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<div style="margin: auto; float: right; margin-left: 5px;">{{#widget:Twitter
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Welcome to [[Monoskop:About|Monoskop]], the [[media art and culture]] wiki.
 
  
==Media library==
+
Welcome to [[About Monoskop|Monoskop]], a wiki for arts and studies.
* [[Katalin_Ladik#O-pus|Katalin Ladik, Imre Póth, Attila Csernik: O-pus]], 8 min, 1972.
 
* [[Robert_Adrian_X#Danube_Connection|Danube Connection]], Electronic Communication Happening for fax, two telephone lines and a picture-phone, organised by Robert Adrian X and ARTPOOL, 5 min, 1993.
 
* [[W._G._Sebald#Patience_.28After_Sebald.29|Grant Gee: Patience (After Sebald)]], 83 min, 2012.
 
* [[Milan_Knížák#Broken_Music|Milan Knížák: Broken Music]], 3 editions, 1979-1989.
 
* [[CECM/Anthology_of_Slovak_Electroacoustic_Music|Anthology of Slovak Electroacoustic Music 1966-1991 and 1989-1994]], 3-CD, 1992/94.
 
* [[Dušan Hanák#Works|Dušan Hanák: A Day of Joy]], TV documentary, 22 min, 1972.
 
* [[Symphony of Sirens|Baku: Symphony of Sirens: Sound Experiments in The Russian Avant-Garde. Original Documents and Reconstructions of 72 Key Works of Music, Poetry and Agitprop from the Russian Avantgardes (1908-1942)]], 72 MP3s with texts, 153 min.
 
* [[Chris_Marker#The_Owl.27s_Legacy_.28L.27H.C3.A9ritage_de_la_chouette.29|Chris Marker: The Owl's Legacy]], France/Greece, col., Beta sp, Television Mini-Series, 13 episodes x 26 min, 1989.
 
* [[Henryk_Berlewi#Works|Henryk Berlewi: Mechano-Faktura]], selected works, 1920s-60s.
 
* [[Otakar_V%C3%A1vra#The_Light_Penetrates_the_Dark_.28Sv.C4.9Btlo_pronik.C3.A1_tmou.29|Otakar Vávra: The Light Penetrates the Dark (Světlo proniká tmou)]], 35mm, 4 min, 1931.
 
* [[Zbigniew_Rybczyński#Media|Zbigniew Rybczyński: Media]], 35mm, Se-Ma-For Łódź, 1980.
 
* [[Zbigniew_Rybczyński#The_Square_.28Kwadrat.29|Zbigniew Rybczyński: The Square (Kwadrat)]], 35mm, 3'30", PWSFTviT Łódź, 1972.
 
* [[Gábor_Bódy#Four_Bagatelles_.28N.C3.A9gy_Bagatell.29|Gábor Bódy: Four Bagatelles (Négy Bagatell)]], 35mm, 28 min, 1975.
 
  
==Latest news==
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<gallery mode=packed heights=300px style=" margin:auto">
[[Image:Chladni_1830_Akustik_Table_8.jpg|left|thumb|220px|[[Ernst_Chladni#Chladni_figures_.28Klangfiguren.29|Chladni figures]], 1802.]]
 
[[Image:JE_Purkyne_kinesiskopic_disc.jpg|left|thumb|220px|[[Jan_Evangelista_Purkyně#Perception_of_space_and_movement.2C_photomicrography_.281827.E2.80.9353.29|Kinesiscopic disc]] with the portraits of Jan Evangelista Purkyně, 1865.]]
 
[[Image:Petzvals_camera.png|left|thumb|220px|[[Joseph_Petzval#Optics|''Voigtländer'' camera]] with Joseph Petzval's lens, 1840.]]
 
* Monoskop Log is featured at the online exhibition ''[http://espacevirtuel.jeudepaume.org/erreur-dimpression-1674/ Erreur d'impression/Publier à l'ère du numérique]'' [Print Error/Publishing in the Digital Age], curated by [[Alessandro Ludovico]] at the ''Espace Virtuel'' of Jeu de Paume, Paris. The exhibition runs from October 2012 through March 2014. ''Culture Mobile'' portal provides [http://www.culturemobile.net/artek/erreur-impression-une-expo-virtuelle/monoskop-log-dusan-barok-20002013 additional coverage].
 
