Difference between revisions of "Experimental film"

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** trans., in Deren, '' El universo dereniano: textos fundamentales de la cineasta Maya Deren'', intro., ed. & trans. Carolina Martínez López, Cuenca: Servicio de Publicaciones de la Universidad de Castilla-La Mancha, 2015. {{es}}
 
** trans., in Deren, '' El universo dereniano: textos fundamentales de la cineasta Maya Deren'', intro., ed. & trans. Carolina Martínez López, Cuenca: Servicio de Publicaciones de la Universidad de Castilla-La Mancha, 2015. {{es}}
 
** trans., in Deren, ''Ma ya.de lun lun dian ying'' [玛雅.德伦论电影], Chang chun: Ji lin chu ban ji tuan, 2015. {{cn}}
 
** trans., in Deren, ''Ma ya.de lun lun dian ying'' [玛雅.德伦论电影], Chang chun: Ji lin chu ban ji tuan, 2015. {{cn}}
 +
 
* Frank Stauffacher (ed.), ''Art in Cinema: A Symposium on the Avantgarde Film, Together with Program Notes and References for Series One of Art in Cinema'', San Francisco: Art in Cinema Society: San Francisco Museum of Art, 1947, 104 pp; repr., New York: Arno Press, 1968, 104 pp. [http://sci-hub.tw/10.1080/00119253.1947.10742584]  
 
* Frank Stauffacher (ed.), ''Art in Cinema: A Symposium on the Avantgarde Film, Together with Program Notes and References for Series One of Art in Cinema'', San Francisco: Art in Cinema Society: San Francisco Museum of Art, 1947, 104 pp; repr., New York: Arno Press, 1968, 104 pp. [http://sci-hub.tw/10.1080/00119253.1947.10742584]  
 +
 
* Roger Manvell (ed.), ''[http://archive.org/details/experimentinfilm00unse Experiment in the Film]'', London: Grey Walls Press, 1949, 285 pp.
 
* Roger Manvell (ed.), ''[http://archive.org/details/experimentinfilm00unse Experiment in the Film]'', London: Grey Walls Press, 1949, 285 pp.
 +
 
* Peter Weiss, ''Avantgardefilm'', Stockholm: Wahlström & Widstrand, 1956, 147 pp. [https://monoskop.org/images/1/11/Andersson_Sundholm_Widding_A_History_of_Swedish_Experimental_Film_Culture_From_Early_Animation_to_Video_Art_no_images.pdf#page=31] {{sw}}
 
* Peter Weiss, ''Avantgardefilm'', Stockholm: Wahlström & Widstrand, 1956, 147 pp. [https://monoskop.org/images/1/11/Andersson_Sundholm_Widding_A_History_of_Swedish_Experimental_Film_Culture_From_Early_Animation_to_Video_Art_no_images.pdf#page=31] {{sw}}
 
** ''Avantgarde Film'', trans. Beat Mazenauer, Frankfurt am Main: Suhrkamp, 1995, 207 pp. {{de}}
 
** ''Avantgarde Film'', trans. Beat Mazenauer, Frankfurt am Main: Suhrkamp, 1995, 207 pp. {{de}}
 +
 
* Stan Brakhage, ''[http://monoskop.org/log/?p=7736 Metaphors on Vision]'', ed. & intro. P. Adams Sitney, Film Culture, 1963.  
 
* Stan Brakhage, ''[http://monoskop.org/log/?p=7736 Metaphors on Vision]'', ed. & intro. P. Adams Sitney, Film Culture, 1963.  
 +
 
* Sheldon Renan, ''[http://archive.org/details/introductiontoam00rena An Introduction to the American Underground Film]'', New York: Dutton, 1967, 318 pp; 2nd ed. as ''The Underground Film: an Introduction to Its Development in America'', London: Studio Vista, 1967, 318 pp.
 
* Sheldon Renan, ''[http://archive.org/details/introductiontoam00rena An Introduction to the American Underground Film]'', New York: Dutton, 1967, 318 pp; 2nd ed. as ''The Underground Film: an Introduction to Its Development in America'', London: Studio Vista, 1967, 318 pp.
 +
 
* ''Cinema Now: Stan Brakhage, John Cage, Jonas Mekas, Stan Vanderbeek'', eds. Hector Currie and Michael Porte, University of Cincinnati Press, 1968, 28 pp. Transcript of a discussion among filmmakers and members of the Film as Art and Communication class at the University of Cincinnati, which took place in April 1967.
 
* ''Cinema Now: Stan Brakhage, John Cage, Jonas Mekas, Stan Vanderbeek'', eds. Hector Currie and Michael Porte, University of Cincinnati Press, 1968, 28 pp. Transcript of a discussion among filmmakers and members of the Film as Art and Communication class at the University of Cincinnati, which took place in April 1967.
 +
 
* Parker Tyler, ''Underground Film: A Critical History'', New York: Grove Press, 1969, 249+[32] pp; London: Secker & Warburg, 1969, 249+[32] pp; Harmondsworth: Penguin, 1974, 240+[16] pp; repr., intro. J. Hoberman, afterw. Charles Boultenhouse, New York: Da Capo Press, 1995, 265+[16] pp.
 
* Parker Tyler, ''Underground Film: A Critical History'', New York: Grove Press, 1969, 249+[32] pp; London: Secker & Warburg, 1969, 249+[32] pp; Harmondsworth: Penguin, 1974, 240+[16] pp; repr., intro. J. Hoberman, afterw. Charles Boultenhouse, New York: Da Capo Press, 1995, 265+[16] pp.
 +
 
* Gene Youngblood, ''[http://monoskop.org/log/?p=218 Expanded Cinema]'', intro. R. Buckminster Fuller, New York: Dutton, 1970, 432+[6] pp; 50th anniv.ed., Fordham University Press, 2020.
 
* Gene Youngblood, ''[http://monoskop.org/log/?p=218 Expanded Cinema]'', intro. R. Buckminster Fuller, New York: Dutton, 1970, 432+[6] pp; 50th anniv.ed., Fordham University Press, 2020.
 
