Difference between revisions of "Brazil"

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* Rachel Price, "Object, Non-object, Trans-object, Relational Object: From Concrete Poetry to A Nova Objetividade", ch 6 in Price, ''The Object of the Atlantic: Concrete Aesthetics in Cuba, Brazil, and Spain, 1868-1968'', Northwestern University Press, 2014. [http://muse.jhu.edu/books/9780810168077/9780810168077-12.pdf] {{en}}
 
* Rachel Price, "Object, Non-object, Trans-object, Relational Object: From Concrete Poetry to A Nova Objetividade", ch 6 in Price, ''The Object of the Atlantic: Concrete Aesthetics in Cuba, Brazil, and Spain, 1868-1968'', Northwestern University Press, 2014. [http://muse.jhu.edu/books/9780810168077/9780810168077-12.pdf] {{en}}
 +
 +
* Lynn Zelevansky (ed.), ''[https://aaaaarg.fail/thing/5fbad2529ff37c0a172e81be Hélio Oiticica: To Organize Delirium]'', Munich: Prestel, 2016. {{en}}
  
 
* Mónica Amor, ''Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969'', University of California Press, 2016, 344 pp. [https://www.academia.edu/15687859/ Introduction]. [http://www.ucpress.edu/book.php?isbn=9780520286627] {{en}}
 
* Mónica Amor, ''Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969'', University of California Press, 2016, 344 pp. [https://www.academia.edu/15687859/ Introduction]. [http://www.ucpress.edu/book.php?isbn=9780520286627] {{en}}
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==See also==
 
==See also==
 +
 
* ''[[Media:Malasartes_1_1975.pdf|Malasartes]]'' 1, ed. Mario Aratanha, Rio de Janeiro, Sep-Nov 1975, 36 pp. First of three issues of the magazine. [http://books.google.com/books?id=OZhNRP-wfkAC&pg=PA275] {{br-pt}}
 
* ''[[Media:Malasartes_1_1975.pdf|Malasartes]]'' 1, ed. Mario Aratanha, Rio de Janeiro, Sep-Nov 1975, 36 pp. First of three issues of the magazine. [http://books.google.com/books?id=OZhNRP-wfkAC&pg=PA275] {{br-pt}}
 +
 
* Jacqueline Barnitz, ''Twentieth-Century Art of Latin America'', 2001, xxii+400 pp; 2nd ed., rev. & exp., with Patrick Frank, Austin: University of Texas Press, 2015, xviii+415 pp.
 
* Jacqueline Barnitz, ''Twentieth-Century Art of Latin America'', 2001, xxii+400 pp; 2nd ed., rev. & exp., with Patrick Frank, Austin: University of Texas Press, 2015, xviii+415 pp.
 +
 
* Cacilda Teixeira da Costa, ''[[Media:Costa Cacilda Teixeira Arte no Brasil 1950-2000 movimentos e meois 2a ed 2006.pdf|Arte no Brasil 1950-2000: movimentos e meois]]'', Sao Paulo: Alameda, 2004; 2nd ed., 2006. {{br-pt}}
 
* Cacilda Teixeira da Costa, ''[[Media:Costa Cacilda Teixeira Arte no Brasil 1950-2000 movimentos e meois 2a ed 2006.pdf|Arte no Brasil 1950-2000: movimentos e meois]]'', Sao Paulo: Alameda, 2004; 2nd ed., 2006. {{br-pt}}
 +
 
* Patrick Frank (ed.), ''[http://library.memoryoftheworld.org/#/book/bc606a39-ab8a-47a6-966c-c377f7030bd1 Readings in Latin American Modern Art]'', Yale University Press, 2004, 288 pp. [https://yalebooks.yale.edu/book/9780300102550/readings-latin-american-modern-art] {{en}}
 
* Patrick Frank (ed.), ''[http://library.memoryoftheworld.org/#/book/bc606a39-ab8a-47a6-966c-c377f7030bd1 Readings in Latin American Modern Art]'', Yale University Press, 2004, 288 pp. [https://yalebooks.yale.edu/book/9780300102550/readings-latin-american-modern-art] {{en}}
 +
 
