Difference between revisions of "Series:Computer art"
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Frieder Nake. http://leoalmanac.org/journal/Vol_13/lea_v13_n05.txt | Frieder Nake. http://leoalmanac.org/journal/Vol_13/lea_v13_n05.txt | ||
+ | ; Literature | ||
+ | * Thomas Dreher, ''Geschichte der Computerkunst'', [http://iasl.uni-muenchen.de/links/GCA_Index.html] | ||
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+ | {{Media art and culture}} |
Revision as of 11:11, 5 December 2011
"Computer art", here, is the generation of aesthetic objects with the aid of software on a digital computer. Its history started in 1965. Three exhibitions took place that year, which are acknowledged as first public presentations of digital art: Georg Nees at the Studiengalerie of the University of Stuttgart (5-19 February 1965); A. Michael Noll and Bela Julesz at Howard Wise Gallery, New York (6-24 April 1965); Frieder Nake and Georg Nees at Galerie Wendelin Niedlich, Stuttgart (5-26 November 1965)... The picture changes slightly, when we closely look at the time when these researcher-artists started their experiments in algorithmic art: Noll in 1962, Nake in 1963, Nees in 1964. All these dates refer to "digital" art and computers. Ben F. Laposky had started to work with analogue equipment in 1952. Herbert W. Franke followed in Austria in 1959, and Kurd Alsleben in Hamburg around 1960. Frieder Nake. http://leoalmanac.org/journal/Vol_13/lea_v13_n05.txt
- Literature
- Thomas Dreher, Geschichte der Computerkunst, [1]
- REDIRECT Template:Art and culture
Pages in series "Computer art"
The following 89 pages are in this series, out of 89 total.
B
C
- Zdeňka Čechová
- Savel Cheptea
- Harold Cohen
- Compos 68
- Computer and Art
- Computer Art in ČSSR and in the World
- Computer grafik
- Computer Graphic
- Computer Graphics Art (Prague, 1982)
- Computer Graphics in Fine Arts
- Computerkunst - On the Eve of Tomorrow
- Computers and Automation
- Waldemar Cordeiro
- Charles Csuri
- Cybernetic Serendipity