Net art

Artists

• 0100101110101101.org
• Annie Abrahams
• Mark America
• Artnode
• Aram Bartholl
• Tilman Baumgärtel
• Joachim Blank
• Natalie Bookchin
• Mez Breeze
• Heath Bunting
• Eric Butler
• Jennifer Chan
• Young-Hae Chang Heavy Industries
• Vuk Ćosić
• Annet Dekker
• Julien Deswaef
• Eleonora Oreggia
• Entropy8Zuper!
• Dragan Espenschied
• Etoy
• Fffff.at
• Luka Frelih
• Auriea Harvey
• Irational.org
• Karl Heinz Jeron
• Lisa Jevbratt
• Jodi
• Yael Kanarek
• Chris King
• Tobias Leingruber
• Les Liens Invisibles
• Olia Lialina
• LIMA
• Jonas Lund
• Frédéric Madre
• Nancy Mauro-Flude
• !Mediengruppe Bitnik
• Moddr
• Mark Napier
• Net condition
• Nettime
• Panke.gallery
• Jacques Perconte
• Rhizome
• RTMark
• Sakrowski
• Alexei Shulgin
• Cornelia Sollfrank
• Thomson & Craighead
• Turbulence
• Ubermorgen
• Zentrum für Netzkunst

Works

Online exhibitions and databases

• net-art.org, an online-only exhibition of the early (and continuous) history of Internet art.
• Turbulence.org, a premiere web site for net art. From 1996-2016, Turbulence.org commissioned over 220 original net, web and hybrid art works and hosted over 20 real-time, multi-location performances.
• Rhizome ArtBase, founded 1999. Catalog.
• Net Art Anthology. Presented by Rhizome, 2016-2018. Retelling the history of Net Art from the 1980s through the present day by restaging and contextualizing one key net art project per week.
• project.Arnolfini, curated by Geoff Cox, 2010.
• netpioneers.info: contextualizing early net-based art, research project realized at the Ludwig Boltzmann Institute Media.Art.Research., Linz, 2007–2009. Book published.
• Artport. Whitney Museum's portal to Internet art and an online gallery space for commissions of net art and new media art. Originally launched in 2002, Artport provides access to original art works commissioned specifically for artport by the Whitney; documentation of net art and new media art exhibitions at the Whitney; and new media art in the Museum's collection.
• Tate Intermedia Art, contains the archive of Tate's net art projects from 2000-2011.
• netart_latino database, a database of Latin-American net artists. Edited by Brian Mackern.
• Histories of Internet Art: Fictions and Factions, an online-only exhibition of the early history of Internet art; produced by students of digital art at the University of Colorado's Art and Art History Department, in conjunction with the Alt-X Online Network, ATLAS and blurr.
• Net.Specific, internet art exhibition platform of the Museum of Contemporary Art in Roskilde, Denmark. Launched Oct 2012.
• net.artdatabase, documentation of selected internet-based artworks by recording users in front of their screens as they interact with the work.
• netartnet.net, an online-gallery listing and directory. The archive contains current and past exhibitions with dates, links, and press releases.
• Why Not Sneeze, eds. Michael Gibbs and Brigitte van der Sande, 1996-1998.
• Overview of network art projects and events, compiled by Dušan Barok, 2008.

Selected recent works

2007 subvertr by Les Liens Invisibles. 2008 fuckflikr by Theo Watson, Jamie Wilkinson, and Greg Leuch; China Channel by Aram Bartholl, Evan Roth and tbx (fffff.at); Pirates of the Amazon by tbx and Timo Klok. 2009 Web 2.0 Suicide Machine by moddr; Seppukoo by Les Liens Invisibles; Give Me My Data by Owen Mundy. 2010 Repetitionr by Les Liens Invisibles; Firesheep by Eric Butler; FaceLeaks by Dušan Barok. 2011 Newstweek by Julian Oliver and Danja Vasilev; Piratebox by David Darts; motivo astratto by &; Love Machine by Julien Deswaef.

