Difference between revisions of "Free software"
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; Conferences and summits | ; Conferences and summits | ||
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| + | * [http://www.oscon.com/oscon2014/public/content/about OSCON], Portland, *1999 | ||
| + | * [[FISL]], Porto Alegre, *2000 | ||
| + | * [[FOSDEM]], Brussels, *2001 | ||
| + | * [[Oekonux Conference]], int., *2001 | ||
| + | * [https://linuxaudio.org/lac.html Linux Audio Conference], int., *2002 | ||
| + | * [http://libreplanet.org LibrePlanet], Cambridge/MA, *2006 | ||
| + | * [[FSCONS]], Gothenburg, *2007 | ||
| + | * [http://web.archive.org/web/20190712033337/http://opensourcebridge.org/ Open Source Bridge], Portland, 2009-2018, [https://indieweb.org/Open_Source_Bridge] | ||
| + | * [https://fossasia.org FOSSASIA Summit], Asia, *2010 | ||
| + | * [https://indieweb.org/IndieWebCamps IndieWeb Summit / IndieWebCamp], Portland & int., *2011 | ||
| + | * [http://koppelting.org/en/archive FabFuse], Amersfoort, 2012-2015 | ||
| + | * [http://koppelting.org Koppelting], Amersfoort, *2016 | ||
| + | * [https://ps.zoethical.org/c/engagement/offdem/129 OFFDEM], Brussels, *2020 | ||
| + | |||
| + | </div> | ||
; FLOSS arts festivals and events | ; FLOSS arts festivals and events | ||
| − | [[Eclectic Tech Carnival]] | + | <div class="dpl" style="-moz-column-count:3; -webkit-column-count:3; column-count:3;"> |
| + | |||
| + | * [[Eclectic Tech Carnival]], int., *2002 | ||
| + | * [[Piksel]], Bergen, *2003 | ||
| + | * [[Verbindingen / Jonctions]], Brussels, [2000] 2004-2013 | ||
| + | * [[HAIP]], Ljubljana, 2004-2012 | ||
| + | * [[OpenLab]], London, 2005-2012 | ||
| + | * [[Make Art]], Poitiers, 2006-2010 | ||
| + | * [[Libre Graphics Meeting]], int., *2006 | ||
| + | * [[Art Meets Radical Openness]] (formerly LiWoLi), Linz, *2008 | ||
| + | * [[Flossie]], London, 2012-2013 | ||
| + | * [https://piksel.no/transpiksel TransPiksel], int., *2016 | ||
| + | |||
| + | </div> | ||
==Publications== | ==Publications== | ||
Revision as of 08:39, 17 September 2022
Topics
free software, open source, copyright, FLOSS art, open standards.
Events
- Conferences and summits
- OSCON, Portland, *1999
- FISL, Porto Alegre, *2000
- FOSDEM, Brussels, *2001
- Oekonux Conference, int., *2001
- Linux Audio Conference, int., *2002
- LibrePlanet, Cambridge/MA, *2006
- FSCONS, Gothenburg, *2007
- Open Source Bridge, Portland, 2009-2018, [1]
- FOSSASIA Summit, Asia, *2010
- IndieWeb Summit / IndieWebCamp, Portland & int., *2011
- FabFuse, Amersfoort, 2012-2015
- Koppelting, Amersfoort, *2016
- OFFDEM, Brussels, *2020
- FLOSS arts festivals and events
- Eclectic Tech Carnival, int., *2002
- Piksel, Bergen, *2003
- Verbindingen / Jonctions, Brussels, [2000] 2004-2013
- HAIP, Ljubljana, 2004-2012
- OpenLab, London, 2005-2012
- Make Art, Poitiers, 2006-2010
- Libre Graphics Meeting, int., *2006
- Art Meets Radical Openness (formerly LiWoLi), Linz, *2008
- Flossie, London, 2012-2013
- TransPiksel, int., *2016
Publications
- Richard M. Stallman, "The GNU Manifesto", Mar 1985 ff. [2]
- Richard M. Stallman, "What Is the Free Software Foundation?", GNU’s Bulletin 1:1, Cambridge, MA: Free Software Foundation, Feb 1986, pp 8-9.
- Richard M. Stallman, "What Is Free Software?", 1996 ff. Previous versions.
- Richard M. Stallman, et al., Free Software: Essays and Articles, 1996 ff. Collection of articles.
- Bruce Perens, "Debian Social Contract, Version 1.0", Jul 1997.
- Eric S. Raymond, "Goodbye, ‘Free Software’; Hello, ‘Open Source’", Feb 1998.
- Richard M. Stallman, "Why 'Free Software' is better than 'Open Source'", 1998; rev. as "Why Open Source Misses the Point of Free Software", 2007 ff.
- Eric S. Raymond, "Open Source Summit", Linux Journal, Jun 1998.
- Eric S. Raymond, "Keeping an Open Mind", Cyberian Express, Mar/Apr 1999.
- Mark Stone, Chris DiBona, Sam Ockman (eds.), Open Sources: Voices from the Open Source Revolution, Sebastopol, CA: O’Reilly Media, 1999, 280 pp.