* ''[http://monoskop.org/log/?p=16478 Crítica de Arte no Brasil: temáticas contemporâneas]'', ed. Glória Ferreira, Rio de Janeiro: Funarte, 2006, 575 pp, [[Media:Ferreira_Gloria_org_Critica_de_arte_no_Brasil_Tematicas_contemporaneas.pdf|PDF]]. Anthology of 91 texts from 80 authors, 1946-2006. {{br-pt}}
 
* ''[http://monoskop.org/log/?p=16478 Crítica de Arte no Brasil: temáticas contemporâneas]'', ed. Glória Ferreira, Rio de Janeiro: Funarte, 2006, 575 pp, [[Media:Ferreira_Gloria_org_Critica_de_arte_no_Brasil_Tematicas_contemporaneas.pdf|PDF]]. Anthology of 91 texts from 80 authors, 1946-2006. {{br-pt}}
 +
 
* Roger Sansi, ''[https://aaaaarg.fail/thing/56ce00a79ff37c549f836a9a Fetishes and Monuments: Afro-brazillian Art and Culture in the 20th Century]'', Berghahn Books, 2007, 176 pp. {{en}}
 
* Roger Sansi, ''[https://aaaaarg.fail/thing/56ce00a79ff37c549f836a9a Fetishes and Monuments: Afro-brazillian Art and Culture in the 20th Century]'', Berghahn Books, 2007, 176 pp. {{en}}
 +
 
* Claudia Calirman, ''Brazilian Art under Dictatorship: Antonio Manuel, Artur Barrio, and Cildo Meireles'', Duke University Press, 2012. [http://www.dukeupress.edu/Assets/PubMaterials/978-0-8223-5153-5_601.pdf Introduction], [http://read.dukeupress.edu/content/brazilian-art-under-dictatorship]. {{en}}
 
* Claudia Calirman, ''Brazilian Art under Dictatorship: Antonio Manuel, Artur Barrio, and Cildo Meireles'', Duke University Press, 2012. [http://www.dukeupress.edu/Assets/PubMaterials/978-0-8223-5153-5_601.pdf Introduction], [http://read.dukeupress.edu/content/brazilian-art-under-dictatorship]. {{en}}
 +
 
* Pedro R. Erber, ''Breaching the Frame: The Rise of Contemporary Art in Brazil and Japan'', University of California Press, 2014, 248 pp. [http://www.ucpress.edu/book.php?isbn=9780520282438] {{en}}
 
* Pedro R. Erber, ''Breaching the Frame: The Rise of Contemporary Art in Brazil and Japan'', University of California Press, 2014, 248 pp. [http://www.ucpress.edu/book.php?isbn=9780520282438] {{en}}
 +
 
* Elena Shtromberg, ''[http://aaaaarg.fail/thing/59a6f5199ff37c0dbe0049cd Art Systems: Brazil and the 1970s]'', Texas University Press, 2016, 238 pp. [https://utpress.utexas.edu/books/shtromberg-art-systems] {{en}}
 
* Elena Shtromberg, ''[http://aaaaarg.fail/thing/59a6f5199ff37c0dbe0049cd Art Systems: Brazil and the 1970s]'', Texas University Press, 2016, 238 pp. [https://utpress.utexas.edu/books/shtromberg-art-systems] {{en}}
 +
 
* Sophie Halart, Mara Polgovsky Ezcurra (eds.), ''[http://library.memoryoftheworld.org/#/book/a49879c8-8df1-49e9-8e54-fe64c0506000 Sabotage Art: Politics and Iconoclasm in Contemporary Latin America]'', London: I.B. Tauris, 2016, xvii+238 pp. {{en}}
 
* Sophie Halart, Mara Polgovsky Ezcurra (eds.), ''[http://library.memoryoftheworld.org/#/book/a49879c8-8df1-49e9-8e54-fe64c0506000 Sabotage Art: Politics and Iconoclasm in Contemporary Latin America]'', London: I.B. Tauris, 2016, xvii+238 pp. {{en}}
 +
 
* Felipe Chaimovich, [http://www.oxfordartonline.com/public/page/GAO_free_Brazil_Art_After_1980 "Brazil: Art after 1980"], ''Oxford Art Online'', n.d.
 
