Difference between revisions of "Brazil"

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* Sérgio B. Martins, [http://academia.edu/2455467 "Phenomenological Openness, Historicist Closure: Revisiting Ferreira Gullar's Theory of the Non-Object"], ''Third Text'' 26:1 (2012), pp 79-90. {{en}}
 
* Sérgio B. Martins, [http://academia.edu/2455467 "Phenomenological Openness, Historicist Closure: Revisiting Ferreira Gullar's Theory of the Non-Object"], ''Third Text'' 26:1 (2012), pp 79-90. {{en}}
 
* Sérgio B. Martins, ''[http://gen.lib.rus.ec/book/index.php?md5=8222bd64147738ebc2c237989ba488da Constructing an Avant-Garde: Art in Brazil, 1949-1979]'', MIT Press, 2013.  {{en}}
 
* Sérgio B. Martins, ''[http://gen.lib.rus.ec/book/index.php?md5=8222bd64147738ebc2c237989ba488da Constructing an Avant-Garde: Art in Brazil, 1949-1979]'', MIT Press, 2013.  {{en}}
* Sabeth Buchmann, Max Jorge Hinderer Cruz, ''[https://library.memoryoftheworld.org/b/zc7VwXcp4uuhFt1gtlLub98zzuRn7TV3004raOuhpcwV6tCj Hélio Oiticica and Neville D'Almeida, Block Experiments in Cosmococa, Program in Progress]'', MIT Press (Afterall Books), 2013, 116 pp. {{en}}
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* Sabeth Buchmann, Max Jorge Hinderer Cruz, ''[https://library.memoryoftheworld.org/#/book/6ee504d8-184a-42a2-bc34-758681551237 Hélio Oiticica and Neville D'Almeida, Block Experiments in Cosmococa, Program in Progress]'', MIT Press (Afterall Books), 2013, 116 pp. {{en}}
 
* Rachel Price, "Object, Non-object, Trans-object, Relational Object: From Concrete Poetry to A Nova Objetividade", ch 6 in Price, ''The Object of the Atlantic: Concrete Aesthetics in Cuba, Brazil, and Spain, 1868-1968'', Northwestern University Press, 2014. [http://muse.jhu.edu/books/9780810168077/9780810168077-12.pdf] {{en}}
 
* Rachel Price, "Object, Non-object, Trans-object, Relational Object: From Concrete Poetry to A Nova Objetividade", ch 6 in Price, ''The Object of the Atlantic: Concrete Aesthetics in Cuba, Brazil, and Spain, 1868-1968'', Northwestern University Press, 2014. [http://muse.jhu.edu/books/9780810168077/9780810168077-12.pdf] {{en}}
 
* Mónica Amor, ''Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969'', University of California Press, 2016, 344 pp. [https://www.academia.edu/15687859/ Introduction]. [http://www.ucpress.edu/book.php?isbn=9780520286627] {{en}}
 
* Mónica Amor, ''Theories of the Nonobject: Argentina, Brazil, Venezuela 1944-1969'', University of California Press, 2016, 344 pp. [https://www.academia.edu/15687859/ Introduction]. [http://www.ucpress.edu/book.php?isbn=9780520286627] {{en}}
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* Jacqueline Barnitz, ''Twentieth-Century Art of Latin America'', 2001, xxii+400 pp; 2nd ed., rev. & exp., with Patrick Frank, Austin: University of Texas Press, 2015, xviii+415 pp.
 
* Jacqueline Barnitz, ''Twentieth-Century Art of Latin America'', 2001, xxii+400 pp; 2nd ed., rev. & exp., with Patrick Frank, Austin: University of Texas Press, 2015, xviii+415 pp.
 
* Cacilda Teixeira da Costa, ''[[Media:Costa Cacilda Teixeira Arte no Brasil 1950-2000 movimentos e meois 2a ed 2006.pdf|Arte no Brasil 1950-2000: movimentos e meois]]'', Sao Paulo: Alameda, 2004; 2nd ed., 2006. {{br-pt}}
 
* Cacilda Teixeira da Costa, ''[[Media:Costa Cacilda Teixeira Arte no Brasil 1950-2000 movimentos e meois 2a ed 2006.pdf|Arte no Brasil 1950-2000: movimentos e meois]]'', Sao Paulo: Alameda, 2004; 2nd ed., 2006. {{br-pt}}
* Patrick Frank (ed.), ''[http://library.memoryoftheworld.org/b/XGlaq7mf92wCeKKACa7VghcluLgRDFpt8nS9Kl70dh9_2fjb Readings in Latin American Modern Art]'', Yale University Press, 2004, 288 pp. [https://yalebooks.yale.edu/book/9780300102550/readings-latin-american-modern-art] {{en}}
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* Patrick Frank (ed.), ''[http://library.memoryoftheworld.org/#/book/bc606a39-ab8a-47a6-966c-c377f7030bd1 Readings in Latin American Modern Art]'', Yale University Press, 2004, 288 pp. [https://yalebooks.yale.edu/book/9780300102550/readings-latin-american-modern-art] {{en}}
 