** ''Cine expandido'', Buenos Aires: Eduntref, 2012, 456 pp. [http://eduntref.com.ar/catalogo/cine-expandido/] {{es}}
 
** ''Cine expandido'', Buenos Aires: Eduntref, 2012, 456 pp. [http://eduntref.com.ar/catalogo/cine-expandido/] {{es}}
 
** ''Expanded cinema'', trans. Pier Luigi Capucci and Simonetta Fadda, Bologna: CLUEB, 2013, xvi+388 pp. {{it}}
 
** ''Expanded cinema'', trans. Pier Luigi Capucci and Simonetta Fadda, Bologna: CLUEB, 2013, xvi+388 pp. {{it}}
 +
 
* Birgit Hein, ''Film im Underground. Von seinen Anfangen bis zum Unabhangigen Kino'', Frankfurt/Berlin/Vienna: Ullstein, 1971. {{de}}
 
* Birgit Hein, ''Film im Underground. Von seinen Anfangen bis zum Unabhangigen Kino'', Frankfurt/Berlin/Vienna: Ullstein, 1971. {{de}}
 +
 
* David Curtis, ''Experimental Cinema: A Fifty Year Evolution'', London, Studio Vista, 1971. [http://archive.org/details/structuralCinemaDavidCurtis]
 
* David Curtis, ''Experimental Cinema: A Fifty Year Evolution'', London, Studio Vista, 1971. [http://archive.org/details/structuralCinemaDavidCurtis]
 +
 
* Jonas Mekas, ''[[Media:Mekas_Jonas_Movie_Journal_The_Rise_of_a_New_American_Cinema_1959-1971_1972.pdf|Movie Journal: The Rise of New American Cinema, 1959-1971]]'', New York: Macmillan, 1972, 434 pp; [http://library.memoryoftheworld.org/#/book/75bbc772-d614-489a-9b78-3088c3939ea4 2nd ed.], forew. Peter Bogdanovich, intro. Gregory Smulewicz-Zucker, Columbia University Press, 2016, 496 pp. A collection of the columns written for the Village Voice beginning in 1958 under the title "Movie Journal". Review: [http://www.undergroundfilmjournal.com/movie-journal-the-rise-of-the-new-american-cinema-1959-1971/ Everleth] (UFJ 2007).
 
* Jonas Mekas, ''[[Media:Mekas_Jonas_Movie_Journal_The_Rise_of_a_New_American_Cinema_1959-1971_1972.pdf|Movie Journal: The Rise of New American Cinema, 1959-1971]]'', New York: Macmillan, 1972, 434 pp; [http://library.memoryoftheworld.org/#/book/75bbc772-d614-489a-9b78-3088c3939ea4 2nd ed.], forew. Peter Bogdanovich, intro. Gregory Smulewicz-Zucker, Columbia University Press, 2016, 496 pp. A collection of the columns written for the Village Voice beginning in 1958 under the title "Movie Journal". Review: [http://www.undergroundfilmjournal.com/movie-journal-the-rise-of-the-new-american-cinema-1959-1971/ Everleth] (UFJ 2007).
 
** ''Ciné-Journal: Un nouveau cinéma américain (1959-1971)'', trans. Dominique Noguez, Paris: Paris expérimental, 1992, 400 pp. [http://www.paris-experimental.asso.fr/index.php?option=content&task=view&id=60] {{fr}}
 
** ''Ciné-Journal: Un nouveau cinéma américain (1959-1971)'', trans. Dominique Noguez, Paris: Paris expérimental, 1992, 400 pp. [http://www.paris-experimental.asso.fr/index.php?option=content&task=view&id=60] {{fr}}
 +
 
* Gottfried Schlemmer (ed.), ''Avantgardistischer Film 1951-1971, Theorie'', Munich: Hanser, 1973. {{de}}
 
* Gottfried Schlemmer (ed.), ''Avantgardistischer Film 1951-1971, Theorie'', Munich: Hanser, 1973. {{de}}
 +
 
* Amos Vogel, ''[[Media:Vogel_Amos_Film_as_a_Subversive_Art.pdf|Film as a Subversive Art]]'', C. T. Editions, 1974. [http://www.youtube.com/watch?v=PduxpGsIGnY&feature=PlayList&p=0918A27EABCC8699&playnext_from=PL&index=0&playnext=1] [http://www.angoleiro.com/subversive_nub/]
 
* Amos Vogel, ''[[Media:Vogel_Amos_Film_as_a_Subversive_Art.pdf|Film as a Subversive Art]]'', C. T. Editions, 1974. [http://www.youtube.com/watch?v=PduxpGsIGnY&feature=PlayList&p=0918A27EABCC8699&playnext_from=PL&index=0&playnext=1] [http://www.angoleiro.com/subversive_nub/]
 +
 
* P. Adams Sitney, ''Visionary Film: the American Avant-Garde, 1943-1978'', Oxford University Press, 1974, xii+452 pp; 2nd ed., Oxford University Press, 1979, xiv+463 pp; 3rd ed., exp., as ''[http://monoskop.org/log/?p=499 Visionary Film: the American Avant-Garde, 1943-2000]'', Oxford University Press, 2002, xvi+462 pp.
 
* P. Adams Sitney, ''Visionary Film: the American Avant-Garde, 1943-1978'', Oxford University Press, 1974, xii+452 pp; 2nd ed., Oxford University Press, 1979, xiv+463 pp; 3rd ed., exp., as ''[http://monoskop.org/log/?p=499 Visionary Film: the American Avant-Garde, 1943-2000]'', Oxford University Press, 2002, xvi+462 pp.
 
** ''Le cinéma visionnaire: l'Avant-garde américaine 1943-2000'', trans. Pip Chodorov and Christian Lebrat, Paris: Paris expérimental, 2002, 448 pp. [http://www.paris-experimental.asso.fr/index.php?option=content&task=view&id=52&Itemid=0] {{fr}}
 
** ''Le cinéma visionnaire: l'Avant-garde américaine 1943-2000'', trans. Pip Chodorov and Christian Lebrat, Paris: Paris expérimental, 2002, 448 pp. [http://www.paris-experimental.asso.fr/index.php?option=content&task=view&id=52&Itemid=0] {{fr}}
 
** ''Sigak yonghwa: 20-segi Miguk abanggarudo yonghwa'', trans. Tong-hyon Pak, Seoul: Pyongsari, 2005, 560 pp. {{ko}}
 
** ''Sigak yonghwa: 20-segi Miguk abanggarudo yonghwa'', trans. Tong-hyon Pak, Seoul: Pyongsari, 2005, 560 pp. {{ko}}
 +
 
* Hans Scheugl, Ernst Schmidt jr., ''Eine Subgeschichte des Films. Lexikon des Avantgarde-, Experimental- und Undergroundfilms, Band 1 und 2'', Frankurt am Main: Suhrkamp, 1974. {{de}}
 
* Hans Scheugl, Ernst Schmidt jr., ''Eine Subgeschichte des Films. Lexikon des Avantgarde-, Experimental- und Undergroundfilms, Band 1 und 2'', Frankurt am Main: Suhrkamp, 1974. {{de}}
 +
 
* Jean Mitry, ''Le Cinema Experimental: Histoire et Perspectives'', Paris: Seghers, 1974. {{fr}}
 
* Jean Mitry, ''Le Cinema Experimental: Histoire et Perspectives'', Paris: Seghers, 1974. {{fr}}
 
** ''Storia del cinema sperimentale'', Clueb, 2006, 214 pp. {{it}}
 
** ''Storia del cinema sperimentale'', Clueb, 2006, 214 pp. {{it}}
 +
 +
* Standish Lawder, ''The Cubist Cinema'' New York University Press, 1975, 265 pp. Review: [https://sci-hub.tw/10.2307/3245253 Chin] (PAJ).
 +
 
* Stephen Dwoskin, ''Film is ...: The International Free Cinema'', London: Owen, 1975.
 