- Bruce Perens, "The Open Source Definition", pp 171-188. [3]
- Eric S. Raymond, "The Luxury of Ignorance: An Open-Source Horror Story", (Part Two), Feb 2004.
- Eric S. Raymond, "Terminology Wars: A Web Content Analysis", 2004.
- Eric S. Raymond, "Open Minds, Open Source", Analog, Jun-Jul 2004.
- Simon Yuill, "Your Machines: Your Culture", Variant 2:20, Summer 2004.
- Armin Medosch, "Roots Culture: Free Software Vibrations Inna Babylon", in How Open is the Future? Economic, Social & Cultural Scenarios Inspired by Free and Open Source Software, eds. Marleen Wynants and Jan Cornelis, Brussels: VUB Brussels University Press, 2005, pp 135-162; upd. in Engineering Culture: On 'The Author as (Digital) Producer' , eds. Geoff Cox and Joasia Krysa, New York: Autonomedia, 2005, pp 177-201; repr. in Sarai Reader 2005: Bare Acts, New Delhi: Sarai, 2005, pp 222-239. Draft.
- Mute 2(1): "Underneath The Knowledge Commons", London: Mute, Dec 2005.
- Simon Yuill, "All Problems of Notation Will Be Solved By the Masses", Mute 2:8, London: Mute, May 2008.
- Aymeric Mansoux, Marloes de Valk (eds.), FLOSS+Art, Poitiers: Goto10, and London: Mute, 2008, 320 pp.
- Chun Lee, Art Unlimited: An Investigation into Contemporary Digital Arts and the Free Software Movement, London: Middlesex University, 2008, 166 pp. PhD dissertation.
- Marloes de Valk, "Tools to Fight Boredom: FLOSS and GNU/Linux for Artists Working in the Field of Generative Music and Software Art", Contemporary Music Review 28(1): "Generative Music", eds. Nick Collins and Andrew R. Brown, 2009, pp 89-101, PDF. [4]
- En Defensa del Software Libre, 4 vols., 2010-2016. (Spanish)
- Ruth Catlow, Marc Garrett (eds.), Collaboration and Freedom – The World of Free and Open Source Art, 2011.
- Aymeric Mansoux, "How Deep is Your Source", in Digital Art Conservation, Preservation of Digital Art: Theory and Practice, ed. Bernhard Serexhe, Karlsruhe: ZKM, 2012.
- Paula Roush, "Towards a Free/ Libre/ Open/ Source/ University", Furtherfield, Feb 2013.
- Aymeric Mansoux, "My Lawyer is an Artist", Hz #19, ed. Sashiko Hayashi, Fylkingen, 2014.
- Aymeric Mansoux, Sandbox Culture: A Study of the Application of Free and Open Source Software Licensing Ideas to Art and Cultural Production, London: Goldsmiths University of London, 2017, xxxviii+486 pp. PhD dissertation.
- Christina Dunbar-Hester, Hacking Diversity: The Politics of Inclusion in Open Technology Cultures, Princeton University Press, 2020, xi+271 pp. [5]
- petites singularités, "O2FFDEM. The threat to free software: An OFFDEM manifesto", Jan 2020.
- "O2FFDEM. La menace qui pèse sur le logiciel libre. Un manifeste d’OFFDEM", Jan 2020. (French)
- Aymeric Mansoux, Roel Roscam Abbing, "Seven Theses on the Fediverse and the Becoming of FLOSS", in The Eternal Network: The Ends and Becomings of Network Culture, eds. Kristoffer Gansing and Inga Luchs, Amsterdam: Institute of Network Cultures, and Berlin: transmediale e.V., Feb 2020, pp 124-140, HTML.
- "Sieben Thesen zum Fediverse und zur Weiterentwicklung von FLOSS", in The Eternal Network. Vom Enden und Werden der Netzkultur, eds. Kristoffer Gansing and Inga Luchs, Amsterdam: Institute of Network Cultures, and Berlin: transmediale e.V., 2020, pp 136-154. (German)
- "Sept Thèses sur le Fédiverse et le devenir du logiciel libre", trans. Framalang, Framablog, 26 Jan 2021. (French)
- Présence Solidaire, "On Software Syndicalism", Jul 2021.
- THX - Présence Solidaire. Pænser Ensemble: le Collectif et le Soin Radical, Brussels: petites singularités, 2021, 168 pp. (French),(English),(Spanish)
Documentary films
- FLOSSOFÍA: el software libre en el arte, dir. Ernesto Romero, 2009, 83 min. With footage from the 2008 editions of Make Art and Piksel festivals.
- Art Meets Radical Openness, 2009, 26 min. Documentary of the 2009 festival edition. Film conceived by Annalisa Cannito, Chui Yong Jian, Santiago Bence.
Resources
- Alternative Internet, a collection of networks, tools and devices aiming at decentralisation.
Pages
No pages meet these criteria.
See also
Hacker culture, Copyright activism, Commons, Data activism, Art servers, Pure Data, SuperCollider, Live coding, Libre graphics, Federated networks