* ''[http://monoskop.org/log/?p=16478 Crítica de Arte no Brasil: temáticas contemporâneas]'', ed. Glória Ferreira, Rio de Janeiro: Funarte, 2006, 575 pp, [[Media:Ferreira_Gloria_org_Critica_de_arte_no_Brasil_Tematicas_contemporaneas.pdf|PDF]]. Anthology of 91 texts from 80 authors, 1946-2006. {{br-pt}}
 
* ''[http://monoskop.org/log/?p=16478 Crítica de Arte no Brasil: temáticas contemporâneas]'', ed. Glória Ferreira, Rio de Janeiro: Funarte, 2006, 575 pp, [[Media:Ferreira_Gloria_org_Critica_de_arte_no_Brasil_Tematicas_contemporaneas.pdf|PDF]]. Anthology of 91 texts from 80 authors, 1946-2006. {{br-pt}}
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* Roger Sansi, ''[https://aaaaarg.fail/thing/56ce00a79ff37c549f836a9a Fetishes and Monuments: Afro-brazillian Art and Culture in the 20th Century]'', Berghahn Books, 2007, 176 pp. {{en}}
 
* Claudia Calirman, ''Brazilian Art under Dictatorship: Antonio Manuel, Artur Barrio, and Cildo Meireles'', Duke University Press, 2012. [http://www.dukeupress.edu/Assets/PubMaterials/978-0-8223-5153-5_601.pdf Introduction], [http://read.dukeupress.edu/content/brazilian-art-under-dictatorship]. {{en}}
 
* Claudia Calirman, ''Brazilian Art under Dictatorship: Antonio Manuel, Artur Barrio, and Cildo Meireles'', Duke University Press, 2012. [http://www.dukeupress.edu/Assets/PubMaterials/978-0-8223-5153-5_601.pdf Introduction], [http://read.dukeupress.edu/content/brazilian-art-under-dictatorship]. {{en}}
 
* Pedro R. Erber, ''Breaching the Frame: The Rise of Contemporary Art in Brazil and Japan'', University of California Press, 2014, 248 pp. [http://www.ucpress.edu/book.php?isbn=9780520282438] {{en}}
 
* Pedro R. Erber, ''Breaching the Frame: The Rise of Contemporary Art in Brazil and Japan'', University of California Press, 2014, 248 pp. [http://www.ucpress.edu/book.php?isbn=9780520282438] {{en}}
 
* Elena Shtromberg, ''[http://aaaaarg.fail/thing/59a6f5199ff37c0dbe0049cd Art Systems: Brazil and the 1970s]'', Texas University Press, 2016, 238 pp. [https://utpress.utexas.edu/books/shtromberg-art-systems] {{en}}
 
* Elena Shtromberg, ''[http://aaaaarg.fail/thing/59a6f5199ff37c0dbe0049cd Art Systems: Brazil and the 1970s]'', Texas University Press, 2016, 238 pp. [https://utpress.utexas.edu/books/shtromberg-art-systems] {{en}}
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* Sophie Halart, Mara Polgovsky Ezcurra (eds.), ''[http://library.memoryoftheworld.org/#/book/a49879c8-8df1-49e9-8e54-fe64c0506000 Sabotage Art: Politics and Iconoclasm in Contemporary Latin America]'', London: I.B. Tauris, 2016, xvii+238 pp. {{en}}
 
* Felipe Chaimovich, [http://www.oxfordartonline.com/public/page/GAO_free_Brazil_Art_After_1980 "Brazil: Art after 1980"], ''Oxford Art Online'', n.d.
 
