Difference between revisions of "Copyleft activism"

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==Topics==
 
==Topics==
intellectual property, copyright, copyleft, public domain, creative commons, free culture, licensing, digital rights management (DRM), digital rights, culture flat-rate, software patents, Pirate Party, ACTA, SOPA, PROTECT IP Act, etc.
 
  
==Pages==
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open access, intellectual property, copyright, copyleft, public domain, creative commons, access to knowledge, free culture, licensing, digital rights management (DRM), digital rights, culture flat-rate, software patents, Pirate Party, ACTA, SOPA, PROTECT IP Act, etc.
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==Activists, initiatives, events==
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category            = Copyright activism
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category            = Copyleft activism
 
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==Publications==
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==Projects, services, resources==
* [http://monoskop.org/log/?p=224 Lawrence Lessig (2008) – Remix: Making Art and Commerce Thrive in the Hybrid Economy] (book). Hovori o tom, ako mozu ist dokopy ekonomika ‘komercie’ (klasicky online biznis) a ‘zdielania’ (v ktorej nefigujuru peniaze–napr. priatelstvo alebo P2P filesharing).  
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* [http://www.nettime.org/Lists-Archives/nettime-l-0501/msg00006.html Mikael Pawlo (2004) – What’s the meaning of “non-commercial”?] (essay). Pawlo je sef svedskych iCommons a kritizuje tu fakt, ze drviva vacsina materialov pod CC pouziva klauzulku ‘non-commercial’. Pyta sa co to znamena — a dava vela prikladov, kde sa to co je commercial a co non-commercial neda urcit – napriklad: verejna televizia, verejne skoly, reklamy na neziskovky, rss-feedy embednute vo weboch na ktorych je reklama - to su priklady, v ktorych nie je mozne urcit ci mozeme pouzit CC videa ktore su sirene pod noncommercial licenciou.
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* [https://doaj.org/ Directory of Open Access Journals (DOAJ)], launched in 2003 at Lund University, Sweden.
* [http://info.interactivist.net/node/5378 Dmytri Kleiner (2006) - The Creative Anti-Commons and the Poverty of Networks] (essay). Kleiner kritizuje Creative Commons aj Benklerovu ideu 'commons-based peer-production'..<br> o CC hovori, ze namiesto toho aby podporovala slobodu uzivatela (napriklad GPL definuje slobodu ako 4 slobody uzivatela--to use/share/study/modify), dava autorovi 'slobodu' urcit uroven kontroly nad uzivatelom (teda rozne obmedzenia ako noncommercial-only/view-only atd).. cim CC neberie kontrolu z ruk producentov (co je ideou Free Culture), ani vobec nerusi rozdiel medzi producentom a konzumentom, ako tvrdi Lessig. <br> no a Benklerova teza z Wealth of Networks o 'commons-based peer-production' hovori o komunite autorov (peers), ktori spolocne tvoria v prostredi bez vlastnictva (commons). tu zas Kleiner tvrdi, ze tym ze Benklerovo commons ma imaterialnu/digitalnu povahu, tak ti co skutocne profituju v takejto situacii su ti, ktori vlastnia (materialne) prostriedky na vyrobu (nematerialnych) statkov, pretoze tvorcom neposkytuju slobodny pristup, ale na nom zarabaju. no a na to, aby autori prispievajuci do takejto commons neboli vykoristovani vlastnikmi fyzickeho materialu, treba do commons okrem virtualnych prostriedkov (softver, videa, texty, obrazky, atd) produkcie zahrnut aj materialne prostriedky..
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* [http://wilkins.law.harvard.edu/events/conferences/2009-07-31_googlebooks/2009-07-31_googlelessig/2009-07-31_googlelessig.ogg Lawrence Lessig (2009) - Google Book Search Settlement: Static goods, dynamic bads] (audio). Lessig, Professor of Law and founder of the Stanford Center for Internet and Society speaks at the Berkman Center workshop "Alternative Approaches to Open Digital Libraries in the Shadow of the Google Book Search Settlement" held July 31, 2009.
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* [https://openlibrary.org/ Open Library], an open, editable library catalog, building towards a web page for every book ever published. Launched 2006. An initiative of the Internet Archive.
* [http://falkvinge.net/2011/11/07/origins-of-the-pirate-party-privacy-sharing-innovation Rick Falkvinge (2011) - Origins of the Pirate Party: Privacy, Sharing, Innovation]  
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* [http://anticopyright.pleintekst.nl/ Florian Cramer - Anti-copyright in artistic subcultures] [http://stdin.fr/Works/AntiCopyright (filtered)]
