 2012-Apr 2013. Special section featuring 5 dialogues.
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* [http://www.thevolta.org/ewc-mainpage41.html ''Evening Will Come'' 41: "Conceptual Poetry Feature"], eds. Tom Trudgeon and Caleb Beckwith, May 2014.
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* [http://jacket2.org/feature/conceptual-writing-plural-and-global-and-other-cultural-productions ''Jacket2'': "Conceptual writing (plural and global) and other cultural productions"], ed. & pref. Divya Victor, Feb 2016. With contributions from 35 practitioners and critics.
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===Papers, articles, pamphlets, statements===
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* Marjorie Perloff, [http://epc.buffalo.edu/authors/perloff/after_langpo.html "After Language Poetry: Innovation and Its Theoretical Discontents"], ''Literaria Pragensia'' 11(22): "Contemporary Poetics", ed. Louis Armand, Prague, 2001, pp 15-35; repr. in Perloff, ''Differentials: Poetry, Poetics, Pedagogy'', University of Alabama Press, 2004, pp 155-174. [http://litteraria-pragensia.ff.cuni.cz/front.issue/detail/5]. First presented as a keynote at the conference ''Where Lyric Tradition Meets Language Poetry'', Barnard, Apr 1999.
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* Marjorie Perloff, [http://epc.buffalo.edu/authors/goldsmith/Perloff_Digital-Poetics.pdf "Screening the Page/Paging the Screen: Digital Poetics and the Differential Text"], in ''New Media Poetics: Contexts, Technotexts, and Theories'', eds. Adalaide Morris and Thomas Swiss, MIT Press, 2006, pp 143-164.
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* Kenneth Goldsmith, [https://web.archive.org/web/20080212015255/http://poetryfoundation.org/dispatches/journals/2007.01.22.html "Conceptual Poetics. Uncreative Writing. Information Management. Boredom. A Gallery of Conceptual Writing"], ''PoetryFoundation.org'', 22-26 Jan 2007.
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* Marjorie Perloff, [http://marjorieperloff.com/essays/conceptualisms-old-and-new/ "Conceptualisms, Old and New"], ''Parkett'' 78, 2007. [http://www.parkettart.com/books/78-volume.html]
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* Kenneth Goldsmith, [https://www.poetryfoundation.org/harriet/2008/06/conceptual-poetics-christian-bok/ "Conceptual Poetics: Christian Bök"], ''Harriet'', Jun 2008. Presented at the ''Conceptual Poetry and Its Others'' conference, University of Arizona, Tucson.
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* Nicolas Tardy, ''Les ready-mades textuels'', Haute Ecole d'Art et de Design de Genève (HEAD), 2009, 70 pp. [https://www.hesge.ch/head/publication/les-ready-mades-textuels] {{fr}}
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* Vanessa Place, ''[http://conceptualwriting101.blogspot.nl/2010/10/vanessa-place-notes-on-why.html Notes on Why Conceptualism is better than Flarf]'', Calgary: No Press, 2010. [https://derekbeaulieu.wordpress.com/no-press/]
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* Vanessa Place, ''[http://lemonhound.com/2013/02/25/vanessa-place-the-allegory-and-the-archive/ Allegory of the Archive]'', Calgary: No Press, 2010.
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* Marjorie Perloff, [http://jacket2.org/article/towards-conceptual-lyric "Towards a Conceptual Lyric: From Content to Context"], ''Jacket2'', 28 Jul 2011. An analysis of Kenneth Goldsmith’s 2011 performance at the White House.
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* Judith Goldman, [http://www.pomoculture.org/2013/05/18/re-thinking-non-retinal-literature-citation-radical-mimesis-and-phenomenologies-of-reading-in-conceptual-writing-1/ "Re-thinking 'Non-retinal Literature': Citation, 'Radical Mimesis,' and Phenomenologies of Reading in Conceptual Writing"], ''Postmodern Culture'' 22:1, Sep 2011.
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* Kenneth Goldsmith, et al., [https://www.poetryfoundation.org/harriet/2012/04/conceptual-writing-a-worldview/ "Conceptual Writing: A Worldview"], ''Harriet'', 30 Apr 2012. A brief overview of the practice in the US, UK, Canada, South America and Scandinavia.
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* Paul Stephens, [http://www.digitalhumanities.org/dhq/vol/6/2/000124/000124.html "From the Personal to the Proprietary: Conceptual Writing's Critique of Metadata"], ''Digital Humanities Quarterly'' 6:2, 2012.
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* Marjorie Perloff, [http://bostonreview.net/archives/BR37.3/marjorie_perloff_poetry_lyric_reinvention.php "Poetry on the Brink: Reinventing the Lyric"], ''Boston Review'', May/Jun 2012.
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** Response: Matvei Yankelevich, [https://lareviewofbooks.org/article/the-gray-area-an-open-letter-to-marjorie-perloff/ "The Gray Area: An Open Letter to Marjorie Perloff"], ''Los Angeles Review of Books'', 13 Jul 2012.
 +
** Response: Jacob Edmond, [https://commonstrangeness.wordpress.com/2012/07/16/conceptual-writing-and-the-russians/ "Conceptual Writing and the Russians"], ''A Common Strangeness'', 16 Jul 2012.
 +
* Johanna Drucker, [http://poetryproject.org/wp-content/uploads/PPNL-231-FINAL-FOR-PRINTING.pdf#page=6 "Beyond Conceptualisms: Poetics after Critique and the End of the Individual Voice"], ''The Poetry Project Newsletter'' 231, May/Jun 2012, pp 6-9.