* New featured article: [[Ernst Chladni]]. (May 2013)
 
* New featured articles: [[Jan Evangelista Purkyně]], [[Stefan Morawski]], [[P. K. Engelmeyer]], [[Joseph Murgas]], [[Ludwig Angerer]], [[Ede Kozics]], [[Eduard Schreiber]]. (April 2013)
 
* [http://www.a4.sk/program/2013-03-22-20-00 Monoskop will be discussed] in the ''Krakatoa'' talk series organised by [[Mladý pes]] initiative at [[A4 - Zero Space]] in [[Bratislava]], on March 22, 2013.
 
* Another [[Media:Monoskop_v_sieti_Rozhovor_Michala_Murina_s_Dusanom_Barokom_2012.pdf|interview about Monoskop]] appeared in the new issue of [http://www.profilart.sk/ ''Profil: Contemporary Art Magazine''] (4/2012), in Slovak. (March 2013)
 
* New featured articles: [[Štefan Anián Jedlík]], [[Joseph Petzval]]. (March 2013)
 
* [http://www.stanica.sk/2013/02/26/alef-0/ Monoskop was discussed] at the [[Stanica]] cultural centre in [[Žilina]] as part of a new discussion series ''Alef 0'', moderated by [[Zuzana Husárová]]. (28 February 2013)
 
* New featured articles: [[Dušan Hanák]], [[Dvizheniye]]. (February 2013)
 
* ''Neural'' magazine published an [[Media:Dusan_Barok_Interview_Neural_2013.pdf|interview about Monoskop]] in its 44th issue, entitled ''Post-Digital Print''. (January 2013)
 
* [[Media:Bobnic_Robert_Smrke_Jurij_Sepetavc_Jasmina_Monoskop.pdf|An interview about Monoskop]] with Robert Bobnič and Jurij Smrke of a legendary Ljubljana-based student magazine [http://www.tribuna.si/ ''Tribuna''], in Slovenian. (January 2013).
 
* New featured articles: [[Zbigniew Rybczyński]], [[Gábor Bódy]], [[Otakar Vávra]], [[Henryk Berlewi]], [[László Moholy-Nagy]], [[Milan Grygar]]. (23 October 2012)
 
* Monoskop was presented at the andragogy seminar at University of Prešov, and later that same day at Wave club in [[Prešov]] within [[CyberTalks]] series. (15 October 2012)
 
* [[Media:Monoskop.column.TheWire.Nov2012.jpg|The Wire magazine takes on Monoskop]]. (October 2012)
 
* [[Symposium|Unlimited Editions]] - A public discussion on personal collecting and media archiving. Launch of the Monoskop library. 5 July 2012, TENT, Rotterdam.
 
* A two-year [[Remake]] project which built upon Monoskop research produced a travelling exhibition, conference, performance evenings, workshop series, bilingual magazine, and an issue of open-access student journal. [[Remake|Documentation can be found here]]. (June 2012)
 
* Monoskop was [http://www.msuv.org/index.php?option=com_content&view=article&id=271%3Apredavanja-prezentacije-projekata-monoskop-i-nove-tendencije&lang=en presented] at The Museum of Contemporary Art of Vojvodina in [[Novi Sad]], as part of [http://digitizing-ideas.hr/ Digitizing Ideas] project. (18 April 2012)
 
* [[Monoskop/Brno_2012_talk|Monoskop talk]] at the Remake conference in [[Brno]], Czech Republic. (11 April 2012)
 
* Featured articles: [[Vladimir Bonačić]], [[Steina and Woody Vasulka]], [[Bulat Galeyev]], [[Stanisław Dróżdż]], [[Nicolas Schöffer]], [[Jozef Malovec]]. (16 March 2012)
 
* [[Remake|REMAKE: REthinking Media Art in K(C)ollaborative Environments]] [http://www.dum-umeni.cz/en/vystava/remake exhibition] opened in [[Brno]], Czech Republic. Remake is an international art project taking place between June 2010 and May 2012. Its aim is to foster creation and presentation of contemporary works inspired by the history of media arts. The project’s final part is an international touring exhibition which is currently shown at The Brno House of Arts. The project builds upon a long-running collaborative research of media art histories, [[Monoskop:About|Monoskop]]. Remake was started by several cultural organisations coordinated by [[Atrakt Art]] with an intention to create and present the contemporary art works inspired by history of media arts in the East-Central Europe. --[[User:Dusan|dusan]] 15:20, 11 March 2012 (CET)
 
