Difference between revisions of "Artists publishing"
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** [[Media:Lissitzky_El_1926_1967_The_Future_of_the_Book.pdf|"The Future of the Book"]], ''New Left Review'' 41, Jan-Feb 1967, pp 39-44. {{en}} | ** [[Media:Lissitzky_El_1926_1967_The_Future_of_the_Book.pdf|"The Future of the Book"]], ''New Left Review'' 41, Jan-Feb 1967, pp 39-44. {{en}} | ||
** [[Media:Lissitzky_El_1926_2009_Our_Book.pdf|"Our Book"]], trans. Helene Aldwinckle and Mary Whittall, in Lissitzky-Küppers, ''El Lissitzky'', 1968; repr. in ''Graphic Design Theory: Readings From the Field'', ed. Helen Armstrong, Princeton, 2009, pp 25-31. {{en}} | ** [[Media:Lissitzky_El_1926_2009_Our_Book.pdf|"Our Book"]], trans. Helene Aldwinckle and Mary Whittall, in Lissitzky-Küppers, ''El Lissitzky'', 1968; repr. in ''Graphic Design Theory: Readings From the Field'', ed. Helen Armstrong, Princeton, 2009, pp 25-31. {{en}} | ||
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+ | * Audrey Isselbacher, ''[[Media:Isselbacher_Audrey_Iliazd_and_the_Illustrated_Book_1987.pdf|Iliazd and the Illustrated Book]]'', New York: Museum of Modern Art, 1987, 85 pp. Catalogue. [http://moma.org/calendar/exhibitions/1763?locale=en] | ||
* [http://visiblelanguagejournal.com/issue/95 ''Visible Language'' 25(2-3): "The Artist’s Book: The Text and Its Rivals"], ed. Renée Riese Hubert, Apr 1991. | * [http://visiblelanguagejournal.com/issue/95 ''Visible Language'' 25(2-3): "The Artist’s Book: The Text and Its Rivals"], ed. Renée Riese Hubert, Apr 1991. | ||
− | + | * Ralph Jentsch, ''[[Media:Jentsch_Ralph_The_Artist_and_the_Book_in_20th-Century_Italy_1992.pdf|The Artist and the Book in Twentieth-Century Italy]]'', Turin: Umberto Allemandi, and New York: Museum of Modern Art, 1992, 341 pp. Catalogue. [http://moma.org/calendar/exhibitions/377?locale=en] | |
+ | * Riva Castleman, ''[[Media:Castleman_Riva_A_Century_of_Artists_Books_1994.pdf|A Century of Artists Books]]'', New York: Museum of Modern Art, 1994, 263 pp. Catalogue. [http://moma.org/calendar/exhibitions/439?locale=en] | ||
* ''[http://www.journalofartistsbooks.org/past The Journal of Artists' Books]'', ed. Brad Freeman, since 1994. [http://www.artistsbooksonline.org/works/ja01.xml] | * ''[http://www.journalofartistsbooks.org/past The Journal of Artists' Books]'', ed. Brad Freeman, since 1994. [http://www.artistsbooksonline.org/works/ja01.xml] | ||
** [http://www.journalofartistsbooks.org/past/pdfs/JAB12.pdf ''The Journal of Artists' Books'' 12: "Experimental Narrative and Artists' Books"], ed. Johanna Drucker, Fall 1999, [http://www.artistsbooksonline.org/works/ja12/imageindex/1.1.1.0.xml JPGs]. Exhibition catalogue. | ** [http://www.journalofartistsbooks.org/past/pdfs/JAB12.pdf ''The Journal of Artists' Books'' 12: "Experimental Narrative and Artists' Books"], ed. Johanna Drucker, Fall 1999, [http://www.artistsbooksonline.org/works/ja12/imageindex/1.1.1.0.xml JPGs]. Exhibition catalogue. | ||
** [http://www.journalofartistsbooks.org/past/pdfs/JAB15.pdf ''The Journal of Artists' Books'' 15: "Book Unbound"], ed. Cathy Byrd, Spring 2001, [http://www.artistsbooksonline.org/works/ja15/imageindex/1.1.1.0.xml JPGs]. Exhibition catalogue. | ** [http://www.journalofartistsbooks.org/past/pdfs/JAB15.pdf ''The Journal of Artists' Books'' 15: "Book Unbound"], ed. Cathy Byrd, Spring 2001, [http://www.artistsbooksonline.org/works/ja15/imageindex/1.1.1.0.xml JPGs]. Exhibition catalogue. | ||
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* Johanna Drucker, ''The Century of Artists’ Books'', New York: Granary Books, 1995; 2nd ed., 2004, 377 pp. [http://www.granarybooks.com/books/drucker2/drucker2.html ch 1], [http://www.arts.ucsb.edu/faculty/reese/classes/artistsbooks/Johanna%20Drucker,%20TCofAB,%20Chpt.%201.pdf ch 1]. [http://www.granarybooks.com/book/41/Johanna_Drucker+The_Century_of_Artists_Books/] | * Johanna Drucker, ''The Century of Artists’ Books'', New York: Granary Books, 1995; 2nd ed., 2004, 377 pp. [http://www.granarybooks.com/books/drucker2/drucker2.html ch 1], [http://www.arts.ucsb.edu/faculty/reese/classes/artistsbooks/Johanna%20Drucker,%20TCofAB,%20Chpt.%201.pdf ch 1]. [http://www.granarybooks.com/book/41/Johanna_Drucker+The_Century_of_Artists_Books/] | ||
