Difference between revisions of "Serbia"
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==Experimental film== | ==Experimental film== | ||
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; Centres | ; Centres | ||
[[Kino Klub Beograd]] | [[Kino Klub Beograd]] | ||
| − | ; Festivals | + | ; Festivals and exhibitions |
* [[Alternative Film & Video Festival Belgrade]] (*1982) | * [[Alternative Film & Video Festival Belgrade]] (*1982) | ||
* Marčevska osmica, Novi Sad | * Marčevska osmica, Novi Sad | ||
| + | * [[This Is All Film! Experimental Film in Yugoslavia 1951-1991]], 2010-2011, Museum of Modern Art Ljubljana | ||
| + | ; Literature | ||
| + | * Ana Janevski (ed.): ''As Soon as I Open My Eyes I See a Film. Experiment in the Art of Yugoslavia in the 1960s and 1970s'', Museum of Modern Art, Warsaw, 2010. With essays by [[Ana Janevski]] (on experimental art and film in Yugoslavia), [[Stevan Vuković]] (on political upheaval in 1968 in Belgrade), and [[Łukasz Ronduda]] (on contacts between Yugoslav and Polish artists in the 1970s). [http://artmuseum.pl/wydarzenie.php?id=book_As_Soon_as_I_Open_My_Eyes_I_See_a_Film] | ||
==Computer and computer-aided art== | ==Computer and computer-aided art== | ||
Revision as of 11:23, 21 August 2011
Contents
Cities
Belgrade, Niš, Novi Sad, Pančevo.
Predecessors
- Zenit avant-garde magazine (published in Zagreb, 1921-1923, later in Belgrade, 1923-1926. Initiated by Ljubomir Micić, introduced constructivism, futurism and Dadaism to Croatia and Serbia.
Electroacoustic music
- Composers
Vladan Radovanović, Aleksandar Obradović, Paul Pignon, Andžej Dobrovoljski, Zoran Erić, Ivo Malec, Josip Kalčič, Srđan Hofman, Dušan Radić, Erne Kiraly
- Studios
- Releases
- Radovanović, Pignon, Devčić, Kalčič – Elektronski Studio Radio Beograda. PGP RTB, 1977. [1]
- Various – Elektronski Studio Radio Beograda. PGP RTB, 3130037, 1985. [2]
- Various – 30 Godina Elektronskog Studija Radio Beograda - Elektroakustička Muzika I - Izbor Dela Ostvarenih Od 1972. Do 2000. Godine. PGP RTS, CD 431333, 2002. [3]
Experimental film
- Centres
- Festivals and exhibitions
- Alternative Film & Video Festival Belgrade (*1982)
- Marčevska osmica, Novi Sad
- This Is All Film! Experimental Film in Yugoslavia 1951-1991, 2010-2011, Museum of Modern Art Ljubljana
- Literature
- Ana Janevski (ed.): As Soon as I Open My Eyes I See a Film. Experiment in the Art of Yugoslavia in the 1960s and 1970s, Museum of Modern Art, Warsaw, 2010. With essays by Ana Janevski (on experimental art and film in Yugoslavia), Stevan Vuković (on political upheaval in 1968 in Belgrade), and Łukasz Ronduda (on contacts between Yugoslav and Polish artists in the 1970s). [4]
Computer and computer-aided art
Petar Milojević (emigrated to Canada in 1960), Zoran Radović (emigrated to Berlin in 1973)
Video art
- video installations in 1980s: Marina Abramović, her performance works were documented on video (some initially on film, then transferred to video) in 1960s-70s while she lived in Belgrade; Raša Todosijević
- 1990s: Apsolutno, Miodrag Krkobabić, Era Milivojević, Vladimir Nikolić, Tanja Ostojić, Vesna Pavlović, Nikola Pilipović, Marija Vauda, SKART, Zoran Todorović, Milica Tomić
- Festivals and exhibitions
- Videomedeja, annual video festival in Novi Sad, since 1996
- 'Elements of Normality. Video-documents and video-performances from Serbia in the 1990s', Cultural Centre Babel, Utrecht, 2006. Curated by Branislava Anđelković, Dejan Sretenović, and Branislav Dimitrijević. [5] [6]
- Literature
- Dejan Sretenović, "Video Art in Serbia". POGLED /VIEW/ series, Centre for Contemporary Art, Belgrade, 1999.
- Barbara Borčić, "Video Art from Conceptualism to Postmodernism". [7]
- Marijan Susovski, "Video u Jugoslaviji", Spot, no. 10, Zagreb 1977.
- Raša Todosijević, Video, Videosfera: video/društvo/umetnost ("The Video: Videosphere: video/society/art"), Studentski izdavački centar, ed. Mihailo Ristić, Belgrade 1986.
- VIDEOGRAFIJA regiona = Videography of the Region : 2006-2009 : [katalog projekta = project catalogue] / [priređivač, edited by Aleksandra Sekulić]. - Beograd : Dom kulture “Studentski grad”, 2009 (Beograd : Alta Nova). - 245 str. : ilustr. ; 24 cm [8]
Art theory and art history
László Kerekes, Irina Subotić, Dejan Sretenović
Publications
- Dubravka Djuric and Misko Suvakovic (eds.), Impossible Histories: Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991, MIT Press, 2003. [9]
- Irina Subotić, "Avant-Garde Tendencies in Yugoslavia", Art Journal, Vol. 49, No. 1, From Leningrad to Ljubljana: The Suppressed Avant-Gardes of East-Central and Eastern Europe during the Early Twentieth Century (Spring, 1990), pp. 21-27. Published by: College Art Association. [10]
- Dejan Sretenovic lecture on Media Art in Serbia, MonteVideo/Amsterdam, 2 May 2000. [11]
| Countries avant-garde, modernism, experimental art, media culture, social practice |
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Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States | ||