* The first public presentation of the [[Monoskop/Zagreb 2011 talk|Monoskop media archive]], at the [http://najave.razmjenavjestina.org/2011/12/01/g33koskop-seminar-03-12-2011-1500-o-arhivi-i-knjiznici/ G33koskop] seminar in [[Mama]], [[Zagreb]]. --[[User:Dusan|dusan]] 3 December 2011
 
* Monoskop was presented at the [http://www.goethe.de/ins/ee/prj/gtw/ueb/kbe/en8140048.htm Gateways: Workshop for Curators from Central and Eastern Europe] in [[Tallinn]] by [[Mária Rišková]]. --October 2011
 
* Monoskop was presented at the [[New Media Art & Digital Art Meeting Point]] seminar in [[A4 - Zero Space]], [[Bratislava]]. [[Media:Barok.monoskop.talk.bratislava.18-5-2011.pdf‎|PDF of the talk (Slovak)]]. --[[User:Dusan|dusan]] 18 May 2011
 
  
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{{Media art and culture}}
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{{Cities}}
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<div style="float: left; width: 48%">
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Ukeles_Mierle_Laderman_1973_Washing_Tracks_Maintenance_Outside.jpg|link=Performance|[[Performance]]
  
== Site news ==
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Grof_Ferenc_2021_Das_Kapital_Raum_2_39.jpg|link=1990s|[[1990s]]
<small>
 
* Support of the [http://www.mediawikiwidgets.org/Twitter Twitter widget] enabled. You can now embed a twitter feed on your profile. (11 March 2012)
 
* Monoskop moves to a new domain: http://monoskop.org. Old links are preserved. (5 March 2012)
 
* New categories: [[:Category:3D printing|3D printing]], [[:Category:Circuit bending|Circuit bending]] (10 December 2011)
 
* New categories: [[:Category:Internet activism|Internet activism]], [[:Category:Data activism|Data activism]], [[:Category:Copyright activism|Copyright activism]], [[:Category:FLOSS|FLOSS]], [[:Category:Filesharing|Filesharing]] (4 December 2011)
 
* Monoskop wiki now supports embedding videos from Youtube, Vimeo, Blip.tv, Google Video, UStream, and basically any publicly accessible website (using HTML5 video tag), as well as documents from Google Books, Scribd, and SlideShare, image searches and slideshows from Flickr, and stills from Google Maps and Google Street View. See [http://www.mediawikiwidgets.org/Widgets_Catalog#Widgets_available MediaWikiWidgets manual] to learn how. (16 November 2011)
 
* Entry about [[:Category:Electromagnetism|Electromagnetism]] (May 2011)
 
* Entry about [[:Category:SuperCollider|SuperCollider]] (September 2010)
 
* Entry about [[:Category:Film labs|Film labs]] (June 2010)
 
* Entry about [[:Category:Hauntology|Hauntology]] (May 2010)
 
* Entry about [[:Category:Surf clubs|Surf clubs]] (April 2010)
 
* Research of history of [[Media_art_in_CEE|media arts and culture in Central and Eastern Europe]]. (2009)
 
* Realising there are almost 100 users or so registered, we did small improvements in user profiles. Using your profile (find [[Special:Userlist|here]]) you can now share what you have been working on, message others, etc. (28 July 2008)
 
</small></div><div style="float: left; width: 4%">&nbsp;&nbsp;</div><div style="float: left; width: 48%">
 
==Sister projects==
 
* [[Monoskop/log]], writings on art, culture, and media technology.
 
* [[Remake]], REthinking Media Art in K(C)ollaborative Environments
 
  
== Wiki ==
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The Years Without Art 1990-1993 c1989.png|link=Art_and_activism|[[Art and activism|Activism]]
[[Monoskop:About|Monoskop]] is a wiki where anyone can edit any article and have those changes posted immediately. Learn [http://en.wikipedia.org/wiki/Wikipedia:How_to_edit_a_page how to edit pages].
 