Catalogues

• Net_condition: Art and Global Media, eds. Timothy Druckrey and Peter Weibel, MIT Press, 2000, 398 pp. Exh. held at ZKM Karlsruhe, 23 Sep 1999-27 Feb 2000. [1]
  • Net_Condition. Kunst / Politik im Online-Universum, Karlsruhe: ZKM, 1999, 42 pp. Exh. brochure. [2] (German)
• Connessioni leggendarie: net.art 1995-2005, ed. Luca Lampo, Milan: ready-made, 2005, 117 pp. (Italian)
• Net art 0.1: desmontajes, Badajoz: Consejería de Cultura y Turismo/Junta de Extremadura, 2009, 154 pp. Exh. held at MEIAC, Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, 21 Nov-28 Feb 2009. (Spanish)/(English)
• Art in the Age of the Internet, 1989 to Today, ed. Eva Respini, New Haven: Yale University Press, 2018, 316 pp. Exh. held at ICA Boston, 7 Feb-20 May 2018. Review: Federici (CAA).
• The Art Happens Here: Net Art Anthology, eds. Michael Connor, Aria Dean, and Dragan Espenschied, New York: Rhizome, 2019, 400 pp. Essays by manuel arturo abreu, Josephine Bosma, Megan Driscoll, Ceci Moss, Lila Pagola, Paul Soulellis, Elvia Wilk. [3] [4]

Events

• Net_condition: Art and Global Media exhibition, ZKM Karlsruhe, 23 Sep 1999-27 Feb 2000. Archived exhibition website.
• Envy: Can the Center Hold? (net.art per se), panel as part of Sins of Change: Media Arts in Transition, Again symposium, Walker Art Center, Minneapolis, 8 Apr 2000.
• Tele-Internet, Ars Electronica, Linz, 2010. Curated by Aram Bartholl.
• WJ-Spots / Mal au Pixel Festival, conference on the history and the future of the internet, Paris, Jun 2011.
• net.art Painters and Poets, exhibition, City Art Gallery, Ljubljana, Jun-Aug 2014. Curated by Vuk Ćosić and Alenka Gregorić.
• Virtual Normality: Female Net Artists 2.0, exhibition, Museum der bildenden Künste Leipzig, 12 Jan-8 Apr 2018. Curated by Sabrina Steinek and Anika Meier.
• Art in the Age of the Internet, 1989 to Today exhibition, ICA Boston, 7 Feb-20 May 2018. Curated by Eva Respini and Jeffrey De Blois.
• Berlin, Zentrum der Netzkunst - damals und heute, exhibition, panke.gallery, Berlin, 4 Oct-23 Nov 2018. Curated by Robert Sakrowski and Tabea Rossol.
• The Art Happens Here: Net Art's Archival Poetics, exhibition, New Museum, New York, 22 Jan-26 May 2019. Based on Rhizome's Net Art Anthology programme. Curated by Michael Connor with Aria Dean. [5]