* Charles Alexander (ed.), ''[http://monoskop.org/log/?p=11329 Talking the Boundless Book: Art, Language, & the Book Arts]'', Minnesota Center for Book Arts, 1995, 144 pp. | * Charles Alexander (ed.), ''[http://monoskop.org/log/?p=11329 Talking the Boundless Book: Art, Language, & the Book Arts]'', Minnesota Center for Book Arts, 1995, 144 pp. | ||
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* Stefan Klima, ''Artists Books: A Critical Survey of the Literature'', New York: Granary Books, 1998, 104 pp. [http://media.smith.edu/media/ereserves/pdf_files/hillyer/k-o/klima_beginning.pdf Excerpt], [http://www.granarybooks.com/book/83/Stefan_Klima+Artists_Books_A_Critical_Survey_of_the_Literature/]. | * Stefan Klima, ''Artists Books: A Critical Survey of the Literature'', New York: Granary Books, 1998, 104 pp. [http://media.smith.edu/media/ereserves/pdf_files/hillyer/k-o/klima_beginning.pdf Excerpt], [http://www.granarybooks.com/book/83/Stefan_Klima+Artists_Books_A_Critical_Survey_of_the_Literature/]. | ||
* Renée Riese Hubert, Judd D. Hubert, ''The Cutting Edge of Reading: Artists’ Books'', New York: Granary Books, 1999, 280 pp. [http://www.granarybooks.com/book/77/Renee_Riese_Hubert_Judd_D_Hubert+The_Cutting_Edge_of_Reading_Artists_Books/] | * Renée Riese Hubert, Judd D. Hubert, ''The Cutting Edge of Reading: Artists’ Books'', New York: Granary Books, 1999, 280 pp. [http://www.granarybooks.com/book/77/Renee_Riese_Hubert_Judd_D_Hubert+The_Cutting_Edge_of_Reading_Artists_Books/] | ||
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* {{a|MoMA2002}} Margit Rowell, Deborah Wye, ''[https://monoskop.org/log/?p=17545 The Russian Avant-Garde Book, 1910-1934]'', New York: Museum of Modern Art, 2002, 304 pp. [http://www.moma.org/interactives/exhibitions/2002/russian/] [http://moma.org/calendar/exhibitions/155?locale=en] | * {{a|MoMA2002}} Margit Rowell, Deborah Wye, ''[https://monoskop.org/log/?p=17545 The Russian Avant-Garde Book, 1910-1934]'', New York: Museum of Modern Art, 2002, 304 pp. [http://www.moma.org/interactives/exhibitions/2002/russian/] [http://moma.org/calendar/exhibitions/155?locale=en] | ||
** ''[https://monoskop.org/log/?p=17545 El libro ruso de vanguardia, 1910-1934]'', New York: Museum of Modern Art, and Madrid: Museo Nacional Centro de Arte Reina Sofia, 2003, 304 pp. {{es}} | ** ''[https://monoskop.org/log/?p=17545 El libro ruso de vanguardia, 1910-1934]'', New York: Museum of Modern Art, and Madrid: Museo Nacional Centro de Arte Reina Sofia, 2003, 304 pp. {{es}} | ||
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* ''Art Libraries'' 32(2): "Artists' ́Books", 2007. [http://www.arlis.net/sites/arlis.net/files/alj_abstract_2007_32_2.pdf Abstracts]. | * ''Art Libraries'' 32(2): "Artists' ́Books", 2007. [http://www.arlis.net/sites/arlis.net/files/alj_abstract_2007_32_2.pdf Abstracts]. | ||
* ''In Numbers: Serial Publications by Artists Since 1955'', eds. Philip E Aarons and Andrew Roth, Zurich: JRP Ringier, 2009, 440 pp. [http://balticplus.uk/in-numbers-serial-publications-by-artists-since-1955-c27294/] | * ''In Numbers: Serial Publications by Artists Since 1955'', eds. Philip E Aarons and Andrew Roth, Zurich: JRP Ringier, 2009, 440 pp. [http://balticplus.uk/in-numbers-serial-publications-by-artists-since-1955-c27294/] | ||