 +
* Peli Grietzer, [https://lareviewofbooks.org/article/the-aesthetics-of-sufficiency-on-conceptual-writing/ "The Aesthetics of Sufficiency: On Conceptual Writing"], ''Los Angeles Review of Books'', 12 Oct 2012.
 +
* Darren Wershler, [http://www.alienated.net/academic-writing/conceptual-writing-fanfic/ "Conceptual Writing As Fanfic"], in ''Fic: Why Fanfiction is Taking Over the World'', ed. Anne Jamison, Dallas: Smart Pop, 2013.
 +
* Brian Kim Stefans, ''[[Media:Stefans_Brian_Kim_Conceptual_Writing_The_LA_Brand_2013.pdf|Conceptual Writing: The L.A. Brand]]'', Los Angeles: Area Sneaks, 2013, 13 pp. [http://www.arras.net/?page_id=1051]
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* Amy King, [http://therumpus.net/author/amy-king/ "Beauty and the Beastly Po-Biz"], ''The Rumpus'', 15-16 Jul 2013.
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* Calvin Bedient, [http://bostonreview.net/poetry/against-conceptualism "Against Conceptualism: Defending the Poetry of Affect"], ''Boston Review'', 24 Jul 2013.
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* Robert Archambeau, [https://www.poetryfoundation.org/harriet/2013/08/charming-and-interesting-what-conceptual-poetry-lacks-and-what-its-got/ "Charmless and Interesting: What Conceptual Poetry Lacks and What It’s Got"], ''Harriet'', 2 Aug 2013.
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* Kenneth Goldsmith, [http://www.newyorker.com/books/page-turner/the-writer-as-meme-machine "The Writer as Meme Machine"], ''The New Yorker'', 22 Oct 2013.
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* Nicholas D. Nace, [http://users.clas.ufl.edu/burt/Bibliomania!/UnprintedMatterConceptualWritingandTristramShandysChasmofTenPages.pdf "Unprinted Matter: Conceptual Writing and Tristram Shandy's 'chasm of ten pages'"], ''The Shandean'' 24, Laurence Sterne Trust, Nov 2013, 31-58.
 +
* derek beaulieu, ''[https://derekbeaulieu.files.wordpress.com/2017/01/text-without-text-beaulieu-thesis-final.pdf Text Without Text: Concrete Poetry and Conceptual Writing]'', University of Roehampton, 2014, 173 pp. PhD dissertation.
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* Hannes Bajohr, [http://hannesbajohr.de/wp-content/uploads/2014/06/Schreibenlassen.-MERKUR-7-2014.pdf "Schreibenlassen. Gegenwartsliteratur und die Furcht vorm Digitalen"], ''Merkur'' 68:7, Stuttgart: Klett-Cotta, Jul 2014, pp 651-658. {{de}}
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** [http://0x0a.li/en/schreibenlassen-gegenwartsliteratur-und-die-furcht-vorm-digitalen/ "Let It Write: Contemporary Literature and the Fear of the Digital"], ''0x0a'', Nov 2014.
 +
* Karel Piorecký, [https://academia.edu/9028203 "Opatrná vitalita. Nové tendence v současné české poezii"], in ''displej.eu'', eds. Ondřej Buddeus and Peter Dietze, Berlin & Prague, 2014, pp 100-112. {{cz}}
 +
** [https://academia.edu/9028203 "Vorsichtige Vitalität. Neue Entwicklungen in der gegenwärtigen tschechischen Poesie"], trans. Lena Dorn, in ''displej.eu'', eds. Ondřej Buddeus and Peter Dietze, Berlin & Prague, 2014, pp 101-113, [http://www.babelsprech.org/babelsprech-international-tschechische-poesie/ HTML].
 +
** [http://www.full-stop.net/2015/07/23/blog/karel-piorecky/cautious-vitality-new-developments-in-contemporary-czech-poetry/ "Cautious Vitality: New Developments in Contemporary Czech Poetry"], ''Full Stop'', 23 Jul 2015. [http://www.babelsprech.org/cautious-vitality-new-developments-in-contemporary-czech-poetry/]
 +
* Katie L. Price, [https://jacket2.org/commentary/what-relationship-between-conceptual-art-and-conceptual-writing "What is the relationship between Conceptual art and conceptual writing?"], ''Jacket2'', 19 Jan 2015. Survey with responses from  Jacquelyn Ardam, derek beaulieu, Mashinka Firunts, Michelle Taransky, Andrea Quaid, and Christine Wertheim.
 +
* Jorge Carrión, [http://lab.cccb.org/es/escrituras-conceptuales-un-panorama/ "Escrituras conceptuales: un panorama"], ''CCCB Lab'', 6 May 2015. An overview of conceptual literature in Latin America. {{es}}
 +
** [http://lab.cccb.org/en/conceptual-writings-an-overview/ "Conceptual Writings: An Overview"], ''CCCB Lab'', 6 May 2015. {{en}}
 +
** [http://blogs.cccb.org/lab/en/article_escriptures-conceptuals-un-panorama/ "Escriptures conceptuals: un panorama"], ''CCCB Lab'', 6 May 2015. {{ca}}
 +
* Mettyu Uitli (Мэттью Уитли), "'Eti lyudi zhivut zdes': kontseptualizm i novaya dokumentalnaya poetika" [«Эти люди живут здесь»: Концептуализм и Новая Документальная Поэтика], ''Translit'' 17, St Petersburg, 2015. [http://www.trans-lit.info/vypuski/17-translit] {{ru}}
 +
** Matthew Whitley, [http://arcade.stanford.edu/content/these-people-live-here-conceptualism-and-new-documentary-poetics These People Live Here: Conceptualism and the New Documentary Poetics], ''Arcade'', 11 Jul 2016.
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* Luke Skrebowski, [http://amodern.net/article/approaching-the-contemporary/ "Approaching the Contemporary: On (Post-)Conceptual Writing"], ''Amodern'' 6, Summer 2016.
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* Daniel Penny, [http://thenewinquiry.com/essays/the-irrelevant-and-the-contemporary/ "The Irrelevant and the Contemporary"], ''The New Inquiry'', 2 Aug 2016.
 +
 