  
==Design==
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The_worlds_protected_areas_2015.jpg|link=Anthropocene|[[Anthropocene|Degrowth]]
Current Monoskop skin was inspired by [http://www.movingbrands.com/?category_name=wikipedia-work#img5 Moving Brands' Wikipedia Identity proposal] and [[Michael Murtaugh]]'s customized MediaWiki Monobook skin, and uses [http://www.typotheque.com/fonts/fedra_sans Fedra Sans] font designed by [[Peter Biľak]], along with [http://www.google.com/webfonts/specimen/GFS+Neohellenic Greek Font Society's Neohellenic] font for the headlines.
 
  
== Hosting ==
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Bibliotecha_Stuff_Youll_need.jpg|link=Free software|[[Free software|Free software, libre culture]]
Monoskop runs on [http://www.mediawiki.org MediaWiki] software, and is hosted by the [http://multiplace.org/wiki/doku.php?id=server Sanchez] free art server, maintained by [[Multiplace]].
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[[Base:Mastodon|Mastodon:]] [[Mastodon::https://post.lurk.org/@monoskop]]
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[[Log3|{{inf}}]]
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==wiki==
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[[Monoskop:Contents|{{inf}}]]
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[[Series:Monoskop]] __NOTOC__ __NOEDITSECTION__

Revision as of 15:19, 17 April 2024

Welcome to Monoskop, a wiki for arts and studies.

Log2

File:Collective Creativity Kollektive Kreativitaet 2005.pdf

Collective Creativity Kollektive Kreativitaet 2005.jpg

Kollektive Kreativität / Collective Creativity

Catalogue published to accompany an exhibition held at the Kunsthalle Fridericianum, Kassel (1 May–17 July 2005), curated by the collective What, How and for Whom/WHW. The exhibition explored notions of communal work and collective production, as well as their political dimensions, with regard to contemporary art production and discourse.

Contributions by Art & Language, Collective Situaciones, Charles Esche, Ljiljana Filipovic, Jon Hendricks, Brian Holmes, IRWIN, Ana Longoni, Viktor Misiano, Angelika Nollert, WHW and Stephen Wright.

Artists and groups: 3NÓS3 • AA Bronson • Allegoric Postcard Union • Pawel Althamer in collaboration with Artur Zmijewski and Nowolipie Group • Art & Language • B+B • BankMalbekRau • Joseph Beuys • BijaRi • Bokhorov / Gutov / Osmolovsky • Collective Actions • Contra Filé • Escape Program • Etcétera… • flyingCity • Freud’s Dreams Museum • General Idea • Gilbert & George • GorgonaGroup of Six Artists • Grupo de Arte Callejero • Gruppo Parole e Immagini • Guerilla Art Action Group • Dmitry Gutov • IRWIN • kleines postfordistisches Drama • Maj 75 • Moscow Portraits • Neue Slowenische Kunst • Oda Projesi • OHO • Pages • Radek Community • Mladen Stilinović • Superflex • ŠKART • Taller Popular de Serigrafia • Temporary Services and Angelo • The Revolution Will Not Be Televised • Tucmán Arde Archive (Graciela Carnevale) • Urucum • Zagreb – Cultural Kapital 3000 • What is to be done?…

 Foreword & edited by René Block and Angelika Hollert
 Publisher  Revolver, Frankfurt am Main, 2005
 ISBN  3865880894, 9783865880895
 German and English
 383 pages
 PDF (75mb)

Curators. Source.

2024-04-24

File:KUNCI Study Forum and Collective eds Tools for Radical Study A Collection of Manuals 2024.pdf

KUNCI Study Forum and Collective eds Tools for Radical Study A Collection of Manuals 2024.jpg

Tools for Radical Study: A Collection of Manuals

edited by KUNCI Study Forum & Collective

"For Tools for Radical Study: A Collection of Manuals, KUNCI have invited education practitioners from diverse learning spaces to share their tools, which have been developed through collective learning practices. At least for those who reside amid the proliferation of collective practices in the Global South, talking about and sharing tools means talking about and performing the redistribution of power – a power that is most likely derived through the process of knowledge accumulation. Talking about tools also means talking about things one finds in places like public kitchens, village meeting halls, slaughterhouses, and residential gardens – places where theory and its methods are rarely found, whether on the ground or in quotidian conversation.