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* Sarah Bodman, Tom Sowden, ''[http://www.bookarts.uwe.ac.uk/pdf/publications/manifesto-of-the-book.pdf A Manifesto for the Book]'', Bristol: Impact Press, 2010, 185 pp. | * Sarah Bodman, Tom Sowden, ''[http://www.bookarts.uwe.ac.uk/pdf/publications/manifesto-of-the-book.pdf A Manifesto for the Book]'', Bristol: Impact Press, 2010, 185 pp. | ||
* Anna Sigrídur Arnar, ''The Book as Instrument: Stéphane Mallarmé, The Artist's Book, and the Transformation of Print Culture'', University of Chicago Press, 2011, xi+395 pp. [http://www.bookasinstrument.com/] [http://www.press.uchicago.edu/ucp/books/book/chicago/B/bo5886904.html]. Reviews: [http://artinprint.org/review/the-book-as-instrument/ Salsbury] (AiP 2012), [http://www.caareviews.org/reviews/1889 Roos] (CAA 2012), [http://sci-hub.cc/10.1007/s12109-012-9277-0 Norrick-Rühl] (PRQ 2012), [http://academia.edu/8742154/ Wiedenfeld] (MLN 2013), [http://www.h-france.net/vol13reviews/vol13no174abbott.pdf Abbott] (H-France 2013), [http://sci-hub.cc/10.1080/00043079.2013.10786075 Palermo] (AB 2013), [http://bbf.enssib.fr/consulter/bbf-2013-02-0098-004 Melot] (BBF 2013 FR). {{en}} | * Anna Sigrídur Arnar, ''The Book as Instrument: Stéphane Mallarmé, The Artist's Book, and the Transformation of Print Culture'', University of Chicago Press, 2011, xi+395 pp. [http://www.bookasinstrument.com/] [http://www.press.uchicago.edu/ucp/books/book/chicago/B/bo5886904.html]. Reviews: [http://artinprint.org/review/the-book-as-instrument/ Salsbury] (AiP 2012), [http://www.caareviews.org/reviews/1889 Roos] (CAA 2012), [http://sci-hub.cc/10.1007/s12109-012-9277-0 Norrick-Rühl] (PRQ 2012), [http://academia.edu/8742154/ Wiedenfeld] (MLN 2013), [http://www.h-france.net/vol13reviews/vol13no174abbott.pdf Abbott] (H-France 2013), [http://sci-hub.cc/10.1080/00043079.2013.10786075 Palermo] (AB 2013), [http://bbf.enssib.fr/consulter/bbf-2013-02-0098-004 Melot] (BBF 2013 FR). {{en}} |
Revision as of 10:03, 18 September 2016
Archives
- Archive Artist Publications, by Hubert Kretschmer, Munich.
Online repositories
- Artists' books on Monoskop Log
- Artists' books of the Russian avant-garde
- Fluxus#Works
- Artists' Books Online, an online repository of facsimiles, metadata, and criticism. Director: Johanna Drucker, project manager: Eric Rettberg.
- Post-Digital Publishing Archive, Projects and Artworks at the Intersection of Publishing and Digital Technology. Maintained by Silvio Lorusso.
- What will be the canon for the artist’s book in the 21st Century?, a research project by the University of the West of England, 2008-10.
Resources
- Kunstenaarsboeken (artists' books) uit Nederland en België deel 1: de jaren '70 en '80, blog. (Dutch)
- The Expansion of the Artist Book, 1960-1980, Archivo Lafuente. (English)/(Spanish)
- Transforming Artist Books, research project, Tate, 2012.
- What Is an Artist Book?, curated by Giorgio Maffei, Palacete del Embarcadero, Santander, Aug 2014-Jan 2015.
- Livro de Artista, blog about the collection at Universidade Federal de Minas Gerais, Brazil.
Recent exhibitions
- Diamond Leaves:Brilliant Artist Books from Around the World, CAFA Art Museum, Beijing, 2012. Curated by Xu Bing and Marshall Weber. [1]
Literature
- El Lissitzky, "Unser Buch", in Gutenberg Jahrbuch 1927, ed. Alois Ruppel, Mainz: Gutenberg-Gesellschaft, 1926-27. (German)
- "The Future of the Book", New Left Review 41, Jan-Feb 1967, pp 39-44. (English)
- "Our Book", trans. Helene Aldwinckle and Mary Whittall, in Lissitzky-Küppers, El Lissitzky, 1968; repr. in Graphic Design Theory: Readings From the Field, ed. Helen Armstrong, Princeton, 2009, pp 25-31. (English)
- Audrey Isselbacher, Iliazd and the Illustrated Book, New York: Museum of Modern Art, 1987, 85 pp. Catalogue. [2]
- Visible Language 25(2-3): "The Artist’s Book: The Text and Its Rivals", ed. Renée Riese Hubert, Apr 1991.
