Difference between revisions of "Experimental film"

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==Literature==
 
==Literature==
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; Journals and Magazines
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* [http://monoskop.org/log/?p=5987 ''Cinim'' magazine, Nos. 1-3], 1967-1969.
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* ''[http://www.ejumpcut.org/archive/ Jump Cut: A Review of Contemporary Media]'', Nos. 1-54, 1974-2011. Edited by John Hess, Chuck Kleinhans and Julia Lesage.
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; Catalogues and Brochures
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* ''Film as Film: Formal Experiment in Film, 1910-1975'', London: Arts Council of Great Britain, 1979, 152 pp. Catalogue.
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* David Schwartz (ed.), ''[http://monoskop.org/log/?p=5857 Independent America: New Film 1978-1988]'', New York: American Museum of the Moving Image, 1988, 93 pp. Catalogue.
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* Gerald O’Grady, Bruce Posner (eds.), ''[http://monoskop.org/log/?p=10155 Articulated Light: The Emergence of Abstract Film in America]'', Boston: Harvard Film Archive & Anthology Film Archives, 1995, 16 pp. Catalogue.
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* ''[http://monoskop.org/log/?p=2614 Shoot Shoot Shoot: The First Decade of the London Film-Makers’ Co-operative and British Avant-Garde Film 1966-1976]'', London: Lux, 2002.
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; Readers
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* Peter Gidal (ed.), ''[http://monoskop.org/log/?p=2612 Structural Film Anthology]'', London: British Film Institute, 1976.
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; Books
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* Gene Youngblood, ''[http://monoskop.org/log/?p=218 Expanded Cinema]'', Dutton, 1970.
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* P. Adams Sitney, ''[http://monoskop.org/log/?p=499 Visionary Film: the American Avant-Garde, 1943-2000]'', Oxford University Press, 1974; Third edition, 2002.
 
* William C. Wees, ''[http://publishing.cdlib.org/ucpressebooks/view?docId=ft438nb2fr&chunk.id=0&toc.depth=100&brand=ucpress Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film]'', University of California Press, 1992.
 
* William C. Wees, ''[http://publishing.cdlib.org/ucpressebooks/view?docId=ft438nb2fr&chunk.id=0&toc.depth=100&brand=ucpress Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film]'', University of California Press, 1992.
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* Edward S. Small, ''[http://monoskop.org/log/?p=2618 Direct Theory: Experimental Film/Video as Major Genre]'', SIU Press, 1994, 122 pp.
 
* Robert A. Haller (ed.), ''[http://www.roberthaller.com/firstlight/ First Light]'', New York: Anthology Film Archives, 1998, 108 pp.
 
* Robert A. Haller (ed.), ''[http://www.roberthaller.com/firstlight/ First Light]'', New York: Anthology Film Archives, 1998, 108 pp.
* [http://monoskop.org/log/?tag=experimental-film Publications on experimental film at Monoskop Log]
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* A. L. Rees, ''[http://monoskop.org/log/?p=484 A History of Experimental Film and Video: From Canonical Avant-garde to Contemporary British Practice]'', British Film Institute, 1999.
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* Jeffrey Skoller, ''[http://monoskop.org/log/?p=1032 Shadows, Specters, Shards. Making History in Avant-Garde Film]'', University of Minnesota Press, 2005, 233 pp.
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* P. Adams Sitney, ''[http://monoskop.org/log/?p=488 Eyes Upside Down: Visionary Filmmakers and the Heritage of Emerson]'', 2008.
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* Daniel Barnett, ''[http://monoskop.org/log/?p=493 Movement as Meaning: In Experimental Film]'', Rodopi, 2008, 240 pp.
  
 
; Bibliographies
 
; Bibliographies

Revision as of 10:44, 5 January 2014

Pages

Resources

Literature

Journals and Magazines
Catalogues and Brochures
Readers
Books
Bibliographies

See also


Art and Culture

Avant-garde and modernist magazines, Artists' publishing, Graphic design, Photography, Typewriter art, Multimedia environments, Design research, Video activism, Urban practices, Zine culture, Demoscene, VJing, Live cinema, Media labs, Cyberfeminism, Community television, Hacktivism, Art servers, Hackerspaces, CD-ROM art, Circuit bending, Pure Data, Media archives, VVVV, Maker culture, Glitch art, Live coding, Locative media, Libre graphics, Electromagnetism, Surf clubs, DIY biology, Post-digital, Neural aesthetics.
See also Art styles and movements.