Welcome to Monoskop, a wiki for the arts, media and humanities.
This page shows a selection of the latest additions to the website. For more detailed listings see the Log, Recent, Contents and Index sections. Selected updates are posted on RSS, Twitter, Facebook and Instagram.
A collection of essays by the critic Jack Burnham. Originally appeared in Artforum and Arts Magazine.
Publisher G. Braziller, New York, 1974
ISBN 0807607401, 9780807607404
Commentary: John R. Blakinger (Tate, 2017).
PDF (16 MB)
“In Surrogate Humanity Neda Atanasoski and Kalindi Vora trace the ways in which robots, artificial intelligence, and other technologies serve as surrogates for human workers within a labor system entrenched in racial capitalism and patriarchy. Analyzing myriad technologies, from sex robots and military drones to sharing-economy platforms, Atanasoski and Vora show how liberal structures of antiblackness, settler colonialism, and patriarchy are fundamental to human—machine interactions, as well as the very definition of the human. While these new technologies and engineering projects promise a revolutionary new future, they replicate and reinforce racialized and gendered ideas about devalued work, exploitation, dispossession, and capitalist accumulation. Yet, even as engineers design robots to be more perfect versions of the human—more rational killers, more efficient workers, and tireless companions—the potential exists to develop alternative modes of engineering and technological development in ways that refuse the racial and colonial logics that maintain social hierarchies and inequality.”
Publisher Duke University Press, 2019
Perverse Modernities series
ISBN 9781478003861, 1478003863
“At once memoir, theory, poetic prose, and fragment, No Archive Will Restore You is a feverish meditation on the body. Departing from Antonio Gramsci’s summons to compile an inventory of the historical traces left in each of us, Singh engages with both the impossibility and urgent necessity of crafting an archive of the body. Through reveries on the enduring legacies of pain, desire, sexuality, race, and identity, she asks us to sense and feel what we have been trained to disavow, to re-member the body as more than itself.”
Publisher Punctum Books, Nov 2018
3Ecologies Books/Immediations imprint
Creative Commons BY-NC-SA 4.0 License
ISBN 9781947447851, 1947447858
“This pamphlet explores ways in which to engage scholars to further elaborate the poethics of their scholarship. Following Joan Retallack, who has written extensively about the responsibility that comes with formulating and performing a poetics, which she has captured in her concept of poethics (with an added h), this pamphlet examines what connects the ‘doing’ of scholarship with the ethical components of research. Here, in order to remain ethical we are not able to determine in advance what being ethical would look like, yet, at the same time, ethical decisions need to be made and are being made as part of our publishing practices: where we publish and with whom, in an open way or not, in what form and shape and in which formats. Should we then consider the poethics of scholarship as a poetics of/as change, or as Retallack calls it, a poetics of the swerve (clinamen), which continuously unsettles our familiar notions?
This pamphlet considers how, along with discussions about the contents of our scholarship, and about the different methodologies, theories and politics that we use to give meaning and structure to our research, we should have similar deliberations about the way we do research. This involves paying more attention to the crafting of our own aesthetics and poetics as scholars, including a focus on the medial forms, the formats, and the graphic spaces in and through which we communicate and perform scholarship (and the discourses that surround these), as well as the structures and institutions that shape and determine our scholarly practices.”
Contributions by Janneke Adema, Kaja Marczewska, Frances McDonald and Whitney Trettien.
Publisher Post Office Press & Rope Press, Coventry, 2018
Creative Commons BY 4.0 License
“Contemporary And (C&) is an online art magazine and a dynamic space for the reflection on and linking together of ideas, discourse and information on contemporary art practice from diverse African perspectives.”
Edited by Julia Grosse, Yvette Mutumba, Will Furtado, a.o.
Publisher Contemporary And (C&) & Institut für Auslandsbeziehungen (ifa), Stuttgart
HTML (online platform)
PDFs (print issues):
Issue 1: Dak’Art 14 (Dakar Biennale Special) (Apr 2014)
Issue 2: Kampala Focus (Sep 2014)
Issue 3: Focus Migration (Jun 2015)
Issue 4: Focus Bamako (10th Bamako Encounters – African Biennale of Photography Special) (English/French, Sep 2015)
Issue 5: The Interview Issue (Feb 2016)
Issue 6: Afro-Brazilian Perspectives (32nd Bienal de São Paulo Special) (Sep 2016)
Issue 7: Curriculum of Connections (documenta 14 Special) (Jun 2017)
Special Edition: #Nairobi (Sep 2017)
Issue 8: Conditions (Art Scene Cameroon Special) (Dec 2017)
Issue 9: You Are Already in it: Looking at a Global Diaspora (10th Berlin Biennale Special) (Jun 2018)