Video art

From Monoskop
Jump to navigation Jump to search

Artists, collectives, events

Artists (cont.)

Peggy Ahwesh, Francis Alÿs, Atlas Group, John Baldessari, Yael Bartana, Lynda Benglis, Guy Ben Ner, Sadie Benning, Dara Birnbaum, Colin Campbell, Peter Campus, Aleesa Cohene, Phil Collins, Omer Fast, Fischli & Weiss, General Idea, Douglas Gordon, Dan Graham, Halflifers, David Hall, Gary Hill, Nancy Holt, Joan Jonas, Mike Kelley, Michael Klier, Sharon Lockhart, Deirdre Logue, Paul McCarthy, Karen Mirza & Brad Butler, Robert Morris, Muntadas, Annabel Nicholson, Dennis Oppenheim, Charlemagne Palestine, Paper Tiger Television, Lis Rhodes, Christoph Schlingensief, John Smith, Lisa Steele, Surveillance Camera Players, Aldo Tambellini, Sam Taylor-Wood, Ryan Trecartin, Vasulkas, Hannah Wilke, Artur Żmijewski.

TV as a Creative Medium, 1969, PDF. Catalogue.
Radical Software magazine, 1970-74, Log, PDFs.
Gene Youngblood, Expanded Cinema, 1970, Log, PDF.
Art Journal 45(3): "Video: The Reflexive Medium", 1985, Log, PDF.
David Dunn (ed.), Eigenwelt Der Apparatewelt: Pioneers of Electronic Art, 1992, Log.

Publications

Catalogues

Artists' writings

Magazines
  • Radical Software magazine, 11 issues, 1970-74, Log, PDFs.
  • Avalanche 9: "Video Performance", ed. Liza Bear, New York: Kineticism Press, May-Jun 1974, 29 pp. [2]
Books

Art history and theory

Books
  • Gene Youngblood, Expanded Cinema, intro. R. Buckminster Fuller, New York: Dutton, 1970, 432 pp.
  • Michael Shamberg, Raindance Corporation, Guerrilla Television, New York, Chicago, San Francisco: Holt Rinehart and Winstin, 1971. [3]
  • Paul Ryan, Birth And Death And Cybernation: Cybernetics of the Sacred, New York: Gordon & Breach, 1973.
  • Ira Schneider, Beryl Korot (eds.), Video Art: An Anthology, New York: Harcourt Brace Jovanovich, 1976. Contributions from 70 video artists.
  • Peggy Gale (ed.), Video by Artists, Toronto: Art Metropole, 1976. [4]
  • Johanna Gill, Video: State of the Art, Rockefeller Foundation, 1976, 56 pp, HTML.
  • Jonathan Price, Video Visions: A Medium Discovers Itself, New York: New American Library, 1977.
  • Gregory Battcock (ed.), New Artists Video: A Critical Anthology, New York: E.P.Dutton, 1978, xxii+198 pp. [5]
  • John Hanhardt (ed.), Video Culture: A Critical Investigation, Layton, UT: Peregrine Smith Books, and Rochester, NY: Visual Studies Workshop Press, 1986, 296 pp, OL.
  • Lori Zippay (ed.), Artists' Video: An International Guide, New York: Cross River Press, 1991, 272 pp.
  • Doug Hall, Sally Jo Fifer (eds.), Illuminating Video: An Essential Guide to Video Art, New York: Aperture Press, 1991.
  • David Dunn (ed.), Eigenwelt Der Apparatewelt: Pioneers of Electronic Art, Santa Fe: The Vasulkas, 1992, 240 pp.
  • Michael Renov, Erika Suderburg (eds.), Resolutions: Contemporary Video Practices, University of Minnesota Press, 1996.
  • Deidre Boyle, Subject to Change: Guerrilla Television Revisited, Oxford University Press, 1997.
  • Yvonne Speilmann, Video: das reflexive Medium, Frankfurt am Main: Suhrkamp, 2005. (German)
    • Video: The Reflexive Medium, trans. Anja Welle and Stan Jones, MIT Press, 2007, 384 pp. TOC, Index, [6].
  • Nancy Cain, Video Days and What We Saw Through the Viewfinder, Palm Springs: Event Horizon Press, 2011.
  • Helen Westgeest, Video Art Theory: A Comparative Approach, Wiley-Blackwell, 2015.
  • Malin Hedlin Hayden, Video Art Historicized: Traditions and Negotiations, Ashgate, 2015. [7]
Journal issues
Book chapters, Papers, Articles
Bibliography and Chronology
Dissertations

More

Resources

See also