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Welcome to Monoskop, a wiki for collaborative studies of the arts, media and humanities.

This page shows a selection of the latest additions to the website. For more detailed overview see the Recent, Contents, Index and Media library sections. Updates are also being posted on Twitter and Facebook.

Monoskop supports the open letter In solidarity with Library Genesis and Sci-Hub.

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The works of Gilles Deleuze (1925-95) and Félix Guattari (1930-92).






Monoskop Log

Marta Traba: Art of Latin America, 1900-1980 (1994) [Spanish, English]

“Marta Traba, one of Latin America’s most controversial art critics, examines the works of over 1,000 artists from the first 80 years of the 20th century. This book is an indispensable reference for anyone interested in studying the evolution of Latin American art.”

Publisher Inter-American Development Bank, Washington, DC, 1994
ISBN 0940602717, 9780940602717
xiv+178 pages
via publisher

Review: Carolyn Kay (Canadian J LatAm Caribbean Studies, 1994).

Publisher
WorldCat

Arte de América Latina, 1900-1980 (Spanish, 1994, 21 MB)
Art of Latin America, 1900-1980 (English, 1994, 22 MB)

Marta Traba: Arte latinoamericano actual (1972) [Spanish]

In this book, Marta Traba examines how the growing influence of American art shaped the art of Latin America during the 1950s and 1960s, and how Latin American artists have both succumbed and resisted the effects of this influence.

Publisher Ediciones de la Biblioteca Universidad Central de Venezuela, Caracas, 1972
Nuevos Planteamientos series, 10
117 pages
via ICAA Docs

WorldCat

PDF (5 MB)

Francis D. Klingender: Art and the Industrial Revolution (1947–) [EN, IT, ES]

A classic of Marxist art history.

“Drawing on his unique command of the contemporary visual and literary record, Francis Klingender analyzes and documents the inter-reaction between the sociological, scientific and cultural changes that moulded the 19th century. His subjects range from the development of the railways to the poetry of Erasmus Darwin, from the construction of bridges and aqueducts to the aesthetic concepts of the Sublime and the Pictoresque, from the Luddite riots and the English ‘navvy’ to those artists most profoundly affected by the climate of the Industrial Revolution, among them John Martin, Joseph Wright of Derby, J.C. Bourne, and J.M.W. Turner.” (from back cover)

Publisher N. Carrington, London, 1947
Edited and revised by Arthur Elton
Revised and expanded edition by Adams & Dart, 1968
Publisher Paladin, St Albans, 1972
ISBN 0586081224, 9780586081228
xv+272 pages

Review: Fred H. Andrews (J Royal Society of Arts, 1949).

WorldCat

Art and the Industrial Revolution (English, 1947/1968, 60 MB, no OCR)
Arte e rivoluzione industriale (Italian, trans. Elena Einaudi, 1972)
Arte y revolución industrial (Spanish, trans. Pilar Salso, 1983)

Jack Smith: Wait For Me at the Bottom of The Pool: The Writings of Jack Smith (1997)

“During thirty years of activity as a filmmaker, photographer and performer, Jack Smith produced a body of creative, antic writing that intersects and transcends the genres of hothouse fantasy, criticism and social comment. Bringing together long unavailable essays, performance scripts, interviews and other material, Wait for Me at the Bottom of the Pool reveals the ideas and personality of an artist whose distinctive vision has influenced generations of filmmakers and performance artists. With caustic wit, Smith praises the performances of Maria Montez as well as the sculpture of Walter de Maria, examines the cult success of Reefer Madness and the uses of pornography, and discusses the perils of democracy, the evils of property and the police state, art history and architecture.”

Edited by J. Hoberman and Edward Leffingwell
Publisher High Risk Books, with Institute of Contemporary Art/P.S. 1 Museum, New York, 1997
ISBN 1852424281, 9781852424282
177 pages

WorldCat

PDF (16 MB)

Eric Snodgrass: Executions: Power and Expression in Networked and Computational Media (2017)

“This book looks at questions of power and expression as they are composed in various ways within networked and computationally-informed situations of the present. Drawing from the term as it is originally invoked in practices of computing, the research puts forward execution as a central conceptual framework for its investigations. In a computer program, a program becomes executable when it is able to execute a set of procedures within a designated set of relations and affordances. Similarly, the concept of execution developed here looks at the ongoing negotiations of various formative relations and affordances (technical, cultural, material, political) in practices of execution, describing certain notable techniques applied towards the task of making things executable.

The examples looked at include several dominant media and technology practices of the present, as well as several alternative practices that point to other possible modes of execution. In doing so, the research highlights certain politically-orientated issues involved in questions of execution, working to further develop specific approaches aimed at describing, questioning and intervening into practices of execution as they occur in the world.”

Doctoral Dissertation in Media and Communication Studies
Publisher Malmö University, Malmö, 2017
New Media, Public Spheres and Forms of Expression series, 11
Creative Commons BY-NC 4.0 International
ISBN 9789171045065
332 pages
via fcr

Publisher

PDF, PDF (5 MB)