Difference between revisions of "Free software"
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| − | == | + | <div class="lede"> |
| + | For free, libre and open-source software, culture and the arts | ||
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| + | <gallery mode=packed heights=200px style="margin:auto"> | ||
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| + | Fediposter_Jan_2020.png|link=Federated networks|[[Federated networks|Federated networks, Fediverse]] | ||
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| + | Art_Servers_Unlimited_1998.jpg|link=Art servers|[[Art servers]] | ||
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| + | AMRO20.png|link=Art Meets Radical Openness|[[Art Meets Radical Openness]], festival for art, hacktivism and open cultures, [[Linz]] | ||
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| + | Piksel.png|link=Piksel|[[Piksel]], festival for kunst og fri teknologi, [[Bergen]] | ||
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| + | </gallery> | ||
| − | + | <div class="dpl" style="-moz-column-count:3; -webkit-column-count:3; column-count:3;"> | |
| + | <DynamicPageList> | ||
| + | category = FLOSS | ||
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| + | </DynamicPageList> | ||
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==Events== | ==Events== | ||
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* [http://redecentralize.github.io/alternative-internet/ Alternative Internet], a collection of networks, tools and devices aiming at decentralisation. | * [http://redecentralize.github.io/alternative-internet/ Alternative Internet], a collection of networks, tools and devices aiming at decentralisation. | ||
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==See also== | ==See also== | ||
| − | [[Hacker culture]], [[Copyright activism]], [[Commons]], [[Data activism]], [[Art servers]], [[Pure Data]], [[SuperCollider]], [[Live coding]], [[Libre graphics | + | [[Federated networks]], [[Hacker culture]], [[Copyright activism]], [[Commons]], [[Data activism]], [[Art servers]], [[Pure Data]], [[SuperCollider]], [[Live coding]], [[Libre graphics]] |
{{Software}} | {{Software}} | ||
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__NOTOC__ | __NOTOC__ | ||
Revision as of 15:17, 30 November 2022
For free, libre and open-source software, culture and the arts
Art Meets Radical Openness, festival for art, hacktivism and open cultures, Linz
No pages meet these criteria.
Events
- Conferences and summits
- OSCON, Portland, *1999
- FISL, Porto Alegre, *2000
- FOSDEM, Brussels, *2001
- Oekonux Conference, int., *2001
- Linux Audio Conference, int., *2002
- LibrePlanet, Cambridge/MA, *2006
- FSCONS, Gothenburg, *2007
- Open Source Bridge, Portland, 2009-2018, [1]
- FOSSASIA Summit, Asia, *2010
- IndieWeb Summit / IndieWebCamp, Portland & int., *2011
- FabFuse, Amersfoort, 2012-2015
- Koppelting, Amersfoort, *2016
- OFFDEM, Brussels, *2020
- FLOSS arts festivals and events
- Eclectic Tech Carnival, int., *2002
- Piksel, Bergen, *2003
- Verbindingen / Jonctions, Brussels, [2000] 2004-2013
- HAIP, Ljubljana, 2004-2012
- OpenLab, London, 2005-2012
- Make Art, Poitiers, 2006-2010
- Libre Graphics Meeting, int., *2006
- Art Meets Radical Openness (formerly LiWoLi), Linz, *2008
- Flossie, London, 2012-2013
- TransPiksel, int., *2016
Publications
- Richard M. Stallman, "The GNU Manifesto", Mar 1985 ff. [2]
- Richard M. Stallman, "What Is the Free Software Foundation?", GNU’s Bulletin 1:1, Cambridge, MA: Free Software Foundation, Feb 1986, pp 8-9.
- Richard M. Stallman, "What Is Free Software?", 1996 ff. Previous versions.
- Richard M. Stallman, et al., Free Software: Essays and Articles, 1996 ff. Collection of articles.
- Bruce Perens, "Debian Social Contract, Version 1.0", Jul 1997.
- Eric S. Raymond, "Goodbye, ‘Free Software’; Hello, ‘Open Source’", Feb 1998.
- Richard M. Stallman, "Why 'Free Software' is better than 'Open Source'", 1998; rev. as "Why Open Source Misses the Point of Free Software", 2007 ff.
- Eric S. Raymond, "Open Source Summit", Linux Journal, Jun 1998.
- Eric S. Raymond, "Keeping an Open Mind", Cyberian Express, Mar/Apr 1999.
- Mark Stone, Chris DiBona, Sam Ockman (eds.), Open Sources: Voices from the Open Source Revolution, Sebastopol, CA: O’Reilly Media, 1999, 280 pp.
- Bruce Perens, "The Open Source Definition", pp 171-188. [3]
- Eric S. Raymond, "The Luxury of Ignorance: An Open-Source Horror Story", (Part Two), Feb 2004.
