Difference between revisions of "Computer art"

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* Beau Sievers, [http://beausievers.com/bhqfu/computer_art/ "Irony & Utopia: History of Computer Art"], a course at Bruce High Quality Foundation University. Spring and summer sessions, 2010.  
 
* Beau Sievers, [http://beausievers.com/bhqfu/computer_art/ "Irony & Utopia: History of Computer Art"], a course at Bruce High Quality Foundation University. Spring and summer sessions, 2010.  
 
* [http://www.computerkunst.org/Lit_early_dig_computerart.html Bibliography compiled by Christoph Kluetsch]
 
* [http://www.computerkunst.org/Lit_early_dig_computerart.html Bibliography compiled by Christoph Kluetsch]
* [http://monoskop.org/log/?tag=computer-art Publications on computer art at Monoskop Log]
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* [http://{{SERVERNAME}}/log/?tag=computer-art Publications on computer art at Monoskop Log]
  
 
==See also==
 
==See also==

Revision as of 00:00, 24 July 2015

'Computer art' is the generation of aesthetic objects with the aid of software on a digital computer. Its history started in 1965. Three exhibitions took place that year, which are acknowledged as first public presentations of digital art: Georg Nees at the Studiengalerie of the University of Stuttgart (5-19 February 1965); A. Michael Noll and Bela Julesz at Howard Wise Gallery, New York (6-24 April 1965); Frieder Nake and Georg Nees at Galerie Wendelin Niedlich, Stuttgart (5-26 November 1965)... The picture changes slightly, when we closely look at the time when these researcher-artists started their experiments in algorithmic art: Noll in 1962, Nake in 1963, Nees in 1964. All these dates refer to "digital" art and computers. Ben F. Laposky had started to work with analogue equipment in 1952. Herbert W. Franke followed in Austria in 1959, and Kurd Alsleben in Hamburg around 1960."
Frieder Nake

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