* Felipe Chaimovich, [http://www.oxfordartonline.com/public/page/GAO_free_Brazil_Art_After_1980 "Brazil: Art after 1980"], ''Oxford Art Online'', n.d.
* Bill Kelley Jr., Grant H. Kester (eds.), ''[http://library.memoryoftheworld.org/b/ygE_Y_NJEleadt_jprAyrtJwvLBXGPf0nic4Rzt_xVADQaS2 Collective Situations: Readings in Contemporary Latin American Art, 1995-2010]'', Durham: Duke University Press, 2017, 456 pp. Reviews: [http://dx.doi.org/10.3202/caa.reviews.2018.187 Montgomery] (CAA), [https://www.leonardo.info/review/2018/05/review-of-collective-situations-readings-in-contemporary-latin-american-art-1995-2010 Zilberg] (Leonardo).
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* Bill Kelley Jr., Grant H. Kester (eds.), ''[http://library.memoryoftheworld.org/#/book/a74b4682-51b4-4101-a6fe-9fc662fe5195 Collective Situations: Readings in Contemporary Latin American Art, 1995-2010]'', Durham: Duke University Press, 2017, 456 pp. Reviews: [http://dx.doi.org/10.3202/caa.reviews.2018.187 Montgomery] (CAA), [https://www.leonardo.info/review/2018/05/review-of-collective-situations-readings-in-contemporary-latin-american-art-1995-2010 Zilberg] (Leonardo).
* Patrick Frank (ed.), ''[http://library.memoryoftheworld.org/b/XOm1yPfpt8AnIZEs1Si98iByxcPgykgWSuqtkxaQHXvjQGYY Manifestos and Polemics in Latin American Modern Art]'', trans. Patrick Frank, University of New Mexico Press, 2017, 320 pp. Review: [http://sci-hub.tw/10.1080/08263663.2017.1415708 Boone] (CJLACS). {{en}}
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* Patrick Frank (ed.), ''[http://library.memoryoftheworld.org/#/book/d50183c3-2247-4ef5-9100-4b29bf1a7f61 Manifestos and Polemics in Latin American Modern Art]'', trans. Patrick Frank, University of New Mexico Press, 2017, 320 pp. Review: [http://sci-hub.tw/10.1080/08263663.2017.1415708 Boone] (CJLACS). {{en}}
* Kaira M. Cabañas, ''[http://library.memoryoftheworld.org/b/XHFr_ndMbvKo6nc-5wC-3wGUShVKf2oofYzNwJup2oB8IqOi Learning From Madness: Brazilian Modernism and Global Contemporary Art]'', University of Chicago Press, 2018.
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* Kaira M. Cabañas, ''[http://library.memoryoftheworld.org/#/book/6a97262e-0a33-41d9-aa4c-30b5c9392af2 Learning From Madness: Brazilian Modernism and Global Contemporary Art]'', University of Chicago Press, 2018. {{en}}
  
  
 
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Latest revision as of 12:21, 13 September 2019

Avant-garde[edit]

Antropofagia[edit]

Concretism, Concrete poetry (1950s)[edit]

Poesia-práxis (1960s)[edit]

Neoconcretism[edit]

Artists

Grupo Neoconcreto (1959-61): Lygia Clark, Hélio Oiticica, Amílcar de Castro, Lygia Pape, Franz Weissmann, Ferreira Gullar.

Writings
  • Ferreira Gullar, "1ª Exposição Neoconcreta", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 14 Mar 1959, pp 4-5. [1]
  • "Manifesto Neoconcreto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 21 Mar 1959, pp 4-5. Signed by Amílcar de Castro, Ferreira Gullar, Franz Weissmann, Lygia Clark, Lygia Pape, Reynaldo Jardim, and Theon Spanudis. [2] (Brazilian Portuguese)
  • Ferreira Gullar, "Teoria do não-objeto", Jornal do Brasil / Suplemento Dominical, Rio de Janeiro, 19-20 Dec 1959, p 1; repr. in Projeto Construtivo Brasileiro na Arte: 1950-1962, ed. Aracy A. Amaral, São Paulo: Pinacoteca do Estado de São Paulo, and Rio de Janeiro: MAM-RJ, 1977, pp 85-94. Published as a key contribution to the II Exposição Neoconcreta held in Rio de Janeiro in 1960. [3] [4] [5] (Brazilian Portuguese)
    • "Theory of the Non-object", in The Object, ed. Antony Hudek, London: Whitechapel, 2014, p 120ff. (English)
  • Lygia Clark, Hélio Oiticica, Cartas, 1964-1974, ed. & intro. Luciano Figueiredo, Rio de Janeiro: UFRJ, 1996; 2nd ed., 1998, 264 pp. (Brazilian Portuguese)
  • Hélio Oiticica, "The Senses Pointing Toward a New Transformation" [1969], ARTMargins 7:2, Jun 2018, pp 129-135. With an introduction by Jo Melvin and Luke Skrebowski. Written between 18-25 June 1969 in London and submitted to the British art magazine Studio International, but never appeared in print. The essay negotiates art after objecthood and contextualises Oiticica's project to effect a definitive radicalization of anti-art.
  • Ferreira Gullar, Experiência neoconcreta: momento-limite da arte, eds. Augusto Massi and Julia Bussius, São Paulo: Cosac Naify, 2007, 164 pp. (Brazilian Portuguese)
Catalogues
  • Lygia Clark, Rio de Janeiro: Funarto, 1980, 60 pp. With texts by Ferreira Gullar, Mário Pedrosa, and Lygia Clark. (Brazilian Portuguese)
Literature

Arte cinética, Kinetic art[edit]

Tropicália (Tropicalismo)[edit]

Computer art[edit]

Mail art[edit]

New media art, Media culture[edit]

Media theory[edit]

See also[edit]


Countries
avant-garde, modernism and after

Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Macedonia, Malta, Mexico, Moldova, Montenegro, Netherlands, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States