* Stephen Dwoskin, ''Film is ...: The International Free Cinema'', London: Owen, 1975.
 +
 
* P. Adams Sitney (ed.), ''The Essential Cinema: Essays on the Films in the Collection of Anthology Film Archives'', New York: Anthology Film Archives, 1975. Essays by filmmakers and scholars of the avant-garde, written with a wide range of approaches ranging from the theoretical to the purely personal, intended to reinforce appreciation of the films chosen by the archive for inclusion in its Essential Cinema Collection.
 
* P. Adams Sitney (ed.), ''The Essential Cinema: Essays on the Films in the Collection of Anthology Film Archives'', New York: Anthology Film Archives, 1975. Essays by filmmakers and scholars of the avant-garde, written with a wide range of approaches ranging from the theoretical to the purely personal, intended to reinforce appreciation of the films chosen by the archive for inclusion in its Essential Cinema Collection.
 +
 
* Viktoria Hradská, ''Česká avantgarda a film'', Prague: Čs. filmový ústav, 1976. {{cz}}
 
* Viktoria Hradská, ''Česká avantgarda a film'', Prague: Čs. filmový ústav, 1976. {{cz}}
 +
 
* Malcolm Le Grice, ''Abstract Film and Beyond'', MIT Press, 1977.
 
* Malcolm Le Grice, ''Abstract Film and Beyond'', MIT Press, 1977.
 +
 
* Thanasis Rentzis (Θανάσης Ρεντζής), ''[[Media:Rentzis_Thanasis_Οι_Πρωτοπορίες_στον_κινηματογράφο.pdf|Οι Πρωτοπορίες στον κινηματογράφο]]'', Athens: Kastaniotis [Καστανιώτης], 1978, 31 pp. {{gr}}
 
* Thanasis Rentzis (Θανάσης Ρεντζής), ''[[Media:Rentzis_Thanasis_Οι_Πρωτοπορίες_στον_κινηματογράφο.pdf|Οι Πρωτοπορίες στον κινηματογράφο]]'', Athens: Kastaniotis [Καστανιώτης], 1978, 31 pp. {{gr}}
 +
 
* Dominique Noguez, ''Éloge du cinéma expérimental: Definitions, Jalons, Perspectives'', Paris: Paris expérimental and Centre Georges Pompidou, 1979; 3rd Edition, 2010. {{fr}} [http://www.paris-experimental.asso.fr/index.php?option=content&task=view&id=165&Itemid=31]
 
* Dominique Noguez, ''Éloge du cinéma expérimental: Definitions, Jalons, Perspectives'', Paris: Paris expérimental and Centre Georges Pompidou, 1979; 3rd Edition, 2010. {{fr}} [http://www.paris-experimental.asso.fr/index.php?option=content&task=view&id=165&Itemid=31]
 +
 
* Ulrich Gregor (ed.), ''The German Experimental Film of the Seventies'', Munich: Goethe-Institut, 1980.  
 
* Ulrich Gregor (ed.), ''The German Experimental Film of the Seventies'', Munich: Goethe-Institut, 1980.  
 +
 
* Martin Walsh, [http://monoskop.org/log/?p=11658 ''The Brechtian Aspect of Radical Cinema''], London: BFI Publishing, 1981, 136 pp.
 
* Martin Walsh, [http://monoskop.org/log/?p=11658 ''The Brechtian Aspect of Radical Cinema''], London: BFI Publishing, 1981, 136 pp.
 +
 
* Hollis Frampton, ''[http://monoskop.org/log/?p=766 Circles of Confusion: Film/Photography/Video Texts 1968-1981]'', forew. Annette Michelson, Visual Studies Workshop Press, 1983, 200 pp.  
 
* Hollis Frampton, ''[http://monoskop.org/log/?p=766 Circles of Confusion: Film/Photography/Video Texts 1968-1981]'', forew. Annette Michelson, Visual Studies Workshop Press, 1983, 200 pp.  
 +
 
* Inez Hedges, ''Languages of Revolt: Dada and Surrealist Literature and Film'', Durham, N.C.: Duke University Press, 1983.
 
* Inez Hedges, ''Languages of Revolt: Dada and Surrealist Literature and Film'', Durham, N.C.: Duke University Press, 1983.
 +
 
* ''Andere Avant Garde'', Linz: Gutenberg, 1984. {{de}}
 
* ''Andere Avant Garde'', Linz: Gutenberg, 1984. {{de}}
 +
 
* Branko Vučićević, ''[http://kok.memoryoftheworld.org/#text=Avangardni+film&property=title&librarian=Kenneth+Jungius Avangardni film 1895-1939]'', 2 vols., Belgrade: Radionica SIC, 1984 & 1990, 159 & 63 pp. {{sc}}
 
* Branko Vučićević, ''[http://kok.memoryoftheworld.org/#text=Avangardni+film&property=title&librarian=Kenneth+Jungius Avangardni film 1895-1939]'', 2 vols., Belgrade: Radionica SIC, 1984 & 1990, 159 & 63 pp. {{sc}}
 +
 
* Maureen Cheryn Turim, ''[[Media:Turim_Maureen_Cheryn_Abstraction_in_Avant_Garde_Films.pdf|Abstraction in Avant-garde Films]]'', Ann Arbor, Mich.: UMI Research Press, 1985.  
 
* Maureen Cheryn Turim, ''[[Media:Turim_Maureen_Cheryn_Abstraction_in_Avant_Garde_Films.pdf|Abstraction in Avant-garde Films]]'', Ann Arbor, Mich.: UMI Research Press, 1985.  
 +
 
* Jairo Ferreira, ''Cinema de Invenção'', Sao Paulo: Editora Max Limonad, 1986. [http://cinema-de-invencao.blogspot.com/] {{br-pt}}
 
* Jairo Ferreira, ''Cinema de Invenção'', Sao Paulo: Editora Max Limonad, 1986. [http://cinema-de-invencao.blogspot.com/] {{br-pt}}
 +
 
* Helge Krarup, Carl Norrested, ''Eksperimentalfilm i Danmark'', Copenhagen: Borgen, 1986. {{da}}
 
* Helge Krarup, Carl Norrested, ''Eksperimentalfilm i Danmark'', Copenhagen: Borgen, 1986. {{da}}
 +
 
* Fernao Ramos, ''Cinema Marginal, 1968-1973: A Representacao em seu Limite'', Sao Paulo: Editora Brasiliense, 1987. {{pt}}
 
* Fernao Ramos, ''Cinema Marginal, 1968-1973: A Representacao em seu Limite'', Sao Paulo: Editora Brasiliense, 1987. {{pt}}
 +
 
* Stan Brakhage, ''Film at Wit's End: Eight Avant-garde Filmmakers'', Kingston, N.Y.: Documentext, 1989.
 
