Difference between revisions of "Russia"

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* [[Viktor Katayev]]
 
* [[Viktor Katayev]]
 
* [[Igor Mikhailenko]]
 
* [[Igor Mikhailenko]]
* [[Gedrius Kuprevichius]] (Lithuania)
 
* [[Mindaugas Urbaitis]] (Lithuania)
 
* [[Arturas Medonis]] (Lithuania)
 
* [[Birute Sinkevichiute]] (Lithuania)
 
* [[Linas Paulauskas]] (Lithuania)
 
* [[Lepo Sumera]] (Estonia)
 
* [[Mark Rais]] (Estonia)
 
* [[Peeter Vähi]] (Estonia)
 
* [[Alo Mattisen]] (Estonia)
 
* [[Stephan Rostomyan]] (Armenia)
 
  
 
==Electro-acoustic music==
 
==Electro-acoustic music==

Revision as of 01:33, 20 September 2010

Cities

Moscow, St Petersburg, Kazan, Yekaterinburg, Sebastopol, Perm

Predecessors

  • VKhUTEMAS, Russian architectural avant-garde school 1920-1930 in Moscow. Together with the French rationalism, German and Dutch functionalism it is a turning point in the historical development of the world architectural process. [1] [2] Tomáš Štrauss (1998) pp 180-182
  • 1921 exhibition of Constructivist art, put together by Obmokhu, or the Society of Young Artists, a group founded in 1919 by recent graduates of the First State Free Art Studios [3]
  • Wladimir Baranoff-Rossine, in 1924 he had the first presentation of his optophonic piano during a performance at the Bolshoi Theatre in Moscow - a synaesthetic instrument that was capable of creating sounds and coloured lights, patterns and textures simultaneously.

Artist groups

Arts and engineering groups and collectives in CEE#Soviet Union, Russia

Experimental film

Video art

Electronic music

Electro-acoustic music

more

  • Viacheslav Koleichuk, one of the leaders of constructivist art in Russia.
  • Andrea Hapke, Andrea Jana Korb, "Russische cyberfeministische Strategien", course plan, 2002. [4]

Works

  • Electronic_music_instruments_in_CEE
  • Cybertheater, 1967, Lev Nusberg and the 'Movement' Group. A 20 m2 complex of kinetic "cyber-creatures", mostly 130 X 80 cm. Members of the Russian 'Movement' Group built in St. Petersburg (then, Leningrad) cyber-creatures, or "cybers", which had five to six degrees of freedom. In this theater of artificial creatures, the actors were capable of controlling the color and intensity of the lights, as well as sounds and smells. A color film was planned by the "Movement" Group. A much bigger and more complex programmed "Cybertheater" was also projected.
  • CD Mrs. Lenin. Electro-Acoustic music from the Theremin Center, http://payplay.fm/theremincenter

Events

  • 1965 - Exhibition - Kinetic Art, Dvizheniye (Movement) group, House of Architect, Leningrad
  • 1967 - EXPO '67, Soviet Pavilion, Montreal, Canada
  • 1978 - Science and Art, House of Scientists, exhibition, Moscow
  • 1979 - Colour - Form - Space, Exhibition Hall on Malaja Gruzinskaja, exhibition, Moscow
  • 1987 - Retrospection of Moscow Unofficial Art (1957-1987), Exhibition Hall of the association "Ermitazh" in Belajevo, Moscow
  • 1988 - Geometry in Art, Exhibition Hall on Kashirskaja, Moscow
  • 1996 - Concert program for Lev Theremin’s 100 anniversary.
  • 1997 - The Theremin Center. The Multimedia Concert Program at Russian Musical Academy, Moscow.

Centres

Bibliography

  • Leonardo, Vol. 27, No. 5, 1994. Prometheus: Art, Science and Technology in the Former Soviet Union: Special Issue. [5]
  • Media Art in Russia. ISEA Newsletter #95, January-February 2004. [6], [7]
  • Collaborative research on internet in Russia, [8]
  • Bibliography of Articles Published in Leonardo on Art, Science and Technology in the Former Soviet Union [9]
  • Anatoly V. Prokhorov, "HALF A KINGDOM FOR A STRANGE HORSE !", [10]
  • Katherine Liberovskaya, "Behind the Cyrillic Curtain : Notes on Internet Art and Culture in Russia", 2001, [11]
  • Lev Manovich, "Behind the Screen / Russian New Media", 1997. [12]
  • Florian Schneider and James Allen. Runet - interview with olia lialina. 2000. [13]
  • Jürgen Bruchhaus, "Runet 2000 - Politik und russisches Internet", Master thesis, 2000, German. [14] [15]
  • Andrea Hapke and Andrea Jana Korb, "'Russische' cyberfeministische Strategien zwischen Realität, Virtualität und Fiktion – Ein Dialog", German. [16]

Resources