* Felipe Chaimovich, [http://www.oxfordartonline.com/public/page/GAO_free_Brazil_Art_After_1980 "Brazil: Art after 1980"], ''Oxford Art Online'', n.d.
 +
 
* Bill Kelley Jr., Grant H. Kester (eds.), ''[http://library.memoryoftheworld.org/#/book/a74b4682-51b4-4101-a6fe-9fc662fe5195 Collective Situations: Readings in Contemporary Latin American Art, 1995-2010]'', Durham: Duke University Press, 2017, 456 pp. Reviews: [http://dx.doi.org/10.3202/caa.reviews.2018.187 Montgomery] (CAA), [https://www.leonardo.info/review/2018/05/review-of-collective-situations-readings-in-contemporary-latin-american-art-1995-2010 Zilberg] (Leonardo).
 
* Bill Kelley Jr., Grant H. Kester (eds.), ''[http://library.memoryoftheworld.org/#/book/a74b4682-51b4-4101-a6fe-9fc662fe5195 Collective Situations: Readings in Contemporary Latin American Art, 1995-2010]'', Durham: Duke University Press, 2017, 456 pp. Reviews: [http://dx.doi.org/10.3202/caa.reviews.2018.187 Montgomery] (CAA), [https://www.leonardo.info/review/2018/05/review-of-collective-situations-readings-in-contemporary-latin-american-art-1995-2010 Zilberg] (Leonardo).
 +
 
* Patrick Frank (ed.), ''[http://library.memoryoftheworld.org/#/book/d50183c3-2247-4ef5-9100-4b29bf1a7f61 Manifestos and Polemics in Latin American Modern Art]'', trans. Patrick Frank, University of New Mexico Press, 2017, 320 pp. Review: [http://sci-hub.st/10.1080/08263663.2017.1415708 Boone] (CJLACS). {{en}}
 
* Patrick Frank (ed.), ''[http://library.memoryoftheworld.org/#/book/d50183c3-2247-4ef5-9100-4b29bf1a7f61 Manifestos and Polemics in Latin American Modern Art]'', trans. Patrick Frank, University of New Mexico Press, 2017, 320 pp. Review: [http://sci-hub.st/10.1080/08263663.2017.1415708 Boone] (CJLACS). {{en}}
 +
 
* Kaira M. Cabañas, ''[http://library.memoryoftheworld.org/#/book/6a97262e-0a33-41d9-aa4c-30b5c9392af2 Learning From Madness: Brazilian Modernism and Global Contemporary Art]'', University of Chicago Press, 2018. {{en}}
 
* Kaira M. Cabañas, ''[http://library.memoryoftheworld.org/#/book/6a97262e-0a33-41d9-aa4c-30b5c9392af2 Learning From Madness: Brazilian Modernism and Global Contemporary Art]'', University of Chicago Press, 2018. {{en}}
 +
 
* Kaira M. Cabañas, ''Immanent Vitalities: Meaning and Materiality in Modern and Contemporary Art'', Oakland, CA: University of California Press (Studies on Latin American Art and Latinx Art), 2021, 240 pp. [https://www.ucpress.edu/book/9780520356221/immanent-vitalities Publisher]. [https://islaa.org/bookshop/immanent-vitaties] {{en}}
 
* Kaira M. Cabañas, ''Immanent Vitalities: Meaning and Materiality in Modern and Contemporary Art'', Oakland, CA: University of California Press (Studies on Latin American Art and Latinx Art), 2021, 240 pp. [https://www.ucpress.edu/book/9780520356221/immanent-vitalities Publisher]. [https://islaa.org/bookshop/immanent-vitaties] {{en}}
 +
 +
* Claudia Calirman, ''[http://libgen.rs/book/index.php?md5=202977F79D73B95931A8CFB289056C0E Dissident Practices: Brazilian Women Artists, 1960s–2020s]'', Duke University Press, 2023. {{en}}
  
  
 
{{Countries}}
 
{{Countries}}

Latest revision as of 22:57, 5 December 2023

Avant-garde[edit]

Antropofagia[edit]

Concretism, Concrete poetry (1950s)[edit]

Poesia-práxis (1960s)[edit]

Neoconcretism[edit]