* Stan Brakhage, ''Film at Wit's End: Eight Avant-garde Filmmakers'', Kingston, N.Y.: Documentext, 1989.
 +
 
* Ingo Petzke (ed.), ''Das Experimentalfilm-Handbuch'', Frankfurt am Main: Deutsches Filminstitut, 1989, 385 pp. {{de}} [http://www.shop-filmmuseum.de/epages/61390111.sf/de_DE/?ObjectPath=/Shops/61390111/Products/b_0113]
 
* Ingo Petzke (ed.), ''Das Experimentalfilm-Handbuch'', Frankfurt am Main: Deutsches Filminstitut, 1989, 385 pp. {{de}} [http://www.shop-filmmuseum.de/epages/61390111.sf/de_DE/?ObjectPath=/Shops/61390111/Products/b_0113]
 +
 
* Peter Gidal, ''[http://monoskop.org/log/?p=11651 Materialist Film]'', London and New York: Routledge, 1989.  
 
* Peter Gidal, ''[http://monoskop.org/log/?p=11651 Materialist Film]'', London and New York: Routledge, 1989.  
 +
 
* Marcin Giżycki, ''Walka o film artystyczny w mie̜dzywojennej Polsce'', Warsaw: Państwowe Wydawnictwo Naukowe, 1989, 262+[32] pp. {{pl}}
 
* Marcin Giżycki, ''Walka o film artystyczny w mie̜dzywojennej Polsce'', Warsaw: Państwowe Wydawnictwo Naukowe, 1989, 262+[32] pp. {{pl}}
 +
 
* Eduard Ditschek, ''Politisches Engagement und Medienexperiment: Theater und Film der Russischen und Deutschen Avantgarde der Zwanziger Jahre'', Tübingen: Narr, 1989, 306 pp. [http://d-nb.info/890788049/04 TOC]. {{de}}
 
* Eduard Ditschek, ''Politisches Engagement und Medienexperiment: Theater und Film der Russischen und Deutschen Avantgarde der Zwanziger Jahre'', Tübingen: Narr, 1989, 306 pp. [http://d-nb.info/890788049/04 TOC]. {{de}}
 +
 
* David E. James, ''Allegories of Cinema: American Film in the Sixties'', Princeton University Press, 1989, xiii+388 pp.  
 
* David E. James, ''Allegories of Cinema: American Film in the Sixties'', Princeton University Press, 1989, xiii+388 pp.  
 +
 
* P. Adams Sitney, ''Modernist Montage: The Obscurity of Vision in Cinema and Literature'', New York: Columbia University Press, 1990, x+250+[16] pp.
 
* P. Adams Sitney, ''Modernist Montage: The Obscurity of Vision in Cinema and Literature'', New York: Columbia University Press, 1990, x+250+[16] pp.
 +
 
* Ryszard Kluszczyński, ''[[Media:Kluszczynski Ryszard Film_sztuka_Wielkiej_Awangardy 1990.pdf|Film: sztuka Wielkiej Awangardy]]'', Warsaw/Łódź: PWN, 1990, 183 pp. [https://www.academia.edu/3781563/] {{pl}}
 
* Ryszard Kluszczyński, ''[[Media:Kluszczynski Ryszard Film_sztuka_Wielkiej_Awangardy 1990.pdf|Film: sztuka Wielkiej Awangardy]]'', Warsaw/Łódź: PWN, 1990, 183 pp. [https://www.academia.edu/3781563/] {{pl}}
 +
 
* Patricia Mellencamp, ''Indiscretions: Avant-garde Film, Video & Feminism'', Bloomington: Indiana University Press, 1990, xix+234 pp.
 
* Patricia Mellencamp, ''Indiscretions: Avant-garde Film, Video & Feminism'', Bloomington: Indiana University Press, 1990, xix+234 pp.
 +
 
* Lauren Rabinovitz, ''Points of Resistance: Women, Power & Politics in the New York Avant-garde Cinema, 1943-71'', Urbana: University of Illinois Press, 1991, xi+250 pp; 2nd ed., 2003, xviii+252 pp. [http://www.press.uillinois.edu/books/catalog/83mts2ec9780252071249.html]
 
* Lauren Rabinovitz, ''Points of Resistance: Women, Power & Politics in the New York Avant-garde Cinema, 1943-71'', Urbana: University of Illinois Press, 1991, xi+250 pp; 2nd ed., 2003, xviii+252 pp. [http://www.press.uillinois.edu/books/catalog/83mts2ec9780252071249.html]
 +
 
* Stanislav Ulver, ''Západní filmová avantgarda'', Prague: ČFÚ, 1991. {{cz}}
 
* Stanislav Ulver, ''Západní filmová avantgarda'', Prague: ČFÚ, 1991. {{cz}}
 +
 
* William C. Wees, ''[http://publishing.cdlib.org/ucpressebooks/view?docId=ft438nb2fr&chunk.id=0&toc.depth=100&brand=ucpress Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film]'', University of California Press, 1992, [http://dss-edit.com/plu/William_C._Wees_Light_Moving_in_Time_Studies_in_the_Visual_Aesthetics_of_Avant-Garde_Film__1992.pdf PDF].
 
* William C. Wees, ''[http://publishing.cdlib.org/ucpressebooks/view?docId=ft438nb2fr&chunk.id=0&toc.depth=100&brand=ucpress Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film]'', University of California Press, 1992, [http://dss-edit.com/plu/William_C._Wees_Light_Moving_in_Time_Studies_in_the_Visual_Aesthetics_of_Avant-Garde_Film__1992.pdf PDF].
 +
 
* Frederique Devaux, ''Le cinéma Lettriste: 1951-1991'', Paris: Paris expérimental, 1992. {{fr}} [http://www.paris-experimental.asso.fr/index.php?option=content&task=view&id=59]
 
* Frederique Devaux, ''Le cinéma Lettriste: 1951-1991'', Paris: Paris expérimental, 1992. {{fr}} [http://www.paris-experimental.asso.fr/index.php?option=content&task=view&id=59]
 +
 
* David E. James (ed.), ''To Free the Cinema: Jonas Mekas and the New York Underground'', University of Princeton Press, 1992, 352 pp. [http://press.princeton.edu/titles/5006.html]
 
* David E. James (ed.), ''To Free the Cinema: Jonas Mekas and the New York Underground'', University of Princeton Press, 1992, 352 pp. [http://press.princeton.edu/titles/5006.html]
 +
 
* Scott MacDonald, ''Avant-garde Film: Motion Studies'', Cambridge University Press, 1993.
 
* Scott MacDonald, ''Avant-garde Film: Motion Studies'', Cambridge University Press, 1993.
 +
 
* William C. Wees, ''[http://monoskop.org/log/?p=14938 Recycled Images: The Art and Politics of Found Footage Films]'', New York: Anthology Film Archives, 1993, 117 pp.
 
* William C. Wees, ''[http://monoskop.org/log/?p=14938 Recycled Images: The Art and Politics of Found Footage Films]'', New York: Anthology Film Archives, 1993, 117 pp.
 +
 
* Germaine Dulac, ''Écrits sur le cinéma, 1919-1937'', ed. Prosper Hillairet, Paris: Paris expérimental, 1994, 225 pp. Anthology of Dulac's writings with contextual essay. {{fr}} [http://www.paris-experimental.asso.fr/index.php?option=content&task=view&id=58]
 
* Germaine Dulac, ''Écrits sur le cinéma, 1919-1937'', ed. Prosper Hillairet, Paris: Paris expérimental, 1994, 225 pp. Anthology of Dulac's writings with contextual essay. {{fr}} [http://www.paris-experimental.asso.fr/index.php?option=content&task=view&id=58]
 +
 
* Edward S. Small, ''[http://monoskop.org/log/?p=2618 Direct Theory: Experimental Film/Video as Major Genre]'', SIU Press, 1994, 122 pp.
 