Literature

Books

• Tilman Baumgärtel, net.art. Materialien zur Netzkunst, Nürnberg: Verlag für moderne Kunst, 1999, 179 pp. [6] (German)
  • Tīkla māksla, trans. Ilva Skulte, Riga: Petergailis, 2001, 168 pp. (Latvian)
  • Net.art: võrgukunsti materjalid, trans. Medea Jerser, Tallinn: Eesti Kunstiakad, 2006, 367 pp. (Estonian)
• Tilman Baumgärtel, net.art 2.0. Neue Materialien zur Netzkunst / New Materials on Art on the Internet, Nürnberg: Verlag für moderne Kunst, 2001, 263 pp. (German)/(English)
• Julian Stallabrass, Internet Art: The Online Clash Between Culture and Commerce, London: Tate Publishing, 2003, 168 pp. Reviews: Stimson (NLR), Gere (Art Book).
• Marco Deseriis, Giuseppe Marano, Net.art. L'arte della connessione, Milan: ShaKe, 2003, 218 pp. [7] (Italian)
• Rachel Greene, Internet Art, London: Thames & Hudson, 2004, 224 pp. [8]
  • Internet Art, n.d. (Italian)
• Joanne Richardson (ed.), An@rchitexts: Voices from the Global Digital Resistance, New York: Autonomedia, 2005.
• Tatiana Bazzichelli, Networking. La rete come arte, pref. Derrick de Kerckhove, Milan: Costa & Nolan, 2006, 333 pp. (Italian)
  • Networking: The Net as Artwork, Aarhus: Aarhus University, 2008, 336 pp.
• Tom Corby (ed.), Network Art: Practices and Positions, London: Routledge, 2006, xiv+206 pp. Introduction. [9]. Review: Dieter (Animation).
• Inclusiva-net, 3 vols., Madrid: Medialab Prado, 2007-2009. Proceedings. (English)/(Spanish)
• Artnode, Jacob Lillemose, Nikolaj Recke (eds.), Vi elsker din computer. En antologi om netkunst, trans. Andreas Brøgger, Copenhagen: Artnode & The Royal Art Academy Copenhagen, 2008, 429 pp. An anthology of writings on net art. TOC. [10] [11] (Danish)
• Dieter Daniels, Gunther Reisinger (eds.), Net Pioneers 1.0: Contextualizing Early Net-Based Art, Berlin/New York: Sternberg Press, 2010, 240 pp.
• Josephine Bosma, Nettitudes: Let's Talk Net Art, Rotterdam: NAi Publishers, and Amsterdam: Institute of Network Cultures, 2011, 270 pp. Introduction, TOC, [12]. Review: Kluitenberg (Open!), Ciociola (Neural), Cippitelli (Digicult).
• Markus Schwander, Reinhard Storz (eds.), Owning Online Art: Selling and Collecting Netbased Artworks, Basel: FHNW, 2010.
• Rasa Smite, Creative Networks: In the Rearview Mirror of Eastern European History, Amsterdam: Institute of Network Cultures, Amsterdam, 2012. First published in Latvian, 2011.
• xtine burrough (ed.), Net Works: Case Studies in Web Art and Design, Routledge, 2012, xx+242 pp.
• Juan Martín Prada, Prácticas artísticas e internet en la época de las redes sociales, Madrid: Akal, 2012, 248 pp; 2nd ed., 2015, 271 pp. (Spanish)
• Art and the Internet, eds. Phoebe Adler, Leanne Hayman, Arrate Hidalgo, Dana Saey, Phoebe Stubbs, and Nick Warner, London: Black Dog, 2013, 240 pp. TOC. [13]
• Marie Meixnerová (ed.), #mm net art, Olomouc: Pastiche Filmz (PAF Edition), 2015. Anthology. [14] (Czech)
• Lauren Cornell, Ed Halter (eds.), Mass Effect: Art and the Internet in the Twenty-First Century, MIT Press, 2015, 528 pp. Anthology. [15]
• Annet Dekker, Collecting and Conserving Net Art: Moving beyond Conventional Methods, New York: Routledge, 2018, x+192 pp.

Journal issues

• kritische berichte 26(1): "Netzkunst", eds. Christoph Danelzik-Brüggemann, Annette Dorgerloh, Brigitte Schoch-Joswig, and Michael Scholz-Hänsel, 1998. TOC, [16]. (German)
• AI & Society 14(1): "Database Aesthetics: Issues of Organization and Category in Online Art", ed. Victoria Vesna, 2000.
• terminal 101: "Net art, technologie ou création?", Paris: Harmattan, May 2008, 176 pp. [17] (French)
• WJ-SPOTS 1: 15 ans de création artistique sur internet / 15 years of web creation, ed. Anne Roquigny, 2011, 132 pp. [18] (French)/(English)
• WJ-SPOTS 2: Les artistes s’emparent du réseau / Artists take over the network, ed. Anne Roquigny, 2011, 132 pp. [19] (French)/(English)
• frieze d/e 14: "Missing Links: '90s Berlin Net Art", May 2014. Focuses on the 1990s Net art scene in Berlin. [20] [21] (German)/(English)