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* [http://oapen.org OApen], online library and publication platform for humanities and social sciences monographs. Developed in 2008-2010. Based at the National Library in The Hague, The Netherlands.
* [http://www.noemalab.org/sections/ideas/ideas_articles/pdf/cramer_cc_misunderstanding.pdf Florian Cramer (2006) - The Creative Common Misunderstanding]
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* [http://monoskop.org/log/?tag=floss Publications on copyright at Monoskop/log]
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* [http://radicaloa.disruptivemedia.org.uk/ Radical Open Access], a community of scholar-led, not-for-profit presses, journals and other open access projects; founded in 2015.
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* [https://hcommons.org/ Humanities Commons], nonprofit network where humanities scholars can create a professional profile, discuss common interests, develop new publications, and share their work. A project of the office of scholarly communication at the Modern Language Association (MLA). Launched 2016.
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* [https://oamediastudies.com/ Open Access in Media Studies], informs about and promote open access publishing in the field of media studies. Maintained and curated by Jeroen Sondervan and Jeff Pooley, and in close collaboration with the European Network for Cinema and Media Studies (NECS). Launched 2016.
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* [http://www.doabooks.org Directory of Open Access Books (DOAB)], a service of OAPEN Foundation.
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* [https://scholarled.org/ ScholarLed Open Access Presses], launched 2018.
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* [http://www.earlham.edu/~peters/fos/overview.htm Open Access Overview] by Peter Suber.
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* [https://varia.zone/not-for-any/ Not for Any], Varia, Rotterdam, 2020.
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==Declarations, statements==
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* [http://web.archive.org/web/20010409024043fw_/http://antomoro.free.fr/c/lal.html "Licence Art Libre. Copyleft Attitude. Version 1.1"], 2000; upd. as [https://artlibre.org/ "Licence Art Libre 1.3 (LAL 1.3)"], 2007. [http://web.archive.org/web/20160706180918/http://copycult.constantvzw.org/texts/lal.html] {{fr}}
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** [http://web.archive.org/web/20010406152211fw_/http://antomoro.free.fr/c/lalgb.html "Free Art license. Copyleft Attitude. Version 1.1"], 2000; upd. as [https://artlibre.org/licence/lal/en/ "Free Art License 1.3 (FAL 1.3)"], 2007. [http://web.archive.org/web/20090722120501/http://copycult.constantvzw.org/texts/lal_en.html]
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* [http://www.budapestopenaccessinitiative.org/read "Budapest Open Access Initiative Declaration"], Budapest, 14 Feb 2002.
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* [http://oa.mpg.de/openaccess-berlin/berlindeclaration.html "Berlin Declaration on Open Access to Knowledge in the Sciences and Humanities"], 22 Oct 2003. Signed by 200 universities, research institutions, funding agencies, foundations, libraries, museums and archives from all over the world. The declaration states that "our mission of disseminating knowledge is only half complete if the information is not made widely and readily available to society".
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* FCForum, [http://fcforum.net/en/sustainable-models-for-creativity "Sustainable Models for Creativity in the Digital Age"], 2010.
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* FCForum, [http://fcforum.net/charter_extended "Charter for Innovation, Creativity and Access to Knowledge"], 2010.
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* [https://constantvzw.org/wefts/cc4r.en.html CC4r * Collective Conditions for Re-Use. Copyleft Attitude with a difference - version 1.0], ''Unbound Libraries Documentation'', 2021 ff. [https://constantvzw.org/site/-Unbound-Libraries,224-.html] {{en}}/{{fr}}/{{nl}}
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==Books, articles==
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* Mikael Pawlo, [http://www.nettime.org/Lists-Archives/nettime-l-0501/msg00006.html "What’s the meaning of “non-commercial”"?], 2004.
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* [[Dmytri Kleiner]], [http://info.interactivist.net/node/5378 "The Creative Anti-Commons and the Poverty of Networks"], 2006.
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* [[Florian Cramer]], [http://anticopyright.pleintekst.nl "Anti-Copyright in Artistic Subcultures"], n.d. [http://stdin.fr/Works/AntiCopyright Filtered version.]