Building on their educational initiative the School of Improper Education, KUNCI uses cross-referencing as a framework to provide a grounded understanding of local study contexts while also engaging in the mobility and connection of people, ideas, tools, and institutions that, in turn, multiply the frame of references in each implicated study practice. Inhabiting the space of sharing and collectivity, this multiplication creates a commons-based production of knowledge rather than a centralized accumulation of intellectual property. All contributors to this publication offer alternative forms of studying that are fundamentally practiced as a mode of sharing and nurturing alternative publics or counterpublics."

Contributors include Al Maeishah, Fawaz, Feminist Search Tools, Sanchayan Ghosh, Moelyono, S. Soedjojono and Sindhusiswara, Sima Ting Kuan Wu, and Chen Yun.

KUNCI Study Forum & Collective experiments with methods of producing and sharing knowledge through acts of studying together at the intersections between affective, manual, and intellectual labor. Since its founding in 1999 in Yogyakarta, Indonesia, KUNCI has been continuously transforming its structure, ways, and medium of working."

 Managing Editor  Sarrita Hunn
 Copy Editor  Bonnie Begusch
 Design & Illustration  Celcea Tifani, Tasia Loekito
 Printing  books factory
 Published by MARCH, March 2024
 ISBN: 978-0-9980774-3-7
 157+[16] pages
 Creative Commons Attribution-NonCommercial-Share-Alike 3.0 Unported License
 PDF (8.6mb)

Publisher.

2024-04-16

File:The Long 1980s Constellations of Art Politics and Identities 2018.pdf

The Long 1980s Constellations of Art Politics and Identities 2018.webp

The Long 1980s: Constellations of Art, Politics and Identities

"The Long 1980s considers the significance of the 1980s for culture and society today. It revisits this pivotal decade via a collection of microhistories from across Europe that span the fields of art, culture, and politics. Central to the stories in this book is the changing relationship between ideologies, governments, and their publics, the effects of which have come to shape the contemporary condition of Europe and beyond. Artists, writers, and activists were responding to and articulating these changes in myriad ways: in the streets, through words, images, objects, and actions. At the same time, new subjectivities were emerging at the intersection of race, class, gender, and sexuality, all voices that were demanding to be heard.

The publication is divided into four thematic chapters: 1. No Alternative? (on counter cultures, alternative forms of self-organization and art as activism); 2. Know Your Rights (on civil liberties, the rising planetary consciousness and new ecologies); 3. Processes of Identification (on anti-colonial positions and the drive for sexual and gender equality through culture); 4. New Order (on the far-reaching effects of the neoliberal regime and, finally, the significance of the year 1989). Comprising newly commissioned essays by leading thinkers alongside seventy case studies, including images and archival material published for the first time, this reader offers an invaluable and alternative reading of the recent past. A constellation of over seventy micro-histories, ranging from significant exhibitions or events to publications or key essays are presented across the four sections, spanning the different contexts out of which the research developed: Belgium, Catalonia, the Netherlands, Slovenia, Spain, Turkey and the UK. These case studies are presented through a rich combination of archival material, reproductions or reprinted texts with introductions by curators, historians, and theorists."

Editors: Nick Aikens (Van Abbemuseum, Eindhoven), Teresa Grandas (MACBA, Barcelona), Nav Haq (M HKA, Antwerp), Beatriz Herráez (independent curator, San Sebastián), and Nataša Petrešin-Bachelez (L'Internationale Online).

Contributors: Nick Aikens, Henry Andersen, Zdenka Badovinac, Barış Gençer Baykan, Cristina Cámara Bello, Hakim Bey, Manuel Borja-Villel, Rosi Braidotti, Boris Buden, Jesús Carrillo, Bojana Cvejić, Luc Deleu, Ayşe Düzkan, Diedrich Diederichsen, Nazım Hikmet Richard Dikbaş, Corinne Diserens, Merve Elveren, Charles Esche, Marcelo Expósito, Božidar Flajšman, Annie Fletcher, Diana Franssen, June Givanni, Lisa Godson, Teresa Grandas, Nav Haq, Beatriz Herráez, Lubaina Himid, Lola Hinojosa, Antony Hudek, Tea Hvala, Gal Kirn, Neža Kogovšek Šalamon, Anders Kreuger, Elisabeth Lebovici, Rogelio López Cuenca, Geert Lovink, Amna Malik, Pablo Martínez, Lourdes Méndez, Aleš Mendiževec, Ana Mizerit, Alexei Monroe, Meriç Öner, Nataša Petrešin-Bachelez, Bojana Piškur, Marta Popivoda, Carlos Prieto del Campo, Pedro G. Romero, Rafael Sánchez Ferlosio, Igor Španjol, Chris Straetling, Luis Trindade, Erman Ata Uncu, Jelena Vesić, Mar Villaespesa, Vladimir Jerić Vlidi, and Ana Vujanović.

