Difference between revisions of "Serbia"

Revision as of 18:24, 20 August 2011

Zenit avant-garde magazine (published in Zagreb, 1921-1923, later in Belgrade, 1923-1926. Initiated by Ljubomir Micić, introduced constructivism, futurism and Dadaism to Croatia and Serbia.

Radovanović, Pignon, Devčić, Kalčič – Elektronski Studio Radio Beograda. PGP RTB, 1977. [1]
Various – Elektronski Studio Radio Beograda. PGP RTB, 3130037, 1985. [2]
Various – 30 Godina Elektronskog Studija Radio Beograda - Elektroakustička Muzika I - Izbor Dela Ostvarenih Od 1972. Do 2000. Godine. PGP RTS, CD 431333, 2002. [3]

Petar Milojević (emigrated to Canada in 1960), Zoran Radović (emigrated to Berlin in 1973)

video installations in 1980s: Marina Abramović, her performance works were documented on video (some initially on film, then transferred to video) in 1960s-70s while she lived in Belgrade; Raša Todosijević
1990s: Apsolutno, Miodrag Krkobabić, Era Milivojević, Vladimir Nikolić, Tanja Ostojić, Vesna Pavlović, Nikola Pilipović, Marija Vauda, SKART, Zoran Todorović, Milica Tomić

Videomedeja, annual video festival in Novi Sad, since 1996
'Elements of Normality. Video-documents and video-performances from Serbia in the 1990s', Cultural Centre Babel, Utrecht, 2006. Curated by Branislava Anđelković, Dejan Sretenović, and Branislav Dimitrijević. [4] [5]

Dejan Sretenović, "Video Art in Serbia". POGLED /VIEW/ series, Centre for Contemporary Art, Belgrade, 1999.

Dubravka Djuric and Misko Suvakovic (eds.), Impossible Histories: Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991, MIT Press, 2003. [6]
Irina Subotić, "Avant-Garde Tendencies in Yugoslavia", Art Journal, Vol. 49, No. 1, From Leningrad to Ljubljana: The Suppressed Avant-Gardes of East-Central and Eastern Europe during the Early Twentieth Century (Spring, 1990), pp. 21-27. Published by: College Art Association. [7]
Dejan Sretenovic lecture on Media Art in Serbia, MonteVideo/Amsterdam, 2 May 2000. [8]

	Countries avant-garde, modernism, experimental art, media culture, social practice
Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States

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 * Dubravka Djuric and Misko Suvakovic (eds.), ''Impossible Histories: Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991'', MIT Press, 2003. [http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=9567]
 * [[Irina Subotić]], "Avant-Garde Tendencies in Yugoslavia", ''Art Journal'', Vol. 49, No. 1, From Leningrad to Ljubljana: The Suppressed Avant-Gardes of East-Central and Eastern Europe during the Early Twentieth Century (Spring, 1990), pp. 21-27. Published by: College Art Association. [http://www.jstor.org/stable/777176]
+* Dejan Sretenovic lecture on Media Art in Serbia, MonteVideo/Amsterdam, 2 May 2000. [http://www.nettime.org/Lists-Archives/nettime-bold-0004/msg00119.html]
 {{Countries}}