Difference between revisions of "New York City"

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* Jessamyn Fiore (ed.), ''112 Greene Street: the Early Years, 1970–1974'', New York: Radius Books, 2012, 192 pp. Review: [https://d1wqtxts1xzle7.cloudfront.net/61973713/Oxford_Art_J-2015-Anderson-oxartj-kcv02620200203-77016-6t3rrl-libre.pdf Anderson] (Oxford Art J).
 
* Jessamyn Fiore (ed.), ''112 Greene Street: the Early Years, 1970–1974'', New York: Radius Books, 2012, 192 pp. Review: [https://d1wqtxts1xzle7.cloudfront.net/61973713/Oxford_Art_J-2015-Anderson-oxartj-kcv02620200203-77016-6t3rrl-libre.pdf Anderson] (Oxford Art J).
  
* Mary Anne Staniszewski, "Alternatives and Attitudes: Today and Yesterday", in Germano Celant, et al., ''When Attitudes Become Form: Bern 1969/Venice 2013'', Milan: Progetto Prada Arte, 2013, pp 457-468. [https://bookshop.fondazioneprada.org/shop/UIShop/Shop_DettaglioArticolo.aspx?idshoparticolo=42 Publisher]. {{en}}
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* Mary Anne Staniszewski, "Alternatives and Attitudes: Today and Yesterday", in Germano Celant, et al., ''When Attitudes Become Form: Bern 1969/Venice 2013'', Milan: Progetto Prada Arte, 2013, pp 457-468. [https://bookshop.fondazioneprada.org/shop/UIShop/Shop_DettaglioArticolo.aspx?idshoparticolo=42 Publisher].  
  
 
* Carey Lovelace, [[Media:Lovelace_Carey 2016 Optimism_and Rage The Womens Movement in Art in New York 1969-1975.pdf|"Optimism and Rage: The Women's Movement in Art in New York, 1969-1975"]], ''Woman's Art Journal'' 37:1, Spring/Summer 2016, pp 4-11.
 
* Carey Lovelace, [[Media:Lovelace_Carey 2016 Optimism_and Rage The Womens Movement in Art in New York 1969-1975.pdf|"Optimism and Rage: The Women's Movement in Art in New York, 1969-1975"]], ''Woman's Art Journal'' 37:1, Spring/Summer 2016, pp 4-11.

Revision as of 16:58, 23 January 2023

Initiatives

Venues

Initiatives and collectives with no permanent event venue

Events

Past events

Art workers

See also

Publications

  • Cultural Economies: Histories from the Alternative Arts Movement, NYC, ed. Julie Ault, New York: Drawing Center, 1996, 72 pp. [12]
  • Julie Ault (ed.), Alternative Art, New York, 1965-1985: a Cultural Politics Book for the Social Text Collective, University of Minnesota Press, with New York: Drawing Center, 2002, ix+396 pp. Publisher. TOC.
  • Clayton Patterson, et al. (eds.), Resistance: A Radical Social and Political History of the Lower East Side, New York: Seven Stories Press, 2006, 672 pp. Publisher. Event.
  • Christelle Terroni, Les Pratiques artistiques des Espaces Alternatifs à New-York, 1969-1980, Tours: Université François-Rabelais, 2010; rev. as New York Seventies. Avant-garde et espaces alternatifs, Rennes: Presses Universitaires de Rennes, 2015. (French)
  • Alan W. Moore, Art Gangs: Protest and Counterculture in New York City, Brooklyn, NY: Autonomedia, 2011, 185 pp. Street-level history of artists’ groups and collective activity by artists in New York from 1969 to 1985. Review: Anderson (Oxford Art J).
  • Jessamyn Fiore (ed.), 112 Greene Street: the Early Years, 1970–1974, New York: Radius Books, 2012, 192 pp. Review: Anderson (Oxford Art J).
  • Mary Anne Staniszewski, "Alternatives and Attitudes: Today and Yesterday", in Germano Celant, et al., When Attitudes Become Form: Bern 1969/Venice 2013, Milan: Progetto Prada Arte, 2013, pp 457-468. Publisher.
  • Pauline Chevalier, Une Histoire des espaces alternatifs à New York: de SoHo au South Bronx (1969-1985), Dijon: Les Presses du réel, 2017, 501 pp. Review: Besson (Critique d'art). (French)
  • Steven H. Jaffe, Activist New York: A History of People, Protest, and Politics, forew. Eric Foner, New York University Press, 2018. [15]
  • Klaus Biesenbach, Bettina Funcke (eds.), MoMA PS1: A History, New York: Museum of Modern Art, 2019, 304 pp. [16] [17]


Cities
alternative base

Amsterdam, Bergen, Berlin, Bratislava, Budapest, Kyiv, London, New York City, Oslo, Paris, Prague, Rotterdam, Seoul, Tokyo, Vienna, Warsaw, Zagreb