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* Florian Cramer, [http://www.noemalab.org/sections/ideas/ideas_articles/pdf/cramer_cc_misunderstanding.pdf "The Creative Common Misunderstanding"], 2006.
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* [[Aaron Swartz]], [http://archive.org/details/GuerillaOpenAccessManifesto "Guerilla Open Access Manifesto"], Jul 2008.
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** [http://www.openeverything.eu/guerilla-open-access-manifest/ "Guerilla Open-Access Manifest"], n.d. {{de}}
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* Lawrence Lessig, [http://wilkins.law.harvard.edu/events/conferences/2009-07-31_googlebooks/2009-07-31_googlelessig/2009-07-31_googlelessig.ogg "Google Book Search Settlement: Static goods, dynamic bads"], 2009. Audio. Talk given at the Berkman Center workshop "Alternative Approaches to Open Digital Libraries in the Shadow of the Google Book Search Settlement" held July 31, 2009.
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* Gaëlle Krikorian, Amy Kapczynski (eds.), ''[[Media:Krikorian_Kapczynski_eds_Access_to_Knowledge_in_the_Age_of_Intellectual_Property_2010.pdf|Access to Knowledge in the Age of Intellectual Property]]'', Zone Books, 2010, 646 pp. [https://www.zonebooks.org/books/17-access-to-knowledge-in-the-age-of-intellectual-property] [https://mitpress.mit.edu/books/access-knowledge-age-intellectual-property]. Review: [https://doi.org/10.1108/14684521111193238 Mason] (Online Info R). [https://concurringopinions.com/archives/2011/01/symposium-on-access-to-knowledge-in-the-age-of-intellectual-property.html]
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* Rick Falkvinge, [http://falkvinge.net/2011/11/07/origins-of-the-pirate-party-privacy-sharing-innovation "Origins of the Pirate Party: Privacy, Sharing, Innovation"], ''Falkvinge.net'', 7 Nov 2011.
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* [[Aymeric Mansoux]], [http://web.archive.org/web/20160304044517/http://texts.bleu255.com/how-deep-is-your-source/ "How Deep is Your Source"], in ''Digital Art Conservation, Preservation of Digital Art: Theory and Practice'', ed. Bernhard Serexhe, Karlsruhe: ZKM, 2012.
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* [[Aymeric Mansoux]], [http://www.nettime.org/Lists-Archives/nettime-l-1205/msg00003.html "Morphology of a Copyright Tale"], in ''Future of Copyright Anthology'', ed. Paulina Choromańska and Marta Niedziałkowska, Modern Poland Foundation, 2013.
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* Alexandra Elbakyan, [http://torrentfreak.com/images/sci-hub-reply.pdf Legal defence in Elsevier v. Sci-Hub], 15 Sep 2015. [https://torrentfreak.com/court-orders-shutdown-of-libgen-bookfi-and-sci-hub-151102/]
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** [http://www.savoirscom1.info/2015/11/diffuser-librement-la-science-vital-et-pourtant-illegal/ "Diffuser librement la science, vital et pourtant illégal"], 4 Nov 2015. {{fr}}
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* [http://custodians.online/ "In solidarity with Library Genesis and Sci-Hub"], 30 Nov 2015. Open letter. {{en}} [http://monoskop.org/log/?p=15700 Translations].
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* [[Aymeric Mansoux]], ''[https://monoskop.org/log/?p=18777 Sandbox Culture: A Study of the Application of Free and Open Source Software Licensing Ideas to Art and Cultural Production]'', London: Goldsmiths University of London, 2017, xxxviii+486 pp. PhD thesis.
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* [http://peerproduction.net/issues/issue-13-open/ ''Journal of Peer Production'' 13: "Open"], eds. Mathieu O’Neil and Steve Collins, 2019.
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* [[Élodie Mugrefya]], [[Femke Snelting]], [https://march.international/collectively-setting-conditions-for-re-use/ "Collectively Setting Conditions for Re-Use"], ''MARCH'', Spring 2022. On the [https://constantvzw.org/wefts/cc4r.en.html CC4r] license.
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; more
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* [http://monoskop.org/log/?tag=copyright Publications on copyright on Monoskop Log]
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* [http://monoskop.org/log/?tag=open-access Publications on open access on Monoskop Log]
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==Film==
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* ''[https://paywallthemovie.com Paywall: The Business of Scholarship]'', dir. Jason Schmitt, Sep 2018, 65 min. Feat. Alexandra Elbakyan (Sci-Hub). Documentary. [https://www.imdb.com/title/tt8657152/ IMDB].
  