* Edward S. Small, ''[http://monoskop.org/log/?p=2618 Direct Theory: Experimental Film/Video as Major Genre]'', SIU Press, 1994, 122 pp.
 +
 
* James Peterson, ''Dreams of Chaos, Visions of Order: Understanding the American Avante-garde Cinema'', Detroit: Wayne State University Press, 1994.
 
* James Peterson, ''Dreams of Chaos, Visions of Order: Understanding the American Avante-garde Cinema'', Detroit: Wayne State University Press, 1994.
 +
 
* Holger Wilmesmeier, ''Deutsche Avantgarde und Film: Die Filmmatinee "Der absolute film" (3. und 10. Mai 1925)'', 1994, 220 pp. {{de}}
 
* Holger Wilmesmeier, ''Deutsche Avantgarde und Film: Die Filmmatinee "Der absolute film" (3. und 10. Mai 1925)'', 1994, 220 pp. {{de}}
 +
 
* Jan-Christopher Horak (ed.), ''Lovers of Cinema: The First American Film Avant-garde, 1919-1945'', Madison, Wis.: University of Wisconsin Press, 1995. [http://www.academia.edu/1573127/Lovers_of_Cinema._The_First_American_Film_Avant-Garde_1919-1945]
 
* Jan-Christopher Horak (ed.), ''Lovers of Cinema: The First American Film Avant-garde, 1919-1945'', Madison, Wis.: University of Wisconsin Press, 1995. [http://www.academia.edu/1573127/Lovers_of_Cinema._The_First_American_Film_Avant-Garde_1919-1945]
 +
 
* Rudolf E. Kuenzli (ed.), ''Dada and Surrealist Film'', MIT Press, 1996.
 
* Rudolf E. Kuenzli (ed.), ''Dada and Surrealist Film'', MIT Press, 1996.
 +
 
* Marcin Giżycki, ''Awangarda wobec kina: film w kręgu polskiej awangardy artystycznej dwudziestolecia międzywojennego'', Warsaw: Wydawnictwo Małe, 1996, 142 pp. [http://www.polishfilms.org/RecMovies/Awangarda/History.htm] [http://www.polishculture-nyc.org/printIndex.cfm?itemId=432&eventId=691] {{pl}}
 
* Marcin Giżycki, ''Awangarda wobec kina: film w kręgu polskiej awangardy artystycznej dwudziestolecia międzywojennego'', Warsaw: Wydawnictwo Małe, 1996, 142 pp. [http://www.polishfilms.org/RecMovies/Awangarda/History.htm] [http://www.polishculture-nyc.org/printIndex.cfm?itemId=432&eventId=691] {{pl}}
 +
 
* Karin Fritsche, Claus Löser (eds.), ''Gegenbilder - Filmische Subversion in der DDR 1976-1989'', Berlin: Janus Press, 1996. [http://ex-oriente-lux.net/buch.htm], [http://www.frickfilm.de/Biografie/Stasi/Filmische_Subversion.doc Review]. {{de}}
 
* Karin Fritsche, Claus Löser (eds.), ''Gegenbilder - Filmische Subversion in der DDR 1976-1989'', Berlin: Janus Press, 1996. [http://ex-oriente-lux.net/buch.htm], [http://www.frickfilm.de/Biografie/Stasi/Filmische_Subversion.doc Review]. {{de}}
 +
 
* Bruno Fischli, Carola Ferber (eds.), ''[http://monoskop.org/log/?p=16530 Der Deutsche experimentalfilm der 90er Jahre / The German Experimental Film of the 1990s]'', Munich: Goethe Institut, 1996, 101 pp. {{de}}/{{en}}
 
* Bruno Fischli, Carola Ferber (eds.), ''[http://monoskop.org/log/?p=16530 Der Deutsche experimentalfilm der 90er Jahre / The German Experimental Film of the 1990s]'', Munich: Goethe Institut, 1996, 101 pp. {{de}}/{{en}}
 +
 
* Michael O'Pray (ed.), ''[[Media:Michael_OPray_The_British_Avant-Garde_Film_1926-1995_An_Anthology_of_Writings_1996.pdf|The British Avant-Garde Film, 1926-1995: An Anthology of Writings]]'', Luton: John Libbey Media, 1996, 332 pp.  
 
* Michael O'Pray (ed.), ''[[Media:Michael_OPray_The_British_Avant-Garde_Film_1926-1995_An_Anthology_of_Writings_1996.pdf|The British Avant-Garde Film, 1926-1995: An Anthology of Writings]]'', Luton: John Libbey Media, 1996, 332 pp.  
 +
 
* Christian Lebrat, ''Entre les images'', Paris: Paris expérimental, 1997, 100 pp. {{fr}} [http://www.paris-experimental.asso.fr/index.php?option=content&task=view&id=26]
 
* Christian Lebrat, ''Entre les images'', Paris: Paris expérimental, 1997, 100 pp. {{fr}} [http://www.paris-experimental.asso.fr/index.php?option=content&task=view&id=26]
 +
 
* ''Il cinema d'avanguardia: 1910-1930'', Venezia: Marsilio, 1997. {{it}}
 
* ''Il cinema d'avanguardia: 1910-1930'', Venezia: Marsilio, 1997. {{it}}
 +
 
* Jack Sargeant, ''[http://gen.lib.rus.ec/book/index.php?md5=F6CDBC27CB65D85259A6A4994EC208A8 Naked Lens: Beat Cinema]'', London: Creation Books, 1997; repr., Berkeley, CA: Soft Skull Press, 2008.
 
* Jack Sargeant, ''[http://gen.lib.rus.ec/book/index.php?md5=F6CDBC27CB65D85259A6A4994EC208A8 Naked Lens: Beat Cinema]'', London: Creation Books, 1997; repr., Berkeley, CA: Soft Skull Press, 2008.
 +
 
* Wheeler W. Dixon, ''The Exploding Eye: A Re-Visionary History of 1960s American Experimental Cinema'', Albany: State University of New York Press, 1998.  
 
* Wheeler W. Dixon, ''The Exploding Eye: A Re-Visionary History of 1960s American Experimental Cinema'', Albany: State University of New York Press, 1998.  
 +
 
* Robert A. Haller (ed.), ''[http://www.roberthaller.com/firstlight/ First Light]'', New York: Anthology Film Archives, 1998, 108 pp.
 
