Difference between revisions of "Brazil"

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; Literature
 
; Literature
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* Ronaldo Brito, [http://icaadocs.mfah.org/icaadocs/THEARCHIVE/FullRecord/tabid/88/doc/1091308/language/en-US/Default.aspx "Neoconcretismo: vértice e ruptura do projeto construtivo Brasileiro"], ''Malasartes'' 3, Apr-Jun 1976,  pp 9-13; exp. as ''Neoconcretismo: vértice e ruptura do projeto construtivo Brasileiro'', Rio de Janeiro: Funarte/Instituto Nacional de Artes Plásticas, 1985. {{br-pt}}
 
* Ronaldo Brito, [http://icaadocs.mfah.org/icaadocs/THEARCHIVE/FullRecord/tabid/88/doc/1091308/language/en-US/Default.aspx "Neoconcretismo: vértice e ruptura do projeto construtivo Brasileiro"], ''Malasartes'' 3, Apr-Jun 1976,  pp 9-13; exp. as ''Neoconcretismo: vértice e ruptura do projeto construtivo Brasileiro'', Rio de Janeiro: Funarte/Instituto Nacional de Artes Plásticas, 1985. {{br-pt}}
 
** [https://sci-hub.st/10.1162/OCTO_a_00304 "Neo-concretism, Apex and Rupture of the Brazilian Constructive Project"], trans. Gabriel Pérez-Barreiro with Irene V. Small, ''October'' 161, Summer 2017, pp 89-142. [https://sci-hub.st/10.1162/OCTO_a_00305 Introduction by Irene V. Small]. {{en}}
 
** [https://sci-hub.st/10.1162/OCTO_a_00304 "Neo-concretism, Apex and Rupture of the Brazilian Constructive Project"], trans. Gabriel Pérez-Barreiro with Irene V. Small, ''October'' 161, Summer 2017, pp 89-142. [https://sci-hub.st/10.1162/OCTO_a_00305 Introduction by Irene V. Small]. {{en}}
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* Mónica Amor, [http://academia.edu/1485924 "From Work to Frame, In-between, and Beyond: Lygia Clark’s and Hélio Oiticica’s Work 1959-1964"], ''Grey Room'' 38, Winter 2010, pp 21-37. {{en}}
 
* Mónica Amor, [http://academia.edu/1485924 "From Work to Frame, In-between, and Beyond: Lygia Clark’s and Hélio Oiticica’s Work 1959-1964"], ''Grey Room'' 38, Winter 2010, pp 21-37. {{en}}
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* Sérgio B. Martins, [http://academia.edu/2455467 "Phenomenological Openness, Historicist Closure: Revisiting Ferreira Gullar's Theory of the Non-Object"], ''Third Text'' 26:1, 2012, pp 79-90. {{en}}
 
* Sérgio B. Martins, [http://academia.edu/2455467 "Phenomenological Openness, Historicist Closure: Revisiting Ferreira Gullar's Theory of the Non-Object"], ''Third Text'' 26:1, 2012, pp 79-90. {{en}}
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* Sérgio B. Martins, ''[http://libgen.rs/book/index.php?md5=8222bd64147738ebc2c237989ba488da Constructing an Avant-Garde: Art in Brazil, 1949-1979]'', MIT Press, 2013.  {{en}}
 
* Sérgio B. Martins, ''[http://libgen.rs/book/index.php?md5=8222bd64147738ebc2c237989ba488da Constructing an Avant-Garde: Art in Brazil, 1949-1979]'', MIT Press, 2013.  {{en}}
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* Sabeth Buchmann, Max Jorge Hinderer Cruz, ''[https://library.memoryoftheworld.org/#/book/6ee504d8-184a-42a2-bc34-758681551237 Hélio Oiticica and Neville D'Almeida, Block Experiments in Cosmococa, Program in Progress]'', MIT Press (Afterall Books), 2013, 116 pp. {{en}}
 
* Sabeth Buchmann, Max Jorge Hinderer Cruz, ''[https://library.memoryoftheworld.org/#/book/6ee504d8-184a-42a2-bc34-758681551237 Hélio Oiticica and Neville D'Almeida, Block Experiments in Cosmococa, Program in Progress]'', MIT Press (Afterall Books), 2013, 116 pp. {{en}}
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* Rachel Price, "Object, Non-object, Trans-object, Relational Object: From Concrete Poetry to A Nova Objetividade", ch 6 in Price, ''The Object of the Atlantic: Concrete Aesthetics in Cuba, Brazil, and Spain, 1868-1968'', Northwestern University Press, 2014. [http://muse.jhu.edu/books/9780810168077/9780810168077-12.pdf] {{en}}
 