- Eric S. Raymond, "Terminology Wars: A Web Content Analysis", 2004.
- Eric S. Raymond, "Open Minds, Open Source", Analog, Jun-Jul 2004.
- Simon Yuill, "Your Machines: Your Culture", Variant 2:20, Summer 2004.
- Armin Medosch, "Roots Culture: Free Software Vibrations Inna Babylon", in How Open is the Future? Economic, Social & Cultural Scenarios Inspired by Free and Open Source Software, eds. Marleen Wynants and Jan Cornelis, Brussels: VUB Brussels University Press, 2005, pp 135-162; upd. in Engineering Culture: On 'The Author as (Digital) Producer' , eds. Geoff Cox and Joasia Krysa, New York: Autonomedia, 2005, pp 177-201; repr. in Sarai Reader 2005: Bare Acts, New Delhi: Sarai, 2005, pp 222-239. Draft.
- Mute 2(1): "Underneath The Knowledge Commons", London: Mute, Dec 2005.
- Simon Yuill, "All Problems of Notation Will Be Solved By the Masses", Mute 2:8, London: Mute, May 2008.
- Aymeric Mansoux, Marloes de Valk (eds.), FLOSS+Art, Poitiers: Goto10, and London: Mute, 2008, 320 pp.
- Chun Lee, Art Unlimited: An Investigation into Contemporary Digital Arts and the Free Software Movement, London: Middlesex University, 2008, 166 pp. PhD dissertation.
- Marloes de Valk, "Tools to Fight Boredom: FLOSS and GNU/Linux for Artists Working in the Field of Generative Music and Software Art", Contemporary Music Review 28(1): "Generative Music", eds. Nick Collins and Andrew R. Brown, 2009, pp 89-101, PDF. [4]
- En Defensa del Software Libre, 4 vols., 2010-2016. (Spanish)
- Ruth Catlow, Marc Garrett (eds.), Collaboration and Freedom – The World of Free and Open Source Art, 2011.
- Aymeric Mansoux, "How Deep is Your Source", in Digital Art Conservation, Preservation of Digital Art: Theory and Practice, ed. Bernhard Serexhe, Karlsruhe: ZKM, 2012.
- Paula Roush, "Towards a Free/ Libre/ Open/ Source/ University", Furtherfield, Feb 2013.
- Aymeric Mansoux, "My Lawyer is an Artist", Hz #19, ed. Sashiko Hayashi, Fylkingen, 2014.
- Aymeric Mansoux, Sandbox Culture: A Study of the Application of Free and Open Source Software Licensing Ideas to Art and Cultural Production, London: Goldsmiths University of London, 2017, xxxviii+486 pp. PhD dissertation.
- Christina Dunbar-Hester, Hacking Diversity: The Politics of Inclusion in Open Technology Cultures, Princeton University Press, 2020, xi+271 pp. [5]
- petites singularités, "O2FFDEM. The threat to free software: An OFFDEM manifesto", Jan 2020.
- "O2FFDEM. La menace qui pèse sur le logiciel libre. Un manifeste d’OFFDEM", Jan 2020. (French)
- Aymeric Mansoux, Roel Roscam Abbing, "Seven Theses on the Fediverse and the Becoming of FLOSS", in The Eternal Network: The Ends and Becomings of Network Culture, eds. Kristoffer Gansing and Inga Luchs, Amsterdam: Institute of Network Cultures, and Berlin: transmediale e.V., Feb 2020, pp 124-140, HTML.
- "Sieben Thesen zum Fediverse und zur Weiterentwicklung von FLOSS", in The Eternal Network. Vom Enden und Werden der Netzkultur, eds. Kristoffer Gansing and Inga Luchs, Amsterdam: Institute of Network Cultures, and Berlin: transmediale e.V., 2020, pp 136-154. (German)
- "Sept Thèses sur le Fédiverse et le devenir du logiciel libre", trans. Framalang, Framablog, 26 Jan 2021. (French)
- Présence Solidaire, "On Software Syndicalism", Jul 2021.
- THX - Présence Solidaire. Pænser Ensemble: le Collectif et le Soin Radical, Brussels: petites singularités, 2021, 168 pp. (French),(English),(Spanish)
Documentary films
- FLOSSOFÍA: el software libre en el arte, dir. Ernesto Romero, 2009, 83 min. With footage from the 2008 editions of Make Art and Piksel festivals.
- Art Meets Radical Openness, 2009, 26 min. Documentary of the 2009 festival edition. Film conceived by Annalisa Cannito, Chui Yong Jian, Santiago Bence.
Resources
- Alternative Internet, a collection of networks, tools and devices aiming at decentralisation.
See also
Federated networks, Hacker culture, Copyright activism, Commons, Data activism, Art servers, Pure Data, SuperCollider, Live coding, Libre graphics
