The CD-ROM was a relatively popular carrier for interactive artworks in the mid-1990s.
At that time, the world wide web as a platform was not yet capable of providing the rich, immersive, multimedia experience that artists desired. Simultaneously, this period witnessed the proliferation of personal computers that came equipped with CD-r drives, causing CD-ROM art to flourish as a form of creation and distribution.
Artists created very diverse works on CD-ROM, ranging from virtual spaces to game-like experiments, from interactive music environments to literature and hypertext presentations. Within an individual practice CD-ROMs often have a very special place: sometimes they are a unique interactive 'exception' in the career of the artist (Laurie Anderson, Michael Snow), other times they are part of a long series of works in different media (JODI, Antoni Muntadas).
Artists and works
Contact Zones. The Art of CD-ROM by Timothy Murray was a travelling exhibition from 1999 to 2001 in which a large number of works was presented together. The exhibition website still exists and is an excellent record and source for several projects: http://contactzones.cit.cornell.edu/
Notable works are, among others:
- Doors of Perception 1 CD-ROM (1994) by Mediamatic - digital proceedings of the Doors of Perception conference.
- Architectonic Models I-XVI (1994) by Roland Kuit
- Cyberflesh Girlmonster (1995) by Linda Dement
- Amsterdam (1995) by Roland Kuit - Avenue Magazine, uitgave #5 VOL.2 Amsterdam inside out.
- Paris (1996) by Roland Kuit - Orbe Magazine, music machines.
- Welcome to the Future! exhibition, iMAL, Brussels, 2015.