Welcome to Monoskop, a wiki for collaborative studies of the arts, media and humanities.
This page shows a selection of the latest additions to the website. For more detailed overview see the Recent, Contents, Index and Media library sections. Updates are also being posted on Twitter and Facebook.
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“Ganymede is an experimental science fiction film set on the solar system’s largest moon. On Ganymede, it is thought that volcanic vents supply the necessary power to fuel life. This film imagines unknown extra-terrestrial life forms engaged in ritualistic aquatic dance beneath a sky of ice. The resulting way of life is depicted as fluctuating pulses of energy abstracted beyond conventional consciousness.”
Produced by Jesse Reiner and Antonia Kuo
Edited by Antonia Kuo and Lily Jue Sheng
Featuring films by Antonia Kuo, Josh Lewis, Ben Mosca, Kenneth Curwood, Shona Maslin, and Lily Sue Sheng
Music by Jonas Reinhardt
Posted in 2014 by Jesse Reiner on Vimeo.
Critical / photographic book documenting the “Art Povera / Arte Povera” movement. Includes short text followed by photographs for each artist: Walter de Maria, Michelangelo Pisteletto, Stephen Kaltenbach, Richard Long, Mario Merz, Douglas Huebler, Joseph Beuys, Eva Hesse, Michael Heizer, Ger van Elk, Lawrence Weiner, Luciano Fabro, Bruce Nauman, Joseph Kosuth, Jan Dibbets, Giovanni Anselmo, Robert Barry, Pier Paolo Calzolari, Dennis Oppenheim, Barry Flanagan, Robert Smithson, Giulio Paolini, Reiner Ruthenbeck, Alighiero Boetti, Giuseppe Penone, Franz Erhard Walther, Hans Haacke, Gilberto Zorio, Robert Morris, Marinus Boezem, Carl Andre, Emilio Prini, Richard Serra.
“This book does not aim at being an objective and general analysis of the phenomenon of art or life, but is rather an attempt to flank (both art and life) as accomplices of the changes and attitudes in the development of their daily becoming. This book does not attempt to be objective since the awareness of objectivity is false consciousness. The book, made up of photographs and written documents, bases its critical and editorial assumptions on the knowledge that criticism and iconographic documents give limited vision and partial perception of artistic work. The book, when it reproduces the documents of artistic work, refutes the linguistic mediation of photography. The book, even though it wants to avoid the logic of consumption, is a consumer’s item. … This book produces a collection of already old material. … In this book there is no need to reflect in order to seek a unitary and reassuring value, immediately refuted by the the authors themselves, rather there is the necessity to look into it for the changes, limits, precariousness and instability of artistic work.” (from Celant’s introduction “Stating That.”)
First published in Italian by Gabriele Mazzotta Publishers, Milan, 1969.
Publisher Praeger Publishers, New York, 1969
Review: John Moffitt (Art J, 1970).
PDF (86 MB, no OCR)
“Departing from the traditional definition of public art as sculpture in parks and plazas, new genre public art brings artists into direct engagement with audiences to deal with the compelling issues of our time. This is the first definitive collection of writings on the subject by critics, artists, and curators who are pioneers in the field. Includes essays by Judith Baca, Estella Conwill Májozo, Suzi Gablik, Guillermo Gomez-Pena, Mary Jane Jacob, Allen Kaprow, Jeff Kelley, Lucy Lippard, Patricia C. Phillips, and Arlene Raven.”
Publisher Bay Press, Seattle, 1995
ISBN 0941920305, 9780941920308
PDF (no OCR, 91 MB)
“Any discussion of Japanese contemporary art inevitably leads to the pop-culture fantasies of Takashi Murakami, Yoshitomo Nara and the other artists of the Superflat movement. But Japan as a whole has changed dramatically after stumbling through a series of economic, social and ecological crises since the collapse of its ‘bubble’ economy in the early 1990s. How did Murakami, Nara and Superflat become the dominant artistic vision of the Japan of today? What lies behind their imagery of a childish and decadent society unable to face up to reality? Written by a sociologist with an eye for sharp observation and clear reportage, Before and After Superflat offers the first comprehensive history in English of the Japanese art world from 1990 up to the tsunami of March 2011, and its struggle to find a voice amidst Japan’s economic decline and China’s economic ascent.”
Publisher Blue Kingfisher, Hong Kong, 2012
ISBN 9789881506412, 9881506417
“How to intervene? Interventions are in vogue in digital cultures as forms of critique or political actions into public spheres. By engaging in social, political, and economic contexts, interventions attempt to interrupt and change situations—often with artistic means. This volume maps methods of interventions under the specific conditions of the digital. How are interventions shaped by these conditions? And how can they contribute to altering them? In essays and interviews, this book interrogates modes of intervening in and through art, infrastructures, techno-ecological environments, bio-technology, and political protests to highlight their potentials as well as their ambivalences.”
With contributions by Martina Leeker, Fred Turner, Howard Caygill, Alexander R. Galloway, Wendy Hui Kyong Chun, Ulrike Bergermann, Steve Kurtz, Kat Jungnickel, and Tobias Schulze.
Edited by Howard Caygill, Martina Leeker, and Tobias Schulze
Publisher meson press, Lüneburg, 2017
Digital Cultures series
Creative Commons BY-SA 4.0 License
ISBN 9783957961105, 3957961106