Difference between revisions of "Dance"
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− | ==Dancers, choreographers== | + | ==Dancers, choreographers, initiatives== |
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− | == | + | ==Publications== |
* John Percival, ''[[Media:Percival_John_Experimental_Dance_1971.pdf|Experimental Dance]]'', London: Studio Vista, 1971; New York: Universe Books, 1971, 160 pp. | * John Percival, ''[[Media:Percival_John_Experimental_Dance_1971.pdf|Experimental Dance]]'', London: Studio Vista, 1971; New York: Universe Books, 1971, 160 pp. | ||
* Jill Johnston, ''Marmalade Me'', New York: Dutton, 1971; [http://libgen.rs/book/index.php?md5=5A3C04BA5775256594916C2351122560 new ed., exp.], University Press of New England, 1998. [http://jilljohnston.com/?q=node/8] | * Jill Johnston, ''Marmalade Me'', New York: Dutton, 1971; [http://libgen.rs/book/index.php?md5=5A3C04BA5775256594916C2351122560 new ed., exp.], University Press of New England, 1998. [http://jilljohnston.com/?q=node/8] | ||
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* [https://www.moma.org/interactives/exhibitions/2009/anothermodernart/ Another Modern Art: Dance and Theater], online companion to 2009 exhibition at MoMA | * [https://www.moma.org/interactives/exhibitions/2009/anothermodernart/ Another Modern Art: Dance and Theater], online companion to 2009 exhibition at MoMA | ||
* [https://touchingmargins.com/ Moving Margins], an alter-archive and educational platform for diverse dance practitioners and researchers to exchange and elaborate upon the possible encounters of a variety of dance histories, 2019ff | * [https://touchingmargins.com/ Moving Margins], an alter-archive and educational platform for diverse dance practitioners and researchers to exchange and elaborate upon the possible encounters of a variety of dance histories, 2019ff | ||
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+ | {{Artists cultures}} |
Latest revision as of 22:48, 14 February 2023
Dancers, choreographers, initiatives[edit]
Publications[edit]
- John Percival, Experimental Dance, London: Studio Vista, 1971; New York: Universe Books, 1971, 160 pp.
- Jill Johnston, Marmalade Me, New York: Dutton, 1971; new ed., exp., University Press of New England, 1998. [1]
- Ellen Graff, Stepping Left: Dance and Politics in New York City, 1928-1942, Durham: Duke University Press, 1997.
- Carolyn Brown, Chance and Circumstance: Twenty Years with Cage and Cunningham, New York: Alfred A. Knopf, 2007. Memoir.
- Robert Gottlieb, Reading Dance: A Gathering of Memoirs, Reportage, Criticism, Profiles, Interviews, and Some Uncategorizable Extras, New York, 2008.
- André Lepecki (ed.), Dance, London: Whitechapel Gallery, 2012, 240 pp.
- Cosmin Costinaş, Ana Janevski (eds.), Is the Living Body the Last Thing Left Alive? The New Performance Turn, Its Histories and Its Institutions, Hong Kong: Para Site, and Berlin: Sternberg Press, 2017, 224 pp. [2] [3]
- Claire Bishop, "Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention", TDR/The Drama Review 62:2, Summer 2018, pp 22-42.
- Jill Johnston, The Disintegration of a Critic, eds. Fiona McGovern, Megan Francis Sullivan, and Axel Wieder, Bergen: Sternberg, and Bergen: Bergen Kunsthall, 2019, 224 pp. Collection of thirty texts published in Johnston's weekly column for The Village Voice between 1960 and 1974. [4] [5]
Links[edit]
- Another Modern Art: Dance and Theater, online companion to 2009 exhibition at MoMA
- Moving Margins, an alter-archive and educational platform for diverse dance practitioners and researchers to exchange and elaborate upon the possible encounters of a variety of dance histories, 2019ff