* Robert A. Haller (ed.), ''[http://www.roberthaller.com/firstlight/ First Light]'', New York: Anthology Film Archives, 1998, 108 pp.
 +
 
* Beatriz Sarlo Sabajanes, ''La maquina cultural: maestras, traductores y vanguardistas'', Buenos Aires: Ariel, 1998. {{es}}
 
* Beatriz Sarlo Sabajanes, ''La maquina cultural: maestras, traductores y vanguardistas'', Buenos Aires: Ariel, 1998. {{es}}
 +
 
* Scott MacDonald, ''A Critical Cinema: Interviews with Independent Filmmakers'', 5 vols, Berkeley: University of California Press, 1988–2005. Five volumes of in-depth, perceptive, enlightening interviews with a multitude of filmmakers offer a veritable history of the field. The author’s overriding concern is with experimental cinema as a form of critique of conventional media.
 
* Scott MacDonald, ''A Critical Cinema: Interviews with Independent Filmmakers'', 5 vols, Berkeley: University of California Press, 1988–2005. Five volumes of in-depth, perceptive, enlightening interviews with a multitude of filmmakers offer a veritable history of the field. The author’s overriding concern is with experimental cinema as a form of critique of conventional media.
 +
 
* A. L. Rees, ''[http://monoskop.org/log/?p=484 A History of Experimental Film and Video: From Canonical Avant-garde to Contemporary British Practice]'', London: British Film Institute, 1999.
 
* A. L. Rees, ''[http://monoskop.org/log/?p=484 A History of Experimental Film and Video: From Canonical Avant-garde to Contemporary British Practice]'', London: British Film Institute, 1999.
 +
 
* Emanuel Levy, ''Cinema of outsiders: the rise of American independent film'', New York: New York University Press, 1999.
 
* Emanuel Levy, ''Cinema of outsiders: the rise of American independent film'', New York: New York University Press, 1999.
 +
 
* Bruno Di Marino, ''Sguardo inconscio azione: cinema sperimentale e underground a Roma: 1965-1975'', Rome: Lithos, 1999. {{it}}
 
* Bruno Di Marino, ''Sguardo inconscio azione: cinema sperimentale e underground a Roma: 1965-1975'', Rome: Lithos, 1999. {{it}}
 +
 
* Joan M Minguet Batllori, ''Cinema, modernitat i avantguarda (1920-1936)'', Valencia: E. Climent, 2000. {{es}}
 
* Joan M Minguet Batllori, ''Cinema, modernitat i avantguarda (1920-1936)'', Valencia: E. Climent, 2000. {{es}}
 +
 
* Laura U. Marks, ''[http://gen.lib.rus.ec/book/index.php?md5=ABAD90DE6DEB795A1636189EE70E1C37 The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses]'', Duke University Press, 2000, 320 pp. [http://criticalatinoamericana.files.wordpress.com/2012/05/marks_laura.pdf Excerpt], [http://www.dukeupress.edu/The-Skin-of-the-Film/].
 
* Laura U. Marks, ''[http://gen.lib.rus.ec/book/index.php?md5=ABAD90DE6DEB795A1636189EE70E1C37 The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses]'', Duke University Press, 2000, 320 pp. [http://criticalatinoamericana.files.wordpress.com/2012/05/marks_laura.pdf Excerpt], [http://www.dukeupress.edu/The-Skin-of-the-Film/].
 +
 
* Bill Nichols (ed.), ''[[Media:Nichols Bill ed Maya_Deren_and_the_American_Avant-Garde_2001.pdf|Maya Deren and the American Avant-garde]]'', University of California Press, 2001, xi+331 pp.
 
* Bill Nichols (ed.), ''[[Media:Nichols Bill ed Maya_Deren_and_the_American_Avant-Garde_2001.pdf|Maya Deren and the American Avant-garde]]'', University of California Press, 2001, xi+331 pp.
 +
 
* Scott MacDonald, ''The Garden in the Machine: A Field Guide to Independent Films about Place'', University of California Press, 2001, 487 pp. [http://www.ucpress.edu/book.php?isbn=9780520227385]
 
* Scott MacDonald, ''The Garden in the Machine: A Field Guide to Independent Films about Place'', University of California Press, 2001, 487 pp. [http://www.ucpress.edu/book.php?isbn=9780520227385]
 +
 
* Barbara Wilinsky, ''Sure Seaters: the emergence of art house cinema'', Minneapolis: University of Minnesota Press, 2001.
 
* Barbara Wilinsky, ''Sure Seaters: the emergence of art house cinema'', Minneapolis: University of Minnesota Press, 2001.
 +
 
* Bruce Posner (ed.), ''Unseen Cinema: Early American Avant-Garde Film 1893-1941'', New York: Black Thistle Press, and New York: Anthology Film Archives, 2001.  
 
* Bruce Posner (ed.), ''Unseen Cinema: Early American Avant-Garde Film 1893-1941'', New York: Black Thistle Press, and New York: Anthology Film Archives, 2001.  
 
* Malcolm Le Grice, ''Experimental Cinema in the Digital Age'', London: BFI Publishing, 2001, 484 pp.
 
* Malcolm Le Grice, ''Experimental Cinema in the Digital Age'', London: BFI Publishing, 2001, 484 pp.

Revision as of 11:10, 28 July 2020

Pages

Resources

Bibliography

Publications on individual filmmakers are included on their respective pages.

Maya Deren, An Anagram of Ideas on Art, Form and Film, 1946. Download.
Stan Brakhage, Metaphors on Vision, 1963. Download.
Sheldon Renan, An Introduction to the American Underground Film, 1967. View online.
Gene Youngblood, Expanded Cinema, 1970. Download.
Annette Michelson (ed.), Artforum: Special Issue on Film (September 1971). Download.
Amos Vogel, Film as a Subversive Art, 1974. Download.
Peter Gidal (ed.), Structural Film Anthology, 1976. Download.
Film as Film: Formal Experiment in Film, 1910-1975, 1979. Download.
Hollis Frampton, Circles of Confusion: Film/Photography/Video Texts 1968-1981, 1983. Download.
R. Bruce Elder, Harmony and Dissent: Film and Avant-garde Art Movements in the Early Twentieth Century, 2008. Download.
P. Adams Sitney, Eyes Upside Down: Visionary Filmmakers and the Heritage of Emerson, 2008. Download.