* Rachel Price, "Object, Non-object, Trans-object, Relational Object: From Concrete Poetry to A Nova Objetividade", ch 6 in Price, ''The Object of the Atlantic: Concrete Aesthetics in Cuba, Brazil, and Spain, 1868-1968'', Northwestern University Press, 2014. [http://muse.jhu.edu/books/9780810168077/9780810168077-12.pdf] {{en}}
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* Mónica Amor, ''Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969'', University of California Press, 2016, 344 pp. [https://www.academia.edu/15687859/ Introduction]. [http://www.ucpress.edu/book.php?isbn=9780520286627] {{en}}
 
* Mónica Amor, ''Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969'', University of California Press, 2016, 344 pp. [https://www.academia.edu/15687859/ Introduction]. [http://www.ucpress.edu/book.php?isbn=9780520286627] {{en}}
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* Irene V. Small, ''Hélio Oiticica: Folding the Frame'', University of Chicago Press, 2015, 304 pp. Review: [http://criticalinquiry.uchicago.edu/adrian_anagnost_reviews_helio_oiticica/ Anagnost] (Crit Inquiry). {{en}}
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* Irene V. Small, ''[http://libgen.rs/book/index.php?md5=D1D8C6DBA272632FB0B8944B4318D864 Hélio Oiticica: Folding the Frame]'', University of Chicago Press, 2015, 304 pp. Review: [http://criticalinquiry.uchicago.edu/adrian_anagnost_reviews_helio_oiticica/ Anagnost] (Crit Inquiry). {{en}}
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* Alexander Alberro, ''[http://aaaaarg.fail/thing/59468d369ff37c0dc000069d Abstraction in Reverse: The Reconfigured Spectator in Mid-Twentieth-Century Latin American Art]'', University of Chicago Press, 2017. {{en}}
 
* Alexander Alberro, ''[http://aaaaarg.fail/thing/59468d369ff37c0dc000069d Abstraction in Reverse: The Reconfigured Spectator in Mid-Twentieth-Century Latin American Art]'', University of Chicago Press, 2017. {{en}}
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* [https://periodicos.sbu.unicamp.br/ojs/index.php/mod/issue/view/1790 ''Modos: Revista de História da Arte'' 5(1): "Arte abstrata no Brasil / Abstract Art in Brazil"], eds. Ana Gonçalves Magalhães and Adele Nelson, Campinas, 2021. {{br-pt}},{{en}}
 
* [https://periodicos.sbu.unicamp.br/ojs/index.php/mod/issue/view/1790 ''Modos: Revista de História da Arte'' 5(1): "Arte abstrata no Brasil / Abstract Art in Brazil"], eds. Ana Gonçalves Magalhães and Adele Nelson, Campinas, 2021. {{br-pt}},{{en}}
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* Adele Nelson, ''Forming Abstraction: Art and Institutions in Postwar Brazil'', University of California Press, 2022, 392 pp. [https://www.ucpress.edu/book/9780520379848/forming-abstraction Publisher]. {{en}}
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* Adele Nelson, ''[http://libgen.rs/book/index.php?md5=B72A18C4CF04F926FAF308D72760EA0F Forming Abstraction: Art and Institutions in Postwar Brazil]'', Oakland, CA: University of California Press (Studies on Latin American Art and Latinx Art), 2022, 392 pp. [https://www.ucpress.edu/book/9780520379848/forming-abstraction Publisher]. [https://islaa.org/bookshop/forming-abstraction] {{en}}
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* Adrian Anagnost, ''Spatial Orders, Social Forms: Art and the City in Modern Brazil'', Yale University Press, 2022. [https://yalebooks.yale.edu/book/9780300254013/spatial-orders-social-forms/ Publisher]. {{en}}
 
* Adrian Anagnost, ''Spatial Orders, Social Forms: Art and the City in Modern Brazil'', Yale University Press, 2022. [https://yalebooks.yale.edu/book/9780300254013/spatial-orders-social-forms/ Publisher]. {{en}}
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* Mariola V. Alvarez, ''The Affinity of Neoconcretism: Interdisciplinary Collaborations in Brazilian Modernism, 1954–1964'', Oakland, CA: University of California Press, 2023, 304 pp. [https://www.ucpress.edu/book/9780520388963/the-affinity-of-neoconcretism Publisher]. [https://islaa.org/bookshop/the-affinity-of-neoconcretism] {{en}}
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* Mariola V. Alvarez, ''The Affinity of Neoconcretism: Interdisciplinary Collaborations in Brazilian Modernism, 1954–1964'', Oakland, CA: University of California Press (Studies on Latin American Art and Latinx Art), 2023, 304 pp. [https://www.ucpress.edu/book/9780520388963/the-affinity-of-neoconcretism Publisher]. [https://islaa.org/bookshop/the-affinity-of-neoconcretism] {{en}}
  