- Ralph Jentsch, The Artist and the Book in Twentieth-Century Italy, Turin: Umberto Allemandi, and New York: Museum of Modern Art, 1992, 341 pp. Catalogue. [3]
- Riva Castleman, A Century of Artists Books, New York: Museum of Modern Art, 1994, 263 pp. Catalogue. [4]
- The Journal of Artists' Books, ed. Brad Freeman, since 1994. [5]
- The Journal of Artists' Books 12: "Experimental Narrative and Artists' Books", ed. Johanna Drucker, Fall 1999, JPGs. Exhibition catalogue.
- The Journal of Artists' Books 15: "Book Unbound", ed. Cathy Byrd, Spring 2001, JPGs. Exhibition catalogue.
- Johanna Drucker, The Century of Artists’ Books, New York: Granary Books, 1995; 2nd ed., 2004, 377 pp. ch 1, ch 1. [6]
- Charles Alexander (ed.), Talking the Boundless Book: Art, Language, & the Book Arts, Minnesota Center for Book Arts, 1995, 144 pp.
- Johanna Drucker, "The Self-Conscious Codex: Artists' Books and Electronic Media", SubStance 26(1): "Metamorphoses of the Book", 1997, pp 93-112.
- Stefan Klima, Artists Books: A Critical Survey of the Literature, New York: Granary Books, 1998, 104 pp. Excerpt, [7].
- Renée Riese Hubert, Judd D. Hubert, The Cutting Edge of Reading: Artists’ Books, New York: Granary Books, 1999, 280 pp. [8]
- Margit Rowell, Deborah Wye, The Russian Avant-Garde Book, 1910-1934, New York: Museum of Modern Art, 2002, 304 pp. [9] [10]
- El libro ruso de vanguardia, 1910-1934, New York: Museum of Modern Art, and Madrid: Museo Nacional Centro de Arte Reina Sofia, 2003, 304 pp. (Spanish)
- Jaroslav Andel, Avant Garde Book Design, 1900-1950, New York: Delano Greenidge Editions, 2002, 388 pp. Review: Margolin (DI 2003).
- Duncan Chappell, "Typologising the Artist's Book", Art Libraries 28:4 (2003), pp 12-20.
- Art Libraries 32(2): "Artists' ́Books", 2007. Abstracts.
- In Numbers: Serial Publications by Artists Since 1955, eds. Philip E Aarons and Andrew Roth, Zurich: JRP Ringier, 2009, 440 pp. [11]
- Sarah Bodman, Tom Sowden, A Manifesto for the Book, Bristol: Impact Press, 2010, 185 pp.
- Anna Sigrídur Arnar, The Book as Instrument: Stéphane Mallarmé, The Artist's Book, and the Transformation of Print Culture, University of Chicago Press, 2011, xi+395 pp. [12] [13]. Reviews: Salsbury (AiP 2012), Roos (CAA 2012), Norrick-Rühl (PRQ 2012), Wiedenfeld (MLN 2013), Abbott (H-France 2013), Palermo (AB 2013), Melot (BBF 2013 FR). (English)
- Clive Phillpot, Booktrek: Selected Essays on Artists' Books (1972-2010), ed. Lionel Bovier, Zurich: JRP Ringier, 2013, 286 pp. [14]
- Art Libraries 38(3): "Artists' ́Publications", 2013. Abstracts.
- Janneke Adema, Gary Hall, "The Political Nature of the Book: On Artists' Books and Radical Open Access", 2014.
- Tony White, "The Evolution of Artists’ Publishing", Art Documentation 33:2 (Sep 2014), pp 227-242.
- Albert Coers, Kunstkatalog—Katalogkunst. Der Ausstellungskatalog als künstlerisches Medium am Beispiel von Thomas Demand, Tobias Rehberger und Olafur Eliasson, Berlin: De Gruyter, 2015. (German)
- Amanda C.R. Clark, "Contemporary Chinese Artists' Books: New Artistic Voices in a Time of Transition", Art Documentation 34:1 (Spring 2015), pp 15-28. [15]
- more, more, more.
- Reader
- Everything in the World: A Book Arts Reader, ed. Harry Reese, 2007. For an UCSB class.