Journals and Magazines

Exhibition catalogues and brochures

Anthologies

  • Peter Gidal (ed.), Structural Film Anthology, London: British Film Institute, 1976.
  • P. Adams Sitney (ed.), The Avant-garde Film: A Reader of Theory and Criticism, New York: New York University Press, 1978. Contains the often-hard-to-find theoretical writings of experimental filmmakers, beginning in France in the 1920s and continuing internationally through the 1970s.
  • Raffaele Milani (ed.), Il cinema underground americano, Messina Firenze: D'Anna, 1978, 190 pp. (Italian)
  • Paul Hammond (ed.), The Shadow and Its Shadow: Surrealist Writings on the Cinema, trans. & intro. Paul Hammond, London: British Film Institute, 1978; 2nd ed., Edinburgh: Polygon, 1991; 3rd ed., rev. & exp., San Francisco: City Lights, 2000, 225 pp. (English)
  • Norio Nishijima (ed.), Firumu wākushoppu [フィルム ワークショップ], Tokyo: Dagereo Shuppan, 1983, 222 pp. (Japanese)
  • Jaroslav Andjel, Ljubica Stanivuk (eds.), Teorija česke avangarde 1908-1937, Belgrade: Institut za film , 1987, 86 pp. (Serbo-Croatian)
  • Miklós Peternák (ed.), F.I.L.M. A magyar avant-garde film története és dokumentumai, Budapest: Képzőművészeti Kiadó, 1991, 351 pp. (Hungarian)
  • Wheeler Winston-Dixon, Gwendolyn Audrey Foster (eds.), Experimental Cinema: The Film Reader, London and New York: Routledge, 2002, 356 pp. Covers the field of experimental and avant-garde cinema from the 1920s onward, concentrating on movements and varied key figures, with a concentration on issues such as gender, sexuality, and race, as well as the impact of technological innovation. Review: Rees (Screen).
  • Ulrich Wegenast (ed.), Kunst und Film. Texte zum künstlerischen Film, Dresden: PHILO Fine Arts, 2002, 288 pp. (German)
  • Jackie Hatfield (ed.), Experimental Film and Video: An Anthology, Eastleigh: John Libbey Pub., 2006.