 
==Arte cinética, Kinetic art==
 
==Arte cinética, Kinetic art==

Revision as of 09:47, 19 October 2023

Avant-garde

Antropofagia

Concretism, Concrete poetry (1950s)

Poesia-práxis (1960s)

Neoconcretism

Artists
in Rio de Janeiro: Ivan Serpa, Abraham Palatnik, Almir Mavignier, Mário Pedrosa.
Grupo Neoconcreto (1959-1961): Lygia Clark, Hélio Oiticica, Amílcar de Castro, Lygia Pape, Franz Weissmann, Ferreira Gullar.
Writings
  • Ferreira Gullar, "1ª Exposição Neoconcreta", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 14 Mar 1959, pp 4-5. [1]
  • "Manifesto Neoconcreto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 21 Mar 1959, pp 4-5. Signed by Amílcar de Castro, Ferreira Gullar, Franz Weissmann, Lygia Clark, Lygia Pape, Reynaldo Jardim, and Theon Spanudis. [2] (Brazilian Portuguese)
  • Ferreira Gullar, "Teoria do não-objeto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 19-20 Dec 1959, p 1; repr. in Projeto Construtivo Brasileiro na Arte: 1950-1962, ed. Aracy A. Amaral, São Paulo: Pinacoteca do Estado de São Paulo, and Rio de Janeiro: MAM-RJ, 1977, pp 85-94. Published as a key contribution to the II Exposição Neoconcreta held in Rio de Janeiro in 1960. [3] [4] [5] (Brazilian Portuguese)
    • "Theory of the Non-object", in The Object, ed. Antony Hudek, London: Whitechapel, 2014, p 120ff. (English)
  • Lygia Clark, Hélio Oiticica, Cartas, 1964-1974, ed. & intro. Luciano Figueiredo, Rio de Janeiro: UFRJ, 1996; 2nd ed., 1998, 264 pp. (Brazilian Portuguese)
  • Hélio Oiticica, "The Senses Pointing Toward a New Transformation" [1969], ARTMargins 7:2, Jun 2018, pp 129-135. With an introduction by Jo Melvin and Luke Skrebowski. Written between 18-25 June 1969 in London and submitted to the British art magazine Studio International, but never appeared in print. The essay negotiates art after objecthood and contextualises Oiticica's project to effect a definitive radicalization of anti-art.
  • Ferreira Gullar, Experiência neoconcreta: momento-limite da arte, eds. Augusto Massi and Julia Bussius, São Paulo: Cosac Naify, 2007, 164 pp. (Brazilian Portuguese)
  • Hélio Oiticica, Experimentar o experimental, eds. Marcos Lacerda and Sergio Cohn, Lisbon: oca, 2019, 96 pp. (Portuguese)
Catalogues
  • Lygia Clark, Rio de Janeiro: Funarto, 1980, 60 pp. With texts by Ferreira Gullar, Mário Pedrosa, and Lygia Clark. (Brazilian Portuguese)
Literature
  • Rachel Price, "Object, Non-object, Trans-object, Relational Object: From Concrete Poetry to A Nova Objetividade", ch 6 in Price, The Object of the Atlantic: Concrete Aesthetics in Cuba, Brazil, and Spain, 1868-1968, Northwestern University Press, 2014. [6] (English)
  • Mónica Amor, Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969, University of California Press, 2016, 344 pp. Introduction. [7] (English)
  • Adrian Anagnost, Spatial Orders, Social Forms: Art and the City in Modern Brazil, Yale University Press, 2022. Publisher. (English)
  • Mariola V. Alvarez, The Affinity of Neoconcretism: Interdisciplinary Collaborations in Brazilian Modernism, 1954–1964, Oakland, CA: University of California Press (Studies on Latin American Art and Latinx Art), 2023, 304 pp. Publisher. [9] (English)

Arte cinética, Kinetic art

Tropicália (Tropicalismo)

Computer art

Mail art

Video art

New media art, Media culture

Media theory

See also


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