Book chapters, articles, theses, talks, discussions

• Joachim Blank, "Netart", 1996.
• Tilman Baumgärtel, "Netzkunst bei der Dia Art Foundation", Telepolis, 15 May 1997. (German)
• Tilman Baumgärtel, "Immaterialien. Aus der Vor- und Frühgeschichte der Netzkunst", Telepolis 3, Sep 1997, pp 135-151. (German)
• Steve Dietz, "Curating (on) the Web", Museums and the Web, Mar 1998.
• Benjamin Weil, "Untitled (ÄDA’WEB): A Brief History of äda'web", Minneapolis, MN: Gallery 9/Walker Art Center, 1998.
• Robert Atkins, "What is äda'web?", Minneapolis, MN: Gallery 9/Walker Art Center, Sep 1998.
• Andrea Scott, "äda through the Looking Glass", Minneapolis, MN: Gallery 9/Walker Art Center, Sep 1998.
• Vivian Selbo, "ah, ‘da Process” ... Questions? Some Answers ...", Minneapolis, MN: Gallery 9/Walker Art Center, Sep 1998.
• Tilman Baumgärtel, "Das imaginäre Museum. Zu einigen Motiven der Netzkunst", Berlin: Wissenschaftszentrum Berlin für Sozialforschung, Oct 1998, 47 pp, PDF. Discussion paper. (German)
• "Art", section in Read Me! ASCII Culture & The Revenge of Knowledge. Filtered by Nettime, New York: Autonomedia, 1999, pp 211-273.
• Steve Dietz, "Why Have There Been No Great Net Artists?", 1999.
• Rachel Greene, "Web Work: A History of Internet Art", Artforum, May 2000, pp 162-167 & 190. [22] [23]
• Josephine Berry, The Thematics of Site-Specific Art on the Net, University of Manchester, 2001, 304 pp. Dissertation.
• Verena Kuni, "'Was ist ein Netzkünstler?' Nutzen und Nachteil der Legende vom Künstler im Zeitalter ihrer techno-logischen Reproduzierbarkeit", in Borderline. Strategien und Taktiken für Kunst und soziale Praxis, ed. BBK Wiesbaden, Wiesbaden, 2002, pp 87-108. [24] (German)
• Julian Stallabrass, "Aesthetics of Net.Art", Oct 2003; repr. in Qui Parle 14:1 (Fall/Winter 2003). A plenary lecture given to the American Society for Aesthetics, Annual Meeting, San Francisco, Oct 2003.
• Julian Stallabrass, "The Aesthetics of Net.Art", Qui Parle 14:1, Fall/Winter 2003, pp 49-72.
• Christine Paul, "Internet Art and Nomadic Networks", in Paul, Digital Art, London: Thames & Hudson, 2003, pp 111-124.
• Steve Dietz, "äda’web", in Bits & Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections, eds. Joan Rothfuss and Elizabeth Carpenter, Minneapolis, MN: Walker Art Center, 2005.
• Inge Hinterwaldner, "When Windows Attack... Doors Won't Help. Zur Hinterfragung von Bildlichkeit und Interaktivität in der Netzkunst", in Kulturen des Bildes, eds. Birgit Mersmann and Martin Schulz, Munich: Fink, 2006, pp 355-374. (German)
• Steve Dietz, "Curating Net Art", in New Media in the White Cube and Beyond: Curatorial Models for Digital Art, ed. Christiane Paul, University of California Press, 2008.
• "Net Art", in Digital Art, ed. Wolf Lieser, Potsdam: Ullmann, 2009.
• Tina Mariane Krogh Madsen, Keeping Ephemerality Alive: Preserving the Dynamic Materiality of Net Art, Aarhus: University of Aarhus, 2010. Master's thesis. [25]
• Jennifer Chan, "From Browser to Gallery (and Back): The Commodification of Net Art 1990-2011", 2011.
• Thomas Dreher, "VI.3 Netzkunst im Web", in Dreher, Geschichte der Computerkunst, Munich, 2011-12. (German)
  • "VI.3 Net Art in the Web", in Dreher, History of Computer Art, Munich, 2011-12.
• "Ill Communication: Anxiety and Identity in 1990s Net Art", in Come As You Are: Art of the 1990s, University of California Press & Montclair Museum of Art, 2014, pp 65-72.
• Sarah Cook, Marialaura Ghidini, "Internet art (net art)", Oxford Art Online, 2015.
• "Mission Interconnectedness: A Roundtable on 20 Years of Net Culture", with Konrad Becker, Josephine Berry Slater, Felix Stalder, and Pauline van Mourik Broekman, Mar 2015.
• Marialaura Ghidini, Curating Web-based Art Exhibitions: Mapping their Migration and Integration with Offline Formats of Production, University of Sunderland, 2015, 294 pp. PhD dissertation.
• Karin De Wild, et al., "Methods for studying the (after)lives of Internet art" (cont.), list discussion, CRUMB, 14 Nov-31 Dec 2016. [26]
• Megan Driscoll, "Color Coded: Mendi + Keith Obadike’s Black.Net.Art Actions and the Language of Computer Networks", The Black Scholar 47(3): "Black Code", 2017, pp 56-67.
• Emmanuel Guez, Morgane Stricot, Lionel Broye, Stéphane Bizet, "The Afterlives of Network-Based Artworks", Journal of the Institute of Conservation 40:2, 2017, pp 105-120.
• Lia Carreira, Experimental Curating in Times of the Perpetual Beta: Strategies and Platforms for Online-based Art, Krems: Danube University Krems, 2017, 138 pp. Master thesis.
• Andreas Gajdošík, "Konec průzkumu. Internetové umění v přechodu ke společnosti", Artalk.cz, Prague, 19 Dec 2018. (Czech)

More

• Publications on net art at Monoskop Log