Monographs, Edited books

  • Maya Deren, An Anagram of Ideas on Art, Form and Film, Yonkers, NY: Alicat Book Shop Press, 1946, 52 pp; repr. in Deren, The Art of Cinema: Selected Essays, forew. George Amberg, New York: Arno Press, 1972, 104 pp; repr. in Deren, The Legend of Maya Deren: A Documentary Biography and Collected Works, v. 1, part 2: Chambers (1942-47), New York: Anthology Film Archives/Film Culture, 1988. The 1972 reprint also contains her essay "Cinematography: the Creative Use of Reality".
    • trans., in Deren, Écrits sur l'art et le cinéma, trans. Éric Alloi and Julie Beaulieu, Paris: Paris expérimental, 2004, 120 pp. Also contains a translation of "The Creative Use of Cinematography as the Reality" (1960). [12] [13] (French)
    • trans., in Deren, Choregraphie für eine Kamera. Schriften zum Film, eds. Jutta Hercher, Ute Holl, Kathrin Reichel, Kira Stein and Petra Wolff, trans. Susanne Amatosero, Ute Holl and Christine Noll-Brinckmann, Hamburg: Material-Verlag, 1995. (German)
    • trans., in Deren, El universo dereniano: textos fundamentales de la cineasta Maya Deren, intro., ed. & trans. Carolina Martínez López, Cuenca: Servicio de Publicaciones de la Universidad de Castilla-La Mancha, 2015. (Spanish)
    • trans., in Deren, Ma ya.de lun lun dian ying [玛雅.德伦论电影], Chang chun: Ji lin chu ban ji tuan, 2015. (Chinese)
  • Frank Stauffacher (ed.), Art in Cinema: A Symposium on the Avantgarde Film, Together with Program Notes and References for Series One of Art in Cinema, San Francisco: Art in Cinema Society: San Francisco Museum of Art, 1947, 104 pp; repr., New York: Arno Press, 1968, 104 pp. [14]
  • Peter Weiss, Avantgardefilm, Stockholm: Wahlström & Widstrand, 1956, 147 pp. [15] (Swedish)
    • Avantgarde Film, trans. Beat Mazenauer, Frankfurt am Main: Suhrkamp, 1995, 207 pp. (German)
  • Cinema Now: Stan Brakhage, John Cage, Jonas Mekas, Stan Vanderbeek, eds. Hector Currie and Michael Porte, University of Cincinnati Press, 1968, 28 pp. Transcript of a discussion among filmmakers and members of the Film as Art and Communication class at the University of Cincinnati, which took place in April 1967.
  • Parker Tyler, Underground Film: A Critical History, New York: Grove Press, 1969, 249+[32] pp; London: Secker & Warburg, 1969, 249+[32] pp; Harmondsworth: Penguin, 1974, 240+[16] pp; repr., intro. J. Hoberman, afterw. Charles Boultenhouse, New York: Da Capo Press, 1995, 265+[16] pp.
  • Gene Youngblood, Expanded Cinema, intro. R. Buckminster Fuller, New York: Dutton, 1970, 432+[6] pp; 50th anniv.ed., Fordham University Press, 2020.
    • Cine expandido, Buenos Aires: Eduntref, 2012, 456 pp. [16] (Spanish)
    • Expanded cinema, trans. Pier Luigi Capucci and Simonetta Fadda, Bologna: CLUEB, 2013, xvi+388 pp. (Italian)
  • Birgit Hein, Film im Underground. Von seinen Anfangen bis zum Unabhangigen Kino, Frankfurt/Berlin/Vienna: Ullstein, 1971. (German)
  • David Curtis, Experimental Cinema: A Fifty Year Evolution, London, Studio Vista, 1971. [17]
  • Jonas Mekas, Movie Journal: The Rise of New American Cinema, 1959-1971, New York: Macmillan, 1972, 434 pp; 2nd ed., forew. Peter Bogdanovich, intro. Gregory Smulewicz-Zucker, Columbia University Press, 2016, 496 pp. A collection of the columns written for the Village Voice beginning in 1958 under the title "Movie Journal". Review: Everleth (UFJ 2007).
    • Ciné-Journal: Un nouveau cinéma américain (1959-1971), trans. Dominique Noguez, Paris: Paris expérimental, 1992, 400 pp. [18] (French)
  • Gottfried Schlemmer (ed.), Avantgardistischer Film 1951-1971, Theorie, Munich: Hanser, 1973. (German)
  • P. Adams Sitney, Visionary Film: the American Avant-Garde, 1943-1978, Oxford University Press, 1974, xii+452 pp; 2nd ed., Oxford University Press, 1979, xiv+463 pp; 3rd ed., exp., as Visionary Film: the American Avant-Garde, 1943-2000, Oxford University Press, 2002, xvi+462 pp.
    • Le cinéma visionnaire: l'Avant-garde américaine 1943-2000, trans. Pip Chodorov and Christian Lebrat, Paris: Paris expérimental, 2002, 448 pp. [21] (French)
    • Sigak yonghwa: 20-segi Miguk abanggarudo yonghwa, trans. Tong-hyon Pak, Seoul: Pyongsari, 2005, 560 pp. (Korean)
  • Hans Scheugl, Ernst Schmidt jr., Eine Subgeschichte des Films. Lexikon des Avantgarde-, Experimental- und Undergroundfilms, Band 1 und 2, Frankurt am Main: Suhrkamp, 1974. (German)
  • Jean Mitry, Le Cinema Experimental: Histoire et Perspectives, Paris: Seghers, 1974. (French)
    • Storia del cinema sperimentale, Clueb, 2006, 214 pp. (Italian)
  • Standish Lawder, The Cubist Cinema New York University Press, 1975, 265 pp. Review: Chin (PAJ).
  • Stephen Dwoskin, Film is ...: The International Free Cinema, London: Owen, 1975.
  • P. Adams Sitney (ed.), The Essential Cinema: Essays on the Films in the Collection of Anthology Film Archives, New York: Anthology Film Archives, 1975. Essays by filmmakers and scholars of the avant-garde, written with a wide range of approaches ranging from the theoretical to the purely personal, intended to reinforce appreciation of the films chosen by the archive for inclusion in its Essential Cinema Collection.
  • Viktoria Hradská, Česká avantgarda a film, Prague: Čs. filmový ústav, 1976. (Czech)
  • Malcolm Le Grice, Abstract Film and Beyond, MIT Press, 1977.
  • Dominique Noguez, Éloge du cinéma expérimental: Definitions, Jalons, Perspectives, Paris: Paris expérimental and Centre Georges Pompidou, 1979; 3rd Edition, 2010. (French) [22]
  • Ulrich Gregor (ed.), The German Experimental Film of the Seventies, Munich: Goethe-Institut, 1980.
  • Inez Hedges, Languages of Revolt: Dada and Surrealist Literature and Film, Durham, N.C.: Duke University Press, 1983.
  • Andere Avant Garde, Linz: Gutenberg, 1984. (German)
  • Jairo Ferreira, Cinema de Invenção, Sao Paulo: Editora Max Limonad, 1986. [23] (Brazilian Portuguese)
  • Helge Krarup, Carl Norrested, Eksperimentalfilm i Danmark, Copenhagen: Borgen, 1986. (Danish)
  • Fernao Ramos, Cinema Marginal, 1968-1973: A Representacao em seu Limite, Sao Paulo: Editora Brasiliense, 1987. (Portuguese)
  • Stan Brakhage, Film at Wit's End: Eight Avant-garde Filmmakers, Kingston, N.Y.: Documentext, 1989.
  • Ingo Petzke (ed.), Das Experimentalfilm-Handbuch, Frankfurt am Main: Deutsches Filminstitut, 1989, 385 pp. (German) [24]
  • Marcin Giżycki, Walka o film artystyczny w mie̜dzywojennej Polsce, Warsaw: Państwowe Wydawnictwo Naukowe, 1989, 262+[32] pp. (Polish)
  • Eduard Ditschek, Politisches Engagement und Medienexperiment: Theater und Film der Russischen und Deutschen Avantgarde der Zwanziger Jahre, Tübingen: Narr, 1989, 306 pp. TOC. (German)
  • David E. James, Allegories of Cinema: American Film in the Sixties, Princeton University Press, 1989, xiii+388 pp.
  • P. Adams Sitney, Modernist Montage: The Obscurity of Vision in Cinema and Literature, New York: Columbia University Press, 1990, x+250+[16] pp.
  • Patricia Mellencamp, Indiscretions: Avant-garde Film, Video & Feminism, Bloomington: Indiana University Press, 1990, xix+234 pp.
  • Lauren Rabinovitz, Points of Resistance: Women, Power & Politics in the New York Avant-garde Cinema, 1943-71, Urbana: University of Illinois Press, 1991, xi+250 pp; 2nd ed., 2003, xviii+252 pp. [26]
  • Stanislav Ulver, Západní filmová avantgarda, Prague: ČFÚ, 1991. (Czech)
  • Frederique Devaux, Le cinéma Lettriste: 1951-1991, Paris: Paris expérimental, 1992. (French) [27]
  • David E. James (ed.), To Free the Cinema: Jonas Mekas and the New York Underground, University of Princeton Press, 1992, 352 pp. [28]
  • Scott MacDonald, Avant-garde Film: Motion Studies, Cambridge University Press, 1993.
  • Germaine Dulac, Écrits sur le cinéma, 1919-1937, ed. Prosper Hillairet, Paris: Paris expérimental, 1994, 225 pp. Anthology of Dulac's writings with contextual essay. (French) [29]
  • James Peterson, Dreams of Chaos, Visions of Order: Understanding the American Avante-garde Cinema, Detroit: Wayne State University Press, 1994.
  • Holger Wilmesmeier, Deutsche Avantgarde und Film: Die Filmmatinee "Der absolute film" (3. und 10. Mai 1925), 1994, 220 pp. (German)
  • Jan-Christopher Horak (ed.), Lovers of Cinema: The First American Film Avant-garde, 1919-1945, Madison, Wis.: University of Wisconsin Press, 1995. [30]
  • Rudolf E. Kuenzli (ed.), Dada and Surrealist Film, MIT Press, 1996.
  • Marcin Giżycki, Awangarda wobec kina: film w kręgu polskiej awangardy artystycznej dwudziestolecia międzywojennego, Warsaw: Wydawnictwo Małe, 1996, 142 pp. [31] [32] (Polish)
  • Karin Fritsche, Claus Löser (eds.), Gegenbilder - Filmische Subversion in der DDR 1976-1989, Berlin: Janus Press, 1996. [33], Review. (German)
  • Christian Lebrat, Entre les images, Paris: Paris expérimental, 1997, 100 pp. (French) [34]
  • Il cinema d'avanguardia: 1910-1930, Venezia: Marsilio, 1997. (Italian)
  • Wheeler W. Dixon, The Exploding Eye: A Re-Visionary History of 1960s American Experimental Cinema, Albany: State University of New York Press, 1998.
  • Robert A. Haller (ed.), First Light, New York: Anthology Film Archives, 1998, 108 pp.
  • Beatriz Sarlo Sabajanes, La maquina cultural: maestras, traductores y vanguardistas, Buenos Aires: Ariel, 1998. (Spanish)
  • Scott MacDonald, A Critical Cinema: Interviews with Independent Filmmakers, 5 vols, Berkeley: University of California Press, 1988–2005. Five volumes of in-depth, perceptive, enlightening interviews with a multitude of filmmakers offer a veritable history of the field. The author’s overriding concern is with experimental cinema as a form of critique of conventional media.
  • Emanuel Levy, Cinema of outsiders: the rise of American independent film, New York: New York University Press, 1999.
  • Bruno Di Marino, Sguardo inconscio azione: cinema sperimentale e underground a Roma: 1965-1975, Rome: Lithos, 1999. (Italian)
  • Joan M Minguet Batllori, Cinema, modernitat i avantguarda (1920-1936), Valencia: E. Climent, 2000. (Spanish)
  • Scott MacDonald, The Garden in the Machine: A Field Guide to Independent Films about Place, University of California Press, 2001, 487 pp. [36]
  • Barbara Wilinsky, Sure Seaters: the emergence of art house cinema, Minneapolis: University of Minnesota Press, 2001.

Journal issues

Selected essays

Encyclopedic entries

Mailing lists

Theses

Documentary films

  • Die kritische Masse – Film im Underground, Hamburg '68, dir. Christian Bau, 1998, 110 min. [73]
  • Free Radicals: A History of Experimental Film, dir. Pip Chodorov, 2012, 82 min. [74]

Bibliographies

See also


Moving Image
communities of practice in film and video

Early cinema, Experimental film, Expanded cinema, Video art, Live cinema, Film labs, Media archives, Community television, Demoscene, VJing, VVVV, Live coding .
See also Artists' cultures.