 
==See also==
 
==See also==
[[:Category:Filesharing|Filesharing]], [[:Category:FLOSS|FLOSS]], [[:Category:Internet activism|Internet activism]], [[:Category:Commons|Commons]], [[:Category:Privacy|Privacy]]
 
  
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[[File sharing]], [[FLOSS]], [[Data activism]], [[Internet activism]], [[Commons]], [[Digital libraries]], [[Privacy]], [[Open design]]
  
{{Media art and culture}}
 
  
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{{Software}}
 
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Latest revision as of 20:47, 25 August 2024

Topics[edit]

open access, intellectual property, copyright, copyleft, public domain, creative commons, access to knowledge, free culture, licensing, digital rights management (DRM), digital rights, culture flat-rate, software patents, Pirate Party, ACTA, SOPA, PROTECT IP Act, etc.

Activists, initiatives, events[edit]

Projects, services, resources[edit]

  • Open Library, an open, editable library catalog, building towards a web page for every book ever published. Launched 2006. An initiative of the Internet Archive.
  • OApen, online library and publication platform for humanities and social sciences monographs. Developed in 2008-2010. Based at the National Library in The Hague, The Netherlands.
  • Radical Open Access, a community of scholar-led, not-for-profit presses, journals and other open access projects; founded in 2015.
  • Humanities Commons, nonprofit network where humanities scholars can create a professional profile, discuss common interests, develop new publications, and share their work. A project of the office of scholarly communication at the Modern Language Association (MLA). Launched 2016.
  • Open Access in Media Studies, informs about and promote open access publishing in the field of media studies. Maintained and curated by Jeroen Sondervan and Jeff Pooley, and in close collaboration with the European Network for Cinema and Media Studies (NECS). Launched 2016.

Declarations, statements[edit]

  • "Berlin Declaration on Open Access to Knowledge in the Sciences and Humanities", 22 Oct 2003. Signed by 200 universities, research institutions, funding agencies, foundations, libraries, museums and archives from all over the world. The declaration states that "our mission of disseminating knowledge is only half complete if the information is not made widely and readily available to society".

Books, articles[edit]

more

Film[edit]

See also[edit]

File sharing, FLOSS, Data activism, Internet activism, Commons, Digital libraries, Privacy, Open design