 Publisher Valiz, Amsterdam, with L'internationale, 2018
 ISBN 978-94-92095-49-7
 Open access (2024)
 416 pages
 PDF (115 mb)

Publisher. Publisher.

2024-04-11

File:Ludovico Alessandro Tactical Publishing Using Senses Software and Archives in the Twenty-First Century 2024.pdf

Ludovico Alessandro Tactical Publishing Using Senses Software and Archives in the Twenty-First Century 2024.jpg

Tactical Publishing: Using Senses, Software, and Archives in the Twenty-First Century

by Alessandro Ludovico

"How to level up to the next transformative phase of publishing—with a critical methodology that transcends the dichotomy of paper and digital media production.

Publishing is experiencing one of the most transformative phases in its history. In Tactical Publishing, a sequel to Post-Digital Print, Alessandro Ludovico explores the forces driving this historical phase, highlighting the tremendous opportunities it presents. Our task, he believes, is to develop an alternative publishing system that transcends the dichotomy between paper and digital media. He focuses first on the two activities on which publishing is premised—reading and writing (with an emphasis on writing machines and post-truth in the latter)—and then deconstructs the concept, proposing alternative strategies inspired by recent practices and unconventional uses of technology.

Ludovico shows how the radical and strategic use of print in the past can serve as the basis for our transition to the next phase of publishing. He argues that the new ecology of publishing should be based on three main elements: the stimulation of our senses, the role of software in forming the publishing infrastructure, and the importance of archives. During this transition from the current post-digital phase to the next phase, independent publishers and artists, as well as readers and machines, will enable new structures and actions that realize the potential of publishing and the preservation of content, thereby enriching social practices. The author also considers the crucial social role played by new forms of libraries, as artists and publishers shape the coming publishing world in its various manifestations. Combining analytical accounts of tactical strategies with examples from artworks and experimental practices, the book concludes with a manifesto for publishing in the twenty-first century and an appendix with a selection of one hundred publications representing the “periodic table” of future publishing."

 Foreword by Nick Montfort
 Publisher: The MIT Press
 Series: Leonardo
 Pub date: January 16, 2024
 Creative Commons CC-BY-NC-ND license
 ISBN: 9780262542050
 xii+324 pages
 PDF

Publisher. Publisher.

2024-04-08

File:Lindgren Jacob ed Extra-curricular 2018.pdf

Lindgren Jacob ed Extra-curricular 2018.jpg
Extra-curricular

edited by Jacob Lindgren

"Extra-curricular is a reader of texts on and around the topic of self-organized learning, curriculum, experiments, and alternatives in graphic design education. Occurring both within and separate from existing institutions, these other forms of learning and organization question how such learning takes place, for whom, and the ideologies inherent in existing models, among many other things. An (admittedly) incomplete inventory inspired by the widespread activity and educational turn (or shift) in the field, this book aims to serve as a point of departure for further discussion and experimentation."

With contributions from: Adam Cruickshank, Chris Lee, Decolonising Design, Diego Bustamante, Katharina Hetzeneder, & Ariadna Serrahima (Parallel School Cali), Elisabeth Klement & Laura Pappa (Signals from the Periphery), Esther McManus, Evening Class, Francisco Laranjo, Jack Henrie Fisher, James Langdon, Joe Potts (Southland Institute), Kristina Ketola Bore & João Doria (The Ventriloquist Summerschool), Leigh Mignogna & Frances Pharr (Recreating a Women’s School), Mark Owens, Robert Preusse, Till Wittwer, & Stefanie Rau (Parallel School Berlin/Brno), Sean Yendrys (A School, A Park), Silvio Lorusso, Sopie Demay & Clara Degay, Stuart Bertolotti-Bailey and David Reinfurt (The Serving Library), and Will Street (The Transparent School).

 Publisher Onomatopee, Eindhoven, 2018
 Creative Commons BY-SA 4.0 License
 ISBN 978-94-91677-92-2
 340 pages
 PDF

Publisher.

2024-04-01

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