Artists
in Rio de Janeiro: Ivan Serpa, Abraham Palatnik, Almir Mavignier, Mário Pedrosa.
Grupo Neoconcreto (1959-1961): Lygia Clark, Hélio Oiticica, Amílcar de Castro, Lygia Pape, Franz Weissmann, Ferreira Gullar.
Writings
  • Ferreira Gullar, "1ª Exposição Neoconcreta", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 14 Mar 1959, pp 4-5. [1]
  • "Manifesto Neoconcreto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 21 Mar 1959, pp 4-5. Signed by Amílcar de Castro, Ferreira Gullar, Franz Weissmann, Lygia Clark, Lygia Pape, Reynaldo Jardim, and Theon Spanudis. [2] (Brazilian Portuguese)
  • Ferreira Gullar, "Teoria do não-objeto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 19-20 Dec 1959, p 1; repr. in Projeto Construtivo Brasileiro na Arte: 1950-1962, ed. Aracy A. Amaral, São Paulo: Pinacoteca do Estado de São Paulo, and Rio de Janeiro: MAM-RJ, 1977, pp 85-94. Published as a key contribution to the II Exposição Neoconcreta held in Rio de Janeiro in 1960. [3] [4] [5] (Brazilian Portuguese)
    • "Theory of the Non-object", in The Object, ed. Antony Hudek, London: Whitechapel, 2014, p 120ff. (English)
  • Lygia Clark, Hélio Oiticica, Cartas, 1964-1974, ed. & intro. Luciano Figueiredo, Rio de Janeiro: UFRJ, 1996; 2nd ed., 1998, 264 pp. (Brazilian Portuguese)
  • Hélio Oiticica, "The Senses Pointing Toward a New Transformation" [1969], ARTMargins 7:2, Jun 2018, pp 129-135. With an introduction by Jo Melvin and Luke Skrebowski. Written between 18-25 June 1969 in London and submitted to the British art magazine Studio International, but never appeared in print. The essay negotiates art after objecthood and contextualises Oiticica's project to effect a definitive radicalization of anti-art.
  • Ferreira Gullar, Experiência neoconcreta: momento-limite da arte, eds. Augusto Massi and Julia Bussius, São Paulo: Cosac Naify, 2007, 164 pp. (Brazilian Portuguese)
  • Hélio Oiticica, Experimentar o experimental, eds. Marcos Lacerda and Sergio Cohn, Lisbon: oca, 2019, 96 pp. (Portuguese)
Catalogues
  • Lygia Clark, Rio de Janeiro: Funarto, 1980, 60 pp. With texts by Ferreira Gullar, Mário Pedrosa, and Lygia Clark. (Brazilian Portuguese)
Literature
  • Rachel Price, "Object, Non-object, Trans-object, Relational Object: From Concrete Poetry to A Nova Objetividade", ch 6 in Price, The Object of the Atlantic: Concrete Aesthetics in Cuba, Brazil, and Spain, 1868-1968, Northwestern University Press, 2014. [6] (English)
  • Mónica Amor, Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969, University of California Press, 2016, 344 pp. Introduction. [7] (English)
  • Adrian Anagnost, Spatial Orders, Social Forms: Art and the City in Modern Brazil, Yale University Press, 2022. Publisher. (English)
  • Mariola V. Alvarez, The Affinity of Neoconcretism: Interdisciplinary Collaborations in Brazilian Modernism, 1954–1964, Oakland, CA: University of California Press (Studies on Latin American Art and Latinx Art), 2023, 304 pp. Publisher. [9] (English)

Arte cinética, Kinetic art[edit]

Tropicália (Tropicalismo)[edit]

Computer art[edit]

Mail art[edit]

Video art[edit]

New media art, Media culture[edit]

Media theory[edit]

See also[edit]

  • Malasartes 1, ed. Mario Aratanha, Rio de Janeiro, Sep-Nov 1975, 36 pp. First of three issues of the magazine. [13] (Brazilian Portuguese)
  • Jacqueline Barnitz, Twentieth-Century Art of Latin America, 2001, xxii+400 pp; 2nd ed., rev. & exp., with Patrick Frank, Austin: University of Texas Press, 2015, xviii+415 pp.
  • Claudia Calirman, Brazilian Art under Dictatorship: Antonio Manuel, Artur Barrio, and Cildo Meireles, Duke University Press, 2012. Introduction, [15]. (English)
  • Pedro R. Erber, Breaching the Frame: The Rise of Contemporary Art in Brazil and Japan, University of California Press, 2014, 248 pp. [16] (English)
  • Kaira M. Cabañas, Immanent Vitalities: Meaning and Materiality in Modern and Contemporary Art, Oakland, CA: University of California Press (Studies on Latin American Art and Latinx Art), 2021, 240 pp. Publisher. [18] (English)


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