 +
===Bibliographies===
 
* yigru zeltil, ''[[Media:zeltil_yigru_A_Bibliography_of_Conceptual_Writing.pdf|A Bibliography of Conceptual Writing]]'', khora impex, 2017, 174 pp.
 
* yigru zeltil, ''[[Media:zeltil_yigru_A_Bibliography_of_Conceptual_Writing.pdf|A Bibliography of Conceptual Writing]]'', khora impex, 2017, 174 pp.
  
==Archives, Resources==
+
==Primary references==
* http://www.ubu.com/concept/
+
* ''[http://www.ubu.com/concept/ The UbuWeb Anthology of Conceptual Writing]'', intro. & ed. Craig Dworkin, ''UbuWeb'', since 2003. A gallery of on-line works bringing together texts from the traditions of [[conceptual art]], the Oulipo, and avant-garde poetry.
* [http://ubuweb.com/ubu/unpub.html /ubu Editions: Publishing the Unpublishable]
+
* ''[http://eclipsearchive.org/projects/LANGUAGE/ L=A=N=G=U=A=G=E]''
* http://eclipsearchive.org/
+
* Oulipo
* [https://www.poets.org/poetsorg/text/brief-guide-conceptual-poetry A Brief Guide to Conceptual Poetry], ''Academy of American Poets''
+
* [[Concrete poetry]]
* [http://workinprogressconpo.blogspot.com/ A Bibliography of Conceptual Writing (continuously updated list)]
+
* [[Conceptual art]]
 +
 
  
 
{{Literature}}
 
{{Literature}}

Revision as of 12:47, 15 April 2017

Also conceptualism, conceptual poetry, literary appropriation, ready-made poetry, uncreative writing.

Pages

Works

Anthologies

Against Expression: An Anthology of Conceptual Writing, 2011, Log.

Journals

Archives, Resources

Criticism, History, Theory

Monographs, pamphlets, journal issues

  • derek beaulieu, Seen of the Crime: Essays on Conceptual Writing, /ubu Editions, 2012, 65 pp, PDF.
  • Corrected Slogans: Reading and Writing Conceptualism, ed. Triple Canopy, New York: Triple Canopy & MCA Denver, 2013, 268 pp. [6]
  • Felix Bernstein, Notes on Post-Conceptual Poetry, pref. Trisha Low, Los Angeles: Insert Blanc Press, 2015, 170 pp, HTML. Notes amalgamated for the Poetry Will Be Made By All event conceived by Kenneth Goldsmith and Hans-Ulrich Obrist in 2014. Reviews: Seltman (LARB), Daniele (European J of Am Studies), Lawrence (Capilano Rev). [7] [8] [9]
  • Paul Stephens, The Poetics of Information Overload: From Gertrude Stein to Conceptual Writing, University of Minnesota Press, 2015. Review: Thurston (Parallax), Baetens (Leonardo), Abbasi (AALL). [10] [11] [12]
  • Mirjam Horn, Postmodern Plagiarisms: Cultural Agenda and Aesthetic Strategies of Appropriation in US-American Literature (1970-2010), de Gruyter Mouton, 2015, vii+286 pp. TOC. Based on 2012 PhD dissertation at Giessen U. [13] [14]
  • Gaëlle Théval, Poésies ready-made, XXe-XXIe siècles, Paris: L'Harmattan, 2015, 288 pp. TOC. [15]. Based on 2011 PhD dissertation. Reviews: Huglo (Sitaudis), Tardy (Cahier Critique de Poésie). (French)

Journal issues and features

Papers, articles, pamphlets, statements

Bibliographies

Primary references