Welcome to Monoskop, a wiki for the arts, media and humanities.
This page shows a selection of the latest additions to the website. For more detailed listings see the Log, Recent, Contents and Index sections. Selected updates are posted on RSS, Twitter, Facebook and Instagram.
“Danish artist Asger Jorn has long been recognized for his founding contributions to the Cobra and Situationist International movements – yet art historical scholarship on Jorn has been sparse, particularly in English. This study offers a synthetic account of the essential phases of this artist’s career. It addresses his works in various media alongside his extensive writings and his collaborations with various artists’ groups from the 1940s through the mid-1960s. Situating Jorn’s work in an international, post-Second World War context, Karen Kurczynski reframes our understanding of the 1950s, away from the Abstract-Expressionist focus on individual expression, toward a more open-ended conception of art as a public engagement with contemporary culture and politics.”
Publisher Ashgate, 2014
ISBN 9781409431978, 1409431975
via Situationist Library
PDF (13 MB)
“#VivasNosQueremos, #NosMueveElDeseo, #NosotrasParamos – Wir wollen uns lebend(ig). Uns bewegt der Wunsch. Wir Frauen streiken. So gelangen die Slogans neuer feministischer Bewegungen aus Lateinamerika seit 2016 als Hashtags zu uns. Die hier versammelten Texte untersuchen die Genealogien dieser vielfältigen Bewegungen, die aus einem lauten Aufschrei gegen blutige, regelmäßig ungestrafe Feminizide entstanden und schließlich als internationaler feministischer Streik 2017 und 2018 massive Dimensionen erreichten. Die Mitte dieses Streiks bildet allerorts die entscheidende Frage, wie Sorgearbeit bestreikt werden kann. Ausgehend von einem tiefen Überdruss gegenüber allen Formen machistischer Gewalt tritt der Streik hier als sorgfältiges Flechten eines gemeinsamen Gewebes, als gemeinsames Organisieren und Lernen auf, aber auch als unmissverständliche Warnung: Mujeres en huelga, se cae el mundo – Wenn die Frauen streiken, zerfällt die Welt.”
First published as 8M Constelación feminista. ¿Cuál es tu lucha? ¿Cuál es tu huelga?, Tinta limón, 2018.
By Verónica Gago, Raquel Gutiérrez Aguilar, Susana Draper, Mariana Menéndez Díaz, Marina Montanelli, Marie Bardet, Suely Rolnik
Translated by Michael Grieder and Gerald Raunig
Foreword by Isabell Lorey
Publisher transversal texts, Vienna, 2018
ISBN 9783903046184, 3903046183
Review: Candela Comméres Benejam (Crítica y resistencias, 2018, ES).
“The Soviet group of architects New Element of Settlement (NER) was invited to the 1968 Milan Triennale by Giancarlo De Carlo, following the publication of their influential book NER, On the Way to a New City (1966). They were asked to present their plans for an ideal communist city in the section devoted to “transformations of the physical environment.” Their installation was one of the few in the exhibition that provided a critical response to the culture of consumerism, in tune with ongoing student revolts.
The concept of NER was first developed in 1957 as a diploma project by graduates of the Moscow Institute of Architecture (MArkhI). As students, NER members studied the elements of the city, its quantitative and qualitative characteristics, eventually dismissing traditional planning principles in favor of a new approach to urban development as a dynamic process. Drawing on Marxism, they sought to provide a spatial agenda for the communist ideology, representing the younger generation of thinkers in the radical split of the Soviet architectural profession following de-Stalinization. They actively criticized the state of Soviet urban planning, arguing that “today, the city is not fulfilling its primary purpose to be an organic living environment.”
In late 1968, De Carlo wrote an introduction for NER’s influential publication, The Ideal Communist City. In their radical proposal, NER attempted to provide a spatial agenda for Marxism, drawing both from the Communist Manifesto and the Constructivist avant-garde of the 1920s. NER’s new city was based on creative communication in a classless society, in which the city was no longer dependent on its industrial center but instead formed around a center of communication, independent from the economic characteristics of the city. The major shift brought in by this new urban wave—later implemented by one of its members, Alexei Gutnov, within the curriculum of MArkhI—was to see the city as a living organism, in which cells would be born and eventually die. This led to a change in the status of architectural form: it was conceived as temporary and mobile—its birth implied the process of its imminent destruction. This approach anticipated the later understanding of architecture as an activity or as environment—form was no longer relevant because it hindered the organic processes within the dying city. The system emphasized the correspondence between urban structures and social relationships in communism, based on the reading of the urban plan as “simultaneously a symbol of the idea and a program for its realization.”” (Masha Panteleyeva, Radical Pedagogies)
By Alexei Gutnov, A. Baburov, G. Djumenton, S. Kharitonova, I. Lezava, S. Sadovskij, of Moscow University
Translated by Renee Neu Watkins
Preface by Giancarlo de Carlo
Publisher George Braziller, New York, 
i Press Series on the Human Environment
ISBN 080760576X 9780807605769
via Outlaw Urbanist
Novyy element rasseleniya: na puti k novomu gorodu (Новый элемент расселения: на пути к новому городу, Russian, 1966, 22 MB, via)
The Ideal Communist City (English, trans. Renee Neu Watkins, , 4 MB)
A monograph composed of 80 photographs, edited and designed by the painter Marvin Israel, Diane Arbus’ friend and colleague, and by her daughter Doon Arbus.
Text edited from tape recordings of a series of classes given by Diane Arbus (1923-1971) in 1971 as well as from interviews and some of her writings.
Published in conjunction with a major exhibition of the photographs of Diane Arbus at the Museum of Modern Art.
Publisher Millerton, New York, 1972
ISBN 0912334401, 9780912334400
15 pages, 80 unnumbered leaves of plates, 29 cm
PDF (44 MB)
See also Going Where I’ve Never Been: The Photography of Diane Arbus, dir. John Musilli (documentary, 1972, 28 min, MP4, 65 MB, via)
“While concepts of Earth have a rich tradition, more recent examples show a distinct quality: Though ideas of wholeness might still be related to mythical, religious, or utopian visions of the past, ‘Earth’ itself has become available as a whole. This raises several questions: How are the notions of one Earth or our Planet imagined and distributed? What is the role of cultural imagination and practices of signification in the imagination of ‘the Earth’? Which theoretical models can be used or need to be developed to describe processes of imagining Planet Earth? This collection invites a wide range of perspectives from different fields of the Humanities to explore the means of imagining Earth.”
Contributions by Gabriele Gramelsberger, Angela Krewani, Bruce Clarke, Timothy Morton, Hania Siebenpfeiffer, Nicholas Pethes, and Solvejg Nitzke.
Publisher transcript, Bielefeld, 2017
Creative Commons BY-NC-ND 4.0 License
ISBN 9783837639568, 3837639568